Chord & Major Tonal Earphone Information and Impressions Thread
Jan 16, 2021 at 8:53 PM Thread Starter Post #1 of 16

ezekiel77

Reviewer at Headphonesty
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[Chord & Major]
Chord & Major are an IEM company hailing from Taiwan. They've been making IEMs since the early 2010s for budget-minded music lovers. Driven by dynamic drivers, their line-up caters to a wide range of musical genres, and hopes to reward listeners with a rich, fulfilling experience.

A new listening paradigm
Chord & Major have created an entirely new way to appreciate music that introduces ideas from appreciation of the finer things, such as wine, coffee, chocolate, and art. This pursuit now comes to the music world.

Chord & Major Tonal Earphones can be analogized with wine glasses. Using Tonal Earphones is like enjoying wine with just the right glass, just the right temperature, just the right preparation. An earphone which matches with your music taste will conduce to present the most details and characteristics of music, so listening music will be not just a symbol of fashion but also an elegant delight.

More than just earphones…
Chord & Major Tonal earphones are designed to express the genius behind different types of Music. Each model is tuned to beautifully articulate the sound of your favorite type of music. Combining exquisite design with an attention to detail and function, the Tonal earphones bring you an entirely new way to appreciate music.



[The Major Series Product Descriptions]

1. Major 01’16 Electronic

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Electronic Music is synthesized music produced using electronic equipment, computer software and other electronic technology. It also contains some traditional acoustic elements, when combined with technology create an electroacoustic juxtaposition.

Through advancements in music technology the capability to alter sound has become far-reaching, resulting in an escape from traditional sounding instruments and music logic, into the endlessly creative realm of “Electronica”.

The Major 01’16 has a full yet even bass response, highlighted textures, a crystal clear mid-range and no limits to its top-end thanks to dual drivers. It is sensitive and dynamic, fully expressing the genius behind different types of electronic music.

They express each sound with utmost clarity and present all the subtle nuances contained in electronic music, from cut and sampled textures, to prepared sounds, unorthodox scales and challenging melodies.

Specifications:
Impedance:
28Ω
Frequency Response: 5-40,000Hz
Sensitivity: 103dB at 1kHz 1mW
Wood Wrap: Carbon Fiber
Connector: 3.5mm (golden plated) & 6.3mm
Cable Length: 1.2m
Max Power: Input8mW

Price: USD230


2. Major 9’13 Classical
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Classical music is a rigorous and beautiful genre of music. A variety of instruments are used in its performance, each playing different parts, and complex layers of detail and cadence intertwine. Musicians play in symphony, displaying a degree of musical artistry through great technique.

Classical arrangements evoke mood and atmosphere and are widely used in operas, movies, advertising soundtracks and more. Commonly used instruments are rich in sound, each with its unique voice.

Chord & Major, the Major 9’13 Classical are specially designed and constructed for the appreciation of classical music from any era. Carefully tuned driver, gold plated body and rosewood wrapping yields an intensively dynamic earphone with precise imaging and soundstage, allowing true enjoyment of classical recordings

The Major 9’13 Classical Tonal Earphone is the proud recipient of the prestigious DIAPASON D’OR <Outstanding Product of the year> award.

Specifications:
Impedance:
28Ω
Frequency Response: 20-20,000Hz
Sensitivity: 96dB at 1kHz 1mW
Wood Wrap: Rosewood
Connector: 3.5mm(golden plated)
Cable Length: 1.2m
Max Power Input: 8mW

Price: USD150



3. Major 8’13 Rock
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Rock is an attitude. It challenges the status quo and is a candid form of expression of anything from impassioned ideologies to pure, simple catharsis. It has the power to feverishly move and stir emotions, and is often characterized by amplified instruments like electric guitar and bass. Driving percussion and dynamic vocals combine to give it its distinct qualities.

From clear, natural highs to weighty, powerful lows, the Major 8’13 brings out the best in each instruments. It metes out the finest details of muscular bass that hits deep and hard, scorching electric guitars, and sonorous drums.

Incredibly versatile, the Major 8’13 is just as at home doing justice to Hendrix, bringing new fire to Appetite for Destruction, or taking on challenges from new genres like djent and neurofunk.

