CanJam Singapore 2025 Impressions Thread (April 5-6, 2025)

[Saberpunch]

Faces of Canjam Singapore 2025


Ganesan and Sean of SLT Technologies and Singapore's Immanis and VIVA dealer. Ganesan too has an awesome setup.

Nice to see the Allnic HPA-10,000 was there

 

[SightsNSounds]

My first time attending CanJam event, was an eye opener for me as first time attending a headfi only event. The closest I’ve been previously are the hifi shows which have headfi on the side. I liked the friendly atmosphere, young and passionate crowd, great selection of brands and presence of manufacturers at this event. Check out my video coverage of the event from my YouTube channel. I’ll be back next year
I Visited CANJAM Singapore 2025 (Headfi Heaven!)

 

[Sajid Amit]

Some photos of Singapore I took that I like. Beautiful city.

 

[Saraugie]

^^^ Beautiful photos ^^^

 

[sistoz]

• Kiwiears Astral amazing budget set for $200. Already preordered one lol.
• Crinears Meta is very solid and not just hype. Very solid budget set. Crinears Reference is very good too but comes EOY.

Thanks for your review and photos. Have you tried the Crinear Daybreak? Kiwi Ears Astral seems like a valid option, but compared to the Meta and Daybreak, which one impressed you the most?

 

[p51dbnnck]

Seems Google was a bit misleading then. That's good to hear though

I reached out to 7A after trying the rawon at NYC Canjam, and they told me the rawon would be "not too far from supernova pricing."

 

[Frankie D]

Some photos of Singapore I took that I like. Beautiful city.

Great pics.

What was the first coffee drink ( assuming it was coffee )?

 

[zxcero]

Thanks for your review and photos. Have you tried the Crinear Daybreak? Kiwi Ears Astral seems like a valid option, but compared to the Meta and Daybreak, which one impressed you the most?

Crinear Daybreak
Very wide SS. Microplanar for treble. Trebles kinda splashy. Lacks mid bass. Very vocal forward
C



This was my thoughts that I jotted down. Reference and Meta were way better. The Daybreak treble wasn't very clean from what I remember. For some of the tracks the treble was splashy so it sounded messy and wasn't controlled. Basically, some of the snares, shimmers or sparkles just became a mess. The vocals were too forward for my liking but thats preference.

I think Reference is way better. I actually quite like it but its not even coming out EOTY. It doesnt even have a proper shell. By then who knows what other iem comes out or whether itll be as good for the price.

 

[Khumbaba]

Someone tried the Symphonium Giant?

 

[NovaFlyer]

The FlipEars Legion is a must-try set. I will have a full review coming but the BCD on this set is unlike anything I have heard before whether on UM, Empire Ears or others. The bass here is so tactile and visceral, I really need to figure out how they do it.



Meanwhile, Aries is the quintessential gentleman. He reminds me of Zach Mehrbach in his ingenuity, approachability and a keen sense of aesthetics.



I hope more people get to try the Legion. Its a fantastic set.

Completely agree. Thanks for @EnigmaFotos I listened to the Legion at New York and really enjoyed it, have one on order. And Aries was a pleasure to chat with in New York.

 

[third_eye]

What a great show! Huge thanks to everyone who came out this weekend, and we can't wait to come back to Singapore again in 2026!

 

[Crazeee]

Canjam Singapore 2025 Impression

Hey guys,

It’s me again! I just got back from my amazing second Singapore CanJam experience. For me, the best part of this hobby isn’t the gear—it’s connecting with all the wonderful people around the world. The past few days in Singapore were filled with joy, laughter, and great conversations with so many awesome people who share a passion for this hobby. It was fantastic to reconnect with old friends and finally meet new ones in person, as always!

So let’s get into the serious stuff:

Mysticraft Hex

Just before the show, I heard that the legendary Lee himself had unveiled his new venture, Mysticraft, along with two intriguing releases. One of them is the Hex-brid flagship, which boasts a staggering configuration: 1 dynamic driver (DD), 2 bone conduction drivers (BCD), 5 balanced armatures (BA), 2 planar magnetic drivers, 1 piezoelectric driver, 2 electrostatic drivers (EST), and 10 crossovers. When I first saw the specs, my initial reaction was, *How can something with so many driver types possibly sound coherent?* But as soon as I tried it, I quickly realized that Lee has done it again—just like he did with the Dio.

