BattleBrat
Previously known as Blasto_Brandino.
- Joined
- Nov 20, 2006
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Which are better all rounders, they need to play pretty much everything and be built to last!
Ordered the Grados, this post did it. I’m looking into AKGs though, I’ve only heard a pair of K701s once off a phone amp combo, they deserve a better look.Both the cans you've suggested seem like good choices.
I might also recommend you check out AKG K553. They don't really have much of a "wow" factor, but they are good all-rounders and do have great build quality.
Ordered the Grados, this post did it. I’m looking into AKGs though, I’ve only heard a pair of K701s once off a phone amp combo, they deserve a better look.
https://www.head-fi.org/threads/gra...s2e-which-way-to-upgrade.756013/post-13236391
What are some of your nits to pick with the 553’s? I was looking at their catalog and that looks like a good set of cans to start with. I try to go for a mid level product of any company to see what they can do, I avoid the cheaper stuff at first. What is the build quality like? What materials do they use? Are they bright? Neutral? Dark?I have three AKG products; K371, K553 mkII, and N40 (IEMs). I like all of them, but I'm not super, "I'm going to recommend this brand/product to everybody looking to buy". I do have headphones like that, where I'm almost a fanboy about - suggesting it to anybody that asks (looking at you HD6XXs). The K371s are at a great price point, but they've got some flaws that make me somehow both love and hate them. Build quality aside, I don't feel like the K553s are a $200 headphone. There's just so many great ~$200 options out there, and I feel like the K553s have a hard time competing. I love my N40s, but I had to do a couple fixes to get them (like putting foam eartips on and getting a 2.5mm balanced cable that I had to file down so it'd fit right). Paid $99 for those and I feel like that's a good price for them. However, they originally retailed for $400 which is absolutely ridiculous. The KZ ZS10 Pros have more detail, but not as good vocal and acoustic timbre at $50...
All of that to say, I'm not going to say that the AKG brand is great in and of itself. They have their products though that do a fine job, however. My understanding with AKG is that if you want an all around good headphone - comfortable, good build quality, great sound quality (sound stage, imaging, whole 9-yards), then you're going to have to spend (no-duh). Anything above the K700 model seems to have pretty decent reviews, but you're starting to look at ~$300; unless you get the K7XX from Drop.
I agree. It's nearly impossible to break the HD25, and every part is easily replaceable if you do. The Grados don't have any swivel stops for the ear cups which may result in the wires twisting and breaking. I think this might be the most common cause of failure with them.HD 25s are gonna be a lot tougher and last a lot longer than Grados. Every HD 25 part is available, they're completely rebuildable. And they have detachable cables.
But I think the Grados you bought are going to be very nice headphones.
I’ve had Grado SR60’s back in the day (bout a decade ago) loved em. I had no issues other than the super thick cord and beefy plug. I’m still looking at the HD 25 Pluses but the lack of hardcore reviews and diehard fans for them concern me. I read no fewer than 50 pages of comments, reviews, and comparisons before I decided on the SR225e’s. I considered the 325’s because honestly the aluminum cups and design but the reviews said they can be bright, and that’s not what I loved my SR 60’s for. That and the headband and ear pads on my HD700s turned to goo after I busted them out for some quarantine listening (My Sony Z7’s which are just as old and stored right next to the 700’s were perfect) so I’m a little miffed at Sennheiser right now. My next Sennheisers might be HD600s. I liked my HD650s back in the day but I prefer the Z7’s for my dark cans.I agree. It's nearly impossible to break the HD25, and every part is easily replaceable if you do. The Grados don't have any swivel stops for the ear cups which may result in the wires twisting and breaking. I think this might be the most common cause of failure with them.
I had the 800’s when they came out (there are pics in my gallery), I’m avoiding all higher end cans these days. The 800’s were WAY too picky, and I’m not thrilled with the 700’s either but EQ’d they’re ok. I had the Sony MDR-CD3000’s back in the day and they were solid gold with anything I plugged them into. So these days I don’t really want to spend more than $600 on cans, I’m more of a speaker guy.I currently own the HD25 Plus and HD820, and have owned the HD600, HD650, and two HD800S-es.
There are a few long threads on the HD 25 here but most of its fame is as a DJ headphone. It is kind of a secret weapon outside of DJ/recording use. If you meant specifically the Plus variation, that is just Sennheiser marketing babble. There have been a few changes to the HD 25 but the current versions (aside from the Light which is a totally different headphone) they're just trim-levels of the headphone. Plus comes with a case and extra cables. Basic doesn't. And the plain HD 25 without Basic or Plus designation, no difference from Basic. All three are identical, only the accessories and boxes vary.I’m still looking at the HD 25 Pluses but the lack of hardcore reviews and diehard fans for them concern me.
My next Sennheisers might be HD600s.
Tell me more, what’s their sound sig like?The Plus also comes with velour pads, though I'd recommend the Yaxi type b memory foam pads. I'd also recommend the "Uber Mod" from Custom Cans. Improves bass extension to a huge degree.