TRIPOWIN x 0DiBi: Vivace

The NiceHCK YD Small is an intra-concha Hi-Fi earphone for audiophiles with small ears.Here is my detailed review of this earphone with every possible query, in a thread .

https://x.com/YourbroRishabh/status/1861806698392117321/photo/1



Unboxing

It is one of the most appealing boxes I have opened, the outer print on the box makes it look lovely.You get the Earphones and a beautiful-looking set of stickers.Some documentation i.e. warranty and manual paper.You also get 2 pairs of cotton pads for earphones.



Specifications

A small-size design featuring -Driver Unit: 14.8mm PEI diaphragm driver.Sensitivity: 119dB.Impedance: 32ΩFrequency Response: 20-20KHzCable Material: Pure CopperConnector: 3.5mm/Type-CMic is optional.


Build Quality

Construction: The shell is made of good-quality plastic, ABS material shell, and has an intra-concha design. The shell size is 16mm, which is smaller than that of their traceless earphone, for a better wearing experience, the copper cable is of decent quality as per the price bracket.This design offers-1.

Comfort: Good for extended use, doesn't create pressure within the ear canal, it is designed to sit on concha(bowl-shaped part of the outer ear) instead of going deep inside like IEMs.2. Lightweight: easy to wear for long.




Fit and Comfort

This is where it gets differentiated, it fits in the outer area of your ears, this is specially made for guys with relatively small ears rather than for the guys having large ears.
It doesn't cause discomfort but needs an understanding of how to wear these, these easily rest on your ear, it is more for guys who get pain while wearing in-ear earphones or for casual listeners or kids as they generally have small ears.

I suggest wearing this in an IEM way, where the wire is molded around the ears for a better experience.




Sound

This set is efficient and doesn't need any external DAC and AMP, however, the Type-C version comes with a DAC chip which is CX31993, and a great one.This has somewhat balanced overall 3 frequencies but with a slight brightness which I like.The sound quality is surprisingly good, I have never heard any intra-concha earphone sound this good at this price point.Good for laid-back listening sessions rather than critical audiophile use.


Bass

Sub Bass: The sub-bass is subtle, adds depth and rumble but not b overwhelming the slightest of sound which is good.
Mid-Bass: The mid-bass is tight and controlled, doesn't feel muddy, and doesn't bleed into the mids.

The bass balances between neutral and warm, not like some of the IEMs like CCA CRA and CCZ SOLO, KZ EDX PRO X.
Song tested: One more round.





Mids

Lower mids: The lower mids are decent but slightly recessed, which makes male vocals and instruments a bit distant.

Upper Mids: The upper mids are decent, and the female vocals sound decent, the violin sounds good.The resolution could've been better, but it's ok.

Song:



Separation and Details

The instrumental separation is good for the price but some busy tracks may feel a bit congested as we usually see in Audio gears at this price range.



Highs or Treble

Extension: The treble rolls off slightly which prevents harshness but sacrifices a bit of sparkle but doesn't sound muted.

Details: High-frequency details like Cymbals and hi-hats are there but may get a bit recessed or weak, micro-details are not very prominent.

Sibilance: This earphone avoids sibilance, making it a comfort wear for treble-sensitive ears.

Song tested:






Soundstage and Imaging

The balanced tuning and intra-concha design of this earphone provide natural imaging and space.Makes the listening experience open and better.overall, it's pretty good.




Attack and Decay

The attack and decay are good, avoid extremes to prevent the unnatural sound. It's good.



Driveability or Technical Performance

The sensitivity and low impedance give a snappy response to transients, good for genres with fast-paced dynamics.



Important Points

1. Apple Music was used.
2. Testing was done on a desktop and a mobile.
3. DAC and Amplifier were used.
4. DAC and AMP aren't needed.


https://x.com/YourbroRishabh/status/1861806723520155820
https://x.com/YourbroRishabh/status/1861806712585634183/photo/1
Conclusion

This is a good intra-concha earphone and its audio capability surprises me, if you have small ears or you prefer this design for comfort and you want to gift a kid this, that's the perfect use case.but if you're more into IEMs, then this might not be for you. But it's a good option under $10.



Buying Options and Query

It's available in 4 color options. You can get these earphones at their website for a good price, also offer a 20% discount for first-time customers and they offer free international shipping for any purchase.

Get it from here: https://nicehck.com/products/ydsmall

Thanks to NiceHCK for this unit and for making this review possible.
Every opinion and word was mine in the thread.

If you have any queries, feel free to ask them.

Review of the Tripowin X 0diBi: Vivace​

Introduction​

Tripowin, a renowned audiophile brand, has collaborated with another renowned Korean YouTuber and audiophile, 0diBi, for the first time. This collaboration resulted in the creation of a budget-friendly IEM priced at around 30 US dollars. The newly released IEM, named Vivace, aims to captivate budget-conscious audiophiles. I was fortunate enough to receive a Tripowin X 0diBi Vivace for review purposes. However, before delving into the review, I would like to clarify a few important points.

Disclaimer​

*Since this unit tour was organised by the kindly people at Linsoul, I am grateful to them. As I've said in all of my evaluations, the same is true for this one: all of the concepts I've expressed below are entirely my own, original ideas that haven't been influenced by anyone else. If interested, go to this link.
*I am not associated with the connection, and I receive no financial assistance from anyone.
*For the remainder of the review, I will refer to these IEMs as “Vivace.”
*I am using different ear-tips for convenience and better versatility.
*Finally, I will only evaluate the Vivace based on its performance, even though I will explain how it feels and seems physically and aesthetically.

Specification​

Vivace, a single dynamic driver housing two 10mm titanium-coated PET diaphragm drivers on each side, boasts a resin shell with a shiny and glossy faceplate. Its ergonomic design and shape make it comfortable and small, with tip-rolling I achieved perfect fit and isolation. The included cable is a monocrystalline copper one with two 2 pin connectors and a 3.5mm plug. Six pairs of eartips in two different types and three different sizes are also provided. Technically, Vivace has an impedance of 18 Ohms and a sensitivity of 106dB. Its frequency response spans from 10Hz to 128kHz, with distortion levels below 0.5 percent.