The Hex is, without a doubt, one of the best (hm.. probably the best) IEMs I’ve ever tried. It delivers every detail with an insane level of resolution and offers the widest soundstage I’ve experienced in any IEM setup. What truly sets the Hex apart, though, is its masterfully articulated tuning—it’s smooth, natural, and effortlessly engaging. From my past experiences, I’ve found that higher resolution often comes at the cost of listening fatigue, but the Hex is an exception. Its tonality is spot-on, presenting music with a velvety smoothness and no hint of harshness or sibilance. The coherence across such a diverse driver setup is remarkable; it sounds seamlessly connected from sub-bass to treble.

As a Fugaku owner, I must say the Hex outshines it in several areas: higher resolution, a bigger soundstage, and a more natural, pleasant tonality that’s versatile across multiple genres—from pop to classical. That said, I still prefer the Fugaku’s bass texture and its energetic, engaging sound, making it my go-to for EDM, trance, and J-pop. Compared to the Dio, which I’ve demoed before, the Hex is a clear step up in resolution while maintaining excellent timbre.

So, the big question: will I spend $9,000 on it? Well, I already pre-ordered it.

Melodic Artification Infinitum

Another one of my favourites from the show was the Infinitum, the first headphone release by Melodic Artification (MA). It features a proprietary planar driver that stands out from anything else on the market today.

Before listening to the Infinitum, my go-to setup was the AB1266 TC, driven by a Viva 845 (tube-rolled to Elrog 845) and paired with the Holo May DAC. But when I tried the Infinitum, simply driven by the portable pairing of the LP EA4 10AE and P6P 10AE, I was blown away. The Infinitum delivered an incredible density of sound, with thick note weight, exceptional detail, and dynamic range. The bass texture is astonishingly layered, and the bass energy surpasses that of my desktop AB1266 TC setup. This made it phenomenal for genres like EDM and pop music.

However, when it comes to classical music, I feel the Infinitum’s performance could benefit from further testing on a proper desktop chain. On the current portable setup, the soundstage extension isn’t the widest or the most expansive as what I’ve experienced with the HE-1. I’m genuinely curious to see how the Infinitum performs when paired with a high-end, full-sized desktop chain. I think MA can consider to bring the full sized gears with proper setup next time in the future shows.

From the time I spent with it, I can confidently say I’d personally prefer the Infinitum over both the Immanis, Susvara 2 and AB1266 TC—not just for its sound quality but also for its insane portability, which fits perfectly into my use case. Another one for the pre-order list as soon as the price is announced.

Forte Ears Mefisto

The Forte Ears Mefisto stands out with its stunning design, especially the beautifully crafted faceplate. I demoed several prototypes since last year’s CanJam SoCal, but I must say the final tuning—different from what I heard at CanJam NY or earlier shows in China—is absolutely spot-on. Riccardo has nailed the balance between technical detail and lush midrange.

Compared to the Macbeth, I prefer the Mefisto. Its full-bodied midrange and satisfying bass make it exceptional, especially for Asian vocals and pop music. This has become one of my favorite sets, particularly in the highly competitive $3k range.

PMG APX v3

Having experience with the previous APX OG and SE, I can see that the APX v3 builds upon its predecessors. The bass remains as excellent as ever, but the treble has been noticeably refined. While it sacrifices some extension and airiness, the trade-off results in a lusher, more engaging vocal presentation.

I can see this version becoming the favorite among Chinese audiophiles, given its tuning approach.

Effect Audio Centurion v2

I heard this new Centurion v2 tuning was based on feedback from past shows. Compared to the OG Centurion, the v2 offers well-textured bass and lush mids. However, the airiness and treble extension still fall slightly behind the OG Centurion and Valhalla, which I used for A/B comparisons.

This cable feels more like a sidegrade than an upgrade for fans of the original Centurion. It shares some similarities with Yan Huang, but I’d personally favor Yan Huang for its “lush mids magic.” That said, the Centurion v2 is still a solid choice for those seeking a mid/bass-focused cable.

Mysticraft Tri-Brid Prototype

This tri-brid prototype (composed of DD/BA/Planar drivers) is simply the best sub-$1k set I’ve ever tried. Its dynamics, tuning, and resolution punch far above its price range, reminding me of sets in the $3k–$6k category.

