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Originally Posted by Applebean /img/forum/go_quote.gif
Hm, so they actually increase the soundstage (seperation between instruments?)? Interesting, I thought it was more to do with bass/treble levels and crossfeed.
What exactly do you mean by 'driving' the headphones?
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The diaphragm of a headphone driver is an electro-mechanical device. It responds to an electrical signal produced by an amplifier in response to a much smaller music source signal.
The reaction of the headphone driver is to make an excursion (push out). When the signal stops, the driver snaps back into position. How fast it snaps back is somewhat a function of the quality of the driver. When it does snap back, a backward EMF is sent back through the wires to the amplifier - a small signal in the reverse direction just as if it were a microphone.
The amplifier either damps this signal to nothingness, allowing the driver its maximum excursion capability for the next signal, or the backward EMF gets reflected back, pushes out the driver again at some lesser value, then snaps back, sends another backward EMF signal back through the wires to the ammplifier. This keeps going until the amp is finally able to damp the signal in accordance with its capability, while continuing to send out more amplified music signal.
This is called ringing. Most of the time, with our small headphone diaphragms, the excursions are super small and the ringing can't be directly heard. However, removing the ringing with a much higher quality amp can result in what sounds like increased transparency, wider soundstage, and a better crispness in the music.
The typical amplifiers in a PCDP or similar device are often woefully inadequate to handle much of the above in an audiophile-quality-level fashion for all but the most outrageously efficient earbuds/iems.
Anyway, that's sort of what's meant by "driving the headphones" - the amp has total control, hopefully, and doesn't zig and zig on its way to producing beautiful music.
EDIT: That's the way I look at it, anyway.