Sound​

I’ll be honest, the tuning of the Vivace is quite similar to that of the Kefine Klean. From my perspective, the Klean is already a winner, so how does the Vivace fare in the lower budget segment compared to the Klean? Initially, I thought these had similar sound signatures, with different drivers, which ultimately resulted in certain aspects sounding different. In that case, the Vivace are truly well-crafted. I believe 0biDi tuned these IEMs exceptionally well. When it comes to differences between the Klean and Vivace, the most noticeable difference is the forwardness of the midrange and the stage presence of the notes. Of course, the Klean have more pronounced characteristics when listened to, but I believe the Vivace hold up well against their peers in the same price range. Being $20 more affordable than the Klean provides reasonable sound performance and physical quality. Let’s delve deeper into the sound to uncover more about it.

Treble​

Starting with the treble, I would describe this response as smooth and extensive. The peak around 10-12kHz brings high-pitched notes to the forefront, making them more present. However, this also creates a slight sibilant experience, as cymbals or bells tend to sound hissing. This sibilance is not noticeable, however, as I believe certain treble-sensitive songs don’t shy away from certain areas. The upper treble has a decent presence in the mix, especially with that peak around 10-12kHz. This peak adds a sense of air and stage to the overall response. The vocals and instruments sound light and lean, with good clarity. This results in a fuller sound with nice intensity in the mix. The lower treble sounds more vigorous, adding a great deal of energy that helps bring clarity to the upper extension. The vocals and instruments have a vivid and forwarded presentation, delivering composed notes with good tonality. However, I do believe that sibilance surfaces quite often, especially with treble-sensitive tracks. Despite this, I believe that such a lively and energetic response brings out the best in the vocals and instruments. Listening to tracks like “Tourner dans le vide” by Indila sounds refreshing, with lively and expressive exposure, especially the percussion. At times, the percussion almost introduces sibilance but manages to control it well enough. Overall, the presentation of the treble region is vivid, airy, and extensive.

Mid Range​

By analyzing the graph, both the Klean and the Vivace sound identical, but to my ears, they differ in their presentation. As I mentioned earlier, the Vivace has a more upfront and lively sound. It brings that playfulness from the lower treble to the upper midrange. The upper midrange resonates energy with the lower treble, creating a more forwarded and distinctive sound for the vocals and instruments. The response is very open and airy, especially when the female vocals scale up. Even the instruments sound satisfying and tonally accurate. I do hear a hint of warmth that enhances the lively yet natural sound. However, I noticed that the notes have less weight, resulting in a clean and clear sound. With such a response, the midrange takes center stage. Consequently, the lower midrange region sounds more subdued when listening to Vivace compared to Klean. I believe this is more related to how forward and energetic the upper frequencies become. The vocals and instruments have a clean presentation, with decent enough density and thickness in the notes but again personally I find it lacking weight. Listening to tracks like “Free Fallin’” by Tom Petty, the sound becomes spacious and airy with a lively presentation. It doesn’t directly pour energy into the vocals and instruments but delivers a balanced tone that enhances the tonal decency and quality. When it comes to Petty’s vocals, I find them fuller and more open-sounding. While I did notice that the male vocals lacked the girth and heft, I believe this is more of a personal preference. Overall, the presentation of the midrange region is lively, open, and upfront.

Bass​

Now, let’s talk about the bass. It’s true that the bass of Klean has more character and resolution, but I believe the bass of Vivace does a great job of providing a well-controlled and responsive bass response. I think the bass response is less reactive and more present in the mix, which results in a lack of strong impacts and hard-hitting bass. The emphasis is on the sub-bass region, which I believe produces good deep extension and rumbles with well-defined punches. In contrast, the mid-bass notes lack the meaty texture and heft of bass notes out of the bass guitars and drums, and I believe the bass doesn’t leak into the lower midrange. As a result, the bass response sounds well-controlled with a detailed and cold sound. In simpler terms, the bass lacks the impact but provides enough presence in the mix to sound well-defined and clean. The bass is well-detailed and textured for the price these are being sold for, so I have no complaints about how the bass is being produced. Listening to the track “Rumble” by Skrillex, even though the drops lack engagement and fun, the bass sounds on point and less booming or rumbling. On the other hand, listening to the track “Doin’ It Right” by Daft Punk, the bass sounds deep, big, and on point, providing a better exposure of the notes. Overall, the presentation of the bass region is well-controlled, precise, and deep-sounding.

Technical Performance​

Now, let’s delve into the technical aspects of the Vivace. Its agility is quite impressive when compared to its peers. However, I believe that these do a better job in certain aspects because they sound very similar to Klean. But first, let’s get more specific about it.

Soundstage, Sound Imaging & Separation​

The stage captures a wider presentation with good depth and width, creating a more 3D-like effect. However, I believe the sense of airiness in the mix adds a magical touch to the presentation. The notes are clean and precise, but the imaging could have been sharper and clearer. The separation between the notes is excellent, and the distinction between them is noticeable, making it easier to pinpoint the source of specific sounds.

Speed & Resolution​

Now, regarding the resolution, I believe the macro details are well-exposed, but the micro details are somewhat lacking in exposure. The attack and decay of the notes are nicely paced, which contributes to a more natural-sounding timbre.

Sound Impressions ​

Sources​

Sony WM1A - While listening to Vivace with WM1A, the response sounded expansive and more effectively conveyed. The vocals and instruments exhibited more refined characteristics, and the nuances felt more pronounced. The treble had a more airy and spacious sound, but it sacrificed some of that smoothness. The midrange maintained the same energetic presentation but with better sustained authority, resulting in a more fuller and complete sound experience. The bass sounded more dramatic and engaging, with enhanced impacts and thumps in the mix.

FiiO M15S - Throughout the entire presentation, the response of the M15S with the Vivace appears more transparent, regardless of whether it’s the bass, midrange, or treble. The bass section offers better control but has a lesser impact on the overall mix. The midrange section presents a more sustained sound, with the vocals and instruments sounding well-refined and balanced rather than overly expressive. On the other hand, the treble section sounds more presentable in the mix, which increases the likelihood of sibilance. However, during my testing, the sibilance didn’t become noticeable, but the treble did sound more prominent, with the vocals and instruments taking center stage.