I demoed it on the EA4 10AE, and honestly, I would have guessed it was a $3k+ flagship. Lee mentioned that the final version will feature metal shells. At $999, this is an absolute no-brainer. What more could I ask for…

Yu9 Audio Que

Photo credit to @needtosleep thanks bro!

The Yu9 Que is another hidden gem I discovered at the show. With its BA/DD configuration, it delivers incredibly smooth, coherent tuning that feels almost too good to be true at this price point ($400).

From a summit-fi perspective, it may lack some dynamics and bass energy, but for $400? It’s hands down one of the best entry-level sets I’d recommend to anyone new to the hobby. It’s right up there with the Nicehck NX8 or Fitear QDC Superior EX.

Volk Audio Étoile

The Étoile is probably my favorite release from Jack since the Odin. Odin was my first summit-fi IEM, so it holds a special place in my heart. The Étoile delivers a fantastic W-shaped tuning, balancing treble, mids, and bass beautifully.

I especially enjoyed it with K-pop tracks. While some might find its sound slightly aggressive, pairing it with the LP6 7AE elevates the experience to another level.

7th Acoustic Asteria

The 7th Acoustic Asteria is a 1DD + 12BA set from an Indonesian brand I hadn’t encountered before. It features a well-tuned bass and coherent overall presentation, which I thoroughly enjoyed on classical and EDM tracks.

However, I did notice a slight nasality in the vocals, particularly with female vocal tracks. Aside from that, it’s a solid performer.

Nostalgia Pendragon

The Nostalgia Pendragon excels in treble and mids, delivering a technical presentation that shines on genres like violin-heavy music or rock. It’s great for extracting fine details in instrumental tracks.

That said, the bass is a bit lacking for my personal taste. Overall, it’s a great niche set for those seeking technical prowess and instrument-focused listening.

Final Thoughts

There were still so many other pieces of gear I tried at the show, but unfortunately, I didn’t have time to cover them all. Look forward to seeing these exciting releases to come into the market and see you all my friends in the next CJ!

 

[yaps66]

Canjam Singapore 2025 Impression
Hey guys,

It’s me again! I just got back from my amazing second Singapore CanJam experience. For me, the best part of this hobby isn’t the gear—it’s connecting with all the wonderful people around the world. The past few days in Singapore were filled with joy, laughter, and great conversations with so many awesome people who share a passion for this hobby. It was fantastic to reconnect with old friends and finally meet new ones in person, as always!

So let’s get into the serious stuff:

Mysticraft Hex

Just before the show, I heard that the legendary Lee himself had unveiled his new venture, Mysticraft, along with two intriguing releases. One of them is the Hex-brid flagship, which boasts a staggering configuration: 1 dynamic driver (DD), 2 bone conduction drivers (BCD), 5 balanced armatures (BA), 2 planar magnetic drivers, 1 piezoelectric driver, 2 electrostatic drivers (EST), and 10 crossovers. When I first saw the specs, my initial reaction was, *How can something with so many driver types possibly sound coherent?* But as soon as I tried it, I quickly realized that Lee has done it again—just like he did with the Dio.

The Hex is, without a doubt, one of the best (hm.. probably the best) IEMs I’ve ever tried. It delivers every detail with an insane level of resolution and offers the widest soundstage I’ve experienced in any IEM setup. What truly sets the Hex apart, though, is its masterfully articulated tuning—it’s smooth, natural, and effortlessly engaging. From my past experiences, I’ve found that higher resolution often comes at the cost of listening fatigue, but the Hex is an exception. Its tonality is spot-on, presenting music with a velvety smoothness and no hint of harshness or sibilance. The coherence across such a diverse driver setup is remarkable; it sounds seamlessly connected from sub-bass to treble.

As a Fugaku owner, I must say the Hex outshines it in several areas: higher resolution, a bigger soundstage, and a more natural, pleasant tonality that’s versatile across multiple genres—from pop to classical. That said, I still prefer the Fugaku’s bass texture and its energetic, engaging sound, making it my go-to for EDM, trance, and J-pop. Compared to the Dio, which I’ve demoed before, the Hex is a clear step up in resolution while maintaining excellent timbre.

So, the big question: will I spend $9,000 on it? Well, I already pre-ordered it.

