TINHIFI T2 DLC

Greetings!

This is a review of the TinHifi T2 DLC, which Linsoul Audio has provided me to review.



DISCLAIMER: I WAS PROVIDED THE UNIT IN EXCHANGE FOR A NO-FRILLS, UNBIASED REVIEW. I AM NEITHER PAID NOR COMMISSIONED TO PROVIDE A SKEWED REVIEW.

It seems like rejuvenating/revitalizing legacy IEMs has been a trend in the Chi-Fi space today. The TinHifi T2 DLC follows that path as it improves upon the standard that its legendary predecessor, the T2, had already previously set. If it were to be compared to gaming terms, the T2 DLC feels like a remaster: cleaned the experience up, smoothened out details, and made little tweaks here and there to warrant a full release to commemorate its legacy without trampling on it. The parallels between a remaster does not stop there; the T2 DLC also falls prey to the “modernization” of its sound signature by being biased towards the Harman target signature, which in this point in time, is already getting too saturated in the market today. It is a logical move yet does not do it any favors in setting it apart from its peers and being truly something special.

𝙋𝙧𝙞𝙘𝙚
$59.99 (USD)
~₱3500 (PhP)

𝙏𝙚𝙘𝙝𝙣𝙞𝙘𝙖𝙡 𝙎𝙥𝙚𝙘𝙞𝙛𝙞𝙘𝙖𝙩𝙞𝙤𝙣𝙨
𝗗𝗿𝗶𝘃𝗲𝗿𝘀 𝘂𝘀𝗲𝗱 : 10mm 4th Gen DLC Composite Diaphragm (1)
𝗣𝗶𝗻 𝗧𝘆𝗽𝗲: 0.78mm 2-Pin
𝗣𝗹𝘂𝗴 𝗧𝘆𝗽𝗲: 3.5mm unbalanced
𝗥𝗲𝘀𝗶𝘀𝘁𝗮𝗻𝗰𝗲: 32 Ω
𝗙𝗿𝗲𝗾𝘂𝗲𝗻𝗰𝘆 𝗥𝗮𝗻𝗴𝗲: 10Hz – 20KHz
𝗦𝗲𝗻𝘀𝗶𝘁𝗶𝘃𝗶𝘁𝘆: 103dB/Vrms

𝙋𝙖𝙘𝙠𝙖𝙜𝙞𝙣𝙜 (out of 5)

Presentation
The box and its accompanying unboxing experience is almost identical to what its predecessor offered, up until the layout and size of the box. The T2 DLC is presented in the same rectangular box that heavily reminds you and brings you back to the 2017-18 era of IEMs, as the original T2 became insanely popular back then. Seeing that same box really hits that nostalgia factor. The only differing factor is that you are clearly being reminded that this is not the exact IEM that you saw back then, as its slip-on paperback case distinctly tells you the words “T2 DLC”. This is an improved version of the original and does not fail you to tell that. Other than that, there are no other significant illustrations nor text that is present in the box.




Product
Upon sliding the paperback cover open, we are greeted by the true box of the T2 DLC: a leather-ish feeling hard material box that oozes luxury. It has a flap-style opening that is secured by a magnet, properly securing the contents inside while being relatively easy to pull out. After opening said flap, we are presented with the IEMs themselves. They are oriented in the same way we first saw the T2’s back then, forming a T-shape figure when combined visually. The IEM is almost the same as its predecessor visually, with almost no changes made to its mold, color, and form. The only visual indicator you can see that differentiates it from the past model is the implementation of the 2-pin connection system instead of the previous MMCX.



Particulars
There is a little but of spice when it comes to the included particulars inside the T2 DLC. Yes, it still includes your staple cable, eartips, and paperworks, but it adds some in the form of memory foam tips. These really help in clocking out your preferred sound for the T2 DLC, which I will discuss later. Also helps in its flexibility for different ear canal sizes, with the memory foam tips being the most adaptive out of all of them. Overall, it’s still the spartan amount of inclusion with an extra to bring out at least an additional point in the price-to-value ration of the T2 DLC.




𝘽𝙪𝙞𝙡𝙙 𝙌𝙪𝙖𝙡𝙞𝙩𝙮 & 𝘾𝙤𝙢𝙛𝙤𝙧𝙩 (out of 5)

✳ Build Quality
The T2 DLC is made from a metal alloy material, which really inspires confidence in its build quality. Its of a lightweight variant though, so it kind of devolves from the heft factor that I usually like for my IEMs to have. The metal material also has two finishes: a matte one for the “front” body, and a polished chrome one for the “back”. Another outstanding change for its build quality is its change from an MMCX format to a 2-pin one, which is always welcome. I personally do not like MMCX because of its general flimsiness when in use, mostly due to its “free-rotating” feature. MMCX connections are plagued with loosening issues that really ruin general usage with its grounded sound, which happened to me several times in the MMCX IEMs that I own. A 2-pin connection is sturdier and much more durable in the long run, especially when you plan on cable rolling. Speaking of cables, the T2 DLC also comes in a fairly decent cable, which is in a braiding style that I have only seen in TinHifi’s products. It isn’t as thick as other cables out there, but comes in a benefit of being ultra-lightweight, which certainly follows the theme set by the IEM itself.




✳ Comfort
The T2 DLC fits exactly like its predecessor: awkwardly. The general shape and mold of the IEM is the same unique style as that of the past TinHifi release, that of which was pretty awkward for me to fit in my ears in the first few listening sessions. You quickly get used to it though, as the lightweight nature of the IEMs really help you find that sweet spot in the fit amidst its awkwardness. That doesn’t really take away from the fact that it really has a weird fit. To add to that, the T2 DLC also has this longer and thicker nozzle, which asks for a deeper insertion into the ears. This varies though, as you can choose a size bigger than your usual eartip size for it to sit farther away from your ear canal.




𝙎𝙤𝙪𝙣𝙙 (out of 5)

𝗠𝗨𝗦𝗜𝗖 𝗨𝗦𝗘𝗗: (𝘢𝘭𝘭 𝘧𝘪𝘭𝘦𝘴 𝘢𝘳𝘦 𝘰𝘯 𝘢 𝘍𝘓𝘈𝘊 𝘧𝘰𝘳𝘮𝘢𝘵, 𝘦𝘪𝘵𝘩𝘦𝘳 24𝘣𝘪𝘵/48𝘬𝘏𝘻 𝘰𝘳 24𝘣𝘪𝘵/96𝘬𝘏𝘻)

𝘋𝘢𝘧𝘵 𝘗𝘶𝘯𝘬 - 𝘙𝘢𝘯𝘥𝘰𝘮 𝘈𝘤𝘤𝘦𝘴𝘴 𝘔𝘦𝘮𝘰𝘳𝘪𝘦𝘴 (𝘢𝘭𝘣𝘶𝘮)
𝘋𝘢𝘧𝘵 𝘗𝘶𝘯𝘬 - 𝘈𝘭𝘪𝘷𝘦 2007 (𝘢𝘭𝘣𝘶𝘮)
𝘋𝘢𝘷𝘪𝘥 𝘉𝘰𝘸𝘪𝘦 - 𝘉𝘭𝘢𝘤𝘬𝘴𝘵𝘢𝘳 (𝘢𝘭𝘣𝘶𝘮)
𝘋𝘶𝘢 𝘓𝘪𝘱𝘢 -𝘍𝘶𝘵𝘶𝘳𝘦 𝘕𝘰𝘴𝘵𝘢𝘭𝘨𝘪𝘢 (𝘢𝘭𝘣𝘶𝘮)
𝘛𝘸𝘪𝘤𝘦 - 𝘔𝘰𝘳𝘦 & 𝘔𝘰𝘳𝘦 (𝘢𝘭𝘣𝘶𝘮)
𝘛𝘸𝘪𝘤𝘦 - 𝘌𝘺𝘦𝘴 𝘞𝘪𝘥𝘦 𝘖𝘱𝘦𝘯 (𝘢𝘭𝘣𝘶𝘮)
𝘔𝘪𝘤𝘩𝘢𝘦𝘭 𝘑𝘢𝘤𝘬𝘴𝘰𝘯 - 𝘋𝘢𝘯𝘨𝘦𝘳𝘰𝘶𝘴 (𝘢𝘭𝘣𝘶𝘮)
𝘕𝘦𝘸 𝘖𝘳𝘥𝘦𝘳 – 𝘛𝘖𝘛𝘈𝘓 (𝘢𝘭𝘣𝘶𝘮)
𝘕𝘦𝘸 𝘖𝘳𝘥𝘦𝘳 - 𝘗𝘰𝘸𝘦𝘳, 𝘊𝘰𝘳𝘳𝘶𝘱𝘵𝘪𝘰𝘯, 𝘢𝘯𝘥 𝘓𝘪𝘦𝘴 (𝘢𝘭𝘣𝘶𝘮)
𝘗𝘰𝘳𝘤𝘶𝘱𝘪𝘯𝘦 𝘛𝘳𝘦𝘦 - 𝘐𝘯 𝘈𝘣𝘴𝘦𝘯𝘵𝘪𝘢 (𝘢𝘭𝘣𝘶𝘮)
𝘗𝘰𝘳𝘤𝘶𝘱𝘪𝘯𝘦 𝘛𝘳𝘦𝘦 - 𝘍𝘦𝘢𝘳 𝘰𝘧 𝘢 𝘉𝘭𝘢𝘯𝘬 𝘗𝘭𝘢𝘯𝘦𝘵 (𝘢𝘭𝘣𝘶𝘮)
𝘚𝘭𝘦𝘦𝘱 - 𝘏𝘰𝘭𝘺 𝘔𝘰𝘶𝘯𝘵𝘢𝘪𝘯 (𝘢𝘭𝘣𝘶𝘮)
𝘚𝘭𝘦𝘦𝘱 - 𝘛𝘩𝘦 𝘚𝘤𝘪𝘦𝘯𝘤𝘦𝘴 (𝘢𝘭𝘣𝘶𝘮)
𝘖𝘮 - 𝘈𝘥𝘷𝘢𝘪𝘵𝘪𝘤 𝘚𝘰𝘯𝘨𝘴 (𝘢𝘭𝘣𝘶𝘮)
𝘊𝘢𝘯𝘥𝘭𝘦𝘮𝘢𝘴𝘴 - 𝘌𝘱𝘪𝘤𝘶𝘴 𝘋𝘰𝘰𝘮𝘪𝘤𝘶𝘴 𝘔𝘦𝘵𝘢𝘭𝘭𝘪𝘤𝘶𝘴 (𝘢𝘭𝘣𝘶𝘮)
𝘉𝘦𝘭𝘭 𝘞𝘪𝘵𝘤𝘩 - 𝘔𝘪𝘳𝘳𝘰𝘳 𝘙𝘦𝘢𝘱𝘦𝘳 (𝘢𝘭𝘣𝘶𝘮)
𝘗𝘢𝘭𝘭𝘣𝘦𝘢𝘳𝘦𝘳 - 𝘏𝘦𝘢𝘳𝘵𝘭𝘦𝘴𝘴 (𝘢𝘭𝘣𝘶𝘮)
𝘋𝘦𝘢𝘧𝘩𝘦𝘢𝘷𝘦𝘯 - 𝘚𝘶𝘯𝘣𝘢𝘵𝘩𝘦𝘳 (𝘢𝘭𝘣𝘶𝘮)
𝘋𝘦𝘢𝘧𝘩𝘦𝘢𝘷𝘦𝘯 - 𝘖𝘳𝘥𝘪𝘯𝘢𝘳𝘺 𝘊𝘰𝘳𝘳𝘶𝘱𝘵 𝘏𝘶𝘮𝘢𝘯 𝘓𝘰𝘷𝘦 (𝘢𝘭𝘣𝘶𝘮)
𝘒𝘰𝘳𝘯 - 𝘒𝘰𝘳𝘯 (𝘢𝘭𝘣𝘶𝘮)
𝘒𝘰𝘳𝘯 - 𝘓𝘪𝘧𝘦 𝘐𝘴 𝘗𝘦𝘢𝘤𝘩𝘺 (𝘢𝘭𝘣𝘶𝘮)
𝘉𝘭𝘢𝘤𝘬 𝘛𝘰𝘯𝘨𝘶𝘦 - 𝘕𝘢𝘥𝘪𝘳 (𝘢𝘭𝘣𝘶𝘮)
𝘋𝘦𝘢𝘵𝘩 - 𝘏𝘶𝘮𝘢𝘯 (𝘢𝘭𝘣𝘶𝘮)
𝘋𝘦𝘢𝘵𝘩 - 𝘚𝘺𝘮𝘣𝘰𝘭𝘪𝘤 (𝘢𝘭𝘣𝘶𝘮)
𝘋𝘦𝘢𝘵𝘩 - 𝘛𝘩𝘦 𝘚𝘰𝘶𝘯𝘥 𝘰𝘧 𝘗𝘦𝘳𝘴𝘦𝘷𝘦𝘳𝘢𝘯𝘤𝘦 (𝘢𝘭𝘣𝘶𝘮)
𝘕𝘪𝘨𝘩𝘵𝘸𝘪𝘴𝘩 - 𝘖𝘯𝘤𝘦 [𝘙𝘦𝘮𝘢𝘴𝘵𝘦𝘳𝘦𝘥] (𝘢𝘭𝘣𝘶𝘮)
𝘕𝘪𝘨𝘩𝘵𝘸𝘪𝘴𝘩 - 𝘋𝘢𝘳𝘬 𝘗𝘢𝘴𝘴𝘪𝘰𝘯 𝘗𝘭𝘢𝘺 (𝘢𝘭𝘣𝘶𝘮)
𝘉𝘦𝘩𝘦𝘮𝘰𝘵𝘩 - 𝘖𝘱𝘷𝘴 𝘊𝘰𝘯𝘵𝘳𝘢 𝘕𝘢𝘵𝘷𝘳𝘢𝘮 (𝘢𝘭𝘣𝘶𝘮)
𝘉𝘦𝘩𝘦𝘮𝘰𝘵𝘩 - 𝘐 𝘓𝘰𝘷𝘦𝘥 𝘠𝘰𝘶 𝘈𝘵 𝘠𝘰𝘶𝘳 𝘋𝘢𝘳𝘬𝘦𝘴𝘵 (𝘢𝘭𝘣𝘶𝘮)
𝘉𝘦𝘩𝘦𝘮𝘰𝘵𝘩 – 𝘌𝘷𝘢𝘯𝘨𝘦𝘭𝘪𝘰𝘯 (𝘢𝘭𝘣𝘶𝘮)
𝘉𝘦𝘩𝘦𝘮𝘰𝘵𝘩 - 𝘛𝘩𝘦 𝘈𝘱𝘰𝘴𝘵𝘢𝘴𝘺 (𝘢𝘭𝘣𝘶𝘮)
𝘉𝘦𝘩𝘦𝘮𝘰𝘵𝘩 – 𝘋𝘦𝘮𝘪𝘨𝘰𝘥 (𝘢𝘭𝘣𝘶𝘮)
𝘉𝘦𝘩𝘦𝘮𝘰𝘵𝘩 - 𝘡𝘰𝘴 𝘒𝘪𝘢 𝘊𝘶𝘭𝘵𝘶𝘴 (𝘢𝘭𝘣𝘶𝘮)
𝘉𝘦𝘩𝘦𝘮𝘰𝘵𝘩 - 𝘛𝘩𝘦 𝘚𝘢𝘵𝘢𝘯𝘪𝘴𝘵 (𝘢𝘭𝘣𝘶𝘮)
𝘔𝘦𝘵𝘢𝘭𝘭𝘪𝘤𝘢 - ...𝘈𝘯𝘥 𝘑𝘶𝘴𝘵𝘪𝘤𝘦 𝘧𝘰𝘳 𝘈𝘭𝘭 (𝘢𝘭𝘣𝘶𝘮)
𝘔𝘦𝘵𝘢𝘭𝘭𝘪𝘤𝘢 - 𝘔𝘦𝘵𝘢𝘭𝘭𝘪𝘤𝘢 (𝘢𝘭𝘣𝘶𝘮)
𝘚𝘦𝘱𝘵𝘪𝘤𝘧𝘭𝘦𝘴𝘩 – 𝘛𝘪𝘵𝘢𝘯
𝘚𝘦𝘱𝘵𝘪𝘤𝘧𝘭𝘦𝘴𝘩 - 𝘊𝘰𝘥𝘦𝘹 𝘖𝘮𝘦𝘨𝘢

