Thanks for this info. I believe he's replacing the coupling capacitor with an interstage transformer.
Some background info: For my hi-fi system I have experimented over the past 20+ years with transformers in various applications (moving coil step-up, transformer volume control, etc) with mixed results. I found that most transformers lost some life, dynamics, resolution, and detail and only a few made with the best materials including pure silver windings could sound transparent. I have been running parallel single ended 2A3s in my speaker system since 1999 and this arrangement can sound very good. These were capacitor coupled with a silver foil capacitor. In 2008 I took the risk based on recommendation from a few close friends and upgraded them to new models with interstage transformers made with double C nickel cores and pure silver windings for the primary and secondary. I found they sounded better than my prior amps and that they didn't lose any detail. From this experience, when I started developing the Stratus in 2010 the first few prototypes used a bifilar-wound interstage transformer with silicon steel EI core and copper windings to drive the 2A3. In theory this should be an ideal arrangement: high AC load impedance for the driver tube and low DC resistance to ground for the 2A3 grid. It measured well on the AP and sounded good, however in comparison to some other amps on hand it didn't have the same resolving power, glossing over the microdynamics and subtle textures of individual musical instruments in the recording. I then reluctantly removed the interstage transformer and replaced it with plate and grid loading resistors and a coupling capacitors and immediately the resolution and detail improved. Thinking back, this didn't surprise me from my experience with transformers described earlier. Further listening comparisons and parts exchanges lead to the final selection of coupling capacitor, plate and grid loading resistors used in production. For the intended price point, I felt this was the best sounding arrangement I could make.
Thus, in my opinion for your Levi build I wouldn't use anything less than a Tango or Audio Note double C interstage transformer.
The Stratus was developed to be a headphone-only amplifier. The output transformers are specifically developed for this purpose. Adding speaker outputs would require new output transformers which, in my opinion, would compromise the headphone performance.
For the 2A3s I use an unregulated DC supply with hum-nulling potentiometer which you adjust by ear for each tube which helps balance the current through the tube and take the DC supply out of the signal path. I found this to be a good sounding solution.
I understand and appreciate your request to have an amplifier built in a custom color. I've decided to continue producing them only in the beautiful, high gloss blue. The color and styling are part of the overall user experience I'm offering and would like to keep it consistent for everyone.