Symphonium Audio Titan

Disclaimer- This unit was a loaner unit provided by Audio Geeks India in return of unbiased review and impressions, therefore all impressions are mine, honest and no influence of the brand or the Audiophile community. Your sound impressions may vary because everyone hears different, so just relax and enjoy the review.

Price - 999 US Dollars.

Introduction- Titan has a simple driver configuration of single 8mm DD paired with two BAs, this might feel fairly simple but mind you that this 8mm single DD does some unimaginable things( more in sound impressions).

Unboxing- Unboxing was fairly simple because this was a review unit so I just received a black classy metal round case with a cleaning cloth, Iems and the default Titan cable which was pretty thin but does the job terminated to 4.4 mm pentagon, though carrying metal case was good and sturdy.

Build and Fit- Titan shells have aluminium construction overall but I bet you can not figure it out the first time you lay your hands on them as they are so light weight but still feel sturdy in hands, I have small to medium size ears and when I took them in hands for the first time I was in a sort of dilemma weather these will fit me or not but the time I put these on and OMG the magic happened, these fit so nicely that I just can’t explain, the shells are designed in such a way that they rest comfortably in my ears for longer sessions but boy they are comfortable which is my top priority, they might protrude out a bit from ears but that’s just fine for me. The brand has nicely matched the colour of Iems with the cable which looks kinda cute.

Gears used - Astell and kern Sp3000(Primary source)

Initial Sound Impressions- The time you put these on for the first time you are bombarded with huge force of Bass, at first you just hear Bass because brain takes some time to adjust to the sound provided to it, and after some time of listening brain settles down and slowly slowly you start hearing other frequencies as well. But soon you will realise that this is an Iem which is made keeping just Bass in mind, Bass is the main focus in this type of tuning which is evident in company’s tag line of this product “BASSY”. Let’s continue the sound impressions by discussing the sound in different frequencies.

Sub Bass- Bassheads Iems, dream for a basshead, rumbly authoritative, dynamic and satisfying. Sub Bass is just huge and takes the primary stage, I wonder how these Iems produce so much Sub Bass when paired with Sp3000 which is a neutral player, very very interesting. Sub Bass gives the feeling of sub woofer as if you are sitting infront of it. There is little Sub Bass bleed on to Mid Bass because attacks are fast but decays are just a bit slow but again I am surprised here because of the source that I am using has such tight bass control, but still there is Bass bleed, but the main thing is most of the people will enjoy this because it’s lot of fun, to be frank I enjoyed it as well ha ha.

Mid Bass - I feel there is more Sub Bass than Mid Bass, Mid Bass has been given back stage which is done to reduce bloat, but you won’t be thriving for it, thus according to me Titans have L shaped sound signature. But still there is Sub Woofer feeling in the bass which makes this iem special and different from other Iems in this price range.

Midrange- Midrange is again given back stage as most of the focus is on Bass, but still you get clean midrange but with less emphasis, vocals feel natural and there is no hissing in the vocals which is good thing, details in vocals are average, instruments in the midrange may feel held back with less attention, this type of tuning can be good for bass heavy tracks but tracks which focus more on instruments may feel hollow with this Iem.

Treble - Very safe treble tuning, bass heavy tuning of Titan takes a dig in this upper midsection and treble frequencies, lack of details can be clearly seen when you focus on treble which is fairly pushed back with no sparkle on top to provide that smoothness and safe tuning. There is less air in treble because of which Titan isn’t able to separate upper frequencies properly which gives the feeling of narrower stage. However this can never be a dealbreaker since lot of people love this safe tuning but this may not be for neutral lovers.

Conclusion- Titan is an amazing Iem, big, bold bassy. Symphonium Audio is a great company from Singapore which have some capable Iems like Meteor and Crimson to name some, these guys are super talented and know exactly what they are doing, tuning of Titan has been done for masses and done on purpose so that more and more people can enjoy this type of fun loving tuning. I had some of the best time with Titans in the last few weeks, what a joy ride it has been with these amazing Iems, looking forward to Symphonium Audio and cudos to this amazing brand and their team.