𝗦𝗢𝗨𝗥𝗖𝗘𝗦 𝗨𝗦𝗘𝗗: 𝘚𝘢𝘮𝘴𝘶𝘯𝘨 𝘎𝘢𝘭𝘢𝘹𝘺 𝘚8+; 𝘍𝘪𝘪𝘰 𝘟3 𝘔𝘢𝘳𝘬 𝘐𝘐𝘐

𝗡𝗢𝗧𝗘: 𝘐 𝘵𝘦𝘴𝘵 𝘦𝘷𝘦𝘳𝘺𝘵𝘩𝘪𝘯𝘨 𝘪𝘯 𝘣𝘰𝘯𝘦-𝘴𝘵𝘰𝘤𝘬 𝘤𝘰𝘯𝘥𝘪𝘵𝘪𝘰𝘯. 𝘐 𝘈𝘓𝘞𝘈𝘠𝘚 𝘶𝘴𝘦 𝘵𝘩𝘦 𝘪𝘯𝘤𝘭𝘶𝘥𝘦𝘥 𝘤𝘢𝘣𝘭𝘦 & 𝘦𝘢𝘳𝘵𝘪𝘱𝘴 𝘪𝘯 𝘵𝘩𝘦 𝘱𝘢𝘤𝘬𝘢𝘨𝘦 𝘵𝘰 𝘢𝘷𝘰𝘪𝘥 𝘢𝘯𝘺 𝘪𝘯𝘢𝘤𝘤𝘶𝘳𝘢𝘤𝘪𝘦𝘴 𝘰𝘯 𝘩𝘰𝘸 𝘐 𝘳𝘦𝘷𝘪𝘦𝘸 𝘵𝘩𝘦 𝘪𝘯𝘯𝘢𝘵𝘦 𝘴𝘰𝘶𝘯𝘥 𝘰𝘶𝘵𝘱𝘶𝘵 𝘰𝘧 𝘢𝘯𝘺 𝘐𝘌𝘔 𝘵𝘩𝘢𝘵 𝘐 𝘵𝘦𝘴𝘵.



Signature
The T2 DLC strives to rejuvenate the profound success that its predecessor had with a “modernization” of its sound signature, which really means nowadays as tuning an IEM closer to the Harman target. In terms of its “improvement”, this IEM truly is a step into better territories from its predecessor: leaning back on the brighter bias that it had in favor of a relaxed listen without sacrificing detail retrieval. Despite this perceived improvement in its tonality from the one that came before it, the T2 DLC does not achieve the same “wow” factor as I had when I came across its predecessor years ago. This is mainly due to the fact that it lacks any kind of individuality from its peers, which the T2 definitely had in its time despite its state of being outdated nowadays. Overall, the T2 DLC is a good entryway for those who are starting in the hobby and want a taste of what modern IEMs sound like. Just don’t expect it to be a killer or outstanding choice in its price range. It comfortably sits in its place and doesn’t assume much.
✳ The bass is noticeably improved from its predecessor by having a better punch in the midbass region. This is definitely T2 DLC’s greatest strength in terms of its overall performance, as every bass hit is felt and appreciated. It is also to note that even in its midbass focus, it is well extended into the subbass region, resulting in satisfying rumble when a song needs for it. Not only does it benefit the rumble of the T2 DLC, but it also provides some meat to back up every midbass punch. Do not get fooled by the bass talk though, as it is not a bass heavy IEM. All that is described here is in terms of its general presentation: when put up in the grand scheme of its sound, the bass doesn’t overpower the frequencies. This is definitely one aspect of the Harman tuning that I actually like, as it respects the rest of the frequency spectrum without losing its impact and/or satisfactory nature.
✳ The midrange follows the Harman target to-a-t. It has mids that are as clear as day and renders itself to the listener in a pretty accurate way. My main problem with this (as with any Harman-targeted/VDSF IEMs), is that it lacks any richness and weight to both instruments and vocals. There is a sense of hollowness when either of each is played to your ears, which results in a feeling of artificiality and “uneasiness” to the sound. The T2 DLC suffers from the same stigma as this one, which really brings down the experience. The midrange is like a stale bottle of water that is left on the counter for an hour or two: it definitely does it job quenching your thirst and is as clean as possible, but it lacks that extra warmth or coolness (depending how you want your water in real life) to really satisfy that drinking experience. That is how I will always feel about Harman/VDSF IEMs, and the T2 DLC does that.
✳ The treble, like the midrange, is also spot on to the tendencies of the Harman target. It is focused on body rather than shimmer, which will delight those who are sensitive to certain peaks in treble. This is where I found the biggest difference from the original T2, as it had a strong brighter signature that made cymbals shine like the sun on an early afternoon. I remember being amazed by the “technicalities” that the T2 had to offer back in its time due to this brighter lean, but nowadays, companies have done better executing technicalities without their IEMs sounding like a raging supernova. The T2 DLC follows this trend, and its for the better. I could have used a tad bit more treble extension so that it’ll still have traces of the original T2 in its identity and help with its more intimate soundstage, which we will be discussing next.

Soundstage/Imaging
The Harman signature usually equals to a spacious soundstage due to its lean nature, but the T2 DLC slightly swerves off this direction by offering an intimate experience while still being lean. This results in staging that is wide in comparison with non-Harman IEMs, but has little to no height to be truly cavernous in sound. However, this does a lot for its imaging as its one of the more accurate ones from among its peers. Every instrument, although rendered near the listener, can easily be distinguished from each other without breaking a sweat.

𝙊𝙫𝙚𝙧𝙖𝙡𝙡 𝙑𝙚𝙧𝙙𝙞𝙘𝙩: (out of 5)
Packaging:
Build Quality & Comfort:
Sound: .5

Get your own TinHifi T2 DLC at the link below (un-affiliated):
- https://www.linsoul.com/products/tinhifi-t2-dlc?variant=43419306328281

Introduction

After a period without reviewing any TinHiFi models, they have now fallen into my hands again. The TinHiFi T2 DLC 2022 arrived home several weeks ago. They are, as you can see, a new evolution of the T2. I had the pleasure of reviewing the T2 Plus, but not the first T2. The T2 DLC 2022 do look like the concrete update of those initial T2. They have returned to the iconic cylindrical design of that saga (the T4 was similar), but they have updated their diaphragm, using a 4th generation DLC composite and a 10mm dynamic driver. It was a nice touch to forget the MMCX connector and switch to the 2Pin 0.78mm connector. I particularly prefer this connection. The new version continues to use high-density aviation-grade aluminium as the material of construction for its capsules. But, the best is yet to be discovered, because both its tuning and sound elevate this upgrade to be one of the best in its class. Let's see why.



Specifications

• Driver Type: 4th generation DLC composite diaphragm, 10mm dynamic driver.
• Frequency Response: 10-20000Hz
• Sensitivity: 111±3dB @1kHz 0.179V
• Impedance: 32Ω±15%.
• Cable length: Approximately 1.2m±3cm.
• Cable: 8-core 5N silver-plated cable.
• Jack Connector: 3.5mm SE.
• Capsule Connection Type: 2Pin 0.78mm

Packaging

The TinHiFi T2 DLC 2022 comes in the classic elongated, landscape box, similar to the T2 Plus, but in black. The presentation is very sober: there is only T2 written in the top right corner and the brand logo in the bottom left corner. On the back side there is not much, just a few QR codes, the brand's logo, a slogan in Chinese in the centre and the logos of the certifications the product complies with. The package measures 144x77x44mm. Once the cardboard is removed, a box that looks like a landscape book is revealed, with a woven texture on the outer body, made of thick, black cardboard, with the logo in white in the centre. The inside is white, a box containing a thick foam mould, which holds the capsules with the particular T1 shape. Once the first layer is removed, the rest of the accessories are in transparent plastic bags. The complete contents are as follows:

• The two T2 DLC 2022 capsules.
• 6 pairs of silicone tips, sizes SxMxL. One medium pair comes with the capsules.
• Two blue foam tips, large size.
• One silver-plated 8-core 5N cable with 3.5mm plug and 2Pin 0.78mm connections.

The packaging is reminiscent of previous models and does not come with a pouch or bag. There are two sets of matching tips. We applaud the inclusion of foam tips, but we can't forgive the fact that it doesn't include anything to store or protect the IEMS.



Construction and Design

There is little left to discover of an already recognised design, based on the earlier original model. It is a cylinder-shaped design, made of high-density aviation-grade aluminium. To grip it, there is a 90-degree piece that has a hole through which the capsule passes, like a washer. On the "tab" of the washer, which tapers slightly, is the 0.78mm 2Pin connection, on a flat top edge. This connection is mounted on a circular plastic plate. It is red for the right side and transparent for the left side. On top of them is a blue mole to indicate the polarity of the 2Pin. On the outer side, there is the logo of the brand. On the edge of the washer, the part that is underneath, once the IEMS are fitted in our ears, there is a hole. There is another one, but it is on the inner side, on the skirt that leads to the mouthpieces. Before reaching this part, the cylinder is subtly bevelled. The nozzles are integrated in the inner face and have two levels. The first and longer one has a diameter of 5.35mm, while the edge is much thinner and has a diameter of 6mm. There are perforated metal sheets to protect the inside of the product.
The cable is quite classic in its connections and sleeving. The plug is 3.5mm SE, gold-plated. The sleeve is a classic cylinder with texture for better grip, in two parts, one larger and one narrower. The splitter piece is a cylinder with two rings near the edges. The pin is a transparent sphere through which the cables pass. The sleeve of the 2Pin connectors are also cylindrical, with a small bevel near the cable and two rings. The same design of plastic discs is repeated, matching the connection of the capsules. The cable consists of 8 cores of 5N silver-plated strands.
This is a classic design that has been paid homage to. Nothing negative to complain about, very good construction and a design as durable as its construction.



Adjustment and Ergonomics

The T2 DLC 2022 combines ballistic ergonomics with an elongated body. The 90 degree crossover of its flange adds the possibility of having a cable away from the centre and rigid in a vertical position. The diameter is adequate and if it had been larger, the ergonomics would have suffered. Due to the inclination of the ear canal, the insertion can be perpendicular and this causes the cable connectors to be close to the pinna. Depending on the inclination of the ear canal and the insertion depth, this can be more problematic. In my case, with a shallow insertion, thanks to my homemade foam-filled tips, there is no such danger. The set is comfortable and durable. The insulation is remarkably high. The passage of the cable over the ear is not the most correct. It is possible to rotate the capsule inside the canal, so it is not a unique fit. However, it is durable and quite pleasant.



Sound

Profile

I wouldn't go so far as to say that it is a neutral profile, but it is well balanced. The bulk of its frequency response is within 10dB. It's arguably not the flattest on the market, nor is it its target, but it's a really good balance. The low end has an emphasis on the transition between sub-bass and mid-bass. The drop towards the midrange is smooth and progressive, while the rise towards the upper-mids is a little more daring. Once the peak is reached, it is maintained until the first highs, before reaching a classic control drop, which ultimately results in a descent towards the air range, which only recovers slightly at that point. It is a very pleasant tuning, with soft treble, not too extended. But it has a great transition between bass and midrange, as well as great control in the more sensitive part of the audible range. There is room for improvement in the high end of these IEMS, but I can't hide the fact that I like this tuning a lot, especially for the great balance between the presence of the bass, the mids and the transition to the first treble. On the verge of excellent for this price range.



Bass

Bass is a notch above neutral. They are not IEMS for BassHeads, but their presence and power is evident, but always in balance with the rest of the frequencies. The lower range is never above the upper frequencies, but their quantity is not testimonial. While the punch is not the deepest and subtle colouring is perceptible, due to its greater incidence in the centre of the range, the bass is executed in a compact, precise manner, with good speed and a hint of punch, if one puts into context that these are $50 IEMS. It is becoming increasingly common for bass to feel tight, especially when the driver has a DLC diaphragm, whose stiffness and physical characteristics provide the great qualities of precision, containment, recovery and speed that this model's bass possesses. It is true that it is not the most textured bass, as is usually the case with those whose performance is more technical and concise. But it has enough rumble to be enjoyable and noticeable, without losing composure, while maintaining relative control, harmony and balance. That's right, the T2 DLC 2022s are able to execute unfiltered or low-end bass without hardly suffering, clearly demonstrating the rigidity of their diaphragm. In this way, the lower range has a good ability to stratify LFOs, keep layers at a distance and draw bass lines without them blending together. Although it will be difficult to reach bass nirvana or a more complete low-frequency flood, because this model will always keep its composure and good workmanship. This is musical balance with a hint of exuberance in the bass power, enough to demonstrate presence and a certain warm flavour.



Mids

I like to think that the timbre and sonority of the mids have an analogue character. It is the result of the tuning of the bass and the smoothness of its treble. In this sense, the medium extension of the upper range favours this sensation. Again, I have to comment that there is a good balance between the ranges and there is not a lot of noticeable dip in the first half of the middle range. It is harmonious in this respect, as well as pleasant and measured. In this way, the male voices have a great balance of presence, physicality, body, density, texture and detail. There is no one of these parameters that predominates over the other. And that is the sense of restraint I find in this model. The body is not thick, the presence has a good prominence, without being redundant or too intimate. It is dense enough to be rich and full in its rendering, but not to become opaque. The detail is adequate to possess a remarkable descriptive feel, but it is not an analytical presentation. It is that ensemble that gives me that more lush, organic, analogue feel. It is the same with the rest of the instruments, the guitars, the strings, the pianos... All of them are presented with a harmonious, musical and melodious balance and equilibrium. The second half is emancipated in a measured, almost exemplary way. The exposition of the upper-mids is almost a paradigm of a good tuning in this aspect. It is in charge of projecting presence, clarity, light and a slight amount of transparency. The level of restraint flourishes again and the female voices are the great example in this respect. They possess just the right amount of vivacity, sparkle and control. There is no sibilance, no artifice, no over-exposure of detail, no over-emphasis of it. That's true, it's not a high-precision ensemble, it's more musical and focused on medium and macro detail, than on defining great resolution. However, the articulation of the notes is very good, it is dynamic, fast and agile. Again, I think that the driver has a lot to say in these aspects, when it comes to drawing specific notes, well separated and defined, but with a point of roundness that takes it away from a stricter sense. All in all, this is an almost excellent range for the price range in which it moves. Highly enjoyable, almost charming.



Treble

The upper zone is the one that has the least balance in itself. I would like to avoid the comment, but in all honesty, it is a safe and smooth tuning. The extension is not very high and the presence of the treble is based more on a supporting range, on a good initial presence, than on personal showcasing. In this sense, his task of completing the harmonics of the rest of the band is completely covered. Pleasant, well-resolved, with a measured and controlled sparkle, as well as possessing a natural shape in the crackle of his presentation. But after a well-resolved first part, set out with grace and respect, the range is too gently diluted. Actually, it is also quite "guilty" that the sound of the T2 DLC 2022 is this good. And that's already a great achievement.



Soundstage, Separation

Without being exemplary in recreating the scene, there is a noticeable side-to-side and good stereo feel. While depth and height are average. That makes the scene not very three-dimensional or expansive. It is not a flat set, but spatiality is not its virtue. However, it has a good level of transparency, separation, order and coherence. It is not diffuse, but neither is it analytical. It is well resolved. As I have said of the mids, it has remarkable articulation and definition in rounding off the notes and separating them from each other. Being terse in the recreation of layers on the depth axis, the instrumental and vocal positioning, it is capable and concrete, agile and fast enough to present a good degree of resolution and a clean background. All this implies quite acceptable technical capabilities, reaching a very good level of representation of medium and macro details, even hinting at the tiniest nuances, thanks to the cleanness of its execution and a crisp cut on all notes, avoiding any hint of obscurity or diffuse aspect.