Tracks​

Millet - Anytime Anywhere
Anri - I can’t stop the loneliness
Kohana Lam - A Few Sentimental
Kohana Lam - Loving Me, Loving You
Uru - Kimino Shiawasewo
Uru - Kamihitoe
Kujira Yumemi - Kenka
Majiko - Kokoronashi
Anly - Sukinishinayo
Kohama Lam - A Few Sentimental
Kohana Lam - Loving Me, Loving You
Miliyah - Kono Yumega Samerumade
Rokudenashi - The Flame Of Love
Indila - Tourner dans le vide
Yu-Peng Chen - A New Day with Hope
Yu-Peng Chen - Another Hopeful Tomorrow
Yu-Peng Chen - For Riddles, for Wonders
Daft Punk - Doin’ it Right
Valentino Khan - Satellite
Kai Wachi - Happier By Now
Jawns - Erotica
ISOxo - how2fly
Kai Wachi - Happier By Now
Skrillex - Rumble
The Weeknd - Popular
YUNGBLUD - When We Die(Can We Still Get High)
Bring Me the Horizon - Kool-Aid
Middle Kids - Bend
FLETCHER - Leads Me On
Loathe - Aggressive Evolution
The Weeknd - Save Your Tears
Sigrid - Burning Bridges
AURORA - Black Water Lilies
AURORA - Runaway
X Ambassadors - Renegades
Lupe Fiasco - Words I Never Said
Macklemore & Ryan Lewis - Can’t Hold Us
Gotye - Somebody That I Used to Know
Jay-Z - Run This Town
Lady Gaga - Poker Face
Lady Gaga - Just Dance
Ladytron - Ghost
Travis - Love Will Come Through
LINKIN PARK - Somewhere I Belong
DJ Shadow - Six Days (Remix)
Hoobastank - The Reason
Ricky Martin - I Don’t Care
Tool - 7empest
Tool - Vicarious
A Flock of Seagulls - Space Age Love Song
Zack Hemsey - Vengeance
Elton John - I’m Still Standing
The Moody Blues - Nights in White Satin
Tom Petty - Free Fallin’
Michael Sembello - Maniac
Guns N’ Roses - Sweet Child O’ Mine
A.R. Rahman - Kun Faya Kun

Conclusion​

To conclude this review, I believe that the tuning of these IEMs definitely resembles the Klean sound, not that Tripowin copied it, but I think such a response makes them a more versatile set. Considering this, I think 0diBi did an excellent job tuning one of the best-sounding IEMs available. Practically, for the quoted price of $30, these IEMs compete well within their budget peers. If one doesn’t want to spend $50 and can be satisfied with a $30 IEM, then Vivace is an excellent choice. These IEMs earn my easy recommendation.

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• 1DD Driver Configuration;
• Impedance: 18Ω;
• Sensitivity: 106dB;
• Frequency response range: 10Hz-28kHz;
• Connector: 0.78mm 2-pin;
• Cable material: Monocrystalline Copper;
• Price:30$.

• IEM itself;
• 2 pin 0.78mm 4 core monocrystalline copper cable, 1.2m length;
• 2 sets, 6 pairs of eartips: 3 pair - Wide bore eartips (S / M / L), 3 pair - Balanced eartips (S / M / L).

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Separating, sound stage



Gaming impression

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TRIPOWIN x 0DiBi Vivace :: 1DD :: $29.90

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Huge thanks to Linsoul for providing a sample unit for this review.
However, this review fully reflects the my honest opinion without anyone else's interference.

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TRIPOWIN's latest product, VIVACE was designed in collaboration with Korean Audio Reviewer, 0DiBi. (pronounced as Young-Di-Bi in Korean, and it means zero-decibel.)

If you don't know '0DiBi', he is one of the most prominent audio reviewers in South Korea. As a former engineer at Cresyn (PHIATON), he is also one of the very few reviewers who has actual experience of working with various audio equipment for years.

He was in responsible for the development of several models back in the day when Cresyn was actively operating as an ODM company, such as the PHIATON PS210BTNC and Denon AH-C260 / AH-C560, as well as several headphones including the Denon AH-D310 / AH-D510.

He explained that he decided to work on a collaborative model after being amazed by the performance of TRIPOWIN's single DD sample. Rather than using the best cables and accessories that TRIPOWIN can offer, he wanted to maintain the lowest price and best sound quality possible.

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This has allowed it to come in at a low price point of less than $30, but it's packed with goodies nonetheless.

- TRIPOWIN Vivace unit
- 0.78 2pin to 3.5mm Single Crystal Copper cable
- Narrow-bore silicon tips
- Wide-bore silicon tips
- User manual

The Vivace comes with two types of eartips: wide-bore and narrow-bore, each in three pairs to match your size, which differ not only in the width of the holes but also in the length of the core.

While the overall quality is decent, I found the wide-bore eartips to be a bit flimsy due to the thinner outer wall of the eartip, which can lead to a weaker seal and less-than-ideal bass reproduction. I'll explain more about this later.




For a company that made its name as a cable manufacturer, the included cable is pretty good in quality.

As mentioned before, 0DiBi asked them to include the cheapest cable they could find to get the price down to under $30, but it makes me wonder if this really is the cheapest.

Of course, this doesn't mean that the cables are as good as other custom cables - I personally find them a bit stiffer than I like, and the overall quality isn't that far off from the bundled cables - but it does mean that you're getting a decent cable for the price.




Looking at the official images and other photos, Vivace's faceplate appears to be composed of a simple silver color, but it's actually a layer of clear resin over a mirror-like reflective background.

This allows you to have an eerie atmosphere when complex surroundings reflect off from it. I like it quite a bit personally. It's also nice that the units are fairly small in size, so they can be worn comfortably by people of all ear sizes.

In addition to the small size of the unit design, the small vent hole in front and behind the driver eliminates ear pressure, contributing to Vivace's excellent comfort.

we can see the most common 0.78 2-pin terminals that most IEMs utilize. The terminals are also flat, so you should have no problem matching them with a variety of custom cables.

The tip of the nozzle also has a mesh to keep earwax and other debris out. The nozzle is also about 4.6mm to 5.6mm thick, which is perfect for custom eartips as well.

All in all, I'd say it's an impeccable design for its price, with the build quality to back it up.

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The TRIPOWIN Vivace features a single dynamic driver, using a high-performance PET diaphragm coated with titanium.

