The NRA arrived over the weekend; been listening to it ever since.
My initial impressions that I was intending to tap on my phone late last night but fell asleep instead:
Cable is different from their previous brown braided stock. I rather like it. Not as tangly though a bit stiff. Followed Slater's lingering advice and got tiny silicone O-rings to use as chin strap.
Supplied cylindrical tips do not provide a secure seal. Even the largest ones keep slipping out with just the slightest facial or head movements. Changed them with yes, shallow, wide-bore soft silicone tips one can get from AliExpress or from Shopee in any color for $2 to $4 US per 100 pieces. I've had mine since the C10. Great pairing with the NRA's small nozzles.
I think I have to agree with what
@saldsald averred: 1) that the reproduction of low frequencies is remarkably good—the bass resonance is even better than the ZAX, I think; and 2) something seems off in the upper registers specifically in the transition from upper midrange to treble where sibilance occurs.
At first I thought there was something wrong with my unit but I've been playing my reference tracks and several others from different setups trying to see if they distort and all I got was a bad case of tinnitus.
Rebecca Pidgeon's high-resolution Spanish Harlem which is naturally sibilant in fact sounded fine. Her voice and the bass notes were beautiful and the nuances of the shaker were distinct. And yet...
Finally, I narrowed the pesky culprit down to reproduction of recordings that have heavy voice reverb, a stellar example of which is George Michael's Kissing A Fool. Every time a fricative or affricate consonant in this song is pronounced the resulting echoes become extremely sibilant. Turning down the volume helps, but when one approaches 70 dB it becomes irritating. Other similar recordings generate this unfortunate effect, a sort of harsh, trailing hissy edge. I don't get that with my other in-ears. Well, there's the KZ ZS5 v.1...
I referred to the FR graphs of
@paulwasabii and
@saldsald that both have similar peaks in the aforesaid region and EQ'd them (~5 and ~8 KHz) by a modest -2 dB on my setups paying heed to mirror the Q levels and the annoying sibilance disappeared. Some traces do remain but I can live with them. Further subtractive EQ may yield even more positive results.
Another pleasant consequent of the EQ was that the "tizziness" of crash cymbals, mostly harmonics in the subject range, were toned down to a level that's more natural for me.
That's it in the meantime. Will continue to listen and enjoy while waiting for my endgame.
Oh! I became a senior citizen at about the time of SARS-CoV 2 Patient Zero. Right before that I had a complete physical and I could still hear (but barely)14KHz. But I think I'm just starting to have a bit of difficulty in focusing and picking up individual conversations in a crowded room with relatively elevated ambient noise levels. Ahem! I hope reviewers get the hint and be more transparent with their personal hearing range—no offense meant.