Comparisons

Dunu Titan S

To see the real competencies of the T2 DLC 2022, I wanted to compare it against one of the big players in the sub-$100 segment. Specifically, they are worth about $80. The design of the Titan S is noteworthy, but the DLCs are clearly lighter. The Dunu wins hands down in terms of packaging and accessories. The build level of the DLCs is very good, but Dunu brings something special to the table. I prefer the dark copper cable of the Titan S, although the fact that it is specifically designed to match the shape of the capsules, I dislike when it comes to changing it, because it breaks the harmony of the design.
The fit and ergonomics are good on both, but the speed with which the DLCs are inserted into the channels gives them an edge in this respect.
The TinHiFi's are slightly more sensitive, at equal volume, they sound a little louder.
The Dunu's bass is slightly more concise, tighter and with less roughness. There is a subtle, but noticeable overemphasis on the DLCs, which gives them a louder presence and a bit more darkness. On a technical level they have similar properties, but I think the Titan S is faster and has a lower decay. The texture of the DLC is more noticeable, something that gives it added value. It also seems less coloured and has a darker and slightly rounder tendency. In this way, it feels more natural and pleasant, less dry and more enjoyable. Although technically it seems somewhat inferior and more prone to a stuffy feeling, comparatively speaking. The Dunu is cleaner, clearer, more neutral and defined.
In the mid-range, the similarities persist. But I also see more cleanliness and refinement in the Dunu, a subtle improvement in their level of resolution and definition. The tone is warmer in the TinHifi and more neutral in the Titan S. This is how the Dunu has a point of greater technical and analytical ability, it feels a little more transparent and sharper (if I may say so, always under the comparative magnifying glass between both IEMS), while the DLC is a little softer and not so neat.
Oddly enough (I say this because of my charts), I find the Dunu's more sparkling, finesse and resolution in the first treble. The DLCs are rounder and less crisp, softer and less sharp. There is more mid-treble extension in the Dunu, as well as more air. The feeling of higher transparency is justified by that fact, as well as a greater sense of separation, but also a superior technical ability to render details and micro nuances.
In terms of soundstage, while neither is superior, there is an advantage to the Dunu, as it is cleaner, clearer and more refined, with a more volatile sound, which provides an expansive point that the DLC lacks. This aspect gives it a more three-dimensional feel, while the TinHiFi's are flatter, albeit with good width. Good positioning on both, but more precise on the Dunu, with more separation, distance between notes, spacing and also more finesse in the presentation of the elements, more stylised and delicate.
One could go so far as to say that the TinHiFi T2 DLC 2022 is the softer, even punkier brother of the Dunu Titan S. Whoever is looking for a more all-rounder and less critical version, as well as cheaper and lighter, will have a great option in them.



Conclusion

Second parts are not always good, but there are always exceptions (Terminator 2 was, coincidentally called T2). And this is one of them. Even without knowing the original T2, the TinHiFi T2 DLC 2022 by itself justifies its presence in the market, thanks to a great tuning. It has all the makings of a great all-rounder, slightly warm in character, smooth on top, melodious, pleasant and balanced in many respects. My idea of IEMS for everyday use is that they have to be robust, light, easy to insert, comfortable and bearable for many hours. And the DLC meets all these requirements. And musically speaking, it is present in all the bands: it has a balanced low end with a bit of punch, a fairly full midrange and a tight, but expressive first treble. They do not have the greatest extension in the upper range, nor are they the most technical in the range. But there are few IEMS, that I have tried for this price, as complete, melodious, harmonious and enjoyable. They are a real hit and highly recommended.



Sources Used During the Analysis

• Aune Flamingo.
• Hidizs XO.
• Earmen Angel.
• TempoTec Variations V6.
• Hidizs AP80 PRO-X Red Copper Limited Edition.
• ACMEE MF02s.
• xDuoo XD05 BAL.

Ratings

• Construction and Design: 86
• Adjustment/Ergonomics: 89
• Accessories: 60
• Bass: 86
• Mids: 89
• Treble: 80
• Separation: 81
• Soundstage: 80
• Quality/Price: 95

Purchase Link



You can read the full review in Spanish here

The review sample was kindly provided free of charge in exchange for an honest review.
I didn't receive monetary or any other kind of compensation and I don't use affiliate links.
The price of the T2 DLC is $59 and you can order it directly from TIN HiFi.
Sometimes you can find it discounted as low as $49 which is a better deal.

TIN HiFi

TinHiFi is the brand name of a big OEM/ODM manufacturer from China which was launched in 2017 to bring HiFi sound and quality at a more accessible price point.
The T and P series of iems from TinHiFi are well known among the community with the P1 MAX being an excellent affordable planar magnetic earphone and my most beloved from the TIN HiFi catalog.



T2 DLC or T2 2022

The T2 DLC or T2 2022 is the new, improved version of the classic TIN HiFi T2 earphone that has already seen three revisions, the latest one being the EVO that was reviewed here.
According to TIN HiFi the T2 DLC features the following improvements over the EVO version:

The T2 2022 version features a fourth generation DLC composite diaphragm and 10mm DLC flagship dynamic driver that has been enhanced and optimized over the years.
The DLC diaphragm is beneficial to frequency response and substantially decreases unnecessary vibrations.
Using PU polymer, independent hanging case the T2 2022 has incomparable dynamic performance.

Furthermore a Japanese imported CCAW ultra lightweight voice coil with high density N54 magnets and brass, dual chamber, design is used for the T2 DLC.



The T2 2022 version continues to adopt aviation-grade high density aluminum as material for the cavity, which makes the sound waves reflection more balanced.
Meanwhile, a straight out sound cavity is used for reducing the resonance caused by the reflection of the sound waves.



Build quality and fit

The T2 2022 adopts the same neat and ultra compact design as the previous models.
This is the classic rounded, bullet shaped, IEM that fits comfortably and discretely into the ear for a fatigue free user experience even after prolonged time of use.
Positioning is secure and tight, offering great passive noise attenuation.
The metallic housings are lightweight, well made and they look pretty durable.



Cable

The T2 DLC features a detachable cable with 2-pin 0.78mm connectors instead of the MMCX of the previous models.
It is the usual 2-pin straight plug and not the newly developed recessed one, so care should be taken in order not to accidentally bend the pins.
The cable has eight strands of silver-plated copper with TPU sheathing at the outside, it has an aluminum splitter and it ends in a 3.5mm aluminum plug.
The cable is of typical quality for the category, it is mildly microphonic and it gets easily tangled.



Accessories

The T2 DLC comes together with 5 pairs of silicone ear-tips in various sizes and one pair of foam ear-tips.
A carrying pouch is not included.



Listening impressions

The T2 DLC was left playing music for about 100 hours in order to settle down.
With a 16Ω impedance and 102dB/mW of sensitivity the T2 DLC is very easy to drive and you can use it straight out from your phone although an entry level USB DAC dongle is recommended for the best sound quality.
I have used the FiiO KA1, iBasso DC05 and ddHiFi TC35 Pro.



The T2 DLC follows a different sound path than the EVO, it has a more balanced tonality with a touch of added sub-bass, even mids and a natural treble without upper spikes.

The low-end is neutrally tuned with satisfying sub-bass extension and a touch of mid-bass emphasis that adds a pleasant warmth without bleeding into the mids which stay clear and well defined.
On the technical side of things, the bass is a little boomy and hollow, quite tight and clear but not that well controlled and it doesn't shine for its definition either.
A simpler bass line gets well resolved but when things start to get more complicated the overall layering and instrumental separation struggle by losing in clarity and exhibiting a certain degree of masking.
Dynamics though are quite explosive, despite the size of the driver, and the T2 DLC can sound satisfyingly impactful and contrasted.

Mid-range tuning is well done, voices, especially female, get some gain and become the star of the show but without sounding shouty or strident.
Articulation and resolution are above average while timbre is quite natural and lifelike with plenty of harmonic saturation and lush texture.

Treble tuning is on the safer side, the T2 DLC is smooth sounding, mildly subdued and not that crispy on the highs but it isn't lacking in overall liveliness, clarity and airiness.
This is not a critical listening earphone but rather made for everyday casual use so while detail retrieval and resolution don't shine they are still enough to get the job done even with more demanding material.

Soundstage is nothing special to talk about, it is decently open and spacious so as not to sound overly congested.
Listening to classical music, like baroque concertos was a quite enjoyable experience but the T2 DLC doesn't feel at home with larger symphonic works and choruses.



Compared to the TRN ST5 ($59.80)

The real problem for the T2 DLC comes from the competition which is becoming aggressively fierce at this price point.
Take as an example the TRN ST5 which has the same price but it comes with a three plugs modular cable and offers the same kind of pleasurable tuning but with considerably better technicalities in every part of the frequency range and better soundstage making it a much more competitive earphone for critical listening.
The T2 DLC is though more comfortable, lightweight and compact sized so you may end preferring it for these reasons alone.



In the end

The T2 DLC is an upgraded version of the T2 Evo with a more balanced tuning and natural timbre plus enhanced technicalities.
A step into the right direction, the T2 DLC is a musical and engaging earphone, compact sized and with a very comfortable fit, perfectly suitable for casual listening on the go.

INTRODUCTION:

Tinhifi has been around and is a well-known player in the audio community. The first product I’ve tested and owned from them was the T3 Plus. I loved that set despite having mix impressions from users and reviewers.

As per the company, this is an improved version of T2. I have not tried the OG T2 and comparing it to its predecessor would be pointless.

The T2 DLC is quite the versatile player and I truly enjoyed my listening sessions with it. Will it somehow make a stand in this vast sea of Chi-fi products? Come on and join me as I share my impressions from the perspective of a musician and an audiophile.

DISCLAIMER:​

• The gear on hand has undergone at least 10-15 hours of use before it was assessed.
• No EQ is ever applied in my reviews.
• For the sake of convenience, I use a stock setup. Not everyone has access to personal ear tips or cables. You will be notified if personal ear tips, cables, or accessories are used.
• As I try to be objective, my claims inevitably will be subjective and biased to my personal preference. I cannot stress more that you should take this with a grain of salt for we have different perceptions to sound and what we hear.

SPECIFICATIONS:

Configuration: 1 x 10mm Dynamic DLC driver
Impedance: 30 ohms
Sensitivity: 103db
Freq response: 20hz - 20khz

PACKAGING:​

T2 DLC is packed in a very simple yet appealing black box that I wished was the carrying box or protective case but it wasn’t. Inclusions are basic but all essentials are complete. Packaging includes the following:

1. a pair of T2 DLC
2. 5N silver plate cable
3. a pair of foam tips
4. 6 pairs of silicone tips
5. paperwork

Very basic right? Don’t fret. It is sufficient to get you going and enjoy your listening pleasure mates. Moving on…

SETUPS:​

1. LG V30 quad dac, Hiby music app, offline flacs, Centrance Dacport on low gain.
2. Macbookpro 2011, Foobar, Centrance Dacport
3. Macbookpro 2011, Tidal & Qobuz, Centrance Dacport
4. All stock accessories are used namely tips and cable.

SOUND IMPRESSIONS:​

Out of the box, T2 DLC sounded harsh on top and boosted on the lows. Too energetic for my preference. I took my time to burn it in and decided to let things calm down. It took one week and finally started to mature and reveal its true nature and sound.

Lows are well-disciplined and respectable to be tuned for mature listeners. Mid-bass managed to stay close to being neutral while sub-bass is ready to do good rumbling if called upon. I must agree with OspreyAndy that this set is one of the best mid-bass presentations in this price bracket. Punchiness and thump is evidently present which I personally prefer. I enjoyed my favorite tracks from Alan Parsons Project and Fleetwood Mac. Although not on a basshead’s level. Detailed and textured quite nicely.

Midrange is without any sense of recessed and tickled my mid-centric fetish. Vocals were rightfully placed slightly forward as they should be. Female vocals have a special leaning over males by a hairline. Very engaging vocals is one of the best traits of T2 DLC.

My favorite musical instruments like pianos, guitars, strings, snares and toms are very realistic and well-defined. Though not the most analytical and detailed, T2 DLC still managed to feed my craving for micro and macro details.

Safely tuned is what I would give the trebles and something treble heads might want to consider first. Honestly, T2 DLC had me confused on some tracks. With Fleetwood Mac, guitars and hi-hats are rewarding while Kokomo a rock album given to me by my friend OspreyAndy, left me cliff hanged on trebles. I think it is safe to say that rock heads will somehow be craving for more of that grit and bite on top. I am picky when it comes to my trebles as I desire that energy yet at the same time easily triggered by sibilance. Rest assured, 90% of the time, T2 DLC didn’t put a smirk on my face for it to be called a sibilant set. High ranges of female vocals had a tendency to be “hot” in some instances but very very rare.

Conclusively, I thought that this will be another typical u-shape tuning that the Chi-fi world is plagued but Tinhifi proved once again that they are capable to tune and know their stuff. Lows are very rewarding, mids are not recessed and highly detailed, and reserved trebles that will cater sensitives.

TECHNICALITIES:​

At this price point, T2 DLC satisfied me with above-average technicalities. Let’s talk about it.

Sound stage is nothing special at the same time nothing to be despised of. With its small build, I expected headroom to be narrow yet surprisingly there is still a sense of space for elements. Intimate would be the word to go to describe here.

Imaging is probably the best technical aspect here. All elements of my tracks are rightfully placed and positioned. I always love following where instruments are when listening and this set is a joy to listen to. Change the World by Eric Clapton is one such test track for this and T2 DLC effortlessly did the job.

Separation is very decent as instruments never sounded overlapping. Bleeds of frequencies are almost none hence giving me a clean and well-separated stage.

Speed is adequate and keeps up with some of my complex tracks. Not as good as my other analytical sets like Kinera Idun Golden but still commendable. Not super fast on my insanely quick transients but not sluggish to make everything muddy and blur.

Details must be the least of its technical aspect as I crave more of it on some of my intricate pianos. Some details are smoothened or tamed to my taste but for its asking price, it is what it is. We got to manage our expectations when we are talking about entry-level gears.

A nitpick on this set is it sounded a bit shallow at the center. It is a bit left and right oriented leaving the center behind by just a bit. I noticed this as OspreyAndy and I are exchanging impressions on T2 DLC as we both have this set. This is just a nitpick and nothing to be overly cautious about. It still didn’t hinder me from enjoying my tracks and I hope you will not be able to discern this.

Conclusively, this set proves to be technically capable in all aspects. Some cons here and there but minuscule. I must say this set is aimed toward music enjoyment rather than the purpose of analyzing music. My listening pleasure has two sides as I’m a professional musician and when it comes to songs that I must decipher and study, there are other options for me than T2 DLC. I would pick this set for music appreciation rather than for my work-related purposes.

FIT & ISOLATION:​

One of the most comfortable sets I’ve worn period. Being light and small at the same time sturdy with its aircraft-grade metal shell really comes with its benefits. As a musician on the go, some abuse comes with the territory and I am with no worries even if I drop this accidentally. At first, I was skeptic about its “bullet style” design and gladly I had no adjustments to make. I remember I mentioned something like this with the company’s T3 plus and it seems Tinhifi is keen on making their customers as comfortable as they can be.

