Thank you
@PaganDL so much for the detailed response ! It's a lot of useful information and it also brings up a few questions.
No problem,
@Virgule.
Happy to help, I be surprised if you didn't have questions...
1. You asked for my goal, what I'm trying to achieve.
I kind of geared up bit by bit and ended up with semi respectable equipment including a balanced amp. I was also considering a tube amp as I am a guitarist and have a particular affinity with the tube sound. I also have a pair of Beyerdynamic DT990 Premium 32 Ohm which wouldn't be balanceable.
Well, with the Scarlett, you're definitely off to a good start.
I can't directly recommend you any guitar amps as I am no guitarist, my instrument background in more in percussion & wind instruments...
However, I can point you in the right direction for good guitar tube amps & suggest you look into Produce Like A Pro / Warren Huart's Youtube Channel as he is an amazing guitarist among other things & he often looks at good guitar amps.
As a side note, you could get a balanced cable for the DT990 but as I eluded to in my previous post with Balanced VS Unbalanced, that is more for convenience than anything else.
I have to admit I'm under the impression that balanced > unbalanced in pretty much any scenario even if in some, the overall benefit might be small. I listen to music and play games on my computer. I've been noticing in some games the directionality of the sound is not that well defined. I wanted to use the balanced amp as it was intended and try and get a bit more sound definition that would benefit me in-game and also improve my music listening experience. On the go, I'm using a Fiio X5III and using my CA Atlas on a 2.5mm balanced cable. I enjoy the experience and thought I would try to bring that balanced experience to my home setup. If it only means buying 2 more TRS/RCA adapter cables and I'm all set, I would like to try it out. I understand the bias I might be under and I would like to explore the difference and not be 90% of the way to a balanced signal while having a pair of cables bottleneck me down.
Honestly, as stated in my previous post, there really isn't any real difference sonically between Unbalanced or Balanced so for your usage, getting more overall directionalty in sound will depend more on how the sound files in games are produced rather than your amp itself.
As my tag surmises, well recorded is a factor.
Sadly, most in game sound, especially as far as anything environment related, eg footsteps, spatial cues, etc is rarely up to par to straight music or other media & more often than not comes down to how much time a developer devotes to that part of the project.
A good or perhaps exceptional example of overall engaging immersion through sound is Witcher 3 & expansions.
Unfortunately, I have never tried any of the Aune amps...yet so can't comment on how they sound overall though I have had my eye on the S7 Pro for some time though I am in no hurry to get it as not only do I have quite a few head amps by now, the exchange rate where I am makes the unit almost worse than the CAD but I digress...
By the way, when I mentioned RCA/TRS adapter, that is all they are, just a female RCA to TRS (Stereo) plug so the only cable part will be from your RCA, this shouldn't be more than $10, more likely less.
Honestly, there is no bias regarding balanced vs unbalanced, I use both extensively & since I have a monitor controllor, Drawmer MC 2.1, which manages the audio signal to two different speaker pairs with one output left for any balanced head amps I feel like using.
As far as sound quality goes, there will only be a bottleneck if said cables are high impedance, have poor conductivity or just overall crap so the important to note is as long as you are happy with the overall sound, especially from your headphones then there is nothing to worry about.
2. Local expertise
Thanks for the advise, I'll try to bring my questions to some local audio shops.
As said, see if you can find one or more good
PRO AUDIO shops, not hifi, as it is more than unlikely they have the experience or knowlege to help you.
3. 6.3 TRRS and RCA
So if I understand correctly, you're saying that there would be no difference in using the 6.3 balanced output on my 2i4 rather than the unbalanced RCA out because the X7S has RCA in, which is internally unbalanced ?
If so, what is the design logic of the X7S having balanced outs if it amplifies an unbalanced signal ?
That is correct.
I mentioned this in my previous post.
More than likely, both outputs on your interface are probably wired together to the same internal amp chip in the Scarlett so I doubt the audio channels would be separated in any case unless it's stated in the manual & is more a cost saving measure than anything else.
As to why as far as design logic goes for the X7S having balanced outs on the front & not the back, I also mentioned in the previous post is more for convenience as many people tend to have balanced headphone cables for one reason or another.
From a design & technical standpoint, balanced input to unbalanced output makes more sense sonically.
4. Campfire Audio Atlas
On a side note, you don't seem to think the Atlas (and CA in general) are worth their asking price. Do you have any recommendations of IEMs that I should look into, without knowing my exact audio preferences I admit ?
Without causing any controversies which may already be implied, I'll just say CA head gear isn't to my preference though there are some which ain't bad just not sure I would personally own...
Basically, you answered your own question, it will depend on your audio preferences.
But for catering to unknown audio preferences, it's hard to go wrong with any of the iBasso IT Series.
There are potentially others, of course but IBasso is always a good place to start though if you're considering other IEMs out of curiosity or simple interest, X5III may not to be best choice as source as older Fiio gear with iBasso gear doesn't have the best synergy...
5. 2.5mm balanced cable
You seem to imply that a 4.4mm or 3.5mm balanced cable is generally superior to a 2.5mm balanced cable, because of the surface area. I have an engineering background and can understand your analogy to flow. Does it really make a noticeable difference at normal listening levels ? When I looked for a XLR 4pin to 2.5mm balanced female adapter, I also looked for a 6.3 balanced MMCX cable, 4pin XLR MMCX cable, 3.5 or 4.4 balanced MMCX cable with 6.3 TRRS adapter and I didn't find any of those.
Actually, I didn't imply either was superior in all but from a physics POV.
But it's not just the electrical or audio signal I am alluding to but the overall build quality in the plugs as I have see a lot more failures (not personally) in 2.5 than any other head gear balanced plug.
As said, sonic differences will depend more on perception & subjective bias than real world listening.
As stated, 6.3 doesn't technically exist for IEMs & is more used as an interconnect.
Otherwise, veclan.com will have any
affordable custom built head gear connector to balanced plug you could want except for the aforementioned 6.3.
Also penon-official.com has adapters for all relevant plugs except 6.3
Hope this all makes sense.
Hope you have a great day !