Well, I think his idea is simple and valid. Have a target, ideally something comparable or a rig, EQ your headphones to your target and compare them. With FR impact minimized, other features should stand out. Apparently, for him, they didn't. I personally like EQ, because I like some headphones I couldn't listen to without (eg. LCD-4, 1266, SR-007).
Do you mean me? If so, i have described what the other people told me, what they hear. As for me, with same FR target, headphones still sound different to me, which is why FR alone is not important to me. For example i could not listen to rock music, or anything with heavy impact with the Hifiman Arya, because it sounds just dead and lifeless to me. No EQ will change that.
Do you live nearby by any chance? (Hannover). There is no LCD-4, 1266 or 007 anywhere nearby to listen to. If its not too far away, or if you would be interested to compare amps, there is maybe a small meeting up ahead with 3 people, me included between hannover/berlin, we got LCD-2, ZMF Aeolus, Auteur, Verite Open, 1000V2 and Headamp GSX Mini, Qudelix 5K, Burson Soloist i believe there together
Maybe I'm old school, but I'm of the opinion that it's the headphone manufacturer's job to voice the product well, not mine. And as others have pointed out, once you introduce EQ as a variable, it becomes (even) more difficult to have a discussion about the relative merits of headphones. While I agree with
@number1sixerfan that CanJam is not the venue to form
definitive impressions of a headphone, I do think that useful and valid
relative assessments are possible. Based on an admittedly cursory listen to the LCD-2 a few years ago, I was somewhat impressed by the bass response, but really nothing else. Seems to be a consistent theme with me vis-a-vis Audeze cans... so far. As I said, I'll be giving their new offerings a listen this weekend.
Well, it would be boring, if every headphone would have the same FR target. For example the LCD-2 as it is, is a good fit for very harsh old music in my opinion, otherwise, the noise floor alone would be a killer. Of course, people need to know the settings for the eq, if that's involved, but my testing was done locally under the same conditions, which is why i haven't published my EQ here. Could do a screenshot from my EQ, if anyone is interested to know?
Evaluations with EQ will need to be more specific, I agree. Without EQ, however, and without an adequate amp (more than the 500mw mentioned earlier), you simply cannot determine what the headphone is truly capable of, and whether it will be a good match for you. One man’s opinion.
Why? For Headphones like Susvara, HE6 you need plenty of power (with that i mean 1W without clipping/degrade in sound performance), otherwise 200-300mW is enough for pretty much anything out there, if the device can handle up to a certain voltage as well (sustained of course) and having low output impedance.
For example you could level matched a 300$ DAC/SS AMP 1.5W against something with 6W for xxxx$ and will not hear any difference if both devices has no major flaws with the hifiman susvara in any kind of music
I would have invited you, if you would live nearby, otherwise i encourage you to buy a switch box, let someone else make you balanced cable for the amp to the switch box and to the headphones to keep everything balanced and use a multimeter or so to volume match the amps and listen for yourself
Anyway, from my subjective point of view, I don't plan on spending money on any headphone that cannot prove hat they did their job well on the engineering level. Otherwise there are headphones around that place an off-the-shelf driver in a wooden box and sell it for many times the price, and are praised for their "sound". There is too much BS in this industry.
I hope you all enjoy your LCD5s.
While i agree with the rest you wrote, i don't agree with this part, because if there are good EQ Profiles out there to be used, why not trying? Same FR Target + Volumen matched and headphones comes much closer to each other in sounding, but there are things that still remain different enough in my experience, for example comfort, impact, soundstage.