SOURCES AND GEARS:​

• LG V30 Quad dac
• Hiby Music player
• UAPP app (USB Audio Player Pro)
• Tidal Masters subscription
• Qobuz Studio subscription
• offline FLACS
• Hidizs AP80 pro
• Centrance Dacport dongle
• VE Megatron DAC-AMP
• MacBook Pro 2011
• iPhone 7 plus

Here are some tracks I usually listen to when reviewing:

That’s the way of the World by EWF
Africa by TOTO
The Girl in the Other Room by Diana Kral
Balmorhea album All is wild, All is Silent
Sila by Sud
Smooth Escape by D’Sound
Never too Much by Luther Vandross
P.Y.T by Michael Jackson
Ain’t no Sunshine by Eva Cassidy
Shoot to Thrill by AC/DC
Another one bites the Dust by Queen
Good times bad times by Edie Brickell
Alice in Wonderland by Bill Evans
Ain’t it Fun by Paramore
Redefine by Incubus
Far Away by Nickelback
Lovesong by Adele
Lingus by Snarky Puppy
Harvest for the World by Vanessa Williams
Love Bites by Def Leppard
No Such Thing by John Mayer
As by Stevie Wonder
Whip Appeal by Babyface
Ain’t Nobody by Chaka Khan
Futures by Prep
Landslide by Fleetwood Mac
Every Summertime by NIKI
SADE tracks
AC/DC tracks
Queen tracks


And many more… I always listen to High resolution format, being the least quality 16bit/44khz FLACS be it offline or online.

BONUS:​

HiFiGO was kind enough to send me freebies that came with T2 DLC. A neck strap and a cable organizer. I just want to share its uses and purpose here briefly. It still has room for improvements concerning its convenience but nonetheless I use it quite frequently. Below are some pros and cons

• My IEMs hangs instantly when I unplugged them off my ears
• Neck strap saves me from putting my IEMs back to pocket or bag
• Neck strap doesn’t have enough weight to stay on my neck
• Putting back my IEMs to my ears sometimes makes the neck strap up to my face
• Cable organizer is very convenient with its magnetic clamps

VERDICT:​

Wrapping this up, T2 DLC is a competitive set out there that can stand on its own. I honestly think it deserves more praise than what it is getting now in the audio community. It is a good balance of tuning and technicalities and not just another typical mediocre u-shape release.

This set is aimed for:

• mature listeners who want a fun-sounding set
• vocal-oriented tracks as well as instrumental tracks
• to those in search of a versatile player
• treble sensitives
• on a budget consumers who want to start diving to mature tuning

I am a bit saddened while wrapping this review as this set will be taking a bit of rest as I catch up with my backlogs on review units. Yet I will be spending time with it soon and definitely will be part of my weekly rotation.

I would like to thank HiFiGo for sending me this unit in exchange for this review. Puchase links below.

HiFiGo link:
TinHifi T2 DLC
Amazon link:
TinHifi T2 DLC

Cheers and catch you on the next one! As always, love the music more than the gear! God bless!

INTRODUCTION AND DISCLAIMER:​

The TinHiFi T2 DLC is a new revision of TinHiFi’s famed T2 in-ear monitor (IEM). The T2 DLC features a new 10mm dynamic driver with a diamond-like carbon diaphragm and adopts 2-pin connectors for the detachable cable interface. The T2 DLC retails for $52.51 directly from TinHiFi at the time of writing this review. TinHiFi sent me a unit in exchange for my impressions.

SOURCES:​

I have used the TinHiFi T2 DLC with the following sources:

• Qudelix 5K
• Hidizs S9

MUSIC:​

I have tested these headphones with local FLAC and Spotify Premium. Visit my last.fm page to get an idea of what I listen to:
XenosBroodLord’s Library | Last.fm

PACKAGING AND ACCESSORIES:​

The TinHiFi T2 DLC comes in a small rectangular black box. The TinHiFi logo and the text “T2” are printed on the top of the box in white. Inside the box is a second black-and-beige cardboard container designed to resemble a book. The top lid of this container features TinHiFi’s logo inlaid in silver. This “book” unfolds right-to-left, revealing the IEMs held in a foam mounting block. The included cable, accessories, and documentation are stored below this block.
The T2 DLC includes six pairs of silicone eartips (2xS, 2xM, 2xL) and one pair of the iconic teal TinHiFi foam eartips. A TinHiFi-branded velcro zip tie is also included. In terms of documentation, the T2 DLC includes a user manual and a contact card featuring scannable quick-response codes that link to TinHiFi’s Facebook and Twitter pages. The T2 DLC does not include a carry pouch or case.

BUILD QUALITY AND DESIGN:​

Apart from the switch from MMCX to 2-pin, the TinHiFi T2 DLC largely resembles its venerable predecessor. The IEM is composed of a three-part polished metal assemblage. The faceplate is circular in shape and is marked with the TinHiFi logo in light blue. The bottom of the outer section of each housing has a pinprick circular vent, as does the back face of the midsection. The nozzles have perforated metal nozzle covers and substantial lips to secure eartips. The 2-pin ports are flush fit into a circular base that matches the cable-side pin connector base in diameter. This base is marked with a dab of blue paint to indicate polarity. The base on the right-hand side IEM and the base of the 2-pin connector of the right-hand side cable are made of red plastic. The corresponding left-hand side bases are clear resin. The cable and IEM housings otherwise lack directional indicators.

The included 2-pin cable uses a complex eight-strand braid below the Y-split and twin quad-braids above the Y-split. The cable has strain relief above the straight 3.5mm jack and below the Y-split hardware. The cable hardware is polished metal without any branding. The 3.5mm jack hardware does feature two knurled bands. The cable features pre-formed earguides and a plastic bead chin-adjustment choker. The cable is mildly microphonic.

COMFORT, FIT, AND ISOLATION:​

The TinHiFi T2 DLC is intended to be worn cable-up. The earpieces have a moderate insertion depth. I found the T2 DLC to be average in comfort. Secureness of fit and isolation are above average. There is no driver flex.

MEASUREMENTS:​

My measurements of the TinHiFi T2 DLC can be found on my expanding squig.link database:
TinHiFi T2 DLC — Squiglink by Bedrock Reviews

SOUND:​

The TinHiFi T2 DLC has a Harman-ish tuning that strongly resembles the Moondrop Aria.
The T2 DLC features a sub-bass region that is more elevated than the mid-bass region, a comparatively recessed lower midrange, a broadly yet moderately elevated upper midrange, and a treble region that is slightly less emphasized than the upper midrange.
The T2 DLC’s sub-bass extension is above average but not exceptional. There is a satisfying amount of weight and impact to percussion. The speed of bass articulation is average. Bass texture is very good, and bass resolution is above average. There is a mild amount of mid-bass bleed, but in my opinion, this is a trade-off worth making for bass impact and lower midrange body.
Considering its price, the T2 DLC has a very natural-sounding midrange. Male vocals are vibrant and have excellent body, though harsh male vocals do sound slightly smoothed over. Vocals sit above midrange instrumentation but do not overshadow it. Midrange timbre is generally very good, but there is a smidge of compression to analog percussion. Overall midrange clarity is excellent, and the level of presence is generally appropriate. Distorted electric guitars do sound a hair overdriven.
The T2 DLC has a competent if unexciting treble response. There is a moderate amount of lower treble which prevents cymbals from disappearing completely into the mix, but there is an audible dip in the mid-treble which robs those cymbals of sparkle. With that said, the T2 DLC has very good upper treble extension. Overall resolution and detail retrieval are average at best, but imaging, instrument separation, and the size of the T2 DLC’s soundstage are very good for a single dynamic driver design at this price point.

AMPLIFICATION REQUIREMENTS AND SOURCE PAIRING:​

The TinHiFi T2 DLC is easily driven to a usable listening volume. I did not notice hiss with either of my devices.

SIMILARLY PRICED ALTERNATIVES:​

Listeners in search of a slightly more aggressive but still coherent presentation should look at the Truthear Zero, which features a more defined sub-bass shelf and slightly more upper midrange presence. However, the Zero is much more difficult to drive than the T2 DLC.

CLOSING WORDS:​

The TinHiFi T2 DLC is is competent in all respects and is a great addition to TinHifi’s lineup. I could not ask for more from an IEM with a street price of around $50, and I am happy to recommend the T2 DLC to new IEM listeners.
The TinHiFi T2 DLC can be purchased below:
TINHIFI T2 DLC TINHIFI T2 EVO TINHIFI T2

TIN HiFi T2 DLC



TOTAL SCORE: 33 out 50

PRICE: $59 (Php. 2,900.00)

WHO THIS UNIT IS FOR:

• Neutral leaning Harman tuning enjoyers
• People who enjoyed the shape of the OG T2
• Good all-rounder IEM for most genres
• Bass and treble sensitive people
• People who like natural timbre

WHO THIS UNIT ISN’T FOR:

• People who want a fun and engaging sound signature
• People who want to do deep insertion (with stock cable)
• People who want a lot of accessories
• People who want an upgrade in sound quality from the OG T2
• Harman-haters

RECCOMENDED GENRES:

• Classical
• Jazz
• Funk
• Pop (generally)
  Rock (less complex sub-genres)

“Die early to be the hero, live long enough to see yourself become like everyone else”

With the resurgence of IEMs from the past being revived into the new age, it gets you wondering whether it was really necessary to revive them. But it could be argued that if something is so good, then a second iteration or a revision to fit the standards of time does make sense. But how would such IEMs pair with someone who has not tried the original and sees it for what it is.

DISCLAIMERS: This unit was sent as a part of a touring group and provided by Linsoul and Mr. Eiji Romero. I am eternally grateful for this opportunity, but this does not in any way, shape, or form affect the quality of my review. This review will be based entirely on my experience with the IEM itself and I was not paid or told to say anything regarding the IEM. Lastly, I am only one reviewer; this is my personal experience with the unit. Many variables come to play to make everyone’s experience different and your mileage will vary depending on the circumstance.

SOURCES USED:

• Zishan U1
• Not-by-VE Abigail
• VE Megatron
• Poco M3

TRACKS USED:
I used a mixture of DSD, Hi-Res Flac, CD, and MP3 for my songs. This is to widen the possible use case to as much people and would allow me to give my insight on lower fidelity bitrates.

Spotify Playlist:


Document explaining what to look for in each track:
https://docs.google.com/document/d/1oMa7GPLaqtpnnoR9tixvWI4aK-7tXMyTEZCJAVkIZx0/edit?usp=sharing


OTHER ACCESSORIES USED:

Tips:

• Final E in S & M
• Newbee in S & M
• Stock White tips in S & M

Cable:

• Stock Silver Cable

NOTES:
The tips that come with the T2 DLC are all relatively similar and I believe they are all the same with only size being the difference, so I only picked the ones that properly fit my ear. The tips however we’re not the most comfortable for my ears and I found using Final E in small to be the most comfortable.

TIN HiFi. Initially known as Tin Audio, they are a brand I’m sure many of us are familiar with. They’ve been in the market for a long time, officially being launched in 2017 as TIN HiFi, they’ve been in the OEM/ODM scene and have released critically acclaimed consumer IEMs such as the T2, P1, and T3+. In 2018, they released the original T2 which was quite the hit in the ChiFi scene for offering a reference-like tuning in the budget segment. In 2022, TIN HiFi has decided to revise the T2, changing the connector, drivers (but not configuration), and tuning while keeping the ergonomics. Hence, the T2 DLC is born. In this review, I will be viewing the T2 DLC as its own entity and not comparing it to the original as I have not tried it. But I will acknowledge the legacy and status that the original held to give a sort of perspective of someone who understood why the original was critically acclaimed. Let’s get unto the review now, shall we?

SPECSHEET:
Driver: 4th Gen DLC Composite Diaphragm, 10mm Dynamic Driver
Earphone type: In-ear
Impedance: 32Ω±15%
Earphone sensitivity: 111±3dB @1kHz 0.179V
Frequency range: 10-20000Hz
Plug interface: 3.5mm
Cable Length: about 1.2m±3cm
Cable: 5N 8-core silver-plated cable
Interface: 0.78mm 2Pin

UNBOXING:


Before we review the T2 DLC themselves, let’s experience the unboxing together.



The box is of a relatively small but lengthy black cardboard box. A Large T2 can be seen printed in white on the top right of the box with TIN HiFi’s logo and name printed on the bottom left surrounded by an octagram-like pattern that encases it. The sides are plain and the base includes the bar code, QR codes, warning signs, and where the TIN HiFi T2 DLC was manufactured.




Opening the box from the side reveals a nicely textured cardboard box with the same octagram design with TIN HiFi’s log in the center. The box is split into two different materials; a velvet-like material that flaps open and a leatherette material that houses the contents of the box. Flipping open the black part reveals the drivers in all their glory. Under the black flap is a similar white leatherette material with TIN HiFi’s logo embossed in the center. A white velour-like material houses the IEMs with a small piece of paper protruding at the side. Pulling on this paper pulls out the velour and includes the silicone and foam tips, the cable, a calling card-like paper, and the documentation. Below is the complete list of contents and accessories:

• TIN T2 DLC Drivers
• 8 Core Cable
• 12 pairs of silicone tips
• 1 pair of foam tips
• Warranty card and user manual
• Welcome card

The unboxing is quite what I would expect for the price, but definitely quite lacking accessory-wise. TIN HiFi definitely put effort into making the unboxing experience as satisfying and lavish as they could. The velvet and leatherette material both give off a feeling that the product I am about to receive is worth more than how much it actually cost. However, omitting at the cloth pouch was somewhat disappointing as it would’ve at least offered a basic storage solution to those who don’t have anywhere to store the unit. This is especially useful as due to the white color of the stock cable, it’d be more prone to oxidation and yellowing over time. But overall, the unboxing experience is very satisfying and somewhat deluxe for how much it actually cost. The material of the box and the contents are presented in a very orderly and neat manner that would not disappoint those that enjoy a good unboxing experience. I really wish they had at least provided a cloth pouch.

BUILD AND FIT: 7 out of 10

Cable:



The cable is advertised as an 8-Core 5N Silver Plated Undefined cable of ~1.2m in length.



Starting with the jack, it’s your standard 3.5mm gold plated TRS cable housed in a very well-built silver housing with a glossy but slightly grainy finish that features a textured grip near the center and the clear jack tail. It then tapers off to the thin 8-core cable that smoothly braids all the way to the y-split.



We then move to the y-split and chin cinch. The y-split is colored a similar silver to the jack but with a cleaner and more polished finish. There are seams near the edges of both sides potentially to help with gripping the y-split when adjusting the chin cinch. On that note, the chin cinch is not made of the same material as the y-split and instead is an acrylic bead-like material. The cable then splits to two 4 core per split.



Moving up the cable, we reach the preformed earhooks and the 0.78mm (thank goodness) connector housed in the similar silver color and finish as the y-split. Two seams also follow each other near the cable side where the housing tapers. The sides are also indicated with a red plastic covering the 2pin side for the right and a clear with blue dot on the left side.



While the cable does feel very well built, I would have to take criticism at how thin each strand is and the preformed earhooks not complimenting the fit of the IEM well. The jack, split and 2pin connectors feel solid and the chin cinch I would say is very usable and functional compared to even their own cables (looking at you, T3+). But the overall thickness of the cables leave it quite tangle-prone and flimsy compared to even some budget 4-core cables. The cables thankfully don’t irritate my skin despite the textured and defined braid as I’m quite sensitive with how certain cables react to my skin. Probably the worst part about the cable however are the previously mentioned preformed earhooks. With the fit of the IEM (which I will be discussing further in the IEMs section), I would say TIN HiFi wasted an opportunity for a variable fitting with the T2 DLC as the earhooks somewhat make a deeper insertion quite awkward and I’ve occasionally found myself anchoring the earhook lower into my face as it would not properly fit in my ear. Overall, the cable is definitely something that could be improved as despite its confident build, its thickness leaves a lot to be desired and is tangle prone while the earhooks are poorly implemented and does not compliment the IEMs at all.

IEMs:



The T2 DLC sports a 10mm DLC Diaphragm that is a “CCAW ultra-light voice coil imported from Japan, uses N54 high-density, high-strength magnets, and a brass dual-chamber design” housed in a “high-density aviation aluminum” cavity.