Specifications:
Impedance:
16Ω
Frequency Response: 20-20,000kHz
Sensitivity: 94dB at 1kHz 1mW
Wood Wrap: Sandalwood
Connector: 3.5mm (golden plated)
Cable Length: 1.2m
Max Power Input: 8mW

Price: USD125



4. Major 7’13 Jazz
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Jazz emerged out of the African American communities in New Orleans, United States, during the late 19th century. With improvisation being one of the key elements, artists use syncopation, polyrhythms and a swinging feel to express themselves.

Enjoying the interaction between instrument and each other, players converse though the language of the music. With a wide variety of instruments and strong character, jazz is a feeling more than anything else, and the Major 7’13 delivers in spades.

From the smooth saxophone, walking bass lines, passionate vocals and resonant oscillations of the drums, each element is delightfully rendered. The deep bass overtones and velvety vocals that define the intimate space of a jazz club are the Major 7’s forte.

Specifications:
Impedance:
16Ω
Frequency Response: 20-20,000Hz
Sensitivity: 94dB at 1kHz 1mW
Wood Wrap: Sandalwood
Connector: 3.5mm (golden plated)
Cable Length: 1.2m
Max Power Input: 8mW

Price: USD125


5. Major 6’13 Ballad
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The ballad was originally a form of lyrical poetry used by British poets and composers from the 18th century onwards. By the end of the 19th century the term described a slow form of love song and is now used as a catchall for any love song, particularly the pop or rock kind. In this genre, the emphasis is on human vocals and is often sentimental, down tempo, and follows a pattern of verse and chorus.

Enhancing warmth and capturing the nuance of the singer’s voice, the Major 6’13 expresses the feeling behind the ballad and makes a connection between song and listener. It articulates vocals with clarity, grace and emotion.

Specifications:
Impedance:
30Ω
Frequency Response: 20-20,000Hz
Sensitivity: 96dB at 1kHz 1mW
Wood Wrap: Maple
Connector: 3.5mm (golden plated)
Cable Length: 1.2m
Max Power Input: 8mW

Price: USD150



6. Major 5’14 World Music
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World Music refers to many forms of local and ancient sounds from around the world. It encompasses the styles and characteristics of traditional instruments, where the land, history, culture and recording environment combine to give it that world music feel.

The way it is collected and then reproduced are important elements in preserving those wide soundscapes and all the details that give it that enlivened atmosphere.

Expands soundscapes, enlivens atmospheres, and extracts essential details giving the listener the experience of a live performance. Sensitive to space, air and the musician’s every touch, the Major 5’14 captures the essence of world music.

Specifications:
Impedance:
20Ω
Frequency Response: 20-20,000Hz
Sensitivity: 96dB at 1kHz 1mW
Wood Wrap: Beech
Connector: 3.5mm (golden plated)
Cable Length: 1.2m
Max Power Input: 8mW

Price: USD150



[The Minor Series Product Descriptions]

1. Minor 61’19 Super Star
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The variety of Pop music is widely influenced by the time, regions, cultures and other music genres. Such as country music which is a blend of folk, and blues ; Pop rock emphasizes the bass and rhyme; Or the Hip-hop and K-Pop as the recent rising trend. For making the best out of all Pop music around the world, such as the harmonious melody as the Classic music composed in the love songs; And the anime music which creates soundscape with electronic vocal effects. We accomplish the latest design for presenting the finest sound quality to all you Musicomania.

Minor 61’19 Super Star Tonal Earphones deliver the best of all Pop music you like. Most distinct both in the vocal and instruments — Crystal clear vocal tone with perfect amount of bass. To refine the balance of all for enjoying the melody as smooth as summer breeze.

Product Highlights:
– Crystal clear vocals.
– Well-balanced sound.
– Perfect for all Pop music.
– Lightweight, comfortable and yet long-lasting.
– High microphone quality for any audio & video calls / live stream.

Specifications:
Impedance:
32Ω
Frequency Response: 20-20,000 Hz
Sensitivity: 111DdB
Connector: 3.5mm & microphone
Cable Length: 1.2m
Max Power Input: 5mW

Price: USD85



2. Minor 81’19 Devil Head
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Besides the era of classic Rock & Roll music, the Metal music of the 70s and 80s impacted the generation with some heavy and ponderous music. With the root in Baroque music, the glamorous style of composing and performing with that intense speed and rich sound as its feature. Fast-paced bass line, double bass drum grooves that sound hard, overdrive and distortion guitar playing, screaming vocals are all the incorporates elements which defines the unique Metal music.

