Do amplifiers sound the same?

Dec 20, 2006 at 10:54 PM Thread Starter Post #1 of 44

mbriant

Headphoneus Supremus
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First, let me say that I personally tend to be sceptical when it comes to certain claims made by some manufacturers, retailers, and audiophiles. I, like some others, usually prefer objective measurements to subjective observations. I do still try to keep an open mind however, as I realize that everyone hears differently, some are better trained/experienced as to what to listen for, and everyone listens to a different combination of equipment.

In the past couple of days I've noticed a couple of members who have argued that amplifiers all sound the same and have used the following article written by Ian Masters to support their argument. http://www.mastersonaudio.com/audio/20020901.htm

I know Ian Masters personally. He was a contributing editor for many years, and for a short period, editor of a Canadian audio magazine I used to publish. The editorial team of that magazine were very much in the objectivist camp. I'm familiar with the events and the people he refers to in that particular article. After re-reading what he had to say, it occurred to me that his abbreviated rendition of those various tests which were conducted many years ago, were somewhat misleading as they did not tell the entire story.

I haven't spoken to Ian in 10 years, but still keep in regular contact with a friend and mutual associate, Alan Lofft, who also was a long time editor of the magazine and who worked very closely for many years with Ian Masters. In fact, Alan participated in some of the testing Ian mentions in the article I've linked above. Both of these men have been full-time professional audio journalists and reviewers for several decades. I've witnessed many and even participated in a couple of their extensive double blind listening sessions conducted under strict scientific supervision at the National Research Council in Ottawa. I can say without hesitation that they are serious about their work and they do know their stuff.

After seeing Ian's article being used to "prove" that all amplifiers sound the same, I contacted Alan Lofft yesterday to get some clarification. The following are some excerpts from his correspondence:

Quote:

Originally Posted by Alan Loft
Mike, by the way, all these tests assumed (and monitored the output of the amplifiers so they never clipped) that the amplifiers were not pushed into clipping or near-clipping and that their frequency responses were flat and linear and distortion measured a fraction of 1%, well below the threshold of detection with music. Of course larger amplifiers will have more reserve in the power supply for dynamic peaks, which is why I always urge people to buy as much power as they can afford especially if they like rock n roll at the levels Ian Colquhoun (edit by MB: Ian Coquhoun the owner of Axiom Audio) and some of my Axiom colleagues listen at well over 100 dB SPL 22 feet back from the main speakers). Jean Poirier, one of our French guys, shut down three Denon 350-watt monoblocs of Ian's.

But in our tests, so long as the amplifiers were not clipped, there were no audible differences, even with so-called difficult loads. We had a pair of Quads and the Macintosh tube amplifiers as well, and no differences emerged there.

Designing a smooth, wide-band linear power amplifier with transistors or tubes is a piece of cake for a competent engineer because the audio bandwidth is to relatively tiny, just 20 Hz to 20 kHz. Video is a different matter, where high frequencies extend into the GigaHertz range--millions of Hertz.



But here is the crucial part that makes the above comments and Ian Master's article completely inapplicable to the recent headphone amp discussions that have been carried out here during the past couple of days. Remember that when Alan says "My comments", this can also be applied to Ian Master's comments as well ... both these gentlemen participated in that testing and both are in agreement regarding this particular subject.

Quote:

Originally Posted by Alan Lofft
My comments apply ONLY to loudspeakers driven by well designed transistor or tube amplifiers--the ones that were in the test.

Headphone impedances are all over the map, and the potential for interaction with tube output impedances (and resulting changes in frequency response) are great. It's not just slight volume differences that can affect the sound -- although those can be hugely influential -- but tiny frequency response variations. Remember, we can detect 1-dB differences in frequency response in the midrange.



You will not likely find anyone with a more objectivist outlook than Ian and Alan, and yet Alan is effectively saying that with headphone amplifiers at least, there WILL be noticable, audible differences between various amps and headphones.

Again, since Ian's article was being used incorrectly to argue that headphone amps all sound the same, I felt it was important to clear this up. I would imagine that any other articles making similar claims, also refer to power amps for loudspeakers ... not headphone amps.
 
Dec 20, 2006 at 10:57 PM Post #2 of 44
No.


I mean, COME ON!
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And shame on you, Mike, for even asking.
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Dec 20, 2006 at 11:01 PM Post #3 of 44
Very interesting, informative, and timely post.

I especially appreciate this comment by Mr. Lofft:

"Headphone impedances are all over the map, and the potential for interaction with tube output impedances (and resulting changes in frequency response) are great. It's not just slight volume differences that can affect the sound -- although those can be hugely influential -- but tiny frequency response variations. Remember, we can detect 1-dB differences in frequency response in the midrange."