The entire build is silver colored, attuned to the aluminum build with an edgier on the flat spectrum but rounded as the overall shape. The faceplate is flat and slightly recessed where the rim is quite prominent surrounding the main faceplate with about ~1mm protruding out. TIN HiFi’s logo is printed in blue at the very center and is of a similar brush finish as the jack. Moving to the sides of the faceplate lives the 0.78mm connector protected by an opaque plastic rim. The sides are very rounded with a single vent on the very bottom of the faceplate from the connector.



Flipping the drivers over shows the nozzle and the somewhat bullet-style molding that curves into a rather edgy shape until it reaches the main cavity in a very polished silver finish.

In regards to fit, I did not notice or feel and driver flex. Isolation was however average but more than enough for someone who still prefers to hear a little bit of their surroundings.



The one thing that I’ve noticed since the start of my audio journey was how unique the shape of the T2 was. It then was quite a pleasant surprise they had kept the shell as I am genuinely curious how it would fit. Least to say, it fits well! It actually reminded me of bullet-style IEMs in how deep I can put it in my ear. The cable however did not cooperate well as due to the earhooks being somewhat poorly implemented, the shape and nature of the T2 DLC makes it quite difficult to have a proper deep insertion. Removing the preformed earhooks or using a cable that does not have a preformed earhook would definitely help a lot with fitting the T2 DLC deeper into your ear. The edginess initially worried me as it would dig into my ears, but I’m happy to say that I did not feel its edginess in my ear whatsoever. I’d even go to say that if I were to pick a shape that most people would not find uncomfortable, it would be the T2s shape. What I would say was a wasted opportunity however was the fact that the T2 DLC can be work cable over the ear or cable down. Due to the preformed earhooks (again), you’re stuck with the cable over the ear fit where some would find uncomfortable. But when paired with an earhook-less cable, I would argue that the T2 DLC can provide a very versatile fitting reminiscent to bullet-style IEMs or even the KBEar Ormosia. I would also like to happily say that there is no driver flex on the T2 DLCs which is a big plus. Overall, the shell of the T2 DLC is quite a universal and comfortable fit, ruined only by the stock cable. The build is very solid and having tried MMCX prior, the change to 2pin 0.78mm connectors makes the confident build quality even sturdier. When paired with a cable without earhooks, I’d argue this is one of the most versatile and comfortable IEMs to wear.

SOUND: 24 out of 40

Sound Signature:
Balanced, Harman-like, leaning slightly to u-shaped but both bass and treble region aren’t as emphasized compared to other slightly u-shaped.

Driving Power:
Can be comfortably driven on a phone but having at least a DAC/AMP gives bass more texture and treble a bit more shine.

Bass: 6.5 out of 10

• Lean but well-controlled presentation
• Good attack and decay on bass notes
• Sub bass is present but does not dominate the frequency
• Mid bass is slightly more prominent, lacks impact and texture but good detail and sleep
• Slight bleed to give vocals and instruments some warmth

As someone who’s really not that into a lot of bass, I found the T2 DLCs bass to be quite enjoyable and adequate for my tastes. It’s lean and presents bass in a detailed and well-controlled manner. Having said that, however, it does have its issues with how it presents bass. Starting with the sub bass; it’s there but there isn’t a lot of it. Deep rumble of bass instruments and synths is still audible and occasionally felt, but it’s quite submissive in the overall mix as I’ve found that even heavy subbass tracks such as Globular’s Tabula Rasa or Steve Lacy’s Static don’t give that satisfying rumble I look for on IEMs for those particular tracks. The midbass being clean and well-controlled also takes a hit on midbass texture as in tracks like Sad Clown by Panic! At the Disco or Liz makes the overall mix sound too clean sounding and loses the fun feeling you get listening to those songs. Thankfully, it presents a very clean and non-bloated experience in a track such as LAX by Vulfpeck that makes it quite a good listen on jazzy/funky tracks where the dominance of lower octave guitar, electric bass and cellos are prominent and can muddy the mix. There’s also a slight bleed into the lower mids that thankfully just adds warmth and does not pull back the vocals and instruments in that region. Overall, it’s an overall clean bass response with good detail but poor texture and can get somewhat clinical. It just barely holds unto a fun factor through an elevated midbass presentation.

Mids: 7 out of 10

• Inoffensive and natural tonality
• Lower mids with a sufficient amount of warmth and body
• Mids with a clear and articulate presentation of instruments, albeit somewhat linear
• Upper mids free from shout but present vocals in a leaner and dry manner, somewhat recessed in certain mixes
• Instrument presentation is rather smooth without any specific instruments dominating the frequency

The mids of the T2 DLC was quite satisfying as this is borderline neutral to my ears. I found both male and female vocals to have very similar qualities with males having a sufficient amount of weight and vocal nuance and females having a nice colder presentation to give a bit of sparkle in the nuances. But neither really sparked any crunch that the occasional male vocal has or that shine that certain female vocals have. Brendon Urie is probably the perfect example to depict both spectrums as his wide vocal range can span the entirety of the mids. His vocals just sound right on the T2 DLC, but doesn’t really make his voice shine in any way. It’s neutral, organic and dare I say, quite boring. Instruments fall into a very similar story where almost all instruments have a neutral and inoffensive presentation. Guitars lack the crunch but instead have the details and nuances that is often absent when crunch is present. Acoustic guitars sound especially good as the flatter response of the T2 DLC puts acoustic instruments in a flatter spectrum that makes them quite satisfying to listen. Pianos sound especially nice, but again quite lean in presentation. Thankfully, the midbass bleed adds warmth to both vocals and instruments that give them just enough body for me to enjoy. The upper mids are arguably the most inoffensive but also least detailed region. Going back to Brendon Urie, his vocals can occasionally take a step back when he goes for higher notes and loses the sparkle in Brendon’s vocals. An example of this is God Killed Rock and Roll where his voice starts quite low with good body and nuances, but the chorus somewhat puts his vocals behind the instruments. It’s lean with good enough details, but quite a bore and can be too lean in some instances. Overall, I’d say the mids are inoffensive enough for most people to enjoy, but will definitely lack for those who look for more vocal nuance and forward presentation.

Treble: 6.5 out of 10

• Decent extension with good microdetail retrieval
• Instrument presentation is especially good in this region, but will struggle to pluck out details in busy tracks
• Lower treble carries over a lean and dry presentation from the upper mids
• Middle treble has good microdetail retrieval without sounding too bright or harsh
• Upper treble has decent extension, but lacks enough air for instruments and vocals to really sparkle

This is probably one of the smoothest treble responses I’ve properly enjoyed in this price range. I normally prefer my treble to be more extended and emphasized than this, but this was elevated enough from this mix for me to enjoy while still being smoother and less harsh than what I enjoy. Starting with the lower treble, it’s still quite dry and lean but can bring out vocal nuance and instrument detail in this region. Middle treble is where the T2 DLC truly comes alive as cymbal strikes, claps and the airier side of vocals have this sparkle and sharpness that I enjoy, but may be too much for some. This is still on the tamer side, in my opinion compared to some other IEMs similar to the T2 DLC. You Should Head North by Necry Talkie works both as a shout and treble quality test in my playlist and it offers a non-shouty yet well-defined cymbal and guitar plucks without sparing tonality. However, I found that Mossa’s vocals sounded a bit too safe in the mix and somewhat doesn’t present her vocals in an exciting and fun manner. The upper treble found itself to slope down smoother rather than work off the brighter presentation in the middle treble, giving it a slightly blunted attack without the splashiness of certain instruments. It still lingers on quite nicely, but not enough for me to call it treblehead. This is most evident in a track such as Tambalan by UDD where a well-defined hi-hat is constantly being hit where the T2 DLC presents a relatively good attack but short decay that makes it inoffensive but also linear in presentation. Regardless, this is still quite a smooth and enjoyable experience and I would go as to say is my favorite part of the T2 DLC as a whole. The combination of a leaner bass and flatter mids brought out quite a fun and well-presented treble region. Only if they had continued to give it more air, it would’ve been quite satisfying for a treblehead like me.

Soundstage, Imaging and Separation: 6 out of 10

• Average staging with an equal amount of depth, width, and height
• Thanks to a flatter response, separation ability is impressive except when listening to complex and layered tracks
• Imaging follows separation but is just average performance

The overall technicalities of the T2 DLC isn’t really the most impressive that I’ve tried, but definitely cleaner and more capable than a lot of IEMs I’ve tried around this price range. Staging isn’t anything special as its leaner bass gives in just a decent amount of bass depth, enough to create a sense of headroom when paired with the decently extended treble. But once again, I’ve found it to be a bit more claustrophobic that I expected it to be, thanks to the treble lacking a bit of air. Width is about average too with instruments being placed neither too close or too far, but still intimate enough to remind me that I’m using IEMs. Separation and Imaging however I’d say is quite well done thanks to its tonality being on the more neutral side which presents instruments cleanly throughout the mix. This however changes when thrown to a complex track like Rumbling by SiM. It’s still a great overall experience, but guitars can get pulled back with only the treble region being able to properly separate instruments and still struggling especially when the electric guitars of higher octaves come into play. Thanks to the leaner bass response, However the Illusionist Shakes The Dice by Lie and a Chameleon actually sounds quite nice with guitars, vocals and percussions being well separated from each other. It still occasionally struggles like in the chorus but verse and prechorus presents the song quite satisfyingly.

Gaming: ✪✪✪✰✰
Gaming on the T2 DLC is quite good but with certain caveats. The flatter response means that competitive games can be a breeze to be able to distinguish sounds from each other as no specific sound overpowers the other, but it also makes environmental and atmospheric games feel a bit too reference for my tastes. Footsteps, room reverberation and gunfire all sound good but unengaging at times. But this honestly falls to ones preference in games as I’d confidently say that the T2 DLC can be good enough for competitive games. It has a very comfortable fit that (when modified) can be configured in two different ways and a non-fatiguing sound. I’d give this a pass for competitive gaming and if you prefer to hear atmospheric games as flat and reference-like as possible

Multimedia: ✪✪✪✰✰
As stated in the gaming section, it’s quite flat in terms of where the emphasis falls on specific sounds. This still carries on to multimedia, but this benefits vocals especially as I am able to distinguish vocals from the environment even on notoriously difficult-to-understand films (mostly made by Christopher Nolan). I would say that these blended quite well in long binge sessions and films with a lot of action as I never felt any fatigue from them. But it did come at the cost of engagement to the sounds. Micronuances of sound design can also be quite flat in response but thankfully audible and allowed me to appreciate the subtle details in music, atmosphere or scenes that involved an emphasis on sound. Overall a good, nearly reference-style listen.

COMPARISONS

Vs T3+ ($79)

• T2 DLC lacks the pouch that comes with the T3+ but still has the wide array of tips and a nice unboxing experience
• T2 has a more versatile fitting but T3+ fits my ear more comfortable
• Cable is similar in feel but T2 DLC feels tighter in braid (in turn making it more tangle-prone)
• T2 DLC has a similar sound signature to T3+ but T3+ is more fun and engaging
• T2 DLC has a cleaner but less textured and fun bass compared to T3+
• T2 DLC has a more organic and natural sound mids region but less emphasized on micronuances of instrument and vocals compared to T3+
• T3+ has better upper mids emphasis with more detail and forwardness compared to T2 DLC
• T3+ also has a slightly better treble presentation and extension compared to T2 DLC, but T2 DLC is affected less by a dominant bass section and is less congested
• T3+ has better overall technicalities, but struggles more on busier tracks compared to T2 DLC and presents instruments in a less linear manner

Vs Intime Sora 1 ($49)

• Sora 1 has a pretty bad case of driver flex (to my ears) and cable is very angle prone compared to T2 DLC
• T2 is more of a Balanced, nearly U-Shape sound signature while Sora 1 is U shaped leaning neutral
• T2 DLC bass is more textured but less rumbly compared to Sora 1
• Sora 1 has cleaner overall bass response compared to T2 DLC
• Mids are better presented on T2 DLC with both male vocals and female vocals having good weight and vocal nuance compared to Sora 1
• Treble is somewhat similar with Sora 1 slightly edging detail retrieval
• Staging goes to T2 DLC while imaging and separation goes to Sora 1

VERDICT:

Having tried the T2 DLC without the perspective of the previous iteration, I would say that the T2 DLC has an inoffensive and borderline neutral timbre with a hint of elevation on the bass and treble to give a bit of fun to the mix. It’s technically capable for the price with virtually nothing wrong with the sound quality.

But when we look at the T2 DLC in the current state of the market, it really gets you to think about whether the T2 DLC holds up against the competition. As a unit, the T2 DLC does nothing wrong to give it any distinctive con to swerve people away from buying it. But T2 DLC played too safe in a market where constant innovation appears almost every month. The budget segment has never been as competitive in the last few years, and yet TIN HiFi choose that the T2 DLC played on the preexisting formula that the likes of the Moondrop Aria has set a year prior.

Is the T2 DLC good? I’d argue that it is. Is it enjoyable and capable to be your daily driver or even first IEM, I would argue that there are better choices but it’s definitely a good choice if you fancy the shape and want a more neutral sound signature. But can it compete with the ever-expanding choices of IEMs that provide exceptional technical ability through new and innovative drivers/tuning, abundant accessory inclusions, or overall just a more specialized target? I would argue that it all comes down to where the market flows in the next few months. But I have a hunch that the T2 DLC will just be another IEM tuned safely that will be forgotten in due months' time when extravagant and interesting IEMs that offer much more than a safe and inoffensive tuning with average technical ability. If anything, I’d compare the T2 DLC to a sequel of a blockbuster film. Some may have been waiting for the sequel, but it has presented itself to be a safe but lifeless addition to an ever-growing market of lifeless sequels.

I have not tried the original T2, but I do understand that the T2 cemented itself as unique in a market filled with a similar V-Shaped tuning by going for a reference-style tonality and interesting form factor. It shocked the market then for being as innovative and different, yet its revision ended up falling ill to the tonal deafness that it once broke free of. It found itself washed up, not by doing things wrong but by being complacent to a market that needs constant innovation. And there, the T2 DLC lies almost undistinguishable amongst the pile of harman-like tuning that has filled the market in recent times. And there the T2 DLC digs its own grave, forgotten and overshadowed by those that choose to innovate like it did all those years ago.

Thank you for taking the time to read my review! Please consider liking and following facebook my page if you want to see more audio review content from me. You may also find this review in Facebook on the following link below. Thank you and have a beautiful day!

https://www.facebook.com/OB.ODIO/po...XJQZ37pGoK69XwxpMCnyn1RXXefaAFoHYqPwca56ADx3l

If you would like to avail a unit for yourself, you may visit the non-affiliated link below.
https://www.linsoul.com/products/tinhifi-t2-dlc?variant=43419306328281

The Tin Hifi T2 DLC have been sent to me by Linsoul for me to try them and share my opinions. They have not commented or made any requests, so my review, as always, will aim to be as unbiased as possible. Saying that, it is always good to consider the fact that these IEMs have not cost me anything.

I will leave a direct link to the T2 DLC via Linsoul in the version of this review published on my blog (link at the end of this review).

As always, this is a non-affiliate link and I do not gain anything by clicks or purchases via the link.



Intro…

If there ever was a model of IEMs in the budget category that made itself a name for a very long time (and is still talked about now) it is the T2 by Tin Hifi. The amount of times that the T2 has been talked about, recommended and praised is incalculable. They were the first set of IEMs that many picked up when looking for a “good balanced set at a budget price” and although budget IEMs have come a very long way since then, you will still see them brought up regularly in the budget IEM world. They really were a “stepping stone” for many people, opening up a world of budget sound that those people hadn’t really experienced until then.

Tin Hifi have released many many models since then, with varying degrees of success, yet I believe that the T2 is probably still their most successful model.

I can’t say when the original T2 were released but I believe I picked up my first set in 2018, which seems like centuries ago in this IEM world. I have to say that I was rather unlucky and had 3 out of 4 IEMs fail on me, all related to the MMCX connectors, which made me move on and also started my dislike for MMCX connectors (which have given me various problems over the years on different models).