Melodic Artification Infinitum

Another one of my favourites from the show was the Infinitum, the first headphone release by Melodic Artification (MA). It features a proprietary planar driver that stands out from anything else on the market today.

Before listening to the Infinitum, my go-to setup was the AB1266 TC, driven by a Viva 845 (tube-rolled to Elrog 845) and paired with the Holo May DAC. But when I tried the Infinitum, simply driven by the portable pairing of the LP EA4 10AE and P6P 10AE, I was blown away. The Infinitum delivered an incredible density of sound, with thick note weight, exceptional detail, and dynamic range. The bass texture is astonishingly layered, and the bass energy surpasses that of my desktop AB1266 TC setup. This made it phenomenal for genres like EDM and pop music.

However, when it comes to classical music, I feel the Infinitum’s performance could benefit from further testing on a proper desktop chain. On the current portable setup, the soundstage extension isn’t the widest or the most expansive as what I’ve experienced with the HE-1. I’m genuinely curious to see how the Infinitum performs when paired with a high-end, full-sized desktop chain. I think MA can consider to bring the full sized gears with proper setup next time in the future shows.

From the time I spent with it, I can confidently say I’d personally prefer the Infinitum over both the Immanis, Susvara 2 and AB1266 TC—not just for its sound quality but also for its insane portability, which fits perfectly into my use case. Another one for the pre-order list as soon as the price is announced.

Forte Ears Mefisto

The Forte Ears Mefisto stands out with its stunning design, especially the beautifully crafted faceplate. I demoed several prototypes since last year’s CanJam SoCal, but I must say the final tuning—different from what I heard at CanJam NY or earlier shows in China—is absolutely spot-on. Riccardo has nailed the balance between technical detail and lush midrange.

Compared to the Macbeth, I prefer the Mefisto. Its full-bodied midrange and satisfying bass make it exceptional, especially for Asian vocals and pop music. This has become one of my favorite sets, particularly in the highly competitive $3k range.

PMG APX v3

Having experience with the previous APX OG and SE, I can see that the APX v3 builds upon its predecessors. The bass remains as excellent as ever, but the treble has been noticeably refined. While it sacrifices some extension and airiness, the trade-off results in a lusher, more engaging vocal presentation.

I can see this version becoming the favorite among Chinese audiophiles, given its tuning approach.

Effect Audio Centurion v2

I heard this new Centurion v2 tuning was based on feedback from past shows. Compared to the OG Centurion, the v2 offers well-textured bass and lush mids. However, the airiness and treble extension still fall slightly behind the OG Centurion and Valhalla, which I used for A/B comparisons.

This cable feels more like a sidegrade than an upgrade for fans of the original Centurion. It shares some similarities with Yan Huang, but I’d personally favor Yan Huang for its “lush mids magic.” That said, the Centurion v2 is still a solid choice for those seeking a mid/bass-focused cable.

Mysticraft Tri-Brid Prototype

This tri-brid prototype (composed of DD/BA/Planar drivers) is simply the best sub-$1k set I’ve ever tried. Its dynamics, tuning, and resolution punch far above its price range, reminding me of sets in the $3k–$6k category.

I demoed it on the EA4 10AE, and honestly, I would have guessed it was a $3k+ flagship. Lee mentioned that the final version will feature metal shells. At $999, this is an absolute no-brainer. What more could I ask for…

Yu9 Audio Que

The Yu9 Que is another hidden gem I discovered at the show. With its BA/DD configuration, it delivers incredibly smooth, coherent tuning that feels almost too good to be true at this price point ($400).

From a summit-fi perspective, it may lack some dynamics and bass energy, but for $400? It’s hands down one of the best entry-level sets I’d recommend to anyone new to the hobby. It’s right up there with the Nicehck NX8 or Fitear QDC Superior EX.

Volk Audio Étoile

The Étoile is probably my favorite release from Jack since the Odin. Odin was my first summit-fi IEM, so it holds a special place in my heart. The Étoile delivers a fantastic W-shaped tuning, balancing treble, mids, and bass beautifully.

I especially enjoyed it with K-pop tracks. While some might find its sound slightly aggressive, pairing it with the LP6 7AE elevates the experience to another level.

7th Acoustic Asteria

The 7th Acoustic Asteria is a 1DD + 12BA set from an Indonesian brand I hadn’t encountered before. It features a well-tuned bass and coherent overall presentation, which I thoroughly enjoyed on classical and EDM tracks.