Disclamer

This IEM is part of the Australian Head-Fi tour organised by @Damz87 and Symphonium with no influence in my honest opinion. These impressions are my subjective experiences and, as always, as it was my daily driver not as I’m doing a surgery into the frequency response. Your experience may vary, so always consider auditioning the gear yourself. Respect your fellow forum members and have fun.



Introduction

In Greek mythology, the Titans were a primordial race of deities who personified immense strength and raw power. They were the children of Gaia (Earth) and Uranus (Sky), and their rule over the cosmos was marked by both creation and destruction. The Symphonium Titan, these are aptly named, as their sound embodies a level of power and bass depth that recalls the might of the Titans—massive, commanding, and slightly intimidating in their dominance.

I will go through some details of this and try to its place in the audiophile Olympus. Will get some random heavy hitters songs and compare to other deities like the Elysian Pilgrim Noir, FatFreq Scarlet, and Symphonium's own Europa.

The whole listening was done through:

• Sony WM-1Z High Gain, volume 10-50 (this deity is power hungry)
• Spin-fit W1 (I compared with Divinus, Eletech Baroque and others, SF W1 is the best fit/performance ratio for me)
• Stock cable unless compared to others.

Titan’s Build (and accessories): Strength On Its Core

The Titan’s design is striking, much like Symphonium’s other models, with an elegant, robust housing that hints at the raw power within. The build quality is as premium as expected from Symphonium.

The Titan houses a common driver configuration fit for a not-so-mythical being – a single 8mm dynamic driver paired with two custom balanced armatures (BAs). While seemingly conventional, this combination promises a powerful low-end with a touch of BA clarity. The accessory pack is also on the same level as the Titan brothers, aluminium puck case, full set of quality tips and Exclusive 25.5AWG Pure OCC Copper Litz “Neptune” in 4 Wire Configuration, which the look matches well with the Titan body.



Sound Performance: The Strength and Weakness of the Titan’s

A Bass Odyssey: Where the Titan Reigns Supreme

Like a Titan wielding a warhammer, the Titan's most prominent feature is its bass presence. It delivers a potent low-end punch that is sure to satisfy bassheads. Tracks from artists like Wiz Khalifa, where sub-bass frequencies are king, feel absolutely thunderous on the Titan. Every beat hits with a satisfying impact, creating a raw and deep listening experience. Another Song, ”Clash Of Titans” by Cypress Hill highlight the sheer depth and impact that the Titan’s low end can produce. Each beat has a chest-thumping resonance that would make any basshead grin.

It’s as though the Titan is almost attempting to envelop the entire sound spectrum in its bass, much like the way the Greek Titans sought to dominate the heavens and the earth. While this power is thrilling at first, it has the potential to overshadow other frequency ranges, leading to a somewhat one-dimensional sound in tracks where bass plays a prominent role. However, in more intricate or layered compositions, such as those by Hans Zimmer, the Titan’s bass tends to spill over into the mids, sometimes compromising clarity and detail The intricate string arrangements and delicate wind instruments often get lost in the rumble of the low-end on the Titan.

Mids Left Behind: A Symphony On Top of the Thumping March of the Titans

The mids on the Titan are a bit of a paradox. While the BAs themselves are likely capable of delivering clear and detailed vocals, they struggle to compete with the dominant bass. Vocals and instruments in the midrange can sound recessed, lacking the presence and detail found in more balanced IEMs. Songs like Slipknot's "Psychosocial" lose some of their aggressiveness due to the subdued midrange presence. Corey Taylor's vocals, typically a driving force in the song, can sound distant on the Titan.

For bass-heavy tracks, this subdued midrange might not be a dealbreaker, as the focus often remains on rhythm and groove. But in genres where vocals or instrumentals are critical to the mix, the recessed mids may leave a listener feeling like something is missing. Unlike the more balanced tuning of Symphonium’s Europa, the Titan prioritises bass impact at the expense of midrange clarity, making it a less versatile option for listeners who need strong, forward mids.



Upper Mids and Treble: A Search for Clarity

The upper mids and treble are another area where the Titan's bass-heavy character takes a toll. Much like the Titans who could be unwieldy and lacked finesse. While not completely absent, these frequencies can become congested and lack resolution. This is noticeable in tracks with intricate cymbal work or shimmering hi-hats, like Slipknot songs. The Titan struggles to separate these high-frequency details, making the overall sound signature feel somewhat lacking in airiness, making it a more closed in IEM.

