Disclaimer: I received this review unit for free from the Tingker store on AliExpress, thank you very much.
Price: 70 usd
Specifications:
Impedance: 19Ohm
Headphone sensitivity:121db±3db
Frequency range: 18-22000Hz
Cable Length: 1.25m±5cm
Accessories:
Carry case
S/M/L silicone tips
Cable: The 8 core SPC cable measures at 0.36 ohms. The build quality and a working chin-slider would have made me say that it isn’t needed to get a 3rd party cable, since the ear-hooks are very stiff so it makes it a bit uncomfortable due to the shell shape. A 3rd party cable is recommended due to that or if you can remove the ear-hooks.
Build: The build is made out of metal, including the nozzle. So, it looks and feels very good except for the sharp edges. There is a metal mesh filter and a very small vent is present along with a lip on the nozzle.
Fit: You can wear it both up and down (if you remove the ear-hooks on the cable). For me wearing it down is more comfortable since you avoid the sharp edges, but the fit is better wearing it up. (I wear it up.)
Comfort: As mentioned in the cable section, the shell shape is actually a bit sharp on the edges so if you insert it very deep or have a cable with a very stiff ear-hook it is a bit uncomfortable. But if you avoid the sharp edges by not inserting it very deep it is pretty good.
Although since the vents are very small that makes the pressure stronger than on most other vented iems. So, on longer session, the pressure (along with the sharp edges) makes it uncomfortable. It has a small amount of driver flex.
Isolation: Above average even with the smaller build since the vents aren’t very big.
Setup: Ibasso DX160 (low gain, volume around 40), FAAEAL Litz copper cable, Final Audio Type E LL tips
Lows: The bass quantity is very high (basshead level) while is a bit loose (makes the bass more boomy), but the reason it stays clean is due to the fast speed (decay is especially fast).
Texture is average though but rumble and extension are above average. Both sub/mid-bass quantity are pretty even. Quality is pretty good but is bottlenecked by the texture (average or lack of it).
Mid-bass: Hiroyuki Sawano – Pretenders (01:18-01:47), quantity is very good and makes it fun, it is also very clean due to the speed and the tightness makes it sound very natural. It does need to have more texture though.
Metallica – fight fire with fire (01:11-01:52), While the bass is very clean due to the speed since the tightness and the texture is a bit lacking it makes the individual strikes less distinct. The (02:55-03:01) section is hearable but not very clear.
Tsugumomo OST – Fighting spirit (01:26-01:36), the bass control can’t handle this without sounding muddy. It needs to be tighter for it to be cleaner even though the speed is still pretty good.
Sub-bass: Djuro – Drop that bass (01:15-01:30), extension and rumble are very good and with the speed (decay) it stays clean. The punch is lacking some texture though, but the quantity and tightness are good.
Will Sparks – Sick like that (03:08-03:22), Texture is pretty good on this and the punch is very satisfying due to the quantity, tightness and speed.
Mids: Male/female balancing is quite good and female vocals aren’t sharp. But both female and male vocals tend to be a bit too warm and thick for them to be natural.
Details also suffers a bit due to that. Fortunately, the bass does not bleed in to the mids on most songs so the mids are clean.
Female-vocals: Hiroyuki Sawano – OldToday (01:25-01:52), The vocals are a bit too warm/thick for it to sound natural, it also makes it lack some energy and detail.
Yuki Hayashi – MightU (01:58-02:55), Same with this one as with the one above, although this one needs even more brightness so it sounds a bit more unnatural than on OldToday.
Evanescence – Bring me to life (01:18-01:35), not sharp or sibilant at all. Which is good but again, it does lack some brightness/thickness so energy is lacking.
Hiroyuki Sawano – Crescent (02:07-02:26), the vocals are actually really good and natural while avoiding sharpness on this song.
Male-vocals: Hiroyuki Sawano – Scapegoat (00:57-01:17), very natural and quite clean because of the warmth and thickness.
Hiroyuki Sawano – Pretenders (00:57-01:17), It is lacking a bit energy due to it being a bit too warm and thick.
Treble: Linkin Park – Shadow of the Day (03:24-03:42), electric guitar is not sharp, but it does lack a bit of energy and brightness.
Deuce – America (03:03-03:16), energetic but not sharp. Very well balanced between the vocals/instrument.
Hiroyuki Sawano – Lose (string version) (01:22-01:59), Texture for the cello is good, but the violin lacks some brightness/thinness making it lack energy (and not as natural) as a result.
