Cross posting from the Watercooler thread:
What a fun weekend at CanJam! I am now sat here at my gate waiting to board my flight. It’s a long journey back to Houston at roughly 40 minutes of travel time.
I didn’t take many pictures but I captured enough memories that I’ll hold onto forever.
This was my first CanJam experience and I can’t imagine it having gone any better, and it makes me VERY excited for New York in March. Everyone I met there was so welcoming and friendly, it was as if I had met these people before. It was very warming and I couldn’t have asked for more. Special shout outs to
@HiFiHawaii808 and
@wazzupi for introducing me to everyone and having some great chats at breakfast, as well as
@Subtonic Ken for accommodating my request to demo all the NightJar cables and help find what I was looking for, although that proved to be a very costly hour

. It was also a pleasure to meet
@Andrew DiMarcangelo from bloom audio, what a nice guy.. and thanks for letting me steal a Kit Kat

I know I am missing some people.
I got to hear SO many pieces of gear but I’ll mostly just talk about what grabbed my attention the most, which was the Kinera Loki Emerald, NightJar Dual DD prototype, NightJar Blue Hour 2 and 4 wire cables, 64 Audio Nio and U18t (yes, i know they’re old but I loved revisiting them), Noble Spartacus, and Kinera Imperial Verdandi prototype (?).
The Kinera Loki Emerald immediately “wow’d” me upon first listen which doesn’t happen to me often anymore. It’s a U shaped sound signature with clean and excellent sub bass rumble, a bodied mid bass, and thinner more revealing mids with a fairly elevated treble response that isn’t overly smooth but has enough bite and excitement to stop it from sounding too flat. The special sauce in this IEM came from its fantastic bone conduction imaging. Picking out placement of notes on the Loki stage was about as easy as I have ever heard, with each note getting its own “highlight” on the stage with incredible precision and spaciousness. I’m not sure this is a set that I’d want to listen to for long periods of time but it sure left an impression on me within my multiple demos of it.
The Kinera Verdandi prototype was also very unique with its staging and imaging, it sounded so incredibly open and massive but almost to the point of just being far too diffused and disjointed. I think this will make it divisive amongst the community based on library and preferences but I thought for the price, the overall well executed and inoffensive tuning, and the “fun” presentation it had that it’ll be quite popular if/when it is released. I believe the suggested pricing is about $1099 and it’s in prototype stage at the moment?
I’d like to see Kinera offer their IEMs as customs, if they did I might have bought a Loki Emerald on the spot.
I spent about an hour at the 64 audio booth listening to Volur and revisiting older IEMs that I had once owned and sold off. The U18t still impresses me and I probably made a mistake selling my A18t. Going back to that flatter/reference sound did feel like a nice palette cleanser and I was reminded quickly of how far ahead of their time 64 audio was back when these IEMs came out. I’m not sure it’s something I’d want to listen to anymore at this point for enjoyment but I still find the 18t very relevant even all these years later. The Volur didn’t work much for me at all, I couldn’t really tolerate the treble tuning being so zingy and spicy, it stuck out like a sore thumb to me on my electronic tracks and just made it unenjoyable. I much preferred the cheaper and less technical Nio tuning.
The NightJar Dual DD prototype is a bass lovers dream. Jesus Christ this thing has gobs of bass and it’s very high quality bass. On top of that there’s impedance adapters (done in pigtail form) to tilt it even more “bass head” levels if that’s your thing. When I pushed play and went through one of my bass test tracks the grin I had on my face was something the Grinch would have been proud of. The physicality behind the low end was something that just has to be experienced to understand, and on top of that it has fairly decent detail to offset it too! It wasn’t the most technical thing I’ve heard and at the price point they’re aiming for (I believe somewhere between $2k-$3k) it may not be enough for some people but it’s clear as day this isn’t what the IEM is aiming to achieve. I don’t know how well this set would fare for long term listening or if the novelty would wear off after time but I loved it. For me this was something like Legend X successor, I’ll be keeping an eye out for this one.
Another NightJar product(s) that I loved straight away was the Blue Hour 2 and 4 wire cables. I tried both on my Fei Wan in preparation for my CIEM to arrive shortly. These were the first copper cables I’ve tried that haven’t been from PW audio that I felt were actually good. The 2W gave Fei Wan a much more deeper sub bass rumble with excellent dynamics and control. It was quite staggering how different the lows sounded from the stock cable. It was an immediate improvement for me and on top of that the ergonomics and weight of the 2W are fantastic. It’s incredibly light and supple. Moving from the 2W to the 4W I felt that same excellent bass control and dynamics but with a richer and more analogue sounding mid range, with smoother yet equally detailed treble and extension. The entire stage felt so cohesive and well pieced together, it was perfection and Ken from Subtonic could tell from my “listening face” that it was an immediate positive reaction from me. I placed an order then and there for the 4W Blue Hour cable and I can’t wait to receive it.
The Noble Spartacus was surprisingly good and I thought was very competitively priced at what it offered. It’s a 4BA 2 BCD IEM with the BCDs covering the mids. It’s a new Sonion BCD driver that’s not similar in appearance to the typical disc-like drivers we are used to seeing from UM and EE. The tuning was fairly neutral in mids and treble but with a very generous bass boost done from 2 BA drivers that brought a sub bass rumble that would fool inexperienced ears to thinking they’re DD lows. Technicals were slightly above average in terms of detail and resolution with the main highlight being the spacious mid range and imaging. I preferred this to the Canpur 622B which is over 2x the cost. I was also told they can be made as a CIEM for a small up-charge over the universal MSRP. Jim and Kai (?) from Noble were incredibly pleasant to chat with and I enjoyed learning more about their products.
A couple of “honorable mentions for me”:
AK SE300 - loved the r2r tonality and smoothness but lord have mercy this DAP is painfully slow and it boggles my mind AK thought that SoC was acceptable at that price point and in 2023. Stop being cheapskates.
Eletech Plato - loved it with Fei Wan but the wire itself just felt too stiff for me compared to Sonnet of Adam or the NightJar cables
Campfire Ponderosa - for that “warm & muddy” sound I thought it was fairly decent and easy to listen to with nice imaging that campfire is known for. It was my favorite from the new releases.
List of things heard this weekend:
Noble Damascus Viking (the most incredible IEM I’ve ever seen and held)
AK x VE Aura
Subtonic Storm w Sov Symphony
Noble Ronin
Noble WM1X (i don’t remember the model name, but 1 DD 1 xMEM driver, powered through USB C)
64 audio U4s, Nio, Volur, U18t, U18s
FiR e12
Campfire Ponderosa, Cascara, Bonneville
NightJar Singularity & dual DD proto, Vanguard, Blue Hour 2/4 wire, Bifrost, Mira
Kinera Loki Emerald & Verdandi
UM Red Halo
Noble Spartacus
AK SE300
Eletech cables