These characteristics in the highs becomes especially noticeable with large, complex arrangements like those found in Clash of Titans Soundtrack. “There Is A God In You” lacks the ethereal, expansive quality that makes this soundtrack engaging. Instead, the sound feels more closed-in, with a bit of a bottleneck effect as the upper mids and treble struggle to break free of the bass’s dominance. That may not be a dealbreaker for many, since this IEM will fall into an specialised field and will have so many other pros to enjoy it.

Taming the Titan: The Power of Cable Upgrades

Interestingly, the Titan's sound signature benefits significantly from a cable upgrade. Replacing the stock cable with a higher-quality option like the Effect Audio Code 24 improves both clarity and separation. This upgrade helps to control the excessive bass and allows the mids and highs to shine through a bit more. Additionally, the treble and upper mids gain a bit more separation and refinement, making the Titan sound more balanced overall.

Compared to the Titan’s stock cable, the Code 24 introduces a sense of depth and separation that the original setup lacks. The cymbals in "Duality" become a bit more distinct, and Clash Of Titans “Perseus" gains a more open, expansive quality. While the Code 24 doesn’t transform the Titan’s fundamental tuning, it does bring out more clarity and coherence, making it a valuable upgrade for people who want to maximise the Titan’s potential with a price tag attached.

You may also find Effect Audio Cadmus, Eletech Cassiel or Raphael as good options as upgrade cables that will bring more clarity to Titan’s brute force.



Clash of the Titans: Symphonium Titan vs. the Enemies

Elysian Pilgrim Noir: The Elysian Pilgrim Noir offers a more balanced and detailed sound signature compared to the Titan. While it might not deliver the same jaw-dropping bass impact, the Noir allows vocals and instruments across the frequency range to shine through with greater clarity.

FatFreq Scarlet: The FatFreq Scarlet is another bass-focused IEM, But Titan manages to achieve a better balance, since it still have that Crimson’s tune deep inside it. The Scarlet's bass is powerful and overshadow the rest of the frequencies more frequently than Titan. Additionally, the Scarlet offers superior detail retrieval in the mids and highs on some songs. This is a pure case where preference will guide the decision on which one to take. I personally take Symphonium for its better quality in general.

Symphonium Europa: It's worth noting the Titan's own sibling, the Symphonium Europa. The Europa strikes a fantastic balance between clarity, warmth, and a satisfying bass presence, not even close to Titan level. It delivers a rich, more detailed listening experience compared to the Titan. But, having in mind that Europa is over twice the price and is tuned to be an upgrade to Crimson, which is tuned to a much different target and audience. So take this comparison with a truckload of salt.



Final Thought: A Bass-Lover's Delight

The Symphonium Titan is a unique IEM that serves specifically to bass enthusiasts with just a handful of enemies in the Mount Olympus. With its thunderous bass and robust build, it lives up to its “Titan” namesake, providing a sound that feels grand, immersive and incredibly satisfying for bass-centric genres like hip-hop and bass-heavy electronic music.

However, the Titan’s intense focus on bass can be polarising, like most of the things in this hobby. Its recessed mids and lack of treble resolution may not appeal to those looking for a balanced or analytical sound. AND that’s OK! That’s intentional tuning. For a purposeful target sound, Titan’s hits well and strong into that.

For users willing to invest in an upgrade, pairing the Titan with a cable like the Effect Audio Code 24/ Cadmus or Eletech Cassiel can improve clarity, separation, and control bringing the Titan’s performance closer to a more balanced signature.

The Titan is an excellent choice for bass enthusiasts who appreciate Symphonium's distinctive approach to tuning and enjoy a powerful, bass-rich sound. While its bold, bass-heavy signature may not appeal to everyone, the one’s who embrace its unique characteristics will find a deeply immersive sound that reflects Symphonium’s commitment to innovative and dynamic sound design.

SYMPHONIUM AUDIO TITAN- A BIG SUBBASY GUY
Symphonium audio is a recent player in the iem market competing with others. It was established in 2016 with name making iem that is the helios in around 2021 followed by triton. They have partnered with with Subtonic in the same year and have been working with them. I haven’t had the luxury to try any of their iems yet and this is their first iem that I am trying out. The big titan – Symphonium Audio Titan.

