Loevhagen
1000+ Head-Fier
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- Feb 15, 2011
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And by that you mean that pp312 is much younger than HK_Sends?
Well, you're probably good enough, but unfortunately people like me, who never found the treble distant, dull or missing anything, are just as mystified as before.
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I think it just depends on what you use as the reference point, and what stuff they're listening to.
I've had the Stax O2's for a while now, and the very first moment I heard the LCD-2's I couldn't help but think that the LCD-2's sound signature walked along the same relaxed clarity path.
Imaging aside, there is next to no difference in terms of tonality between the two, but I couldn't help but notice something peculiar about the treble. In terms of volume, there's no problem at all, but there was a strange hazyness to the LCD-2's treble. I'm not sure what it is but I feel that the treble is somewhat slightly out of focus. Nothing sounds missing at all because it's all there, and the differences were only apparent when I ping ponged between the two extensively.
Anyway, the rev.1 LCD-2 was an absolute ripper of a headphone, but from some of the impressions of the rev. 2, it sounds like they've got the treble in focus now.
If I don´t remember wrong, Lunatique had as "disclaimer" on the measurements. Something like "using a CD to cover the pads and put a microphone inside the hole". Or, something like that. I guess the aforementioned FR-graphs therefore are indications, and not measurements I would take for granted 100%.
If you want mid-field speakers to complement LCD-2s, the obvious choice for me is Magnepan speakers (albeit with a monster of an amp). When I A/B the two, the are very similar in sound signatures (the LCD-2s trounces the Maggies on the bass department, but the Magnepans absolutely destroys the LCD-2s on separation, air and stage - as is expected of speakers of course). Although their sweet spot is somewhat small, so placement/room is important...
It would be worth it. I am hearing more and more detail and layering in my music. The faster diaphragm lets me hear distinct string plucks and hammer strikes on the harpsichord and piano. The soundstage seems bigger and definitely more "3d". I can hear oboes layered on top of pianos layered on top of violins. Someone will play notes right next to me and then someone will play further away in front or to the side and it's so distinct! I actually heard the some oboe valves flapping during a solo passage. It seems cliche' but I am really hearing the music for the first time with no recessed parts of the freq spectrum.
Hey nice review Hk.
I am still a lil bit lost though. Maybe I hv 2 do the same thing as uto actually compare them myself.
That bass thing got me really interested, But I am not sure if I can live with that treble thing.
I understand why ppl say abt that V shape sound. It sounds like the sound signiature is leaning towards to D7000's, more bass, more treble.
So do you experience more sibilance?
And by that you mean that pp312 is much younger than HK_Sends?
it doesn't mean a 20 year old hear inevitably more high frequencies than a 60 year old.
If you want mid-field speakers to complement LCD-2s, the obvious choice for me is Magnepan speakers (albeit with a monster of an amp). When I A/B the two, the are very similar in sound signatures (the LCD-2s trounces the Maggies on the bass department, but the Magnepans absolutely destroys the LCD-2s on separation, air and stage - as is expected of speakers of course). Although their sweet spot is somewhat small, so placement/room is important...
200 hours burn in ?
this is first time i ever heard/read they need any burn in at all...
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Agreed, I A/B tested a loaner pair (hundreds of hours use) with a brand new pair (both Rev 1), and they were identical.