Quote:
Originally posted by cyclonite
Hello guys, I'm building a high quality Meta42 and I was thinking of using Ansar audio grade Polypropylene capacitors for C1. These capacitors have 99.99%silver leads on the highest end models. They are costly but ppl tell me the sound if worth the investment. What do you guys think?
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I took a look at the link you included and, frankly, I wasn't all that impressed. Making metallized film capacitors requires some very expensive, complicated and finicky equipment; equipment these "boutique" audio places generally can't afford. As a result, they invariably make *worse* capacitors than the major manufacturers like Evox-Rifa, Wima, Philips, Panasonic, et al.
I use Wima FKP and MKP series capacitors in switchmode power supplies all the time. They exceed every spec that Ansar cared to share and probably all the ones they didn't (like the maximum rate of change in voltage and current the capacitors can tolerate; the equivalent series resistance and inductance; etc.). Oh, and they cost a lot less, too (eg - 0.1uF/100V/FKP2 cost $0.28/ea. in 1k+ quantities).
99.999% silver is a joke. How anyone can believe this makes any sort of difference is beyond me. Even if the wiring throughout the entire audio chain used silver as the conductor - from the mikes in the recording studio to the drivers in your headphones - it would be difficult to imagine any improvement coming about. Oh, sure - you get people claiming all sorts of voodoo physics about crystal alignment and oxide inclusions, but, frankly, I have to wonder how long they've been off their meds when I read that kind of tripe.
Good audio reproduction comes from good engineering, not snake oil, smoke and mirrors.