As I just said, IEMs, especially in the budget world, have come a very long way since then and although Tin did recently release the original T2 with the connectors changed to 2 pin (well done Tin, although a little too late in my opinion), they have also just released the model that I am reviewing today, the T2 DLC. This new set is based on the original T2 IEMs but with a new DLC dynamic driver, aiming to put the T2 back on the radar.

Coming in at 59€ (at the time of this review), they are around 10€ more expensive than the original model (with the updated connectors). That is just outside the sub 50€ range, which I consider to be “extreme budget”, but still a price that can be considered a budget friendly set.



Presentation…

Opening the T2 DLC was a bit of a blast from the past. The packaging and the contents are all very similar, in fact almost identical, to the original T2 presentation.

Arriving in a black cardboard sleeve (rather than the white one of the originals), inside we find a box that resembles a book, yet is wider than it is tall. The cover of the box is also black (where the originals were blue) but inside we find basically all of the same contents that we did with the original T2.

In other words, we get the IEMs, the cable, a selection of silicone tips, some foam tips and the user manual etc.

I think that the original T2 were one of very few sets to include foam tips with the IEMs and it is nice to see that this tradition has been maintained. I used foam tips for quite a while before finally finding silicone tips that I preferred, and I still find them very comfortable to use now, even if they do age pretty quickly.



Build and aesthetics…

The build and aesthetics are also easily identified with the original model, sticking with the round shells made from aluminium which allow you to wear the IEMs orientated both up and down (although the cable has preformed ear hooks, so you would need to either swa the cable or remove the heat shrink to wear them “cable down”).

The aesthetics have been tweaked ever so slightly, with the center circle now being recessed just a tiny and featuring the Tin logo in the center. The connectors have also been switched to the 2 pin variant, which is something that I personally appreciate.

As far as the cable, it is a little different from the original and is actually the cable that Tin have included with other models of theirs. The cable is white, with silver hardware that matches the IEMs, and is rather simple but quite adequate for the job it does. Tin list it as an 8 Core silver plated cable in the specs, in case that is something that interests you.



Sound…

Let’s start with the important question, is the T2 DLC and upgrade from the original T2?

Although very subjective, I have to say that yes it is.

Ok, being totally transparent here, it is a long time since I last listened to the original T2, as the two sets I have only have 1 IEM working in total (so I can’t really rehash an impression with just one ear) but the impression that the T2 DLC give me is that they are certainly a step up in performance. I don’t remember the T2 ever giving me the sensation of being very detailed, their main attribute was the balanced tuning, and the T2 DLC do seem to have improved both in detail and in overall performance, including a tuning that matches my preferences (which will have evolved since back in the OG T2 days). But I’ll get to that in a moment.

Let’s start with the usual look at the graph of the T2 DLC, with my personal preference target and the original T2 for reference. At the risk of being repetitive (I say this in almost every IEM review), my personal preference target is just a rough guide, it does not guarantee that I will like something that sticks close to it, nor hate something that doesn’t.



Starting off with the lowest notes as always, we can see that the T2 DLC has increased the presence in the subbass ranges, no longer presenting the roll off that the original did in these frequencies.

Putting them through the usual “Chameleon” test, I find that the subbass is at a level that I find pleasant and enjoyable, without being overly present nor lacking rumble. Those that prefer more of a brain rumbling subbass may not agree with me but in my case, I find it works well.

Moving over to “Royals”, with a subbass that is slightly less controlled than “Chameleon”, I find that the T2 DLC does a good job of keepin the low notes tight and while it is not groundbreaking, it certainly performs well enough.

In the midbass section, things are a little more present that I like. However, it is not a midbass that I find offensive. It works well to give classic rock some warmth in those lower electric guitar and bass notes, while still being clean enough to sound fairly balanced with newer productions.

With acoustic guitars, the midbass presence gives plenty of warmth and body, and while it is not what I would consider 100% correct in the timbre department, it is close and it does give a nice tone to tracks like “Hurt” by Johnny Cash.

The mids are well maintained throughout and the climb into the presence area in the upper mids is smooth, matching my personal preferences very closely. In fact, the T2 DLC is a good example of something that I have mentioned in many other reviews regarding the upper mids. I am quite sensitive to the 5kHz mark and sets that have a peak in that region come across as very harsh and uncomfortable to me. However, in the case of these IEMs, while there is plenty of presence in the 5kHz region, it is not a peak but rather a “plateau” that covers the 2kHz to 5kHz range. This makes things sound much smoother to my ear, giving a good presence without becoming harsh. This obviously depends on the recording of tracks but in general it works very well for me.

As we move into the higher ranges, I find the extension to be good, with a nice sensation of air and presence. Sibilance is kept in check well, tested as always with “Code Cool”, which is quite a pleasant listen on the T2 DLC. There is still a presence of sibilance on certain parts of “Hope is a Dangerous Thing”, which proves that they are not overly dampening sibilance, just controlling it well.

Details are not bad either. I wouldn’t say they are amazing but they are good enough for tracks to not sound smoothed over or missing info. In the case of the intro to “All Your Love (Turned To Passion)", they present the reverb and other background details fairly well, with them being easy to appreciate. Ok, we are not talking high end planar levels of detail, nor IE600 DD levels of detail, but they are still more than acceptable. It may become difficult to

Soundstage is not the widest, falling into the “average” range that I find 90% of IEMs to fall into. However, image placement is decent enough, making layers such as in “Strange Fruit” be easily placed and identifiable. In busy tracks with many layers, it may not be quite as easy to place and track the individual sounds but I feel that is more due to the detail than the placement.



Isolation of the T2 DLC is not bad but not excellent either. They should work well enough for normal use while surrounded by normal noise levels, yet they will suffer if used on a plane, train or other places with constant low rumbling noises.



Conclusion…

I honestly think that the T2 DLC are the most enjoyable tuning I have heard from Tin Hifi so far, making them a very worthy successor to the original T2 model. They are not perfect and they may verge on being a very “safe tuning”, yet I think they have done a good job here.

I reviewed the T3 Plus a while back and basically said that they were enjoyable because Tin had tuned them similar to many other successful models from other brands. In this case, Tin have taken a similar tuning with a few tweaks that push it even more towards my preference.

They are not perfect of course, the details are not the best and the driver does seem to struggle with very complex and detailed tracks, yet in general, they do a job that I have no complaints about.

I could probably list a few more things that I feel could be improved yet I feel they should be given credit where it is deserved and the Tin Hifi T2 DLC certainly deserve it in my opinion.

As always, this review is also available in Spanish both on my blog (www.achoreviews.com) and on YouTube (www.youtube.com/achoreviews)

All FR measurements of IEMs can be viewed and compared on achoreviews.squig.link

All isolation measurements of IEMs can be found on achoreviews.squig.link/isolation

Battle of the 10mm Drivers


In this completely different and never before seen Match-Up, we will throughly test two similarly priced competitors, to battle it out head-to-head, to find-out just which one is best. While the TINHIFI T2 DLC is $59.00, the Kinera Gumiho is $49.00. Each built by known and respected manufactures, each high-profile releases in their own right. Yet each couldn’t be more different. Actually they are total and complete opposites. Why? While they both offer the incredible new technology 10mm drivers, one is a “Planar” (Kind-of) and the other a 4th generation Diamond Like Carbon affair. But beyond that the size and looks couldn’t be more different as one is made of 3D printed resin and one CNC aircraft aluminum. Still when you put them in your ears they are also total opposites. With the Kinera offering a wide soundstage and the T2 offering a more compact yet even response. The Kinera, a mix of contrasts and the T2 a more fluid and linear stance. So won’t you join me in the battle of the drivers, taking place right here, right now, for your reading enjoyment.

https://www.linsoul.com/products/tinhifi-t2-dlc?variant=43419306328281
https://www.linsoul.com/collections/all/products/kinera-gumiho?variant=43354548273369



TINHIFI T2 DLC
Dual 10mm DLC Dynamic Driver In-Ear Earphones

• The Upgraded Version of Classic T2 IEM
• 4th Gen DLC Composite Diaphragm, 10mm Dynamic Driver
• 5N 8-Core Silver-plated 0.78mm 2Pin Cable
• Aviation-grade Aluminum Metal Cavity
• Compact and Neat, Comfortable Wearing

VS

Kinera Gumiho
10mm Square Planar Driver + 1BA IEM

• The Inspiration of Kinera Gumiho
• Shocking Bass, Surprising Tuning
• Detachable Silver-plated+Alloy Copper Cable
• 3D Printed Ergonomic Shell, Comfortable Wearing

The TINHIFI T2 DLC:
I start this review with no prior T2 experience. Thought I do enjoy the TINHIFI P1Max planar, and the TINHIFI Tin Buds 3.
https://www.head-fi.org/showcase/tinhifi-tin-buds-3-tws-iems.25964/reviews#review-28909
https://www.head-fi.org/showcase/ti...sal-in-ear-monitor.25818/reviews#review-28407

It’s safe to say TINHIFI is milking the popularity of the original T2 with many such iterations made. And why not, they created a unique shape and form factor and I read an incredibly popular tune back in June of 2018. So the question is did they introduce a progressive and mature product today in 2022?

That answer in my eyes is yes and no. Yes, because there is a no nonsense style of build here. Even if you were never aquatinted with the original T2 or any of its siblings over the years, you still can’t deny this IEM looks cool and fits wonderful! For $59.00 it provides a service and all and all seems well made. I especially like the fact that they listened to customers and changed out the MMCX for 2 pin connections. The box experience is just about average for the price with just the necessities provided but they work and are nice. The IEM itself has unique ways it goes about its moments, in that they stay seated in your ear but then also are incredibly easy to take out (due to the shape). As far as sound goes, in this battle you can’t help bet take note of the contrasting abilities of the Kinera! It almost seems like the T2 DLC was another attempt at cashing in on the very first installment of the T2? Yet maybe some may like the more simple and compact replay the T2 DLC offers? Absolutely more reserved and less colorful and vivid. Yet in a way the two IEMs exist to validate each others existence, being the Yin and Yang of products, you would maybe even be interested in using the two as complementary products. Though mostly I feel the T2 is actually a bore, and isn’t really bringing much to the table that hasn’t already been heard before. Such milk toast performance does have a way of grabbing-you after getting well acquainted for awhile, yet then slowly drifts back into nonchalant-ness and Plain Jane Vile. In such a town seemingly all the people are dressed the same, sport coats for the men and dresses for the gals, yet they are all the same color and seem to never talk much, or show any style of character or personality?


TINHIFI T2 DLC Graphic representation in contrast to the original T2 by Fc-Construct.

T2 DLC IEMs
5N 8-core silver-plated cable
5 sets of silicone ear tips
1 set of foam ear tips
Impedance: 16Ω±15%
Sensitivity: 102dB/mW
Frequency range: 12-40000Hz

There is nothing really special about the soundstage, the response finding imaging of instruments to only go to the right or left. The subtle V tuning is shown as incredibly standard flair in the graphic representation here. While mostly aiming at the general purchasing market, offering nothing which stands out or even offering a character of its own, it even seems to shun changes in amplifiers, simply sounding almost the same from every source no mater what I matched it up with? The thing is I’m listening for inspiration, I actually want to really like every IEM I get. I want to bask in the ideas the new IEM brings forth as a way to enjoy music in a correct yet new and slightly different light. Like traveling and meeting new people in a new town. Seeing the sights at a new location far from home. Yet here I’m met with mediocrity to say the least. While the fit is incredible and the T2 DLC seems to portray the music is a natural and correct way, it is the opposite of truly exciting for this listener. While nothing is truly airy in the treble presentation, the volume of treble response is totally adequate. Though I’m probably delusional expecting any true sparkle or air at this price-point? The 10kHz dip is maybe adding to the dullness found here. As the notes are present (especially in attack) just not showing much fall-off and are slightly muddled-up. It’s all too safe in the treble department. And I wish I could say all this was based on price, but unfortunately I have heard less costly IEMs which sound better. Even the drums seem to hold together for the sake of just getting there, like another attempt at being correct yet never taking any chances.









With such a critical review I have to ask myself if I have simply become a jaded reviewer, seemingly impossible to please? Have I truly heard one too many headphones? Is this just information overload? Laughingly, no not at all. While the TINHIFI T2 DLC may appeal to various groups, it’s simply too plain for my tastes. It just doesn't offer enough musical involvement to become musically involved. There is very little vividness to be vivid about! In fact, I’m more excited about what simple cable changes due to the sound of other IEMs, bringing the sound more in-line with my personal expectations and preferences than the TINHIFI T2 DLC. Also as you will read-on about, I find the Kinera Gumiho to offer more my style of fun. Such playful contrasts show a vivid picture window into my music library offering true escapism to those who partake in such charms………so without further dillydally……here we go!

The Kinera Gumiho:
Crazy as it sounds I did most of the listening tests with the $99.50 ISN G4 cable. Now not to short-change the Gumiho, the provided cable was fantastic. Really the sound and quality was first rate. It’s just that I access 4.4mm amplification there-for use a 4.4mm most of the time. What I will do is compare the included cable and the 4.4mm cable and when I feel there is a close enough resemblance, then I will make the switch. I'm simply trying to extract the most excitement and involvement present. Plus, who is to say buyers won’t purchase or already have a 4.4mm cable to optimize their experience? Using the Sony Walkman WM1A and my standard (often-used) wide-bore low profile tips, I went to work. Well, I truly shouldn’t call the Kinera Gumiho experience work, as it was my privilege and my joy to review this particular product. While both IEMs in this test ended with 150 hours of burn-in, the Gumiho responded the most, really coming alive with authority. Such traits are pretty-much unheard of in this price bracket. And……it’s not that I blended with the signature, I mean I did do that, but these finding are truly not subjective, but blatant objective truths, that should be enjoyed by everyone regardless of sound signature wants and needs. The Gumiho is so well balanced and entertaining that I have very few, if any rocks ready to throw, so be warned…..you are about to read a style of praise (pretty much) from here on out.

Now the fact that it sits lower on my list of planar IEMs is really used only for perspective. Meaning I have a special love affair with all planar IEMs and truly the Gumiho would be at the top of the list if it was based on value alone. The LETSHUOER S12 PRO 14.8mm planar driver should arrive any moment to complete this list, yet I have not heard the Timeless 7Hz?

Planar ranking:
S) Moondrop Planar Stellaris $109.99
A) TANGZU ZETIAN WU $149.00
B) RAPTGO HOOK-X $239.00
C) TINHIFI P1 Max $99.00 (on sale)
D) Kinera Celest Gumiho $49.00
E) 7Hz x Crinacle Salnotes Dioko $99.00

The reason why this is a special list is it’s like a list of finalists in the Olympics, where there can be found just different variations of greatness. Such greatness is in to direct contrast to other IEMs priced roughly the same, but lacking the planar driver. This popularity and new hype train is for a reason, it’s the sound quality per dollar spent that comes into play. Now while the Gumiho is slightly different than most planar drivers due to the unorthodox make-up of the actual driver, and the addition of a single BA driver for midrange and treble assistance, the Gumiho still represents the texture and fluidity of planar service to your ears. In fact the driver could be looked at as half-planar and half-dynamic in that they have a single sided copper coil, much like a dynamic driver. Where true planar IEMs have normally one or two magnets on either side of the driver as a flattened out array, that then causes the planar magnetic to vibrate only being near it, but not fully attached.

The Gumiho shows what new ideas can be brought to market with a unique shape. The Kinera sub-branding of Celest can be seen emblazoned across one side. A 0.78 2 pin provides cable placement, and looking closer you can see this is a clam-shell design, fully 3D printed. There was at first a plan to offer the Gumiho in 8 different variations. Though due to not being able to find paint a uniformly flat covering, they chose 4 different variations. 2 with the painting and 2 with-out the painting. One set white and one set black, thus 8 choices.