Minor 81’19 Devil Head, the earphones developed for both Metal and Rock music. It focuses on boosting bass and treble – double bass drumming to spice up the beats and grooves; the sharpness of guitar high pitched ringing. Its solid sound and the explosive expression of the beats, reassembling the glamorous Metal music.

Product Highlights:
– Emphasize the mega bass range.
– Sharp high-frequency overtone.
– Lightweight for travel and sports.
– Delicate tinplate box.

Specifications:
Impedance:
32Ω
Frequency Response: 20-20,000 Hz
Sensitivity: 108dB
Connector: 3.5mm & microphone
Cable Length: 1.2m
Max Power Input: 5mW

Price: USD85



3. Minor 91’19 Romantic
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The individualism reveals in the stylistic movement between Classic music and Romantic music. Solo instrument piece had become the main stream. Along with the instrument development, piano had become the spirit of Sonata which registers full diapason and dynamic performance. The technique of musicians reveals the emotions in the phrases; some are delightful and graceful, some are solemn or brillante as the sharp contrast to make Sonata this evocative.


Minor 91’19 Romantic earphones is for our favorite Classic music – Specifically designed for the Sonata by delivering the details of all musical instruments. Outstanding call and response as the succession in the music with the crisp in mid & high range frequencies, it embodies the abundance of timbre in piano and strings instrumental music.

Product Highlights:
– Fine tone colour of instruments.
– Crisp mid & high range.
– Perfect for transcriptions.
– Fashionable and comfortable.
– Portable and presentable box.

Specifications:
Impedance:
32Ω
Frequency Response: 20-20,000 Hz
Sensitivity: 108dB
Connector: 3.5mm & microphone5mm & microphone
Cable Length: 1.2m
Max Power Input: 5mW

Price: USD85
 
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Jan 16, 2021 at 8:54 PM Post #2 of 16
Chord & Major 01'16 Electronic Impressions/Capsule Review

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Hi guys, today I kick-start a series of mini-reviews from Taiwanese company Chord & Major, not to be confused with high-end British DAC makers Chord Electronics lol. Around a decade old, C&M focuses on budget-friendly, DD-driven IEMs with genre-centric names like Jazz and Rock. I've seen them in audio shows and was always attracted to their classy wood boxes. Today we venture further.

I am covering the Major series, consisting of 6 IEMs with prices ranging from USD125-150 (and a lone standout of USD230 for the flagship). They are bullet-shaped and can be worn straight down or over-ear, with a standard set of accessories. Though mostly similar in price and appearance, what differentiates one model from the next are the housing and box materials. Build quality is solid and dependable, while the fit is snug and comfortable. The biggest caveat are the non-detachable cables in this day and age (they were released from 2013-2016 after all).

Today I look at their flagship, the Major 01'16 Electronic. The most expensive at USD230, it is the only dual-dynamic of the lineup, with striking carbon fiber shells, stored in a piano-black box. Tuned with (duh) electronic music in mind, they possess a U-shaped signature with technical mastery at the forefront. The presentation is dynamic, spacious and airy, with brilliant transient response and micro-detailing. Extension at both ends are satisfying, while notes typically have a sharp, precise leading edge followed by a smooth finish.

The sub-bass has a bit of audible rumble, while the midbass is warm and full with just the right quantity. Bass decay is quite nimble, and remains free of bloat and bleed. I wish for a bit more punch and slam, but this will do. The mids are neutral in position and body, boasting excellent definition and layering. The tone is good overall but not stellar, sounding slightly thin sometimes. The technical slant means that vocals lack some euphony and allure, having slight grain in their delivery.

The treble though, is good news all the way. Airy and detailed, they display superb crystal-clarity, breakneck speed and palpable texture. They sparkle and shimmer without sibilance and peakiness, and don't skimp on micro-details either. The soundstage is wide and deep, with good imaging capability. Spoiler alert, Electronic is easily my favourite in C&M's lineup, marrying a tuneful signature with technical prowess.

