Here are my writings of the last few weeks, sorry for the length. Part one you van find a few pages back.
Review farad lps part two
After 2 weeks of constantly playing music on the dave with the new farad lps with some constant intervals I listened to the same pieces of music but also tried to analyze some amazing songs that I know very well. Below some of my obvious notes i made these last two weeks and what stood out
Bass has gotten a different character besides more presence and strength on almost all tracks, the already not so bad sounding thumps that were not really drawing attention now shifted to a more sole identity of that bass that contributes much more to the soul of each song.
The opportunity is also much more there to just focus on for example a voice or violin and tell your brain to cancel out the rest of the music. It almost feels like looking direct into the eyes of the artist.
Drama free from deadmau5 is a difficult song for a lot of setups and mostly in the beginning of the song Pre-lps upgrade. After the linear upgrade the voices tend to come looser of the overwhelming continued bass humm and synth. It's a noisy song but now the ease and rest has kicked in to selectively listen, it's like breathing the fresh swiss mountain air instead of flat country air (not city that always sucks).
From a technical point of view, what i always tend to approach due to the way i am, I expected the amplifier to have the most control over transients and power of a song. But I now start to realize that the beginning of the chain probably has much more influence as i expected. And is much more important.
Listening on low volumes also gives much more satisfaction. The deep dynamic character of the music stays much more sustained than before and with higher volumes.
Elton john’s ‘love song’ tapping feet in the right high corner is much more becoming a feet as i hear it instead of a high tick. The playing kids in the rear you can locate and give an accurate position and the waving sea has become much more distant and a bit like a 3d painting.
Spacious songs, live and where room ambiance is present got a lot more ease or less fatigue, how you approach that i guess and have become much more musical. Monica Mancini with skylark is singing in a holistic surrounding where she now sings more in the front and her hoarse voice has become much more pleasant and adds a sort of truth to my brain.
Sarah mclachlan, an angel her voice is truly sung from out of heaven. The piano now is almost in the same league as her voice and is competing for attention. The closing and opening of her lips are can be heard and compliment the light touches of the piano keys. Really eerie now. The low keys notes of the piano or synth are pounding through my room and make you open your eyes each time. Bizarre song
Effortless listening to music and fatigueless on higher volumes, instruments are sliding 3D through your ears creating an absurde realistic stage and image in front of you. Jaw dropping without exaggerating everytime and it's getting better with small steps after 7/8 days now.
Also below -24dB in my system the dave seems to find to level out its max dynamic range it seems that’s sort of a sweet spot were everything has maximum depth stage and realism.
Celestial echo of malia the bass is relentlessly eerie and floats through the room and takes your eardrums like a feeling of water with no pressure through your head. You slowly when your eyes are shut go into a trance that feels like a warm bath. Absurd, it always sounded beautiful but a lot of music now feels like you understand what the maker was trying to create and that the search of us addicted audiophiles found it at last, that sums up a bit this lps upgrade.
The two weeks its online now i noticed a slight shift to become somewhat more smooth and less edgy but that’s really tiny and could be my brain but anyways the pleasant side of the spectrum. Could be changing more in the next few weeks i dont now that. Kudos for farad anyways till now.