A kumiho or gumiho (Korean: 구미호; Hanja: 九尾狐, literally "nine-tailed fox") is a creature that appears in the folktales on East Asia and legends of Korea

So it’s quite the tale, no pun intended. Any way I think the picture looks way better than all black, but of course all this is highly subjective. At first I thought the all black was the way to, but seeing the Gumiho is person is very different than the photographs. It’s kind-of a relief painting which has details above the faceplate. Also there are two different contrasting textures with the whole 3D printed part being incredibly shinny and the panting being more flat. We meet-up with three vents on the side, and before the cable is attached, you can actually see inside the IEM from these holes, due to light from the back of the two-pin! Remember though the Gumiho is incredibly small, so you’re not going to see much. But there are no screens or anything blocking your view. As far as size and placement into your ears, the Gumiho fits superbly and stays very close to your ear, with no weight hanging off. The nozzle is on the shorter size though. I didn’t need and specialized length ear-tips as the Gumiho fit with ease, allowing my favorite wide-bore tips to included all the soundstage possible. Also there was no risk of looking for bass energy, so wide bore-tips worked out in the end! Being super lightweight at only 4 grams a piece, they end-up unnoticeable. Truly this would be a recommendation for folks that want a big sound but don’t really like things in their ears. They are by far small, and the smallest planar in my experience, even tinier than the small TINHIFI P1 Max! And way smaller than the rest of the planar IEMs I have had experience with. The nozzles are tipped with an elaborate tip ring which goes to hold tips on perfect, combined with a robust fastened nozzle screen that is actually inset and ready to go, as seen in the photo.



The box opening experience:
While going all out to charm us with the little extras, the box opening is probably a first for this kind of money at Redcarmoose Labs. A plastic sleeve pulls back to show us a “nine-tailed fox” keychain. A special spring-lock bag for your cable and a nice set of tips included. Looking at the tips they included both three pairs of wide-bore and three pairs of black narrow-bore, and a cleaning brush. Included is a small foldable book too. Yet when you open the box you’re greeted with simply the key chain and IEMs as seen in the photograph.








Features:
Dual-Driver Hybrid Configuration
Kinera 10mm SPD (Square Planar Driver)
Kinera Custom Balanced Armature Driver
Silver-plated Copper+Alloy Pure Copper Cable
3D-Printed Ergonomic Cavity Design
0.78mm 2-pin connectors
Comfortable and Ergonomic Shape
Powerful sound performance

Technical Specifications:
Impedance: 9Ω
Sensitivity: 106dB
Frequency Response Range: 20Hz-20kHz
Interface: 0.78mm 2-pin connectors
Termination Plug: 3.5mm
Weight: 8.0 grams (without cable)

The soundstage:
Nice and fairly full bodied. While offering both left to right width, the soundstage goes to provide a front to back too, while sparingly on the top-to-bottom. One of the charms is the bass stage which seems to come out of no-where in rock songs to have these extended bass elements throb in their own living space.

Technicalities:
While offering a W response, the best part of the response is fully delayed reverberation-notes. While natural and pleasant, there is still the BA effect, creating a faster and brighter imaging and detail. Such findings goes to contrast the Planar response, adding to a style of vividness maybe never found under $50? It’s just like you would guess from looking at the additives, having both a planar personality combined with this brighter and faster BA response. Do they blend? Kind-of and not kind-of, but still this is my style of response none the less, being a better stance all around then what the TINHIFI T2 DLC does, even in its best moment. The antithesis really, where the Gumiho is sporting involvement and a looser more musical sound, in contrast to the linear T2 DLC. It’s really noticeable when rock sounds jump and sway and brighter embellishments of lead guitars take hold of the song. Still with that said, the Gumiho is really sporting a heavy lower midrange that lacks pace and definition. Here we probably do better with slower style of classical or movie OSTs as the planar offers a slower moving sway with a large amount of unresolved bass aspects aplenty. Still this is the planar world where these bass characters are more layers than DD images. Such a slower moving entity still provides excitement despite the lack of resolution.

The treble:
On the borderline of bright, the steely nature and slight off-timbre can be noted though all is forgiven for this amount of vividness contained. While upper treble starts to jump-up to that that rare area for under $50, there is just a slight gloss of off-timbre encapsulating the full upper response! Still at the price, all is forgiven as this is truly an entertaining experience. Still there is just so much the single BA can pull-off, so what ends up as detail is still only found in a compressed and jumbled-up way.

The midrange:
A boost here gives us nice female and male vocals, yet while making it out of the woodwork, there is still a loss of real texture and refinement. Almost found as clear, and refraining from being totally real, the vocals somehow just get by. It’s the loss of a full spacial imaging and physicality that once again defines the price-bracket we are living in.

The bass:
Probably my most favorite part of what this IEM ultimately does. For me almost all the love of the Gumiho has much to do with the overall balance. That’s right the balance of bass to mids, and the balance of treble to bass….etc, etc. You see while we are missing much of the resolution found in pricer IEMs, the balance and vividness make way for entertainment. There is sub-bass which can offer a surprise being staged way out left and right, seemingly in its own free area creation. While not really defined or textured, it’s still fully fun, despite the lack of any real form of pace. Holding the rhythm hostage with an “I’ll do what I want, when I want attitude” we are at the mercy of such brutish demeanor, yet hold fascination despite the understanding of lack of detail. It’s at these times we realize the pace can be fully ignored, and almost a washout in fast music. While it just seem at times to be in total forgiveness due to the bigness of the gifts presented. This style of response is the full definition of a guilty pleasure. It’s that you love something not for its strengths, but its defects, almost.

Drivability:
While both IEMs are relatively easy to drive, the Gumiho needed something extra like a Dongle instead of a simple phone to really come alive.

Conclusion:
While we are witnessing a battle here, it’s pretty easy to learn who won. And while life isn’t always fair, at least there was true star once the dust settled. It’s the discovery of talent in regards to the abilities shown by both, in contrast making those same talents even more noticeable and clearly seen for what they are in the end. On paper the TINHIFI T2 DLC may look like the winner, and this freak of a combo; the Gumiho being a Frankenstein’s Monster (pieced together playback) an outlier, and strange in the world of IEM playback. I still can see the stitches, and hear the two part replay. Yet there is a wonderful dislocation which is the opposite of the T2 DLC’s wholesomeness for the sake of wholesomeness. We want character and bigness even if this monster is slightly out-of-control. The T2 DLC is yesterdays IEM, still clinging to older values and styles. This nine-tailed fox is just what the name implies, a giant swaying thing, not totally in control of itself, yet fun and musical. Do I recommend such displays of vivid fun? What do you think?

With all that said, the question is will you be happy day in and day out with owning the winner here? I can’t tell you, I can only fully document my experiences here. But what I do know is I would be very surprised if anyone would chose the T2 DLC over the Gumiho. Such truths are rarely so evident and clearly seen. The TINHIFI T2 DLC just replays a small window into your music, and with that said, the window has a clarity yet what is seen outside seems colorless and boring. The Gumiho offers fun, not just a night of fun, but fun whenever you want it, all day long fun. Not only that, but fun for under $50.00? How great is that?

Get the TINHIFI T2DLC for $59.00 here.
https://www.linsoul.com/products/tinhifi-t2-dlc?variant=43419306328281

Get the Kinera Celest Gumiho for $49.00 here.
https://www.linsoul.com/collections/all/products/kinera-gumiho?variant=43354548273369
Free shipping and one year warranty when you order from Linsoul
Linsoul website: https://www.linsoul.com/
Linsoul Aliexpress Store: https://ddaudio.aliexpress.com/store/2894006
Linsoul USA Amazon Store link: https://www.amazon.com/s?i=merchant-items&me=A267P2DT104U3C

Disclaimer:
I want to thank Kareena of Linsoul for the love and the TINHIFI T2 DLC review sample.

Disclaimer:
I want to thank Kareena of Linsoul for the love and the Kinera Celest Gumiho review sample.

Disclaimer:
These are one persons ideas and concepts, your results may vary.

Equipment Used:
Sony WM1Z Walkman DAP MrWalkman Firmware 4.4mm and 3.5mm
Sony WM1A Walkman DAP MrWalkman Firmware 4.4mm and 3.5mm
Sony TA-ZH1ES DAC/AMP Firmware 1.03
Electra Glide Audio Reference Glide-Reference Standard "Fatboy" Power Cor
Sony Walkman Cradle BCR-NWH10
AudioQuest Carbon USB
UA3 Dongle DAC/Amplifier 4.4mm and 3.5mm
Samsung Android smart phone 3.5mm

Foreword

1. At the point of this article, my T2 DLC has undergone over 170 hours of runtime
2. I don't do measurements, I just describe what I hear, from my own POV
3. My preferred sound tuning, Diffused Field Neutral (Etymotic)
4. The entirety of my impressions was done with T2 Stock Blue Foam Tips
5. Ultimately, my reviews are purely subjective and biased to my personal preference in sound

TIN has released an improved version to the original classics T2 which proved well accepted by many for budget oriented universal IEMs. They have opted to change very little from the original T2 physically, but focused more on sound tuning.

The Build


T2 DLC comes in simple yet elegant package.

Starting with the build of the IEMs itself, CNC machined aluminum that retained the design of the original T2. Professional no nonsense design intended for functionality and longevity. Comes accompanied with 5N silver-plated cable with standard 0.78mm 2-pin connectors. I truly admire the compactly braided cable which is so flexible and appeared strong too. It is beautiful as it is functional.

Then T2 DLC comes with standard selection of silicone tips. The one that pleases me the most is the inclusion of a pair of blue foam tips which I love a lot. TIN should have included more of this type of tips because it proved to be the best tuning companion for T2 DLC.

Now the best part, without a doubt T2 DLC is among the very best when it comes to comfort and ergonomics. Despite the seemingly edgy construction, the size and implementation somehow ended being quite wearable. The testimony of this, often I would forget that I have an IEM plugged into my ears when doing my daily chores. There was a time I even had my T2 DLC stay plugged for half a day and me just enjoying my music. Truly exemplary.


Equipment Used
- Xiaomi Mi 9T
- Sony Xperia X Compact
- Windows 10 with Native USB Drivers
- USB Exclusive Mode with FLAC files
- CEntrance DACport HD
- Cayin RU6
- Ovidius B1
- VE Abigail
- NotByVE Avani
- VE Megatron
- MUSE HiFi M1

Test Audio Playlist


Sound Impressions

To get the true nature of T2 DLC sound, it needed some burn in as would all dynamic drivers would. Out of the box I was hearing typical euphonic and overly vibrant dynamics which stabilized a lot after the mark of 48 hours. I know this is not placebo because I did interval checks to observe the sound. True indeed after 48 hours everything sounded sensible and polished, unsavory element to the sound all gone.

The character of T2 DLC can be best described as mild V curve tuning. Pronounced lower frequency boosting with slight suppression of Mids staging. This is one of the few V tuned Dynamic Drivers that sounded well balanced and disciplined. Dynamic transients presentation being crispy smooth end to end. It has vibrancy that makes single DD appealing

Timbre and tonal wise, T2 DLC is properly organic and natural. The tone sounded just right - no hint of timbral coloration. The overall tone being pleasant yet exhibiting authority. Simply put, the tone/timbre is believable and realistic.

Aside from the evident minor suppression of staging for Mids (as would be expected of V tuned IEMs). the staging of Midrange actually sounded proper without imparting any sense of being recessed. Mids offer great transparency and neutrality as I am not hearing any attempt to color the sound spectrum with added warmth or dryness. The texture being amply rich. Perhaps lacking some depth of imaging but this is just critical observation. The attack and decay is realistic, pace and rhythm flowing gracefully

T2 DLC proved quite adept with both male and female vocals. As would be expected from a properly tuned unit, T2 DLC handles all 5 major vocals type. Even the most peaky of G7 Soprano sounded great with good resistance to edge distortion at the highest peak. The harmonics of vocal transients from lower to upper octave sounded graceful. Even the most chesty of Baritone and Contralto exhibited solid presentation with the natural warmth and authority. Despite all this I would still say that T2 DLC is not Mids centric, but it is mature enough to allow the user to savor high quality Mids from a supposedly V tuned device.

Now, my favorite part would be the handling of stringed instruments, and percussions too. As a hardcore listener to Rock/Metal genre, I am absolutely having a blast with T2 DLC. The attack, tone and reverb of guitars are richly dense and crisp, yet ever edgy beyond what is realistic. It is almost like listening to analogue speakers setup with good tube amps sort of sensation. Snare drums on T2 DLC manage to impart the excitement of the beat. Apparently this is also evident with most other genres that contain lots of stringed and percussive instruments, even Bluegrass. But of course it gets better with Rock/Metal.

Looking at upper frequencies, I would say T2 DLC exhibited good balance to keep it bright enough without imparting any element of hot sizzles or shimmer. Treble has good air and texture, strong with macro details, slightly mild with micro details. The attack and decays also sounded natural. The start of the attack never too euphonic, the dispersal into the extended region smooth and well rounded. As noted earlier, T2 DLC sounds great with percussions, hi hats and cymbals exhibited admirable realistic tone and timbre - no hint of being metallic or digital - even when subjected to playing Lo-Fi recordings.

T2 DLC can stand proud with Bass performances. Let's just clarify firsthand, T2 DLC is not a Basshead IEM. The overall mass, density and body would still be not strong enough for Basshead indulgences. That clarified, without reservation I would say that T2 DLC has some of the best Mid Bass presentation I have heard within this price range. That classic DD Bass which offer great presence, slam and impact. Most importantly the texture of Bass which sounded rich with good depth. Sub Bass on the other hand, is modest actually - unlike most Harman tuned devices, T2 DLC does not boost Sub Bass. Yet I can still hear and sense great decays as the Bass transition between Mid Bass to Sub Bass, it is present and it is smooth.
On top of that, T2 DLC Bass proved more than sufficient for electronic Bass as well. Even when subjected to Bass heavy tracks from Massive Attack and ZU, T2 DLC shown great agility to resist distortions. For me personally, T2 DLC Bass performances being a winner for how good it sounded handling Rock/Metal. From impactful Drum Bass to groovy Bass guitars, it is addictive and engaging.

Technicalities
I will start with T2 first real weakness. Spatial bias for T2 DLC seems to be Left and Right oriented. Meaning T2 DLC appeared non holographic - a trait common to older type of tuning for dynamic drivers. This is not uncommon as I have heard the same issues with the likes of 7Hz Eternal. But if I am not paying too much attention I would not penalize T2 DLC for this shortcomings, because the rest of T2 DLC technicalities are great actually.

Despite the spatial bias issue, the soundstage itself sounded spacious enough. There's good sense of space and separation which is always neat, always tidy. It is effortless to track individual note or instruments.

Resolution and transparency of T2 DLC being quite respectable. Especially when paired with highly competent sources. I am getting satisfying details handling even with subtle nuances. Perhaps not as clinical as more expensive units, but on its own T2 DLC is quite respectable in this regard. What I do like, how forgiving T2 DLC is with the handling of Lo-Fi recordings, while keeping details available, T2 DLC also still manage to avoid presenting artifacts.

Speed is great too. For a DD to exhibit this sort of agile and responsive characteristics, I am impressed. T2 DLC has the speed to resolve the transients of dynamic flow effectively even when subjected to highly complex compositions - or outright speedy - and this is why it sounded so great with Rock/Metal.

Scalability

Rated at 32 Ohm with 111db of sensitivity, T2 DLC is efficient for pairing demands. Runs perfectly fine directly from my Xiaomi Mi 9t.

T2 DLC does gets improved with scaled up feed. The more power, the more dense and rich the sound. Especially evident with Bass being very visceral and engaging.

This is a great trait to have, because it means that T2 DLC is highly flexible with source paring, even with 775 mW of power from the 4.1 Vrms of CEntrance DACport HD, T2 DLC responded gracefully and admirably with no hint of being shouty due to higher wattage.

Final Words
Priced at $59, it is easy to like T2 DLC. It is almost perfect in many ways, very minimal cons that does not tarnish the entire experience.