However, I did notice a slight nasality in the vocals, particularly with female vocal tracks. Aside from that, it’s a solid performer.

Nostalgia Pendragon

The Nostalgia Pendragon excels in treble and mids, delivering a technical presentation that shines on genres like violin-heavy music or rock. It’s great for extracting fine details in instrumental tracks.

That said, the bass is a bit lacking for my personal taste. Overall, it’s a great niche set for those seeking technical prowess and instrument-focused listening.

Final Thoughts

There were still so many other pieces of gear I tried at the show, but unfortunately, I didn’t have time to cover them all. Look forward to seeing these exciting releases to come into the market and see you all my friends in the next CJ!

Excellent write-up Raymond! It was really good spending time with you!

 

[Crazeee]

Excellent write-up Raymond! It was really good spending time with you!

Ben, it was so nice to spend the time with you in Singapore and until next time!

 

[Ivan0118]

Canjam Singapore 2025 Impression

Hey guys,

It’s me again! I just got back from my amazing second Singapore CanJam experience. For me, the best part of this hobby isn’t the gear—it’s connecting with all the wonderful people around the world. The past few days in Singapore were filled with joy, laughter, and great conversations with so many awesome people who share a passion for this hobby. It was fantastic to reconnect with old friends and finally meet new ones in person, as always!

So let’s get into the serious stuff:

Mysticraft Hex

Just before the show, I heard that the legendary Lee himself had unveiled his new venture, Mysticraft, along with two intriguing releases. One of them is the Hex-brid flagship, which boasts a staggering configuration: 1 dynamic driver (DD), 2 bone conduction drivers (BCD), 5 balanced armatures (BA), 2 planar magnetic drivers, 1 piezoelectric driver, 2 electrostatic drivers (EST), and 10 crossovers. When I first saw the specs, my initial reaction was, *How can something with so many driver types possibly sound coherent?* But as soon as I tried it, I quickly realized that Lee has done it again—just like he did with the Dio.

The Hex is, without a doubt, one of the best (hm.. probably the best) IEMs I’ve ever tried. It delivers every detail with an insane level of resolution and offers the widest soundstage I’ve experienced in any IEM setup. What truly sets the Hex apart, though, is its masterfully articulated tuning—it’s smooth, natural, and effortlessly engaging. From my past experiences, I’ve found that higher resolution often comes at the cost of listening fatigue, but the Hex is an exception. Its tonality is spot-on, presenting music with a velvety smoothness and no hint of harshness or sibilance. The coherence across such a diverse driver setup is remarkable; it sounds seamlessly connected from sub-bass to treble.

As a Fugaku owner, I must say the Hex outshines it in several areas: higher resolution, a bigger soundstage, and a more natural, pleasant tonality that’s versatile across multiple genres—from pop to classical. That said, I still prefer the Fugaku’s bass texture and its energetic, engaging sound, making it my go-to for EDM, trance, and J-pop. Compared to the Dio, which I’ve demoed before, the Hex is a clear step up in resolution while maintaining excellent timbre.

So, the big question: will I spend $9,000 on it? Well, I already pre-ordered it.

Melodic Artification Infinitum

Another one of my favourites from the show was the Infinitum, the first headphone release by Melodic Artification (MA). It features a proprietary planar driver that stands out from anything else on the market today.

Before listening to the Infinitum, my go-to setup was the AB1266 TC, driven by a Viva 845 (tube-rolled to Elrog 845) and paired with the Holo May DAC. But when I tried the Infinitum, simply driven by the portable pairing of the LP EA4 10AE and P6P 10AE, I was blown away. The Infinitum delivered an incredible density of sound, with thick note weight, exceptional detail, and dynamic range. The bass texture is astonishingly layered, and the bass energy surpasses that of my desktop AB1266 TC setup. This made it phenomenal for genres like EDM and pop music.

However, when it comes to classical music, I feel the Infinitum’s performance could benefit from further testing on a proper desktop chain. On the current portable setup, the soundstage extension isn’t the widest or the most expansive as what I’ve experienced with the HE-1. I’m genuinely curious to see how the Infinitum performs when paired with a high-end, full-sized desktop chain. I think MA can consider to bring the full sized gears with proper setup next time in the future shows.