Dynamic drivers with relatively soft diaphragms may struggle to move at high speeds. Coating the diaphragm with titanium allows the diaphragm to increase its rigidity while keeping the weight low. This makes the high notes sound more natural and smooth.

Measured with IEC 60318-4 (711) while maintaining 94dB@500hz.
The sample used for the measurement does not represent the characteristics of the entire product.

Following Measurements are available at silicagel.squig.link




This is the FR measurement of TRIPOWIN Vivace. Overall tonal balance is quite good, with no significant flaws.

The bass, which is slightly above the Harman Target, remains moderately tight, but with just enough fullness to give a good sense of the rumble.

It's hard to experience the bass bleeding into other ranges, and the overall sound never feels overly muffled or dark, but at the same time, if you're listening to EDM with your eyes closed, you can feel its kick and punch ever so slightly vibrates your entire body.

The midrange is also one of Vivace's strongest points, with a clear, transparent feel. The smooth transition from the mids to the highs without any peak and dips makes the overall sound feel quite natural, but it doesn't really feel too shouty or spicy.

The treble also sounds pretty nice, but I felt that its treble characteristics varies quite a bit depending on the eartip.
In particular, I noticed a lot of highs dying out on the default wide bore eartips, (which has dramatically shorter core length) and it made me feel like the sound was significantly less open and airy.

For those who like a warm sound with smooth highs, using wider eartips may not be a bad idea, but since the Vivace's basic tone is a bit far from the sparkling highs, I personally prefer to stick with the narrow-bore eartips.

If you're going to roll some eartips with this one, I'd recommend going up a size from your usual size with the right core length, around 6 to 7mm. My personal favorite is the Divinus Velvet Tip.



So far, we've taken a look at TRIPOWIN x 0DiBi VIVACE.

I think it's a well-made entry-level earphone with a fairly nice sound signature, quality, and price.

In particular, it seems to be getting a lot of attention because it has a very similar FR to the Truthear Hola, which was discontinued last year and left a lot of sadness. It was kinda unfortunate that I wasn't able to compare Vivace with it, but for FR-wise, if you enjoyed that product, you're might be quite happy with Vivace as well.

If you're looking for an inexpensive entry level IEM with an exciting, atmospheric low end, topped off with crystal-clear highs that aren't overpowering, this is a very well done product that I can easily recommend.

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Non-Affiliated Links if you're interested -
[Linsoul] https://www.linsoul.com/products/tripowin-x-0dibi-vivace

The Tripowin x 0dibi Vivace marks Tripowin’s return to the IEM scene after a long focus on cables and other audio accessories. Their last notable release in the IEM arena, was i think the Piccolo, it was a solid budget pick, but it’s been a couple of years since we’ve seen anything new. Now, in collaboration with South Korean reviewer and influencer 0dibi, Tripowin is back with the Vivace.

The Vivace doesn’t go for overwhelming gimmicks or trendy design elements. Instead, it brings a focused, neutral-balanced tuning that should appeal to those who appreciate a more accurate sound signature but still want a touch of liveliness. In fact, the Vivace feels and sounds like a sibling to the Kiwi Ears KE4 for me they sound and share very similar tuning but with its own distinct personality that’s both engaging and upfront.
Whats in the box: quick unbox video.

Build and Design

Out of the box, the Vivace’s design is simple yet effective. The shell has a smooth, ergonomic shape that fits comfortably in the ear, designed to provide a good seal without adding too much weight. While it might not be the most striking in appearance, its comfort and fit are reliable, even for extended listening sessions. The build quality feels durable and perfect for daily use, with a minimalistic aesthetic that keeps things simple and elegant.

For a company known for making high-quality upgrade cables, the included cable on the Vivace feels surprisingly un-Tripowin-like. There’s no branding on it, and while it does look pretty nice, it’s a bit on the stiff side—think barbed wire vibes! The texture is rubbery but thankfully not sticky, which makes it less of a hassle to handle, though it does remind me a bit of the cable on the Tangzu Xuan Nv. It’s functional, but it doesn’t quite live up to Tripowin’s usual standard of cable quality.









Sound Profile Overview

The Vivace’s tuning falls into the neutral-balanced category but it brings a few unique twists to the table. Its bass is tight and controlled, offering a sense of precision that complements the mids and highs. Compared to the Kiwi Ears KE4, which features a boosted, more relaxed sub-bass, the Vivace has a more linear low-end response that emphasizes control over sheer impact. Additionally, the Vivace’s mids are slightly forward and immediate, creating a sound that’s more upfront and engaging than the slightly distant feel of the KE4.

Low-End: Tight and Controlled

The Vivace’s bass is all about precision and control rather than overwhelming power. Sub-bass is present but kept in check, providing enough depth without stealing the show. It’s a bass response that complements the rest of the frequency range, adding weight and clarity without overshadowing the midrange or treble.

If you’re someone who prefers a heavy, boomy bass, the Vivace might feel a bit restrained. But for listeners who value clarity and accuracy, the Vivace’s low end hits just the right balance. Genres like jazz, classical, and acoustic music benefit from this tuning, as the bass remains tight, allowing other elements in the mix to shine through.

Mids: Clear, Upfront, and Engaging

The midrange on the Vivace is one of its strongest points. Vocals and instruments are given a forward placement, bringing them closer to the listener and making for an intimate and engaging experience. This characteristic is especially enjoyable for vocal-driven genres like pop, rock, and acoustic, where the presence and clarity of the mids make the performance feel vibrant and lifelike.

The Vivace’s mids feel immediate and alive. Male and female vocals retain their natural timbre, with a richness that’s neither too thick nor too thin. The upper mids carry a touch of energy, providing detail and sparkle without edging into harshness. It’s a sound that brings out the details without pushing them too far forward, offering an ideal balance for a variety of listening tastes.

Treble: Airy and Smoothly Extended

Treble on the Vivace is another highlight. It’s extended and airy, delivering a sense of openness and detail without becoming overly bright or fatiguing. The treble adds a bit of sparkle to the mix, allowing cymbals, strings, and higher-frequency elements to have their moment without dominating the soundstage.