Hiroyuki Sawano &Z (02:18-02:57), the cymbals are very recessed and lack a lot of energy. Not very natural.
Extension and air are pretty average.
Soundstage: Very big soundstage in width but average in depth.
Tonality: Warm L-shape, it is leaning quite a lot towards the warmer side but isn’t dark. It does make a lot of my vocal songs a bit too warm and sounds less natural as a result.
The timbre is pretty average for a hybrid and can NOT compete with single DD´s in timbre.
Details: Below average details
Instrument Separation: Below average, Shiro Sagisu – Hundred years war (02:24-02:57), the individual instruments are separated but imaging is a bit bad and hard to tell where the instruments are.
Songs that highlight the IEM:
Good genres: Trance, EDM, Hip-hop, Pop, Kpop
Bad genres: OST, Classical, Orchestral
Comparisons:
IEM: Blon-BL03 (mesh mod)
Bass: Aurosonic – All I need (progressive mix) (0:00-0:25), the sub-bass quantity on the 03 when compared to the TK200 is almost bass light. There is much more quantity in the TK200 but they are both as clean due to the speed on the TK200 being faster than on the 03. The 03 is tighter though. But the TK200 sounds more fun on this.
Hiroyuki Sawano – Pretenders (01:18-01:47), there is more texture on the 03 and it is a bit tighter. But the TK200 has much more quantity while it is faster so it is more fun on the TK200.
The bass on the TK200 makes the 03 seem like a neutral iem (it is not), but even with that massive bass quantity it is as clean as on the 03.
Mids: Hiroyuki Sawano – OldToday (01:25-01:52), the 03 outclasses the TK200 by being more natural (brighter and thinner), more detailed and cleaner sounding. Female vocals are much better on the 03.
Hiroyuki Sawano – Pretenders (00:57-01:17), the 03 also sounds much better since it is cleaner and more detailed, while the TK200 sounds a bit bloated here. The male vocals are pretty natural on both, but the overall sound is much better suited for male vocals on the 03.
The mids are better on the 03 overall.
Treble: Deuce – America (03:03-03:16), cleaner and more detailed on the 03, but sounds a bit sharp.
Hiroyuki Sawano – Lose (string version) (01:22-01:59), the TK200 is more textured on both the violins/cellos but the 03 is brighter and thinner so it sounds more natural and detailed.
While the 03 has a more natural treble, it does sound a bit sharp sometimes, while the TK200 is much more fatigue-free.
Technicalities: Shiro Sagisu – Hundred years war (02:24-02:57), soundstage is wider on the TK200. But the details, instrument separation and timbre are better on the 03.
Overall: The 03 has better SQ overall and technicalities. But the TK200 is better if you want a more fatigue-free and basshead iem.
IEM: Urbanfun iss014
Bass: Aurosonic – All I need (progressive mix) (0:00-0:25), sub-bass speed, tightness and texture are much better on the Iss014 while it has more quantity on the TK200. The TK200 is more fun but the quality is much higher on the Iss014.
Hiroyuki Sawano – Pretenders (01:18-01:47), the mid-bass has more quantity on the TK200 but is more textured, tighter and faster on the iss014. More fun on the TK200 but quality is a lot better on the iss014.
The Iss014 has much higher quality but the TK200 has much more quantity.
Mids: Hiroyuki Sawano – OldToday (01:25-01:52), more natural, detailed and cleaner on the iss014 while it is less fatiguing on the TK200.
Hiroyuki Sawano – Pretenders (00:57-01:17), much cleaner, detailed and natural on the iss014.
Treble: Deuce – America (03:03-03:16), sharp and too bright on the iss014 but more detailed, while it is more natural on the TK200.
Hiroyuki Sawano – Lose (string version) (01:22-01:59), much more natural, detailed and textured on the iss014.
Technicalities: Shiro Sagisu – Hundred years war (02:24-02:57), detail, instrument separation and timbre are better on the Iss014. But it is a bit too bright on the Iss014, so it is a bit fatiguing.
Overall: The overall SQ and technicalities are better on the iss014, but the TK200 is more fun and fatigue free.
IEM: Shozy Form 1.1
Bass: Aurosonic – All I need (progressive mix) (0:00-0:25), a bit tighter on the 1.1 but faster on the TK200. Texture is better on the 1.1 while the quantity is much higher on the TK200. Sounds better much more fun on the TK200 due to the quantity.
Hiroyuki Sawano – Pretenders (01:18-01:47), The quantity is much higher and a bit more textured on the TK200 while it is a bit tighter and faster on the 1.1.