Does Electronic stand out today, in a world of cheap and cheerful Chi-Fi? Value-for-money stalwarts like Moondrop's Starfield and Tin HiFi's T2 Plus seem to suggest that C&M are outpaced, outshined and out-priced. But thankfully, Electronic possesses a charming tuning that is both addictive and accessible. All the same, C&M better update themselves because the bar is set very high.

I'd like to thank Chua Tuan Hean of Neo Audio/Sound Linear for arranging the review units. It's been a pleasure dealing with you. The Electronic, and the rest of C&M's range, are available from Stars Picker Audio Malaysia. Stay tuned for part 2 coming very soon!
 
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Jan 16, 2021 at 8:55 PM Post #3 of 16
Chord & Major 9'13 Classical Impressions/Capsule Review

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Hi guys, this is the 2nd part of my Chord & Major IEM capsule reviews. The Major series deploys dynamic drivers in a bullet-shaped casing, and all six of them share similar accessories and packaging, differentiated by housing, box material, and tuning choice. Today, we look at the award winner of the bunch, the 9'13 Classical in handsome rosewood. What did it win? Pardon my French, but it was the Diapason D’OR "outstanding product of the year" for the Nov-Dec, 2014 edition of Diapason, a French audio magazine.

So this is a 7-year-old sound in a 7-year-old product, but as I always say, a good tuning is forever. The Classical, based on marketing speak, evokes "mood and atmosphere", showcasing the "unique voice" of instruments. What I hear, mostly, is a W-shaped signature with equal and balanced emphasis in bass, mids and treble regions. The overall presentation however, is a tale of two halves, a Jekyll and Hyde of sorts. Notes are rich, smooth and tuneful from the lower to middle areas, but morphs toward sharp and edgy at the upper ends, with a clear fondness for clarity and macro-detail.

This can be a good thing, a yin/yang of signatures if implemented correctly (à la 64 Audio's Tia Fourté), but Classical makes a mess of things at times. The bass is full-bodied and boomy, with poor definition and texturing. Notes punch with gusto and fervour but at a low resolution, like a mighty hammer swung by untrained hands. Worse still, the heavy midbass bleeds into the mids, congesting the stage and affecting overall clarity. Big oof here.

The mids are lush, wholesome, and placed forward, with a skew towards clarity and brightness in the upper mids. The "Classical" part of the tuning finally rears its head, with a realistic timbre and rendition of strings and woodwinds. For other instruments however, it's not too good a deal. The overall tone is unnatural, making it hard to sink into the music, while vocals are throaty, raspy and lack soul. And as for the treble, it's intense and vibrant, perhaps even violent, with peaks, unevenness and sibilance caught out on occasion. No doubt it's detailed as hell, but it gets too bright and tizzy for comfort.

The soundstage performance is quite average in this day and age. Classical came from a more straightforward era, before multi-drivers and hybrids pushed the envelope for IEMs. The dimensions boast more width than depth, and little height, barely making the grade. Imaging is adequate along the left-to-right plane, but not so in depth and layering.

Overall, the Classical is a clear miss from me, with many unsavoury, unredeemable features like the bass bleed, unnatural tone and harsh treble. It's also my least favourite IEM of the entire line-up so, things can only go up from here. How did it win the award again? Hoo boy.

Once again I thank Chua Tuan Hean for the opportunity to review the Chord & Major lineup. The Classical is priced at USD150 and are available from Stars Picker Audio Library.
 
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Jan 16, 2021 at 8:56 PM Post #4 of 16
Chord & Major 8'13 Rock Impressions/Capsule Review

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Hi guys, following some major (ahem) slacking, this is the 3rd instalment of my Chord & Major IEM capsule reviews. The Major series are 6 bullet-shaped, single-DD IEMs differentiated by housing material and tuning preference. Today we look at the cheapest offering at USD125, the 8'13 Rock, made with sandalwood housing.

The Rock, not to be confused with Dwayne Johnson, possesses an L-shaped signature with emphasis towards the lower end of the spectrum, followed by a zing at the treble so things don't get dark and murky. Following the hiccup (or reflux) of Classical, I'm glad to say that Rock puts us back on the path of budget-minded goodness with a fun, dynamic and bold presentation. Notes are full-bodied, yet snappy and impactful, akin to a sawed-off shotgun if you will. Moreover, what won me over with Rock are the coherence throughout the spectrum compared to Classical's disjointedness; and balls-to-the-wall fun factor, compared to Electronic's technical tendency.

