PL4Y3R 0N3
Headphoneus Supremus
- Joined
- Jun 26, 2016
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I saw a video on YouTube about making a CIEM at home, and it gave me some ideas.
I've had a certain pair of IEMs from a company that broke my heart quite a while back, the Trinity Audio Engineering Phantom Master 4. back when I was a newbie to the hobby and browsing the forums, they caught my attention hard. Much like everyone else I was pulled in by the hype train and dedicated way more money than I probably should have at the time to the kickstarter for the Phantom Master 6. I was insanely hyped, for the first few months that is. Several months after the deliveries were supposed to start, I pulled my contribution. The Phantom Master 6 still haunts my dreams to this day, so when I stumbled across the Phantom Master 4 on eBay for $40, of course I snapped it up as quickly as possible. Overall, for the money I paid, I'm impressed. I won't go into a quasi-review because I am so far from qualified for it, but my only real complaint about the sound is that the mids are veiled. Also the cables are thin as spider web and the filters don't want to stay on depending on which side you decide to screw them into.
But that's not the main problem I have. The biggest problem is I cannot for the life of me get a comfortable fit with a good seal. It's infuriating. I've tried several different types of tips, all different sizes, and nothing works. That's what got me thinking about getting them reshelled, but nobody I can see would be willing to do it, and even if they were it would take a long time and cost me several hundred dollars. This is when I saw the video.
Now don't get me wrong, I don't think this will be easy by any stretch of the imagination, but I still want to try. But I don't want to be stupid or reckless about this. If I mess up, there's a slim to none chance that I can find another pair, especially at that price. So, here's the plan:
Step one: do the impression and make the molds. obvious first step, it's necessary to do literally anything else.
Step two: reshell a cheap chifi all BA IEM. I'm thinking something in the KZ line.
Step three: study the first attempt, make adjustments, reshell a hybrid IEM. I'm thinking the BASN Bmaster Triple Driver. Got a set for my girlfriend as an experiment and they sound pretty decent. This will give me some experience with handling a dynamic driver in the process. I have absolutely no clue how I'm gonna implement it, how I'll handle the bass port, how I'll convert from a MMCX to 2 pin, etc. I might have to retry this a few times, but I'll get this done flawlessly before I move on to step 4
Step 4: take apart the Trinity and start making a plan. I don't want to rush into things, and the Trinity is definitely going to be a lot more complex than any of the other IEMS here. I have a few things I want to try before I disassemble them.
- I want to try another cable. I already have the Thieaudio EST 100 strand litz ordered. I'm curious if that changes the sound, because the stock cables are dismal
- I'm considering adding a driver into the array, but I'm really not sure how that would work out for me. I want to change up the mids a little, but I'm pessimistic about my ability to do something like that. I need to do a lot more research before I even consider this, but it's an option
-I'm considering adding a crossover, but I don't know if that would be 1) possible 2) advised or 3) necessary. I remember when these IEMs were first announced Trinity specifically said that having no crossovers was a deliberate choice in the design. I don't claim to be an audio engineer, or an enthusiast headphone tinkerer, or even like, smart, but I just think that I would have more control over the sound if a crossover was implemented. More research, as always.
- I want to tame the treble just a tad, but not like the whole treble, just a specific spike. I don't really know where it is in the frequency spectrum, but I can hear it in certain tracks, cymbal crashes and such. I don't know how to describe it, which is why you'll never see me write a review on this site.
So I want to answer the question before it's asked: Why???
Because as much as they broke my heart, Trinity Audio did more to pull me into this hobby than anything else did. I can't think of any other product that I was hyped that much for (except the Verum 1, but that was a very recent thing and I love mine). I really wanted them to succeed. I wanted to have the PM6, the Hunter (I'd kill to get my hands on these. AFAIK the only ones that exist are the demo units that a few people reviewed. What happened to those I wonder...), I wanted their cool funky multi-driver headphones that they had on their website. I don't know what happened, if he was running the margins hard and the production overhead on the hunter and PM6 killed him or what, but I loved the fresh new ideas I was seeing. I want to show my love for the first audio project that captured my heart, against the better judgement of my head.
Also, because I want something truly one of a kind. I want something completely unlike anything else on the scene. Not because it's practical, but because it's challenging. Do I think I can pull this off? Honestly, I don't like my chances. But I'll be damned if I let another moonshot project in my head pass me by. Life's too short to let fear of failure hold me back.
