For a high quality USB DAC (currently in the process of designing one myself) I would recommend going
over to DIYaudio and checking out a few things about designing them. The
AD1896 may / may not be a good choice (modulation of jitter, rather than removal). But I could be wrong,
you definitely want to get a second opinion) and the Wolfson DACs are good, if you do not wish to come up
with your own I/V stage. Personally if I were going for high end (I am), I would use a DAC that has
current out so you can design the low pass filter and I/V stage yourself (most likely it'll beat the Wolfson DAC in sound).
In fact, that I/V stage probably has one of the most significant impacts on the sound.
For I/V conversion, you could do passive (but as many people have told me, DACs like to see a low input (0 ohm) impedance.
Something they can just dump all their current into.) I was going that route,
using 2 Lundahl transformers and a resistor in parallel, but decided it was the lazy thing to do and I
probably wouldn't achieve the great sound I'm looking for (didn't like the sound at all). If you used the
transformers for that DAC though (voltage out, you see) they'd probably work rather well.
But like I said, you don't have control over the I/V conversion and are limited to what's actually in the chip itself
(probably opamp based and cheap ones at that, NE5534...JRC4558...etc...). You want to be in control,
this is why I do DIY audio.
For the clocking, basically you have the incoming clock retrieved from the USB audio data and being spit out in I2S form.
This goes to your lovely asynchronous reclocker (AD1896 in this case) and is essentially reclocked to another clock
feeding into the AD1896. Whether this has any benefits or eliminates jitter is up for debate
(DIYaudio would be the place to go). Again, personally I shunned off that idea and opted for elimination of jitter at
the source (but we're dealing with USB here, so I'm not sure what I'd go for.)
What I'm doing is this:
PCM2707 -> PCM1794 -> LPF (before the amplification stage) -> I/V conversion -> Balanced out
All parts of that plan are subject to intense analysis and debating on which parts to use for the best sound.
It's honestly very difficult sometimes to choose the right option, so I'm opting for a separate board for the I/V
and other analog crap so I can swap out and see what I like. I guess I could also use a series of switches to see
whether asynchronous reclocking does any good (I have a few AD1896s somewhere...).
But one of the key points here is that you want to be in control of the I/V stage and filtering.
I remember routing my first PCB, and it looked very similar to that. It takes a quite a bit of time, discipline, and foresight
to really see what's going on. I highly suggest you head over to
http://www.alternatezone.com/electronics/pcbdesign.htm
and read that article. It's very good, and taught me much of what I know about routing.
It also helps to get advice (like here!) on routing (coupling capacitors should be close to pins,
one unified but partitioned ground plane...).Guido Tent (of
http://www.tentlabs.com)
also has very good information on routing, and the importance of component placement.
I won't go into too much detail (there's so much to explain!) but you feel much better
about doing PCBs after reading all that stuff. Old threads on
http://www.diyaudio.com
and here are also quite valuable. Information on I/V conversion and techniques can of course be found
in these locations as well.
I wish you good luck!
~Thomas