DISCLAIMER-
The Symphonium Audio Titan is part of a review tour organized by A.G. and Symphonium Audio in my country. The sample belongs to the brand. I had the opportunity to listen to it for a lot of days for this review. This review is completely based on my experience with it, and all opinions, positive or negative, are my own and no one else’s. No external factors influence my review; only internal factors like my brain and heart influence it . Please try it yourself, if possible, since we all hear things differently. If you want to purchase it, you can buy it from the official product website from the link- Symphonium Audio Titan.

SPECS-

• TrueX™ 3-Way Crossover
• CORE™ and PHAT™ Technology – CORE is custom 3D printed internal structure which allows for venting and filtering, PHAT is Phase Harmony Attenuation Technology (PHAT), reduces any possible undesirable phase cancellation or frequency inversions present between different drivers.
• Hybrid BA + Custom Tuned DD Design
• Forged Carbon Composite Faceplates
• Anodized AL6061 Aluminium Shell
• Exclusive 25.5AWG Neptune in 4 Wire Configuration
• OE Interchangeable Plugs w/3.5mm and 4.4mm Heads

PACKAGE-
I didn’t get much of the package. But the package had just the steel case made of black and it looked classy. The inside had the two iems and the cable with a cleaning cloth. The case is quite hefty and had felt on the top to give some padding. The felt on top needs to be a little more thick to add a little bit of more protection.

BUILD-
Its very small and built is quite good with aluminum shell. The shell is also quite light and easily goes into the ears. The faceplate has gold accents and will be unique for each iem.
Cable though is quite thin but doesn’t have any sound with movement. The plugs are interchangeable and thus is great. The similar colours on the cable and the iem is quite noticeable.

NOTE: This iem was used with HIBY R4 for the review. It required a good deal of power of about 36-40 on volume wheel on high gain. Now this review is based on my opinions and if you want to buy this do try them for once as we all hear differently.

SUBBASS-
Wonderfully rumbly and dynamic sub-bass. There are big notes base and body and will spread horizontally over the headstage. They have extended decay a lot, but they have quite good quality, making it a wonderful experience. The attack speed is quite fast, with great impact. It’s quite a bassy iem, I would say and dominant but not overpowering the frequency at all.

BASS-
The bass is quite impactful and dynamic for sure. The body and base of the bass is quite big along with lower midbass and shows that the thumping bass is quite good too to enjoy overall. The tonality is warm and dynamic, wonderfully accurate and works in cohesion with the entire music. Individual notes are quite indistinguishable but big too. But notes are quite big and extend a lot. Hollowed instruments air does come through but are much thicker in nature too.

MIDS-
The pulls of the instruments do reach high in the headstage and have great dynamics in the sound. The attack is quite fast and the decay is also quite good. The notes are slightly thinner in the extension part but overall body and base are quite thick. The piano on the other hand are wonderful to listen to. All the above characteristics just add to the flavour. While saying this, it feels lovely to listen to. Separation is good with both with inter-instrumental and intra-instrumental notes. But placement is mostly horizontal and infront of the face. Resolution is quite great and dynamics of the nuances also come through. Cohesion is present but a little more staging is required for more clarity and easy listening. Resonance do come through and wonderful to listen to.

Vocals are great especially with male vocals having that roughness and thicker notes as before. They have a warmer tonality and have quite big body, but the dynamics still remains. Female vocals are great too, they don’t have much ‘sss’ sounds. They also go quite high in the headstage. They feel lovely to listen to. Notes are more structural and defined overall.

TREBLE-
The treble is energetic, powerful in dominance and dynamic overall in the headstage. They have warmer tonality overall and wont cause treble pain / sharpness at all. But they might shock with their dynamism in their decibel change in the notes of instruments. The notes are definitely thicker and do have very less airy presentation in them which comes only when significantly shown in the music.

VERDICT
You want to bassy iem to remind you that this is whats called as bass, go for this as it will please you a lot. You are basshead definitely made for you.

Thanks to Audiogeek and Sandeep for providing the Symphonium Titan on loan. The effort that goes into the tours and coordination with so many brands and Audiophiles is enormous. Hope this platform reaches more people so they get to try and experience audio at a different level. Sharing my thoughts about the Titan in this write up.