For listeners who are sensitive to high frequencies, the Vivace’s treble is well-tuned. It manages to provide detail and airiness without risking sibilance, even on brighter tracks. This smooth, controlled treble works well with genres like classical, jazz, and acoustic, where clarity in the upper registers is crucial to the listening experience.
Soundstage & Imaging: Intimate with Precise Imaging

The Vivace doesn’t aim for a wide, spacious soundstage but instead keeps things intimate and precise. It’s a focused presentation, bringing the listener closer to the performance rather than giving a distant, grandiose effect. This is a soundstage that suits its upfront tuning—while it might not stretch as far as some IEMs, it feels intentional and fitting.

Where the Vivace really shines is in its imaging. Instrument separation is impressive, with each element clearly defined in its space. This attention to placement and clarity makes the Vivace a strong choice for complex recordings, where layered details add to the experience. While it may not transport you into a vast concert hall, it provides a well-organized, articulate stage that keeps you engaged.
Alright, I know it's a bit unconventional to compare two IEMs with such different setups—a single DD versus a hybrid quad-driver—and a pretty big price gap, with the KE4 costing around $200 more than the Vivace at $30. But to me, sound is what matters, not the price tag, brand, or even the driver count.

Both the Kiwi Ears KE4 and the Tripowin Vivace share a similar neutral-balanced tuning, making them feel like distant relatives in the audio world. But while they're tuned alike, each offers its own take on the sound.

The KE4 leans towards a smoother, more relaxed sound with a hint of boosted sub-bass that adds warmth without overwhelming. Its presentation feels more laid-back and spacious, making it perfect for easygoing, immersive listening.

On the other hand, the Vivace takes a more energetic and upfront approach. With tighter bass and forward mids, it offers a lively, engaging sound that's right in your face without losing balance. For those who love a dynamic and direct listening experience, the Vivace delivers surprising value, especially given its price. It holds its own with similar quality but brings a bit more personality and presence, proving that great sound doesn’t have to come with a hefty price tag.

Conclusion: An Accessible, Lively Performer

The Tripowin x 0dibi Vivace is a fantastic example of how to deliver quality, balanced sound on a budget. Its precise bass, engaging mids, and airy treble combine to create an IEM that’s versatile, dynamic, and enjoyable for a wide range of genres. While it shares some tuning characteristics with higher-priced models like the KE4, the Vivace carves out its own niche with a more upfront, lively sound signature.

For those who appreciate detail and energy without venturing into overly bright or boomy territory, the Vivace is a great option. Its build quality, sound tuning, and comfortable fit make it an easy recommendation for anyone looking for a budget-friendly IEM that punches well above its weight. In a market filled with choices, the Vivace’s combination of affordability, precision, and liveliness sets it apart, making it a solid pick for both new listeners and seasoned audiophiles alike.

Linsoul Link: https://www.linsoul.com/products/tripowin-x-0dibi-vivace

Tripowin Vivace Review: Price-to-Performance King​

Tripowin is a Chi-Fi brand best known for its value-grade cables. Besides that, they’ve released a number of IEMs in the past, with a few of them being well-received collaborations with audiophile community members such as HBB. Today we’re taking a look that the Vivace: Tripowin’s latest community collab with South Korean reviewer, 0diBi. This budget IEM was tuned to suite the particular tastes of the South Korean audiophile community as well as satisfy their desire for extreme price-to-performance ratios. But at $30, can the Vivace deliver on its promises?

You can find the Vivace for sale here, on Linsoul, for $29.90.

About My Preferences: This review is a subjective assessment and is therefore tinged by my personal preferences. While I try to mitigate this as much as possible during my review process, I’d be lying if I said my biases are completely erased. So for you, my readers, keep this in mind:

• My ideal sound signature would be one with competent sub-bass, a textured mid-bass, a slightly warm midrange, and an extended treble.
• I have mild treble sensitivity.

Testing equipment and standards can be found here.

Tech Specs​

• Driver: 10mm titanium-coated PET driver
• Impedance: 18 ohms
• Sensitivity: 106dB (at 1KHz/mW)
• Frequency Response: 10Hz-28KHz
• Distortion: <0.5% (@ 1KHz)
• Cable Connector: Detachable 0.78mm 2-pin
• Cable Material: Monocrystalline Copper

Sound Signature​

Sonic Overview:​

The Vivace has a widely-appealing V-shaped sound signature that prioritizes vocal and mid-range presentation. It has a medium-warmth sound that lends a comfortable weight to instrumentation and vocals without sounding thick or heavy. Bass is punchy, and firmer than expected at this price point. Sub-bass rumble is present, as one might expect from a 10mm dynamic driver. L/R separation and sound-staging is excellent, as is general layering.

Sonic Breakdown:​

Treble: Songs used: In One Ear, Midnight City, Outlands, Satisfy, Little One, Show Me How To Live (Live at the Quart Festival), Bittersweet Symphony, Double Down

The Vivace has an articulate treble that is does a good job of resolving detail without sounding sharp. Overall treble tone is natural and effortless, imparting an organic and somewhat-airy timbre. Double Down’s high-hats and cymbals are thoroughly resolved, capturing a good amount of fade-out. The Vivace does a great job with the treble-based elements of In One Ear as well. Separation is top-notch in this price-bracket, particularly with songs that make good use of L/R directionality.

Often times, reviewers and influencers get a little too excited and jump on the hype train for budget products that make big promises. While the Vivace’s treble is much (MUCH) better than its $30 price-tag might suggest, it does occasionally drop a subtle detail or fail to fully realize some texture, particularly in the upper-treble or when the upper register is very busy (such as in Bittersweet Symphony). This is not an uncommon property for a dynamic-driver IEM, even at higher price-points.

Midrange: Songs used: Flagpole Sitta, Jacked Up, I Am The Highway, Dreams, Too Close, Little Black Submarines, Bohemian Rhapsody, Cash Machine, Chasm

One could describe the Vivace as being staunchly mid-centric. I haven’t seen any of its frequency-response graphs, but the way that it presents its mids makes it seem like Tripowin went all-in on vocal and instrumental expression. Bohemian Rhapsody puts the Vivace’s skills on full display — demonstrating clearly that the Vivace, at least when it comes to vocals, is capable of going toe-to-toe with any other single-dynamic-driver IEM. Natural and well-weighted male vocals simply flow off of the Vivace’s diaphragm, capturing rich spectrum of inflection and texture.

