dvr
100+ Head-Fier
- Joined
- Dec 28, 2001
- Posts
- 206
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- 10
First, thanks to Zin_Ramu for hosting the (first-ever, I think) Boston head-fi meet. The thing that prevented a meet from happening earlier was the lack of someone willing to open their living room for the afternoon to a bunch of strangers. Zin was great to do this.
And now the gear:
A few of us did blind testing between the Corda and a meta42 (Angus might chime in with the exact configuration.) Two people would listen to the amps while facing away from the amps; a third person would switch the plugs between the amps. When I turned around and said "That's the better one", I was plugged into the meta. The two sounded very similar, but the meta had fuller vocals and less grain. Given that the meta is also smaller and cheaper, I wouldn't recommend the Corda unless you plan to mod it.
One qualification: The difference might be due to the interconnects. The Corda was connected through a pair of Outlaws; the meta was using a pair of... Cardas Golden Reference. Using the Outlaws for both amps might have resulted in a tie, but given the meta's smaller size and price, I think it would likely still come out the winner.
Edwin and I had a Melos-Max face-off. The Melos had a pair of Sylvanias 6922s that I found on ebay for $6.49 (and which outperform by a large margin all my Amperex tubes.)
Over the past few months, I've owned the Melos, the RKV, and a ZOTL, and I felt that the Melos was the most neutral and accurate of the three. In comparison to the Max, the Melos is like a fun-house mirror. The Max speaks with such authority that you know you're being told the truth.
Our first test track was the opening to Clapton's Unplugged, a well-recorded acoustic track with no vocals. The Max amazed me. Everything seemed more vivid than I remembered. The position of the guitars on stage could be seen with more clarity than I thought possible, and the bass was strong and tight. The Melos seemed meek in comparison.
Compared to the Max, the Melos favors vocals. Voices are richer, sweeter, and your attention is drawn to them because they sound so good. For the other tracks Edwin and I used (which all contained vocals), I preferred the Melos. At the end of the day, I think it comes down to your priorities. Since vocals account for a large fraction of the enjoyment I draw from my music collection, I'm happy sticking with the Melos. If I listened mostly to classical, I'd likely sell the Melos and get a Max.
Update (something important I forgot to mention): All my listening was done with the Ety 4s.
And now the gear:
A few of us did blind testing between the Corda and a meta42 (Angus might chime in with the exact configuration.) Two people would listen to the amps while facing away from the amps; a third person would switch the plugs between the amps. When I turned around and said "That's the better one", I was plugged into the meta. The two sounded very similar, but the meta had fuller vocals and less grain. Given that the meta is also smaller and cheaper, I wouldn't recommend the Corda unless you plan to mod it.
One qualification: The difference might be due to the interconnects. The Corda was connected through a pair of Outlaws; the meta was using a pair of... Cardas Golden Reference. Using the Outlaws for both amps might have resulted in a tie, but given the meta's smaller size and price, I think it would likely still come out the winner.
Edwin and I had a Melos-Max face-off. The Melos had a pair of Sylvanias 6922s that I found on ebay for $6.49 (and which outperform by a large margin all my Amperex tubes.)
Over the past few months, I've owned the Melos, the RKV, and a ZOTL, and I felt that the Melos was the most neutral and accurate of the three. In comparison to the Max, the Melos is like a fun-house mirror. The Max speaks with such authority that you know you're being told the truth.
Our first test track was the opening to Clapton's Unplugged, a well-recorded acoustic track with no vocals. The Max amazed me. Everything seemed more vivid than I remembered. The position of the guitars on stage could be seen with more clarity than I thought possible, and the bass was strong and tight. The Melos seemed meek in comparison.
Compared to the Max, the Melos favors vocals. Voices are richer, sweeter, and your attention is drawn to them because they sound so good. For the other tracks Edwin and I used (which all contained vocals), I preferred the Melos. At the end of the day, I think it comes down to your priorities. Since vocals account for a large fraction of the enjoyment I draw from my music collection, I'm happy sticking with the Melos. If I listened mostly to classical, I'd likely sell the Melos and get a Max.
Update (something important I forgot to mention): All my listening was done with the Ety 4s.