Here are some impressions after my first week with my ampsandsound Kenzie Ovation.
This thing is built absolutely rock-solid, yet isn’t unwieldy and easily fits on a side shelf (as you can see). I also now have a Pelican case that is big enough to transport my grandchildren.
The Kenzie is fed by my Chord Hugo TT2 DAC, which also serves as its own solid-state headphone amp, so I can easily compare sound from this common DAC source. I’ve spent most of my time this week using my new ZMF Aeolus, though my impressions carry across to my more limited time using my Focal Clear MGs.
First - I was concerned about noise floor - not because of Justin’s work but because of more general tube amp worries. I shouldn’t have worried, because this amp is (to my 62-year-old ears) completely, 100% noiseless. Not a buzz, not anything. Zero. I made a point of moving it as far away as I could from the Chord DAC and my computer and my powered Audioengine desktop speakers, and that certainly didn’t hurt. But if the tubes didn’t glow, I wouldn’t know if the Kenzie were on or off.
As for the sound - I am absolutely stunned at the sound quality. I don’t have a ton of experience with tube amps (I spent a short while with the Hagerman Tuba and the Cavelli Liquid Platinum hybrid), but compared to the sound coming out of the Hugo HP amp, the words that stay in my mind are “commanding presence.” Soundstage is wide, separation is precise, and there is something muscular about the presentation as compared with the Hugo solid state (which in any other world without the Kenzie would be absolutely beautiful and more than enough for me).
It’s a great marriage between the Kenzie and the ZMF Aeolus. The sound is warm and enveloping yet still fully detailed and sharp. I’ve played with the five taps the Kenzie provides and may be leaning towards the 100-ohm tap as my favorite. It just adds a little more pop and dimensionality than the 32-ohm tap, but we’re talking by degrees. The High-Z tap oversaturates and blooms the sound just a tiny bit, particularly in bass-heavy tracks, but that may be more in comparison to the other taps than a measure of the absoulute SQ. Certainly I initially favored the 32-ohm tap and only by spending more time did I land on the 100-ohm tap (for now). I suspect I will use different taps for different genres - the sparer the arrangement, the more I move up the tap ladder. (Is that a common experience for others?)
I am a newbie to the field, as you can tell from the amateurish descriptions above, but all I can tell you is that the Kenzie takes me to that ideal state we all talk about, where equipment melts away and recedes and you are just left inside the music.
From what I can see and from what Justin told me (he is SO generous with his time), the Kenzie is not a tube-roller’s Nirvana - you can have a lot more fun with the Mogwai SE. But for someone like me who wants to set it and forget it, I can’t imagine any other amp taking me deeper into the music or providing greater pleasure.
I hope this helps anyone considering an ampsandsound purchase or wondering if it can possibly be worth the investment. It is.