That explains nicely what many of us have heard -- and there ain't no denying it.
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Dec 20, 2006 at 11:15 PM Post #5 of 44
If all amps sounded the same then how would you explain this? (using HD595s to listen to the very same song)

My ipod HP jack sound quality sucks
My ipod/alo dock/LDM+ sound quality is pretty decent
My ipod/alo dock/Hornet sound quality is amazing.

Shouldn't they all sound the same?
rolleyes.gif
 
Dec 20, 2006 at 11:26 PM Post #8 of 44
I think taht this is a great thread and the fct of HPs impedences is really intresting I have to run now but hope to check back into this thread in a few hours and it be a few pages long.
-greg
 
Dec 21, 2006 at 12:17 AM Post #10 of 44
Well, that makes sense since they did their objective testing with loudspeakers and not headphones.

I haven’t read the article or the recent threads/posts, but when one person believes amps sound the same another person may find slight differences while another person substantial difference; it just a personal opinion on the particular amps compared. Also how the person defines the word same is probably important.

Yet he doesn’t seem to say that headphone amps sound different or the same. Instead he said the interaction between the headphone amps and headphones are great. Seemingly it might have more to do with the headphones than the headphone amps. I've noticed greater differences between different headphones in my system than “generally” I have with different headphone amps.
 
Dec 21, 2006 at 12:37 AM Post #11 of 44
Quote:

Originally Posted by 909 /img/forum/go_quote.gif
Yet he doesn’t seem to say that headphone amps sound different or the same.


It seems to me that he is suggesting that there is a probability that they could sound different (which is what our practical experience tells us). Yes, he uses the word "potential." But he is suggesting that different headphone impedances in combination with different tube output impedances can change the audible frequency response, in a fashion that would be quite noticeable. And this coming from someone whose general viewpoint is that amps sound the same (to oversimplify it a bit).

To put it another way, the previous debate was one between folks who say "I hear X" and folks who say "All tests show you can't hear X." Now, we have someone who has conducted those very tests who says "When I said the tests show you can't hear X, I was talking about speakers, and when you are talking about headphones and tube amps, the 'potential' that you can indeed hear X is 'great'" (again to oversimplify). That seems to be pretty siginficant as I read it.
 
Dec 21, 2006 at 1:08 AM Post #13 of 44
I recently sent in my Cary amp for repair and stole back my Adcom from my kids' room. The life was sucked out of the music.

When I got back my Cary, "The Hills Are Alive, With The Sound of Music" again.

You can test and analyze with numbers all you want, but my ears and heart beg to differ.

There are other considerations. Width and depth of soundstage. Noise floor due to RFI protection and tolerances of resistors and capacitors used.

I digress.
 
Dec 21, 2006 at 1:17 AM Post #14 of 44
Yeah, and all digital sources sound the same - binary coded data is all the same.

Nonsense.

Two amps - one measures great and sounds bad while the other measures bad but sounds good.

Objective measurement in audio is incomplete - many real important variables are either unknown or unmeasureable.

Anyone who says all (even just high quality) amps sound the same lacks discriminating auditory perceptual judgement.
 
Dec 21, 2006 at 1:48 AM Post #15 of 44
If all amps were to sound the same then...
(after every bullet say "...would all be the same or would not be perceptible.")

- differences in transient response ...
- differences in the dampening factor...
- differences in the 'speed' of the amp, not meaning transient response but rather the attack and decay rate of the amp...
- differences in frequency response ...
- differences in the amplifier's total dynamic range...
- differences in amplification linearity across the dynamic range of the music ...
- differences in the power supply of the amplifier...
- differences in the ability to 'dump' current quickly into a dynamic driver's signal induced impedance dip to sometimes a fraction of its nominal impedance...
- differences in the manner the amplifier's voltage signal 'droops' (or not) during a dynamic driver's signal induced impedance dip ...
- differences in its "first watt" ...
- differences in biasing such as A, AB1, AB2, B, etc. and most importantly whether there is any switching distortion or not...
- differnces in topology of amplification wether push-pull or single ended, and how that affects harmonic creation or cancellation ...
- differences in output type whether OTL, transformer, capacitor coupled...
- differences in internal amplifier stage coupling...
- differences in how harmonics are produced within the amplifier at low level...
- differences in how harmonics are produced within the amplifier at high level...
- differences in how many stages there are within the amplifier, and whether harmonics of harmonics from earlier stages are produced ... or not...
- quite a bit more... and of course how each bullet may affect and interact with all the other bullet items...

....now say it with me... would all be the same or would not be perceptible. Now, we all know though that they all are NOT the same, and all ARE perceptible ... silly silly silly of anyone to think they are the same or are not perceptible.
 

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