Starting from the lower end, the enhanced sub-bass thump is physical and authoritative, carefully sculpted so the rumble is felt and heard. The weighty midbass, however, takes their fun a little too seriously, hitting too hard at times and bleeding into the lower mids. This affects clarity, precision and layering. A good track to try midbass is with the live version of (yet again yeah) Hotel California. When the bass hits after the lengthy guitar intro, you feel full and fulfilled, but are left slightly unsatisfied with the lack of resolution and detail levels, not to mention a wee bit of stage congestion.

The mids though, when not bothered by the midbass, rings clear and true. Anchored by a clean and even response, the neutral mids sound effortless and accurate, especially on acoustic guitar. The dynamism of the signature helps the most here. And while I can't say Rock has excellent technical ability, it's not too shabby and very easy to get lost in the performance because of its overt tunefulness. Overall timbre is realistic, complimented by male vocals that have swagger and bravado. Female vocals are articulate but throaty however, punctuated by a rise in the upper mids. So you might enjoy AC/DC and Motley Crue more than Heart and Joan Jett here.

The treble highly competent too, with a crisp, airy, and speedy tuning, although the timbre skewed a bit bright. You can chalk that up to energy and excitement, and be mighty glad that the treble is sibilance-free on the whole. For soundstage, Rock is wide and not too deep, giving an average performance for the price range. Left-to-right imaging is good, marred a bit by the midbass bloat, while front-to-back layering is not prominent.

All in all though, the Rock is a good performer for today's standards, with an excellent form factor that I like, and robust build quality. The signature is accessible and suits many vocal-centric genres, but might be too slow for metal or electronic. Moreover, there is just too much competition at this price range, and for serious listeners, not being able to change cables or take advantage of balanced output is a step down.

I'd like to thank Chua Tuan Hean for allowing me to review the Chord & Major lineup. The Rock is priced at USD125 and are available from Stars Picker Audio Library 摘星知音.
 
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Jan 16, 2021 at 8:57 PM Post #5 of 16
Chord & Major 7'13 Jazz Impressions/Capsule Review

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Hi guys, today we look at the 4th instalment of the C&M Major series capsule reviews. The Major series are compact, cylindrical IEMs with wood housings, suitable to be worn cable-down or over-ear. The Jazz has sandalwood shells, in a dark, mature shade of brown.

Sound-wise, Jazz has a classic V-shaped signature with elevated bass and treble, while the mids sit a bit further back. Notes of the whole, are smooth, full-bodied and well-rounded throughout. And while resolution and definition take a knock because of this, Jazz goes all-in on fun factor, and hope to immersive the listener with its tuning.

The bass is markedly enhanced. Listening to it is like getting roughed-up sometimes, with authority and physicality very evident in the lower spectrum. Sub-bass is thumpy and rumbly, while there's no better word to describe the midbass other than strong. The midbass tends to overdo things, being thick and bloated like an unwelcome guest, overpowering and distracting from the rest of the signature. Notes are blunt, slow and sludgy, hemorrhaging into the lower mids. Dear lord.

The mids though, have a great tone in fact. Instruments sound lively and realistic, especially in piano. Vocal rendition is something not to be scoffed at either, since Jazz veers to the musical side of things, voices are smooth and alluring. Unfortunately though, the mids are veiled by the bass, and also its placement in the background. It's a grand pity because I like what I heard in the mids.

The ascent to the upper end is seamless, bringing out a smooth, coherent treble that is shimmery and fun thanks to a slight rise in the lower treble. And while it is exciting while listening to cymbals and trumpets, Jazz never goes overboard with harshness or peaks. Instrument timbre is good for the most part. For soundstage though, you can tell Jazz fits into the old school of IEMs, with emphasis on tone above all else. Technical ability is lacking here as evident in the small, congested soundstage and poor imaging.

So Jazz, at USD125 is hard to recommend, especially in today's chifi-heavy landscape where Blon, Moondrop and Tinhifi show the way. To sum it up Jazz has decent tone, below average technical ability, but far too much bass.

The Jazz is available through Stars Picker Audio Library 摘星知音. Thank you to Chua Tuan Hean for arranging the loaner units.
 