T2 DLC has great sound tuning, it has great wearability, solidly built and it is quite affordable. I would not hesitate to recommend T2 DLC especially to fellow Metalheads. Well, I would still recommend T2 DLC even if they are not Metalheads, T2 DLC simply being versatile and adaptable to any genre.

TIN HiFi T2 DLC is available via HiFiGo at:
https://hifigo.com/products/tinhifi-t2-dlc?variant=43354373914863

General Info (Packaging/Build/Comfort)
TinHifi has been teasing the T2 DLC for quite some time I believe, finally gotten my hands on them, courtesy of Linsoul. This time they are using a 2 pin connector instead of mmcx like the predecessor, also upgraded the driver to DLC, hence its called T2 DLC.

The packaging is the usual TinHifi styled packaging, you get a box containing the iem itself, several pairs of eartips and a pair of foam tip, also the cable which i’m sure most will be familiar with if they owned the T2 series before, just that the connector is 2 pin instead of mmcx, this time we’re missing the storage/carrying pouch, not sure why they decide to omit the pouch.

The shell is made out of aluminium and the size and design remains the same as the predecessor, so the fit remains the same, which is a hit or miss for some. I find that the stock cable’s earhook is the one contributing to the fitment issue, i had the same cable from T2 Evo, I trimmed the ear hook away and since then the fit is good for me. You can try to trim the earhook away if you are having issues with the fit.

Once u have the right fit, comfort isn’t really an issue anymore, the iem itself is light weight and the bundled eartips are soft and comfortable, no issues for me wearing them a few hours straight (2-3 hours).



Source
Macbook Air M2 Apple Music/Tidal -> T2 DLC
Macbook Air M2 -> Dunu DTC 500 -> T2 DLC
Macbook Air M2 -> iFi Zen Dac -> T2 DLC
Tempotec V6 -> T2 DLC



Sound
Prior to writing this review, the T2 DLC has gone through >30 hours of ageing process (burn in). Upon listening to the T2 DLC, it reminds me a little of Dunu’s Titan S, to me, T2 DLC is something like a Titan S but with a slightly bigger soundstage and better bass quantity, also a slightly energetic top end.
To my ears, T2 DLC is just a tad warm and has a U shaped sound signature to my ears, timbre is quite natural to my ears.

Bass

• Bass has got good control and sounds relatively tight
• Bass quantity is just right from a non basshead’s perspective, this set is definitely not for basshead
• Bass has got good body and doesn’t sound thin at all
• Pretty fast bass because it handled Slipknot’s People = crap like a champ, doesn’t sound muddy and bleed into the mids
• Sub bass is a little rolled off to my ears, evident in EDM track such as Tiesto’s Traffic, still sufficient to enjoy EDM

Mids

• The mids are actually quite lush to my ears
• The timbre of instruments in the midrange is quite realistic/natural, also it carries sufficient note weight to it, Violin and Piano has got a good note weight and warmth to it, i like how they sound in Imperial March by Wiener Philharmoniker and John Williams
• I’d picture the vocal positioning as a few steps from my face?
• Female vocal has got decent weight and texture to it, Faye Wong and Anita Mui sounds amazing with this set
• Male vocal has got good texture and weight to it as well, Zhao Peng’s low baritone voice sounds thick and very pleasant to listen to
• Instruments and vocal are well layered
• A little energy on the upper mids, but not to the point where it’s fatiguing to listen to

Treble

• Treble on the T2 DLC is a little boosted but not to the point where it’s harsh nor fatiguing, just a little boost for a slightly energetic presentation. Their previous model T2 Pro has got a very bad treble presentation, outright harsh and sibilant (That’s how/what i perceive as bad treble presentation)
• The amount of air is just enough to prevent instruments from overlapping each other
• Overall treble presentation is good and justifiable for the asking price

Driveability

• Fairly easy to drive, you can get decent amount of volume from your phone’s 3.5mm jack
• Source pairing is quite important in my opinion, T2 DLC works well with a warmer source such as iFi’s Zen Dac, but i like how the presentation is on the Dunu’s DTC 500 and also Tempotec V6, if you prefer a tamer top end, pair it with warmer source, if you like as it is, you can pair it with a neutral source, just not a cooler source
• It does benefit from amping it but not required (Bigger soundstage and tighter bass (From Xduoo’s MT-602 Hybrid Amp) )

Final Thoughts
In the market where it is already saturated with plenty of single DD at similar price range, where does the T2 DLC position itself at? I personally think that they do well in terms of technicalities and also the pricing, no, it doesn’t go head to head with other IEM thats 2-3x more than T2 DLC’s price, but it does offer a balanced and good price performance ratio for those who are in the look out for a new pair of IEM with only 60$ to spend.

They sound good out of the box, bundled cable is alright, several pairs of eartips for you to try and see which one fits you. You don’t have to swap out the eartips, cables to make it sound better, of course you can if you already have extra cables and ear tips lying around. For those who are on a budget and want something that sounds good right out the box, T2 DLC will work for them.

*T2 DLC is sent over by @Linsoul Audio F.O.C in exchange for this review. I received no monetary compensation nor was I influenced to produce this review. All thoughts are of my own.

If you are interested to purchase T2 DLC, head over to @Linsoul Audio store to get one
TinHifi T2 DLC - Non Affiliated

"Simplicity is the ultimate sophistication"

This is how I defined TINHIFI (previously known as TIN AUDIO) as a company on how they approach the simplicity and practicality of their products and yet they prove their point by delivering the best possible product in the audio market. Their T2 is one of the best Chi-fi's products that earned a legendary status among audio enthusiasts. The T2 is the only reference-neutral set that ever existed under US$100 at that time and it is really a good stepping stone towards a more hi-fi sound quality.


As an experienced manufacturer of OEMs with extensive years of experience in the field, TINHIFI formerly known as TIN AUDIO was established in 2017 and with the release of their infamous product, they instantly became the darling of budget audio enthusiasts for their competitive pricing that offers a good audio quality that punches above its price.



This is TINHIFI T2 DLC, it's a reinvention of their legendary classic T2 with a different type of transducer, a DLC(Diamond-Like Carbon) diaphragm dynamic driver which was previously implemented on more expensive sets (Two of my top three recommended single DD set have DLC drivers). Its shell chassis is made of light, durable aircraft-grade aluminium alloy just like the original T2. The intended reason on why TINHIFI designed this unusual form factor of T2 was due to its acoustic chamber cavity that removes any unwanted resonance oscillation as it dampens the excessive sonic waves that might cause some distortion that might produce a muddled sound quality.



Surprisingly, TINHIFI changed its connector as the regular T2 has a MMCX connector but some who purchase the original T2 has encountered some issues on the quality of the MMCX in the long run like it easily loosening up the grip between the socket and the termination. Due to some feedbacks, TINHIFI decided to ditch the MMCX to a more proven and durable 2-pin connector (0.78mm).



As for fitting, TINHIFI T2 DLC has a very comfortable fitting and is inserted well into my lug holes as I can wear them for a long listening session. Passive sound isolation seems decent as I still hear some external noises from the surroundings while I'm doing my daily habit, brisk walking. My only fuss on this part was the preform ear hooks on the stock cable that impedes the insertion for a better snug into my lug holes.

The packaging box of T2 DLC is very similar to the original T2. It is a small, rectangular black box with basic included accessories.




Here are the inclusions inside of the packaging:

• A pair of TINHIFI T2 DLC IEMs
• A 5n 8-core SPC 2-pin cable with 3.5mm termination plug.
• 5 pairs of white ear tips of different standard sizes.
• A pair of light blue-coloured memory foam ear tips.
• Instruction manual.
• A contact card.

With a 32 ohms of impedance, this set can be properly amplified by power sources with decent power rating. I tested the T2 DLC in my media devices like smartphones and DAP and it is driven well enough that it outputs a sufficient loudness to my lug holes.


The tonality of T2 DLC is more a mild-U shaped sound signature with almost neutral tuning as it shows an slight elevation on bass and treble with a more neutral midrange. It has this sufficiently bright sound nature.


Here are some of my observation on this set and I will give some characteristic based on what I hear.


LOWS/BASS:

Compacted, articulate and precise. The bass quality of this set really fits the overall sound signature. It gives a very clean bass register that the other parts of frequency range to be projected in very clear and detailed.

Sub bass on this one is present as I clearly felt some reverb and rumble that I heard on some tracks, usually synthpop and electronic music that synths and electric drums produce. Mid bass is more prominent on this one as it has a decent texture to give a sufficient body on bass guitars, bass kicks and bass-baritones. Bass guitar sounds a bit mellow and resonant in my preference as I want a more broad and heavier tone. Bass Kicks seems to have a thudding and yet softer sound and bass baritones have a deep and decent power to stand out.

This is actually my preferred bass in both quantity and quality as it is neutral or midrange-treble focus tuning. But Bassheads will surely look for another set that they will find this one as lacking on their hearing.



MIDRANGE:

The midrange of this one is fairly neutral, has an ample texture to provide a good amount of note weight on vocals and instruments but it still on a leaner side of the tuning. Vocals are presented in a natural position rather than being presented too forward or at the back seat.

Female vocals appear to be prominent over male vocals on this one as it is more energetic, bright and spacious sounding. As I describe the characteristics of its voice quality, it is vivid, regal and lyrical that it is versatile to all types of female vocals while male vocals sounds a bit delicate and plaintive as I want a more gravelly and brawny sound one.

Regarding the sound quality of instruments, it is clearly more beneficial on strings like guitars and violins. It gives a crisp and bright sounding on a guitar as I clearly hear on every pluck on its note strings and a vibrant and lively sound on violins in every move of bow to its string. Snare drums have this metallic and bright sound with a sufficiently sharp tone in every strike. Piano seems to have a bright tone as it gives a sense of a very clear and clean sound.

As a midcentric listener like myself, T2 DLC gives me a very satisfying and mark it with above average grade as it gives a pristine, crystalline and detailed presentation on its mids for an entry-level single DD set.



HIGHS/TREBLE:

This is definitely a bright, delineated and vibrant treble register. I discerningly hear those boosted upper mid peaks that give an attack and definition but this might give some unpleasant listening experience to some listeners who are treble sensitives that will feel a fatiguing sound in long run. Despite those upper mids peaks, Sibilance is controlled well and harshness seems tamed enough in my hearing.

Cymbal strikes has a crunch that makes it sounds very sizzling and a glistening sound that its hiss is sufficiently extended. This is treble air has indeed a good and reasonable range. Hi-hats has a blunted buzzing and brassy sound which I consider them organic one.

This has commendable treble quality for a single DD set but if I compare it to a multi-driver set-up with a good quality BA driver on it. T2 DLC is more of an average quality in my preference.



SOUNDSTAGE, IMAGING AND OTHER TECHNICALITIES:

Overall technicalities capabilities of T2 DLC is good for a single DD, Soundstage seems to have above average on wideness with enough headroom just to fill out on its sound field, with equally good depth and height to make a more immersive on its spatial proportion. Imaging is decent as stereo panning sweeps from left to right properly but it was presented in a more linear manner but I can still point out the placements of each instrument and singer(s). Separation has an enough spacing and gap of each element of the tracks. Layering is also decent on how it presents each layer of dynamic tone in the sonic canvas but in some rare occasion especially on some very complex instrumental tracks and musical scores, I hear some hint of muddy and a bit congested delivery.

Coherency of driver is very good as it deliver a very homogenous and cogent perfomance transient speeds seems pretty nimble that i don't feel any distortion and remains to deliver a clean sound.

Timbre seems to be on a brighter side just north of neutral and organic tonality. When it comes to resolution capability, for a single DD set it delivers a decent micro-detail retrieval with a sharper note definition, macro-dynamics clearly has a volume of texture.



PEER COMPARISONS:



TINHIFI/ TIN AUDIO T2 Original (2017)

• Both have identical shell chassis which are made of aluminium alloy. T2 Original has a MMCX connector while T2 DLC doesn have a 2-pin connector.
• Tonality-wise, both have slight differences in tuning. While they have an inclination towards being lean, neutral sounding. T2 original is more a reference-neutral type of tuning as it has tighter bass, focuses on the emphasis on mids and treble. T2 original is even a tad brighter sounding.
• Technicalities-wise, they are very similar but T2 has a more edgier definition on details and cohesive performance of the driver is less nimble compared to the DLC driver of the later variant model. The rest are practically the same from soundstage to layering.

KB EAR INK (2022)

• Like T2 DLC, it has an aluminium alloy housing and it has even the same driver type implemented on KB Ear which is DLC. Inclusions is better on KB EAR INK knowing that they are one of the most generous audio companies out there when it comes to quantity of accessories included inside.
• KB EAR INK is more of a v-shaped tuning compared to a more neutralish sounding T2 DLC. KB EAR INK is even a more bassier set but less cleaner sounding and less detailed compared to T2 DLC. Sibilance and harshness is more noticeable on KB Ear Ink.
• On the subject of technical performance, KB EAR INK presentation on soundstage is more on average sized with smaller spatial headroom, imaging is tad blurry and separation is decent. But have similar aptitude on the execution of layering.

In my overall assessment of the TINHIFI T2 DLC, It reminds me of how the TINHIFI keeps evolving their classic T2 since 2017 up to the latest standard and it managed to stay relevant in an even more competitive portable audio market.


As aforementioned on this item, is it really an improvement compared to the original classic T2? For me it's more of a sidegrade rather than a total upgrade as both has its particular strength and weakness and its up to the preferences of the listeners on which tuning suited them better.


TINHIFI T2 DLC is now available to all online stores and if you want an audio distributor with good reputation and outstanding customer service, you can order it at LINSOUL and you check it out in a unaffiliated link of the product below:

LINSOUL TINHIFI T2 DLC

SPECIFICATION:

MODEL: TINHIFI T2 DLC
IMPEDANCE: 32Ω
SENSITIVITY: 111dB
FREQUENCY RESPONSE: 20Hz – 22KHz
CABLE LENGTH: 1.25M
PIN TYPE: 2-PIN CONNECTOR (0.78MM)
PLUG TYPE: 3.5mm
DRIVER UNIT(S): (1) DYNAMIC DRIVER


Some Tracks Tested: ( * = 16-bit FLAC, ** = 24-bit FLAC, *'* = MQA, '*' = DSD, *'= .WAV)

Alison Krauss -When You Say Nothing At All *
Jade Wiedlin - Blue Kiss**
Led Zeppelin - When The Levee Breaks **
Mountain - Mississippi Queen *
Queen - Killer Queen **
Guns N' Roses - Patience *'*
Eric Clapton - Tears in Heaven '*'
Sergio Mendes- Never Gonna Let You Go '*'
Pearl Jam - Daughter **
Roselia - Hidamari Rhodonite *
Assassin - Fight (To Stop The Tyranny)*
Celtic Frost- Visual Aggression *
New Order - Blue Monday *
The Corrs- What Can I do (unplugged version) *
Jimi Hendrix Experience - Voodoo Child *
The Madness- Buggy Trousers *
Metallica - Motorbreath **
Mariah Carey- Always Be My Baby *
Destiny's Child - Say My Name *
Malice Mizer- Au Revoir *
Mozart - Lacrimosa *
New York Philharmonic Orchestra - Dvorak- Symphony 9 " From the New World." *
Eva Cassidy - Fields of Gold (Sting cover)*
Michael Jackson - Give In To Me *
Exciter - Violence and Force *
Diana Krall - Stop This World **
Debbie Gibson - Foolish Beat *'*
The Sisters of Mercy – Lucretia My Reflection**
Suzanne Vega – Luka **
Lauren Christy – Steep *


P.S.

I am not affiliated to TINHIFI nor receive monetary incentives and financial gains as they provide me a review unit for an exchange of factual and sincere feedback from yours truly.

Once again, I would like to thank LINSOUL and to Miss Kareena Tang for providing this review unit, I truly appreciate their generosity towards me and other reviewers.