Build and Accessories

Symphonium Audio has their trademark shell design with solid metal build. The smaller Crimson shell with carbon faceplate makes a comeback in Titan which is now in a blue accent. The Neptune cable in blue matches the IEM and has good ergonomics. The metal puck case, tips and overall package is excellent for the $1000 price range. Symphonium has had great build and design for a considerable time, interested to see their evolution over time.


Sound Impressions

The Titan is a hybrid IEM with a big bass provided by a Dynamic driver and BA for rest of the sound. L shaped or slight U shaped sound profile with sub bass boost is what I feel about the Titan. I used Hiby RS6 to drive the Titan, it sounded better when used with additional amplification with xduoo pro amp.


Sub bass has good rumble and extends well. Mid bass is bit pushed back which reduces the bloat. Excellent textured bass and it slams. Lower mids needs a bit more heft personally though I feel it is Symphonium house tuning from trying the Crimson before. It provides a sense of clarity in the bass to mids transition. Upper mids sound with good presence and there’s no shout or exaggeration. Treble is extended but a bit less exciting as there’s a big bass shelf it needs to counter. Still it’s well refined and no harshness anywhere. It’s a smooth performer.



Technicalities are good with decent separation even on busy tracks and enough space for various instruments. The overall stage feels intimate. The resolution is good for the price range though it’s not a detail oriented IEM.

Conclusion

The Titan is Symphonium’s answer to DD lovers who wanted a great Bass first IEM from their lineup. It’s a good choice for Slamming bass at the same time a well balanced sound. Smooth treble will be non fatiguing over long listening sessions. Maybe there’s a lack of excitement in the treble but there’s other offerings like Helios and Crimson for those after that kind of sound.

Disclaimer:
I'd like to thank AudioGeek for including me in this tour of the Symphonium Audio Titan IEM. I was given a chance to audition the Titan and share my honest feedback about the IEM. The impressions shared in this write-up are based on my usage of the IEM over a couple of days.

Introduction:
The Titan is a 999 USD IEM from Symphonium Audio with a Hybrid BA + Custom Tuned DD featuring Symphonium Audio's CORE and PHAT technologies and a TrueX 3-way crossover. As per Symphonium Audio, Titan is their answer to the question, "What makes a Great Basshead IEM?"



In terms of looks, size, and shape, the Titan is similar to the Crimson, the only difference being perhaps that the Titan has a blue frame on the faceplate while the Crimson has a red frame. The earpieces have a simple design that's aesthetically pleasing. Just like the Crimson, the Titan too has earpieces made of anodised AL6061 aluminium shells with forged carbon composite faceplates.

The IEM I received was unboxed and came with a metal carry case, cleaning cloth, a soft pouch for the earpieces, 4.4mm balanced cable, and the earpieces. Hence, I will not be able to comment on the unboxing experience or the accessories that come with the retail unit.

The cable this time around is a 4 wire 25.5 AWG Type 2 Litz Pure OCC Copper Cable from Altalune Audio christened Neptune. The cable comes with interchangeable 3.5mm SE and 4.4mm BAL plugs from OEAudio. Personally, I felt the cable looked quite delicate, and unless it is Kevlar reinforced or something (which it isn't), it doesn't inspire confidence in terms of longevity. Sonically, however, the cable complements the Titan quite well.



The Titan is somewhat hard to drive, and just like the Crimson, it opens up significantly when amped. I tried the Titan with the stock cable, Azla SednaEarfit Vivid eartips, and FiiO M23 (on high gain). I also tried it with Sony WM1AM2 and Aroma A100TB, but I felt the Titan sounded more lively with the Khadas Tone 2 Pro when compared to the FiiO M23 and Sony WM1AM2. Maybe it just pairs better with ESS.

Sound:
The bass response is easily the highlight of the Titan. The subbass is elevated to create a dark background upon which it delivers powerful slams. The Midbass too is elevated but is super clean. It doesn't sound muddy, nor does it interfere with the mids. I guess the pressure relief/venting and overall design of the earpieces (CORE tech) does a good job at seperating the bass from the mids.