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Jan 16, 2021 at 8:58 PM Post #6 of 16
Chord & Major 6'13 Ballad Impressions/Capsule Review

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Hi gang, we march onwards with C&M's Major Series IEMs, with this being the 5th instalment. To recap, they're wood-housed dynamic driver IEMs with a genre-centric coloration. Today we look at the maplewood Ballad, priced at USD150.

As far as the tuning goes, Ballad is mid-centric and closest to neutral in the lineup. Featuring smooth, finely-sculpted notes throughout the spectrum, Ballad has a gentle, delicate presentation with an emphasis on vocal performance.

And just how good are the mids? Vocals shine, predictably, sounding smooth, articulate, airy and downright ethereal sometimes, for both male and female. Vocals unmistakably take centre stage, and listeners are drawn towards them naturally. Guitars and brass instruments apparently, are well-rendered, with an organic, but plain-sailing, tone. I however, would prefer more soul and body in the notes, as instruments are slightly hollow and voices, throaty.

Down under, the bass is flat and unobtrusive, providing space for the kids to shine. Extention to the sub-bass is excellent but not engaging, being content with providing warm, inoffensive thuds all the way. Similarly, the treble is pleasant and inoffensive with decent upward extension, mustering just a glint of shimmer. It's very smooth and grain-free throughout, but you get the feeling that the bass and treble exist only to serve the mids.

In terms of technical performance though, Ballad is the worst performer of the whole series, content with providing an arresting tone, and leaving it at that. Not too ambitious? For spatial properties, stage size is small, with below-average width and nearly no depth. Imaging is muddy as well, with notes smoothed-out to the point of being mush, and most of the action happening at the centre, inside the head.

In the big picture, Ballad isn't your one-size-fits-all IEM. Too slow for metal, too soft for rock and EDM, too narrow for classical. It's more of a genre specialist with an extremely clear preference for vocal performances and sparse arrangements. Woman-in-front-of-piano songs, if you will. Ballad complements your main IEMs but won't complete it, and in today's saturated budget market, this simply won't do.

Once again I'm in the debt of Chua Tuan Hean and Chord & Major Taiwan for lending the review units. For purchase information, do contact Stars Picker Audio Library 摘星知音.
 
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Jan 16, 2021 at 8:59 PM Post #7 of 16
Chord & Major 5'14 World Impressions/Capsule Review

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Alright folks, we've reached the end of the line. Presenting the 6th and final IEM from C&M's Major Series lineup, the World. Decked in handsome beechwood shells in an equally desirable beechwood box, World has a tuning most suited for (their words) "giving the listener the experience of a live performance". Which is what we sorely need with most of us still stuck at home amirite?

World is warm and lively, with an L-shaped signature. The tuning is very likeable, with a forward, dynamic and highly musical presentation. Notes are well-rounded, thick and lush, engaging the listener with its full-bodied presence. On the flipside of course, this kind of sound lacks speed and transients, lagging behind in definition and resolution as well.

From a gentle, well-extended sub-bass, the signature comes alive with an enhanced midbass being the focal point. The hearty bass bloom provides warmth and fullness, although bleeding slightly into the lower mids. Unperturbed, the lower mids carve a presence of its own, providing soulful, chesty and prominent male vocals.

Moving up, the centre mids boast an accurate timbre for piano and acoustics guitars, married with a sweet, enchanting tone. The upper mids are relatively flat, before rising in a crescendo to a playful, sparkly treble that is finished rather expertly without harshness or undesired peaks. Putting aside the highly immersive sound however, the stage is tiny in all axes with barely passable imaging amidst a hazy, frenzied background.

If you forgive its mediocre technical ability, World's signature has lots to like and offer, and is definitely one of the better IEMs of the series, thanks to the engaging sound signature and good, pleasing tone. In today's context, especially with Moondrop, Tin HiFi and BLON running the budget-fi show, USD150 seems a bit too expensive, but you do get excellent craftsmanship in a boutique product veering far from the mainstream.

This being a bookend post, allow me to rank the Major IEMs according to my preference.