From the time I spent with it, I can confidently say I’d personally prefer the Infinitum over both the Immanis, Susvara 2 and AB1266 TC—not just for its sound quality but also for its insane portability, which fits perfectly into my use case. Another one for the pre-order list as soon as the price is announced.

Forte Ears Mefisto

The Forte Ears Mefisto stands out with its stunning design, especially the beautifully crafted faceplate. I demoed several prototypes since last year’s CanJam SoCal, but I must say the final tuning—different from what I heard at CanJam NY or earlier shows in China—is absolutely spot-on. Riccardo has nailed the balance between technical detail and lush midrange.

Compared to the Macbeth, I prefer the Mefisto. Its full-bodied midrange and satisfying bass make it exceptional, especially for Asian vocals and pop music. This has become one of my favorite sets, particularly in the highly competitive $3k range.

PMG APX v3

Having experience with the previous APX OG and SE, I can see that the APX v3 builds upon its predecessors. The bass remains as excellent as ever, but the treble has been noticeably refined. While it sacrifices some extension and airiness, the trade-off results in a lusher, more engaging vocal presentation.

I can see this version becoming the favorite among Chinese audiophiles, given its tuning approach.

Effect Audio Centurion v2

I heard this new Centurion v2 tuning was based on feedback from past shows. Compared to the OG Centurion, the v2 offers well-textured bass and lush mids. However, the airiness and treble extension still fall slightly behind the OG Centurion and Valhalla, which I used for A/B comparisons.

This cable feels more like a sidegrade than an upgrade for fans of the original Centurion. It shares some similarities with Yan Huang, but I’d personally favor Yan Huang for its “lush mids magic.” That said, the Centurion v2 is still a solid choice for those seeking a mid/bass-focused cable.

Mysticraft Tri-Brid Prototype

This tri-brid prototype (composed of DD/BA/Planar drivers) is simply the best sub-$1k set I’ve ever tried. Its dynamics, tuning, and resolution punch far above its price range, reminding me of sets in the $3k–$6k category.

I demoed it on the EA4 10AE, and honestly, I would have guessed it was a $3k+ flagship. Lee mentioned that the final version will feature metal shells. At $999, this is an absolute no-brainer. What more could I ask for…

Yu9 Audio Que

Photo credit to @needtosleep thanks bro!

The Yu9 Que is another hidden gem I discovered at the show. With its BA/DD configuration, it delivers incredibly smooth, coherent tuning that feels almost too good to be true at this price point ($400).

From a summit-fi perspective, it may lack some dynamics and bass energy, but for $400? It’s hands down one of the best entry-level sets I’d recommend to anyone new to the hobby. It’s right up there with the Nicehck NX8 or Fitear QDC Superior EX.

Volk Audio Étoile

The Étoile is probably my favorite release from Jack since the Odin. Odin was my first summit-fi IEM, so it holds a special place in my heart. The Étoile delivers a fantastic W-shaped tuning, balancing treble, mids, and bass beautifully.

I especially enjoyed it with K-pop tracks. While some might find its sound slightly aggressive, pairing it with the LP6 7AE elevates the experience to another level.

7th Acoustic Asteria

The 7th Acoustic Asteria is a 1DD + 12BA set from an Indonesian brand I hadn’t encountered before. It features a well-tuned bass and coherent overall presentation, which I thoroughly enjoyed on classical and EDM tracks.

However, I did notice a slight nasality in the vocals, particularly with female vocal tracks. Aside from that, it’s a solid performer.

Nostalgia Pendragon

The Nostalgia Pendragon excels in treble and mids, delivering a technical presentation that shines on genres like violin-heavy music or rock. It’s great for extracting fine details in instrumental tracks.

That said, the bass is a bit lacking for my personal taste. Overall, it’s a great niche set for those seeking technical prowess and instrument-focused listening.

Final Thoughts

There were still so many other pieces of gear I tried at the show, but unfortunately, I didn’t have time to cover them all. Look forward to seeing these exciting releases to come into the market and see you all my friends in the next CJ!

I’m also working on my Canjam 2025 SG write-up, but after reading yours, mine feels like a child’s diary… (I’m seriously thinking of deleting it…)

I absolutely loved the Hex as well.
And more than anything, I’m so happy I got to meet you and your friends—it truly was a wonderful trip.