Design/durability: The earpiece seems very durable, although there are some light finish issues. The braided cable is one of the best in the industry: there are barely any microphonics, it feels robust but is light and supple at the same time. Now the issue occurs with the MMCX connectors and their connection to what is inside the housing: the female part of the MMCX connector rapidly becomes loose, causing the male part of the connector (the one on the cable) to move into the socket, and all these "movements" will eventually cause the red wire that links the connector to the drivers to move. There is also a small clicking sound at the connector. It seems that many people have been through these issues which also occur with the UM Pro 50, which is ultimately based on the same design as its little brother. Although I am not experiencing any disruption of the sound right now, I hope this issue won't get any bigger and lead to the death of some flimsy internal cable or driver. So far I don't think it will, but I can see why people don't consider MMCX technology as reliable enough for earphones.
Fit/comfort: The UM Pro 30 reaches the ultimate level of comfort for an IEM, in my opinion. The light and supple cable along with the very ergonomic earpiece are determining factors to achieve such a great feel, and Westone obviously did their research. They are also very easy to put on and off, despite being around the ear IEMs. Overall it is a practical and hassle free design that is easily forgettable when in your ears.
Isolation: Good. Definitely on par with competing IEM, but below my ER-4, as expected.
Sound: Smooth and warm. The UM Pro 30 is one of the few IEMs with balanced armatures which make you
feel the bass. Sub bass goes quite low, and there's a nice and tight midbass hump that will make you want to move your feet at every beat. Such beautiful, meaty and juicy low frequencies. The huge bass driver on the side is definitely doing its job!
Mids are very lush and present, with body. However it could be heard on
some tracks that they lacked coherence, depending on the singer or the instrument played. The timbre of the piano, for instance, does not always sound right. On some rare occasions, vocals seemed like they had "blended" with other instruments (good file, good source), making the presentation sound congested. Other than that, the smooth mids are a bliss for the ears, they are enveloping and immersive, perfect with jazz music, acoustic, soul, blues, most vocals, etc.
The treble is non agressive, a bit recessed, but nothing shocking, even for an Etyhead like me. It has average extension and is not particularly airy, but it doesn't sound muffled either. However don't expect strings and orchestral works to shine, as I found the UM Pro to sound pretty bad with most classical/soundtrack, and most tracks that require very articulate and lively highs.
Soundstage is rather intimate, very up-front and "in your face", but imaging is top notch. Detailing is great, very little of the music is left unheard, except in the high frequencies due to the slight roll-off. Last but not least, speed is excellent, punchy tracks are very well rendered. Live rock songs never sounded that realistic.
Bottom line: Excellent, smooth sounding IEM, with addicting bass and lovely mids. However I expected a slightly better build quality. Apart from that, the UM Pro 30 is a very convincing product.