The Vivace’s comprehensive vocal range trickles down nicely into the rest of the midrange. Instrumentation is dynamic with a hint of warmth and weight. Mid detail retrieval is good, capturing many (but not all) subtle background components of Flagpole Sitta. Harvey Danger’s dry mastering style pairs nicely with the Vivace’s propensity to lend warmth to guitars and weight to vocals.

Gritty and textured midrange elements play excellently with the Vivace’s abnormally responsive driver. Cash Machine is a texture-intensive song that oscillates between multiple layers of distortion and grit in its vocals and instrumentation — and the Vivace plows through it with aplomb. Its lower-midrange, while warm, does a great job of staying articulate and clear throughout the duration of the song.

Bass: Songs used: Moth, Gold Dust, In For The Kill (Skream Remix), War Pigs (Celldweller Remix)

The Vivace’s bass is present, but not overwhelming. It kicks and rumbles, but does not do so in a commandeering manner. Drums have a satisfying punch with the occasional minor smudge. Across my entire test suite of songs, I seldom found the Vivace to be boom-y or messy in its lower register — a pleasant surprise given the budget nature of the product.

Sub-bass and mid-bass are paired nicely, with zero disjointedness or tension between them. Gold Dust’s bass line captures this property nicely as the Vivace excels at producing “wet bass”.

While I do like to tone and solidity offered by the Vivace’s bass, it is not the most extended. Sub-bass production is consistent, but rolls of a little early for my tastes. I felt this in a couple of my test tracks but noticed it particularly during In For The Kill (Skream Remix). This could be a consequence of the Vivace’s less-than-stellar passive seal in my ears — but I have a policy against using eartips that do not come with the IEM during my assessments.

Packaging / Unboxing​

The Vivace has a totally standard unboxing experience. It has an outer cardboard sheathe that has promotional and technical information with a plain black cardboard interior. The Vivace is nicely-secured and looks pretty safe.

Build​

Construction Quality​

The Vivace features a standard black plastic shell with a reflective, pseudo-mirror, face-plate. It is paired with a thick, weighty, Tripowin braided cable.



These face-plates are pretty unique. The outer layer is totally clear, encapsulating a highly-reflective silver sticker beneath. The right IEM has 0diBi logo, while the left has the Tripowin logo.



The Vivace has average-width nozzles that are a little below average in length. They are protected by a black metal debris filter installed just below the lip.



On the top of the shells you’ll find flush-set 0.78mm 2-pin sockets. They’re embedded within a discrete clear plastic block that is then installed into the shell. Careful observers will also note that the top of the shell features a secondary vent.



The included cable is a simple 4-core braided plastic cable. Each core is pretty thick though, so the cable feels quite “chunky”. The flip side of this “rugged” construction is that the cable is a little stiff, and as such, is more microphonic than, say, a Zonie.


Terminated with a 3.5mm jack, the Vivace’s cable is the very definition of “standard”. The terminations shell is metal, while the Y-splitter, chin cinch, and 2-pin shells are black plastic. Nothing feels particularly cheap, except for maybe the 2-pin shells, and the Vivace’s cable wouldn’t out of place on a $60+ product. The cable may be “thick”, but that doesn’t prevent me from being able to neatly coil and store the Vivace in a very small IEM case.

Comfort​

Disclaimer: comfort is a highly individual metric — no two people will have the same experience.
The Vivace is somewhat comfortable. It has a flat, shallow fit that looks to be optimized for an Asian audience (which makes sense considering its a collaboration with a South Korean YouTuber). This may work well for some, but not for me, as the shallow nozzle depth combined with the lack of concavity causes pressure to be exerted on a small ridge on my ear. I have to re-adjust the Vivace about once every 45–60 minutes to maintain comfort. This is an issue that, in my case, could be rectified with a longer nozzle which would also improve passive isolation. For reference, an IEM with a shallow profile that fits well in my ear is the Meze Alba/Advar.

Accessories​

Inside the box you’ll find:

• 3x pairs of wide-bore silicone eartips
• 3x pairs of standard silicone eartips
• 1x 3.5mm -> 2-pin cable

The Vivace’s accessory package is sparse, as one might expect from a budget offering. The fact that you get six pairs of eartips to chose from is actually a pleasant surprise, as IEMs at this price-point seldom give you extras beyond the standard S/M/L setup.
You might notice the absence of a carrying case/pouch, and that’s because the Vivace doesn’t come with one. And while this might be a little annoying, again, the Vivace is $30. That’s cheap-enough to free up the $10 or so it costs to get a pouch or plastic case off of Amazon or AliExpress.

Summary​

The hype train for the Vivace is at full-tilt. There’s a lot of excitement out there, and most of it is warranted. The Vivace promises the moon and, for the most part, it delivers. While it isn’t quite the giant-killer that many have said it would be, it does outperform basically everything in its immediate pricing bracket. You’ll be hard pressed to find another sub-$30 IEM that has an articulate treble, superbly-tuned midrange, and coherent bass to this degree.

As always, happy listening!

Preface:

You can purchase Vivace at the following link (not an affiliate link):
https://www.linsoul.com/products/tripowin-x-0dibi-vivace?_pos=6&_fid=be53225e7&_ss=c

Also, I’m not a seasoned reviewer, so whatever I say is purely my observations and your results may vary.

I’m not the one to usually focus on specifications and numbers. I focus more on how happy I am with the equipment’s sound and that’s it.

Disclaimer: This is a review unit from Linsoul however I retain full editorial control and the opinions expressed here are solely my own. I have not been paid or compensated by Linsoul, Tripowin or any other entity for this review. My assessment is based solely on my personal experience with the product.

I do get to keep the unit after review but that had no influence over the opinions expressed below.

