Spaceman_Spiff
New Head-Fier
- Joined
- Sep 30, 2009
- Posts
- 31
- Likes
- 0
Quote:
I suspect that we may be having a conflict of definitions. When I say that a piece of music has aged poorly, I mean exactly that it is less relevant today than it was when it was conceived/first recorded by its creator. Within the realm of popular music this tends to mean that the lyrical content, together with its "synergy" with the melodic content, of the piece has lost its relevance. I place less significance on the melodic content itself; because while musical ideas are continually evolving, they are also continually revisiting and riffing on the sounds of earlier generations (for instance I am currently listening to the latest Muse album and parts of it sound like they were lifted directly from the brain, if not the sheetmusic, of Chopin). So, leaving recording technology aside, sounding "dated" melodically is somewhat cyclical.
Quote:
Fair enough, but we are sticking to popular music. Some genres are more susceptible to aging poorly than others. That doesn't affect my argument about the Beatles.
Quote:
Again, my earlier example of Dylan was tangential. Lennon/McCartney's influences have no bearing on how well their music has aged. I agree that there are examples of popular music that has aged better and popular music that has aged worse than the Beatles. That still has no bearing on my argument.
Quote:
Ah-Ha! I think now we are getting closer to the mark.
I suspect that if we were to ask a sample of people to listen to "Please Please Me" and judge whether or not the music was relevant today, the vote would largely be split along age lines. On one side you have a generation with a vague notion of who the Beatles were, and on the other you have a generation who grew up with the Beatles. We have hit the problem with my definition in the first paragraph. How do you judge "relevance?"
Two obvious solutions spring to mind. The first would be to simply be democratic, and define relevant as relevant to the majority of the population. However, I don't think polling the globe on the relevance of the Beatles is feasible... So accepting this solution invites solipsism. Our own biases lead us to conclude that our own feelings are somehow more representative than our opponent's. The other solution is to define relevance as a comparison of the ideas in question to the prevailing zeitgeist. I feel that this is more objective and the preferable definition. However, it has the unfortunate side-effect of validating only the opinions of the young. This is probably inescapable.
That's not to say that only young people should be able to judge the relevance of a piece of music, or engage in this debate. Rather it just means that any argument for how well a song has aged should reference the social attitudes of the time. There is little place in this discussion for nostalgia. If its any consolation, I'm sure that in thirty years time I will be defending Nirvana's relevance from the attacks of some sneering youths.
Quote:
Certainly not. The example of "The Freewheelin' Bob Dylan" was intended as a mere curiosity.
I still stand by my original statement. To my mind the early Beatles music has aged terribly. Some of their work is almost completely irrelevant today. I would again invite you to consider the two examples I referenced in my previous post.
Originally Posted by Csericks /img/forum/go_quote.gif There is a great deal of space between "aged terribly" and "relevant today". |
I suspect that we may be having a conflict of definitions. When I say that a piece of music has aged poorly, I mean exactly that it is less relevant today than it was when it was conceived/first recorded by its creator. Within the realm of popular music this tends to mean that the lyrical content, together with its "synergy" with the melodic content, of the piece has lost its relevance. I place less significance on the melodic content itself; because while musical ideas are continually evolving, they are also continually revisiting and riffing on the sounds of earlier generations (for instance I am currently listening to the latest Muse album and parts of it sound like they were lifted directly from the brain, if not the sheetmusic, of Chopin). So, leaving recording technology aside, sounding "dated" melodically is somewhat cyclical.
Quote:
Originally Posted by Csericks /img/forum/go_quote.gif I can think of numerous examples of jazz form the '60s and earlier, blues from the '60s and earlier that are, in my opinion, better than anything recorded today. Blues and jazz are my favorite genres. |
Fair enough, but we are sticking to popular music. Some genres are more susceptible to aging poorly than others. That doesn't affect my argument about the Beatles.
Quote:
Originally Posted by Csericks /img/forum/go_quote.gif It is my understanding that Dylan was a (the) key figure who prompted Lennon to craft socially relevant lyrics. There are countless examples of music recorded throughout the 20th century that have aged as well, or better than that of The Beatles in my opinion. |
Again, my earlier example of Dylan was tangential. Lennon/McCartney's influences have no bearing on how well their music has aged. I agree that there are examples of popular music that has aged better and popular music that has aged worse than the Beatles. That still has no bearing on my argument.
Quote:
Originally Posted by Csericks /img/forum/go_quote.gif I enjoy The Beatles. I grew up listening to new Beatles recordings as they were issued. For me The Beatles are NOT sacred. However I still contend that albums such as Please Please Me still sound fresh and alive. |
Ah-Ha! I think now we are getting closer to the mark.
I suspect that if we were to ask a sample of people to listen to "Please Please Me" and judge whether or not the music was relevant today, the vote would largely be split along age lines. On one side you have a generation with a vague notion of who the Beatles were, and on the other you have a generation who grew up with the Beatles. We have hit the problem with my definition in the first paragraph. How do you judge "relevance?"
Two obvious solutions spring to mind. The first would be to simply be democratic, and define relevant as relevant to the majority of the population. However, I don't think polling the globe on the relevance of the Beatles is feasible... So accepting this solution invites solipsism. Our own biases lead us to conclude that our own feelings are somehow more representative than our opponent's. The other solution is to define relevance as a comparison of the ideas in question to the prevailing zeitgeist. I feel that this is more objective and the preferable definition. However, it has the unfortunate side-effect of validating only the opinions of the young. This is probably inescapable.
That's not to say that only young people should be able to judge the relevance of a piece of music, or engage in this debate. Rather it just means that any argument for how well a song has aged should reference the social attitudes of the time. There is little place in this discussion for nostalgia. If its any consolation, I'm sure that in thirty years time I will be defending Nirvana's relevance from the attacks of some sneering youths.
Quote:
Originally Posted by Csericks /img/forum/go_quote.gif I think that because you might feel a selected LP by Dylan seems more relevant or I might select a particular recording by Ornette Coleman or an early work by T-Bone Walker, these choices do not necessitate driving early Beatles work into the realm of "aged terribly". |
Certainly not. The example of "The Freewheelin' Bob Dylan" was intended as a mere curiosity.
I still stand by my original statement. To my mind the early Beatles music has aged terribly. Some of their work is almost completely irrelevant today. I would again invite you to consider the two examples I referenced in my previous post.