So now, I post this thread for two reasons: to get your help, and to be held somewhat accountable. Please give me your thoughts on the project. Thanks.
I've had a certain pair of IEMs from a company that broke my heart quite a while back, the Trinity Audio Engineering Phantom Master 4. back when I was a newbie to the hobby and browsing the forums, they caught my attention hard. Much like everyone else I was pulled in by the hype train and dedicated way more money than I probably should have at the time to the kickstarter for the Phantom Master 6. I was insanely hyped, for the first few months that is. Several months after the deliveries were supposed to start, I pulled my contribution. The Phantom Master 6 still haunts my dreams to this day, so when I stumbled across the Phantom Master 4 on eBay for $40, of course I snapped it up as quickly as possible. Overall, for the money I paid, I'm impressed. I won't go into a quasi-review because I am so far from qualified for it, but my only real complaint about the sound is that the mids are veiled. Also the cables are thin as spider web and the filters don't want to stay on depending on which side you decide to screw them into.
But that's not the main problem I have. The biggest problem is I cannot for the life of me get a comfortable fit with a good seal. It's infuriating. I've tried several different types of tips, all different sizes, and nothing works. That's what got me thinking about getting them reshelled, but nobody I can see would be willing to do it, and even if they were it would take a long time and cost me several hundred dollars. This is when I saw the video.
Now don't get me wrong, I don't think this will be easy by any stretch of the imagination, but I still want to try. But I don't want to be stupid or reckless about this. If I mess up, there's a slim to none chance that I can find another pair, especially at that price. So, here's the plan:
Step one: do the impression and make the molds. obvious first step, it's necessary to do literally anything else.
Step two: reshell a cheap chifi all BA IEM. I'm thinking something in the KZ line.
Step three: study the first attempt, make adjustments, reshell a hybrid IEM. I'm thinking the BASN Bmaster Triple Driver. Got a set for my girlfriend as an experiment and they sound pretty decent. This will give me some experience with handling a dynamic driver in the process. I have absolutely no clue how I'm gonna implement it, how I'll handle the bass port, how I'll convert from a MMCX to 2 pin, etc. I might have to retry this a few times, but I'll get this done flawlessly before I move on to step 4
Step 4: take apart the Trinity and start making a plan. I don't want to rush into things, and the Trinity is definitely going to be a lot more complex than any of the other IEMS here. I have a few things I want to try before I disassemble them.
- I want to try another cable. I already have the Thieaudio EST 100 strand litz ordered. I'm curious if that changes the sound, because the stock cables are dismal
- I'm considering adding a driver into the array, but I'm really not sure how that would work out for me. I want to change up the mids a little, but I'm pessimistic about my ability to do something like that. I need to do a lot more research before I even consider this, but it's an option
-I'm considering adding a crossover, but I don't know if that would be 1) possible 2) advised or 3) necessary. I remember when these IEMs were first announced Trinity specifically said that having no crossovers was a deliberate choice in the design. I don't claim to be an audio engineer, or an enthusiast headphone tinkerer, or even like, smart, but I just think that I would have more control over the sound if a crossover was implemented. More research, as always.
- I want to tame the treble just a tad, but not like the whole treble, just a specific spike. I don't really know where it is in the frequency spectrum, but I can hear it in certain tracks, cymbal crashes and such. I don't know how to describe it, which is why you'll never see me write a review on this site.
So I want to answer the question before it's asked: Why???
Because as much as they broke my heart, Trinity Audio did more to pull me into this hobby than anything else did. I can't think of any other product that I was hyped that much for (except the Verum 1, but that was a very recent thing and I love mine). I really wanted them to succeed. I wanted to have the PM6, the Hunter (I'd kill to get my hands on these. AFAIK the only ones that exist are the demo units that a few people reviewed. What happened to those I wonder...), I wanted their cool funky multi-driver headphones that they had on their website. I don't know what happened, if he was running the margins hard and the production overhead on the hunter and PM6 killed him or what, but I loved the fresh new ideas I was seeing. I want to show my love for the first audio project that captured my heart, against the better judgement of my head.
Also, because I want something truly one of a kind. I want something completely unlike anything else on the scene. Not because it's practical, but because it's challenging. Do I think I can pull this off? Honestly, I don't like my chances. But I'll be damned if I let another moonshot project in my head pass me by. Life's too short to let fear of failure hold me back.
So now, I post this thread for two reasons: to get your help, and to be held somewhat accountable. Please give me your thoughts on the project. Thanks.