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I originally took hold of this CDP on the 7th, haven't started listening to it until tonight.
Now for those who may be familiar with my sonic preferences and the ongoing progress of my slowly-advancing balanced system, the Ayre CX-7e might be a surprise. Why'd I pick this CDP?
Well first I'd like to itemize why I didn't and even couldn't go with a few other CDPs I was researching. These were the Original CD-2008-MKII, CEC CD5300, and Meridian G08. The Original just looked too flashy and gaudy. I wasn't sure of the CEC's spiked feet, and I didn't want to take an expensive risk on a CDP you can't find any real English-written reviews of. And there were two things about the Meridian that just scared me away - the HUGE looking remote control (really, what the heck is that thing?), and a general description of it sounding refined, neutral, & laidback. After the experience I've had with the Arcam FMJ CD33, I've found that I don't like that kind of sound.
I spent a lot of time researching balanced CDPs - at first, I was considering only ones in black, but that ended up being too limiting, so I had to widen my target field to include silver too. I found a lot of balanced CDPs this way - for the people who might wonder just how many balanced CDPs exist in the world, there are more than you might think! There are brands all over the world that make at least 1 balanced CDP - I found over 10 brands easily.
So to cut to the chase, here are the reasons I went with the Ayre CX-7e:
- Almost every review, both from consumers and the audio press, agree that it is not entirely neutral and has a bit of a dynamic, almost aggressive streak. The more I read about this, the more exciting it seemed.
- Most reviews of the CX-7e also describe it having a large, open soundstage. Soundstage is one of the key things I listen for, so this was just more good news for me.
- There are barely any negative reviews of the CDP on the Internet.
- Price. I could've afforded this CDP either brand-new or used. Some of the other CDPs I looked at, I could've afforded only used.
- Visual aesthetics. This is always a key aspect for me - I look at my equipment as much as I listen to it, and I really don't like flashy-looking stuff. I prefer equipment to have a look that gets right to the point. The CX-7e's design is something I can definitely live with.
- A used unit on Audiogon popped up during my research.
- Finally, as trivial as it sounds, Ayre Acoustics is based out of Colorado. I've recently developed a personal gravitation towards Colorado.
Associated Equipment
- Headphones: AKG K701, Audio-Technica ATH-AD2000 [AK]Zip-recabled
- Amplifier: Lehmannaudio Black Cube Linear
- Interconnects: Signal Cable Silver Res Analog w/ Eichmann silver bullets
- Power cord: Signal Cable Silver Res Reference
- Comparison source: Arcam FMJ CD33
Initial Impressions
Today I wasn't concerned with any critical listening - just listening to hear where this differs from the Arcam, and how it renders my favorite music.
The bad news is that the Ayre's rendition is clearly different than the Arcam's, and unfortunately I have to keep waiting to find out just how much I'll really come to like it (if I do come to like it) once my balanced amp arrives. The waiting must continue.
The good news is that I don't dislike the sound, unlike what happened with the Audio Aero Prima that I used to own. The Audio Aero just never "gelled" with me, something about it always bothered me.
The sound from the Ayre is as clear and detailed as the Arcam, but unlike the Arcam, this machine has attitude - as corny as it sounds, the two brands seem to live up to an American and British persona. The Arcam is very reserved, polite, and refined - excellent sounding of course, but it ends up sounding more technical than involving. The Ayre, on the other hand, has an assertive quality - not forward, not laidback, but somewhere in between that makes it sound friendly and effervescent. Extremely pleasant. Not that it's warm-sounding - not at all. It just doesn't sound as much of a machine as the Arcam.
More impressions to come later. Too bad the jury that decides whether I like the sound of this CDP via XLR will be out for a while. But I'm eagerly anticipating for when that occasion comes.
Now for those who may be familiar with my sonic preferences and the ongoing progress of my slowly-advancing balanced system, the Ayre CX-7e might be a surprise. Why'd I pick this CDP?
Well first I'd like to itemize why I didn't and even couldn't go with a few other CDPs I was researching. These were the Original CD-2008-MKII, CEC CD5300, and Meridian G08. The Original just looked too flashy and gaudy. I wasn't sure of the CEC's spiked feet, and I didn't want to take an expensive risk on a CDP you can't find any real English-written reviews of. And there were two things about the Meridian that just scared me away - the HUGE looking remote control (really, what the heck is that thing?), and a general description of it sounding refined, neutral, & laidback. After the experience I've had with the Arcam FMJ CD33, I've found that I don't like that kind of sound.
I spent a lot of time researching balanced CDPs - at first, I was considering only ones in black, but that ended up being too limiting, so I had to widen my target field to include silver too. I found a lot of balanced CDPs this way - for the people who might wonder just how many balanced CDPs exist in the world, there are more than you might think! There are brands all over the world that make at least 1 balanced CDP - I found over 10 brands easily.
So to cut to the chase, here are the reasons I went with the Ayre CX-7e:
- Almost every review, both from consumers and the audio press, agree that it is not entirely neutral and has a bit of a dynamic, almost aggressive streak. The more I read about this, the more exciting it seemed.
- Most reviews of the CX-7e also describe it having a large, open soundstage. Soundstage is one of the key things I listen for, so this was just more good news for me.
- There are barely any negative reviews of the CDP on the Internet.
- Price. I could've afforded this CDP either brand-new or used. Some of the other CDPs I looked at, I could've afforded only used.
- Visual aesthetics. This is always a key aspect for me - I look at my equipment as much as I listen to it, and I really don't like flashy-looking stuff. I prefer equipment to have a look that gets right to the point. The CX-7e's design is something I can definitely live with.
- A used unit on Audiogon popped up during my research.
- Finally, as trivial as it sounds, Ayre Acoustics is based out of Colorado. I've recently developed a personal gravitation towards Colorado.
Associated Equipment
- Headphones: AKG K701, Audio-Technica ATH-AD2000 [AK]Zip-recabled
- Amplifier: Lehmannaudio Black Cube Linear
- Interconnects: Signal Cable Silver Res Analog w/ Eichmann silver bullets
- Power cord: Signal Cable Silver Res Reference
- Comparison source: Arcam FMJ CD33
Initial Impressions
Today I wasn't concerned with any critical listening - just listening to hear where this differs from the Arcam, and how it renders my favorite music.
The bad news is that the Ayre's rendition is clearly different than the Arcam's, and unfortunately I have to keep waiting to find out just how much I'll really come to like it (if I do come to like it) once my balanced amp arrives. The waiting must continue.
The good news is that I don't dislike the sound, unlike what happened with the Audio Aero Prima that I used to own. The Audio Aero just never "gelled" with me, something about it always bothered me.
The sound from the Ayre is as clear and detailed as the Arcam, but unlike the Arcam, this machine has attitude - as corny as it sounds, the two brands seem to live up to an American and British persona. The Arcam is very reserved, polite, and refined - excellent sounding of course, but it ends up sounding more technical than involving. The Ayre, on the other hand, has an assertive quality - not forward, not laidback, but somewhere in between that makes it sound friendly and effervescent. Extremely pleasant. Not that it's warm-sounding - not at all. It just doesn't sound as much of a machine as the Arcam.
More impressions to come later. Too bad the jury that decides whether I like the sound of this CDP via XLR will be out for a while. But I'm eagerly anticipating for when that occasion comes.