Bass quality is better on the 1.1 but the quantity is much more on the TK200.
Mids: Hiroyuki Sawano – OldToday (01:25-01:52), much more natural, detailed and cleaner on the 1.1.
Hiroyuki Sawano – Pretenders (00:57-01:17), the TK200 sounds a bit more natural (due to the warmth and thickness) but it is cleaner and more detailed on the 1.1.
Mids are better on the 1.1 and isn’t sharp at all.
Treble: Deuce – America (03:03-03:16), quite sharp and too bright on the 1.1 but more detailed.
Hiroyuki Sawano – Lose (string version) (01:22-01:59), more natural, textured, detailed and cleaner on the 1.1.
The treble is better on the 1.1 but can sometimes be quite sharp.
Technicalities: Shiro Sagisu – Hundred years war (02:24-02:57), details, instrument separation and timbre are better on the 1.1 but the soundstage is much bigger on the TK200.
Overall: The 1.1 has better SQ and technicalities overall but the TK200 is much more fun due to the bass and also much less fatiguing.
IEM: Tin Hifi T3
Bass: Aurosonic – All I need (progressive mix) (0:00-0:25), Bass quantity is much more massive on the TK200. Speed, tightness and texture are similar.
Hiroyuki Sawano – Pretenders (01:18-01:47), bass is almost anemic on the T3 so it does not sound good on this song at all. Speed, tightness and texture are similar. Missing some body and warmth due to the bass quantity on the T3.
The TK200 has similar bass quality but quantity is massive.
Mids: Hiroyuki Sawano – OldToday (01:25-01:52), much more natural, detailed and cleaner on the T3.
Hiroyuki Sawano – Pretenders (00:57-01:17), more natural on the TK200 but more detailed and cleaner on the T3.
Male vocals are better on the TK200 while female vocals are better on the T3.
Treble: Deuce – America (03:03-03:16), anemic bass makes the entire song lack body and sounds lifeless on the T3. Sounds very bad on the T3.
Hiroyuki Sawano – Lose (string version) (01:22-01:59), much more natural, detailed and cleaner on the T3.
Brighter and thinner songs sound better on the T3 while warmer and thicker (with bass) are better on the TK200.
Technicalities: Shiro Sagisu – Hundred years war (02:24-02:57), details, instrument separation are better on the T3. Soundstage depth is better on the T3 while the width is better on the TK200. Timbre is better on the TK200 and sounds much more natural due to the lack of bass on the T3 makes it sound lifeless.
Overall: The T3 and the TK200 are similar in SQ but T3 has better technicalities. They are complementary sets and are polar opposites in sound profile. If you want a bright-neutral iem the T3 is better while if you want a basshead L-shaped iem the TK200 is better.
IEM: TFZ NO.3
Bass: Aurosonic – All I need (progressive mix) (0:00-0:25), bass texture are a bit better on the NO.3 while the speed and tightness are better on the TK200, but the quantity is similar.
Hiroyuki Sawano – Pretenders (01:18-01:47), bass on the NO.3 is slower and looser, while texture is similar but quantity is a bit higher on the TK200.
Bass quality is better on the TK200 while they are similar in quantity.
Mids: Hiroyuki Sawano – OldToday (01:25-01:52), timbre is better and sounds more natural on the TK200, but it is more detailed and cleaner on the No.3 (due to it having more treble quantity).
Hiroyuki Sawano – Pretenders (00:57-01:17), much more natural on the TK200 but a bit cleaner and detailed on the No.3.
The mids are much better on the TK200 due to it sounding more natural, makes the No.3 sound a bit artificial.
Treble: Deuce – America (03:03-03:16), sharp, grainy and very unnatural on the No.3.
Hiroyuki Sawano – Lose (string version) (01:22-01:59), much more natural on the TK200 but it is a bit cleaner and detailed on the No.3 due it having more quantity (fake details).
The treble is much better on the TK200 since it is much more natural and non-fatiguing.
Technicalities: Shiro Sagisu – Hundred years war (02:24-02:57), sound unnatural and grainy on the No.3, while soundstage, details, instrument separation and timbre are better on the TK200.
Overall: The TK200 outclasses the No.3 in almost everything and does a better job of being a basshead iem.
Conclusion: It is quite apparent that the TK200 is a basshead iem. I recommend it if you want a more relaxing, clean basshead iem. The overall scores gets a reduction due to its uncomfortable fit and below average technicalities when compared to its competition, but otherwise it sounds pretty good. Thanks for reading.
In a sense, you get MORE than what you pay for!