Linsoul Store links (None of them are affiliate links):

Linsoul website: https://www.linsoul.com/
Linsoul Aliexpress Store: https://ddaudio.aliexpress.com/store/2894006
Linsoul USA Amazon Store link: https://www.amazon.com/s?me=A267P2DT104U3C&marketplaceID=ATVPDKIKX0DER

Sources used:

• Google Pixel (Gen 2) Type C to 3.5mm dongle
• iBasso DC07 Pro
• iBasso D16 Taipan
• iBasso DX320
• FiiO M17
• RME ADI-2 Pro FS R
• Gungnir + XI Audio Broadway S

Introduction:

Tripowin is a Chinese audio company that focuses on providing solid audio experiences without breaking the bank. They've carved out a nice little niche for themselves in the budget IEM world, often collaborating with other brands and reviewers to create unique products. The Vivace is a perfect example of that, born from a partnership with Korean audio reviewer 0DiBi. My own experience with Tripowin is limited to the Olina and Olina SE, both of which I really enjoyed. They offered fantastic value for the price, so I was eager to see what they could do in collaboration with 0DiBi on the Vivace.

Speaking of 0DiBi, I'll admit I'm not super familiar with his work. Most of his content is in Korean, which puts it a bit outside my wheelhouse. But from what I've gathered, he's got a good reputation in the audio community and seems to prefer a balanced and natural sound.

Box Contents:

• IEMs
• 0.78mm 2-pin Cable (3.5mm terminated)
• 06 pairs of silicone tips (S/M/L)

Design and Build:

The IEMs have a simple and understated design with a plastic shell. They are very lightweight, which can make them comfortable to wear for long periods of time. I do however have to note that the nozzles were short which usually is a blessing for my small ears and narrow ear canal but in this case, I was unable to get a good seal with my regular go to tips so I had to switch to tips with longer nozzles for deep insertion.

The Vivace comes with a high-grade monocrystalline copper cable. The cable has a rubbery feel to it but it does an excellent job of not tangling on itself, retaining any memory and avoiding any microphonics. The Y split and termination are made of metal and overall, it's a decent cable.











Sound Analysis:

Tripowin used a single 10mm titanium diaphragm dynamic driver in Vivace and let's be real, nobody's expecting miracles from a $30 IEM. But the Tripowin x 0DiBi Vivace isn't about chasing audiophile nirvana; it's about maximizing enjoyment and value. And in that arena, I think Tripowin and 0DiBi have scored a major win. The Vivace delivers a fun, engaging sound signature that's easy to get lost in for hours. It might not be technically flawless, but it's a definite upgrade from your typical earbuds.

Tonality

The Vivace has this inviting warmth that just pulls you in. It's like a cozy blanket on a cold night, perfect for genres like acoustic music and vocal-centric tracks. When I cue up "Hallelujah" by Leonard Cohen, the Vivace beautifully captures the deep resonance of his voice and the subtle nuances of the guitar. However, this warmth can sometimes make things feel a bit crowded when the music gets busy. In "Bohemian Rhapsody" by Queen, those operatic sections felt slightly less defined than I'd prefer.

Sub Bass

The sub-bass has a satisfying rumble that adds weight and impact to electronic and hip-hop tracks. "Limit to your love" by James Blake, with its deep bassline, truly shines on the Vivace. The sub-bass provides a solid foundation without becoming overpowering. However, I did notice that in tracks like "Angel" by Massive Attack, the sub-bass can sometimes overshadow the mid-bass, making the overall bass response a bit less articulate.

Mid Bass

The mid-bass is where the Vivace really comes alive. It's punchy and impactful, adding a satisfying thump to kick drums and bass guitars. Listening to "Smooth Operator" by Sade, the bass line has a lovely groove that makes it impossible not to tap your feet. However, the mid-bass can sometimes bleed into the lower midrange, adding a bit of warmth that might not be to everyone's liking. This was noticeable in "Teardrop" by Massive Attack, where the vocals felt slightly veiled.

Lower Midrange

The lower midrange is slightly boosted, adding warmth and body to vocals and instruments. This is particularly evident in tracks like "Ain't No Sunshine" by Bill Withers, where his voice sounds rich and full. However, this boost can sometimes make the lower midrange sound a bit thick, especially in busy tracks.

Upper Midrange

The upper midrange is well-balanced, ensuring that vocals and instruments sound natural and clear. Listening to "Hotel California" by the Eagles, the harmonies are beautifully rendered, with each voice distinct and clear. However, I did notice that the upper midrange can sometimes sound a bit recessed compared to the lower midrange, which can affect the presence and intimacy of vocals in some tracks.

Lower Treble

The lower treble provides adequate clarity and detail, but it lacks the sparkle and airiness of more expensive IEMs. In "Little Wing" by Jimi Hendrix, the guitar solo has a decent amount of bite, but it lacks the shimmer and brilliance that I've heard on higher-end IEMs.

Upper Treble

The upper treble rolls off smoothly, which prevents the Vivace from sounding harsh or sibilant. However, this also means that it lacks some air and extension in the top end. In "Clair de Lune" by Debussy, the piano notes lack the delicate shimmer that I've heard on other IEMs.

Staging

The soundstage of the Vivace is decent for its price, but it's not going to blow you away with its width or depth. Listening to "Stimela" by Hugh Masekela, the instruments are positioned relatively close to each other, creating a more intimate listening experience. The depth is adequate, but not exceptional. In "The Chain" by Fleetwood Mac, the layering of instruments is apparent, but they don't feel particularly distant from each other.

Layering and Separation

The Vivace does a decent job of separating instruments, but it can struggle with complex arrangements. In "Baba O'Riley" by The Who, the individual instruments are discernible, but the overall presentation can feel a bit congested during the more intense sections.

Timbre

The timbre of the Vivace is generally natural and pleasing, especially with acoustic instruments. Listening to "Classical Gas" by Mason Williams, the acoustic guitar sounds realistic and engaging. However, the timbre can sometimes sound a bit thick and warm, especially with electronic instruments.

Detail Retrieval

For a $30 IEM, the detail retrieval of the Vivace is surprisingly good. It won't reveal every last nuance in a recording, but it picks up a decent amount of detail. In "The Boxer" by Simon and Garfunkel, the subtle nuances of their voices and the delicate fingerpicking on the guitar are clearly audible.

Comparisons:

Tripowin x 0DiBi Vivace

• Tuning: Warm, balanced with a slight bass emphasis.
• Strengths: Engaging and fun sound, punchy bass, good detail retrieval for the price.
• Weaknesses: Can get congested in busy tracks, soundstage isn't very wide.

Tangzu Wan'er

• Tuning: Neutral with a slight emphasis on the upper midrange.
• Strengths: Excellent detail retrieval, wider soundstage than the Vivace, more balanced overall.
• Weaknesses: Can be a bit too analytical for some, bass impact is less pronounced.