Electronic > Rock > World > Ballad > Jazz > Classical

On the whole, you get fantastic build quality and packaging no matter which you choose, and they make great gifts for those not as heavily invested in the hobby because they are very presentable indeed. The sound signatures are varied enough to cater to a wide range of tastes and sensibilities, although I'd say objectively, some perform better than the others. The biggest drawback is the non-replaceable cable, but these IEMs belong to another era (7 years ago lol) when cable-switching wasn't a big part of the hobby yet.

I hope you've enjoyed reading about these unique IEMs as much as I enjoyed writing about them. As always, thanks to Chua Tuan Hean and Chord & Major Taiwan for making this possible, and you can contact Stars Picker Audio Library 摘星知音 if you want a whiff of these lovelies.
 
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Jan 16, 2021 at 9:00 PM Post #8 of 16
Reserved
 
Jan 16, 2021 at 9:01 PM Post #9 of 16
Reserved
 
Jan 16, 2021 at 9:02 PM Post #10 of 16
Reserved
 
Jan 19, 2021 at 7:38 PM Post #11 of 16
Cool thread, at last some love for C&M on Head-fi! I wrote impressions about the Devil Head, released in 2020 as part of the new “Minor” line-up, here.
 
Jan 22, 2021 at 11:48 PM Post #12 of 16
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Feb 20, 2021 at 4:36 AM Post #14 of 16
Chord & Major 8'13 Rock Impressions/Capsule Review

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Hi guys, following some major (ahem) slacking, this is the 3rd instalment of my Chord & Major IEM capsule reviews. The Major series are 6 bullet-shaped, single-DD IEMs differentiated by housing material and tuning preference. Today we look at the cheapest offering at USD125, the 8'13 Rock, made with sandalwood housing.

The Rock, not to be confused with Dwayne Johnson, possesses an L-shaped signature with emphasis towards the lower end of the spectrum, followed by a zing at the treble so things don't get dark and murky. Following the hiccup (or reflux) of Classical, I'm glad to say that Rock puts us back on the path of budget-minded goodness with a fun, dynamic and bold presentation. Notes are full-bodied, yet snappy and impactful, akin to a sawed-off shotgun if you will. Moreover, what won me over with Rock are the coherence throughout the spectrum compared to Classical's disjointedness; and balls-to-the-wall fun factor, compared to Electronic's technical tendency.

Starting from the lower end, the enhanced sub-bass thump is physical and authoritative, carefully sculpted so the rumble is felt and heard. The weighty midbass, however, takes their fun a little too seriously, hitting too hard at times and bleeding into the lower mids. This affects clarity, precision and layering. A good track to try midbass is with the live version of (yet again yeah) Hotel California. When the bass hits after the lengthy guitar intro, you feel full and fulfilled, but are left slightly unsatisfied with the lack of resolution and detail levels, not to mention a wee bit of stage congestion.

The mids though, when not bothered by the midbass, rings clear and true. Anchored by a clean and even response, the neutral mids sound effortless and accurate, especially on acoustic guitar. The dynamism of the signature helps the most here. And while I can't say Rock has excellent technical ability, it's not too shabby and very easy to get lost in the performance because of its overt tunefulness. Overall timbre is realistic, complimented by male vocals that have swagger and bravado. Female vocals are articulate but throaty however, punctuated by a rise in the upper mids. So you might enjoy AC/DC and Motley Crue more than Heart and Joan Jett here.

The treble highly competent too, with a crisp, airy, and speedy tuning, although the timbre skewed a bit bright. You can chalk that up to energy and excitement, and be mighty glad that the treble is sibilance-free on the whole. For soundstage, Rock is wide and not too deep, giving an average performance for the price range. Left-to-right imaging is good, marred a bit by the midbass bloat, while front-to-back layering is not prominent.

All in all though, the Rock is a good performer for today's standards, with an excellent form factor that I like, and robust build quality. The signature is accessible and suits many vocal-centric genres, but might be too slow for metal or electronic. Moreover, there is just too much competition at this price range, and for serious listeners, not being able to change cables or take advantage of balanced output is a step down.

I'd like to thank Chua Tuan Hean for allowing me to review the Chord & Major lineup. The Rock is priced at USD125 and are available from Stars Picker Audio Library 摘星知音.
Spot-on review.

My footnote: the slow decay and physical heft in the bass mean the Rock could almost be re-named the Doom, they put on a world-class performance for doom metal.
 

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