Kinera Celest Wyvern Abyss (Black)

• Tuning: Darker and warmer than the Vivace, with a more relaxed presentation.
• Strengths: Smooth and non-fatiguing sound, good for long listening sessions.
• Weaknesses: Lacks the detail and clarity of the Wan'er and Vivace, bass can be a bit overwhelming.

Kiwi Ears Cadenza

• Tuning: Balanced with a slight emphasis on clarity and detail.
• Strengths: Excellent technical performance, wide soundstage, good instrument separation.
• Weaknesses: Can be a bit bright for some, more expensive than the other options.

Here's how I'd break it down:

• If you prioritize detail and a wider soundstage, the Tangzu Wan'er is a strong contender. It's a more analytical IEM compared to the Vivace, which may not be everyone's cup of tea, but it excels in technical performance.
• If you prefer a smoother, more relaxed sound, the Kinera Celest Wyvern Abyss (Black) might be a good fit. However, keep in mind that it sacrifices some detail and clarity compared to the other options.
• The Kiwi Ears Cadenza is the most technically proficient of the bunch, but it also comes with a higher price tag. If you're willing to spend a bit more, it offers a significant step up in overall performance.
• However, if you're looking for the best overall value and a fun, engaging sound that doesn't fatigue your ears, the Vivace is the way to go. It strikes a great balance between musicality and detail, making it an excellent all-rounder for various genres.

Conclusion:
In the grand scheme of things, the Tripowin x 0DiBi Vivace is a reminder that audio enjoyment doesn't always require a hefty investment. These IEMs offer a thoroughly enjoyable listening experience with a clear focus on musicality and warmth. While they might not be the last word in technical prowess, their engaging sound signature, comfortable fit, and undeniable value make them an easy recommendation for anyone seeking a budget-friendly upgrade to their daily audio.

The Vivace proves that you don't need to break the bank to truly feel the music. It's a testament to smart tuning and accessible audio, and I wouldn't hesitate to recommend it to anyone looking for a taste of audiophile goodness without the audiophile price tag.

This hobby is an escapist's dream. Escape from daily routine and distress that's causing you via something as sincere and everlasting as listening to music. I believe that the power of music is still not fully understood since it works in mysterious ways. Allow it to do its magic on you and let your worries dissolve in melody.

Having had the possibility to try so many different sets in a relatively short time I felt obliged to go ahead and express my gratitude by trying to help some lost souls out there, just as I was when I first stumbled upon this weird hobby about wired earphones – so yesteryear! … I thought. Possibilities are seemingly endless and only by getting to meet the right people did I manage to jump onboard the train heading the 'right' direction without getting off-track thousands of times along the way. Make sure to understand the helping person's preferences and you too can find your footing and hit the ground running in no time.

Disclaimer: I have received the Tripowin x 0DiBi Vivace directly from Linsoul. Even if I wanted to shill this to the moon and back, I am way too mindful of others' money to overly hype stuff that does not deserve it, so there's that.

An unaffiliated link to Linsoul's site of this item: https://www.linsoul.com/products/tr...5PPEa0_uW06fQepgJusWgq36JkYmKhljd841hcrsRu-hZ


New, Simplified Version Of Reviewing

This will be a barebones stripped down version of my lengthier reviews which I will use on sets below a certain price tag from now on. Meant for those sets where writing thousands upon thousands of words is not really worthwhile. Let's face it, no one's reading a book about a 29USD set, so let's trim the weeds and cut straight to the point.




Design, Quality, Fit, & Accessories

Vivace is a set that won't impress with any of the basics like the design or build quality. It's a simplistic design in a plastic shell. That comes with its benefits namely the set being very understated and awfully light - a bonus we rarely think about, but dropping this one (it is only a matter of time with sets that we carry around) should not do too much damage to the driver. Therefore, despite having a relatively short nozzle and a shape that mostly does not fit me all that well, this one fits fine after choosing the right sized tips (larger than usual).



Nozzle comparison with the TINHiFi C2 2025 (on the right)

The cable that comes along is surprisingly alright in comparison to cables that usually come with sets at this price tag. Alongside the sound which we will get to in a moment, this is another reason the Vivace could be a decent entry into the hobby.




Graphics & Comparison

Let's go through the graphics and explain why the Vivace lands where it does.


A warm set with okay-ish technicalities at its price, but it won't light your ears on fire with detail nor imaging.

Let's add the TINHiFi C2 2025 to try and settle this duel.




Here I have added the TINHiFi C2 2025 alongside for easier comparing. Both are ~30USD single DD sets. The C2 takes it in most regards. The two sets are just as comfortable with the slightest of edge going to the C2 due to its lengthier nozzle. Neither of them isolates particularly well, so keep that in mind if this is your planned commuter set. Bass, particularly midbass, is lesser on the C2, but much more precise, snappier, and less boomy & bloated which I'm particularly sensitive to - the severity of bloat will depend on songs. The midbass on Vivace feels more substantial, but a bit clumsy. In the mids, there isn't much between the two. I like both decently enough for vocals (male vocals have more body on the Vivace, so that's a preference) while certain instruments are not as crisp (guitars) or notes are not as full and almost spherical (piano) as I'd like. Treble is livelier and better implemented with the rest of the spectrum on the C2. Vivace feels inconsistent and sometimes drowns out the treble completely. As a result of all of the above, the C2 also feels more cohesive to me.


The difference in thickness is primarily due to the added midbass and low mids of the Vivace as well as its lesser treble. The bloat makes it a slower sounding set which makes it lean more towards musicality on the last balance. The technicalities are not too impressive in whichever regard, but that's to be expected at the price point.


It provides a decent width but lacks in height and depth, so it's not too captivating at any moment and lacks the magical spaciousness of some sets.


It leans more towards energetic because it allows for a louder listen with its warmer approach. And I would say this is not the one for either bass- or trebleheads.


Does nikbr recommend the Vivace?

On a scale of No to Yes, this sits closer to No, since it does not do too much differently to most other decent sub 30USD sets while also feeling rather cheap, so if you've got any of those and are happy with them, I would suggest saving up for a bigger buy some time down the road instead.

Thanks for reading and stay wonderful.