Titan's mids, while natural for the most part, sound slightly lean in comparison. Vocals sound natural, but nuance is missing. This is perhaps because of the elevated subbass that the detail in the mids, especially vocals, is inaudible/missing. The emotion in the artist's voice is missing. Not that the vocals are bad, they just lack nuance.



The treble on Titan is smooth. Given the bass heavy signature, there's a fairly good amount of sparkle. Those who like warmer-sounding IEMs will take a liking to Titan, as the treble is pretty tame and fairly well done.

The soundstage is intimate but has a good sense of depth to it. The imaging is very good, and separation too is excellent. The detail retrieval is very good. Overall, technically, the IEMs performance is on par with IEMs in this price range.



Conclusion:
Titan has explosive bass with very good detail. The stage is intimate but has good depth and excellent separation and imaging. The elevated bass comes at the cost of nuance in the vocals.

Battle of Basshead Midfi: Fatfreq Scarlett Mini vs Maestro Mini vs Symphonium Titan

Big thanks to @Damz87 for organising Fatfreq Scarlett Mini tour and @tfaduh for loaning his personal Fatfreq Maestro Mini as part of the same tour. Symphonium Titan is my personal iem.
Scarlett has the upgraded cable, Maestro Mini has 3rd party cable from XinHS (Aliexpress) and Titan uses stock cable.


Fatfreq Scarlett Mini

To say Scarlett is a bassy IEM is a gross understatement. It’s simply a bass monster. I’m not sure why it is called Scarlett “Mini”; it definitely does not refer to the bass. The tuning is L-shaped, with the deepest and most amount of bass among all IEMs that I have tried and you can buy. Scarlett is capable of slamming bass very deep, weighty, and rumbling with natural decay. Despite its quantity, the bass is well controlled with no distortion I could notice, not bloated, and has very good texture. Unfortunately, that’s all Scarlett delivers.

The mids are recessed and hollow, with vocals feeling quite detached from the music. The female vocals simply sound unnatural. The treble also suffers from roll-off, with not enough sparkle. Indeed, Scarlett is a dark IEM that reminds me of my old Audeze LCD-X. In terms of space, the music sounds as if it comes from a far distance and from one point. This makes imaging very compressed and inaccurate.


Fatfreq Maestro Mini

Maestro Mini is a more balanced IEM, although it would still be categorized as a bassy IEM. The tuning is W-shaped and quite energetic. It has deep subbass and a full midbass punch, although to a lesser degree compared to Scarlett. Like Scarlett, the bass has good natural decay, albeit faster. The lower mids are lifted to add volume and warmth to the vocals. The lower treble is capable of adding sparkle to the music. In most tracks, the treble is well controlled with no sibilance, although some people may find it too energetic. Maestro Mini provides a good sense of space in the music. It has a wide soundstage but is relatively flat.

Symphonium Titan

Titan is also more balanced than Scarlett Mini. The tuning is U-shaped. The bass focuses more on subbass instead of midbass. Therefore, despite how deep the bass hits, it feels like it lacks weight. The vocals sound clean but recessed and lean. The treble is quite smooth and non-peaky, with just enough sparkle. Titan has an intimate soundstage where you feel surrounded by music.

Comparison:


Price

• Fatfreq Scarlett Mini: USD 639 (or 798 with upgraded cable)
• Fatfreq Maestro Mini: USD 479 (or 599 with upgraded cable)
• Symphonium Titan: USD 999

As a side note, it is interesting that Fatfreq’s upgraded cable and connector seem to be identical to Titan’s stock cable and connector. See below.


Bass
All three IEMs—Scarlett, Maestro Mini, and Titan—have outstanding bass quality but with different presentations. Scarlett has the deepest, most rumbling subbass, followed by Titan and Maestro Mini. In terms of midbass, Scarlett again has the heaviest and weightiest punch, followed by Maestro and then Titan. These IEMs have natural bass decay, with Scarlett seeming to have the longest decay, followed by Maestro Mini and then Titan.

• Subbass: Scarlett > Titan > Maestro Mini
• Midbass: Scarlett > Maestro Mini > Titan

Midrange
Maestro Mini has enjoyable, thick, warm vocals. It has good lower mids and upper mids, making it great for both male and female vocals. Titan's vocals are more neutral, leaner, drier, and lack richness in comparison. In my opinion, Scarlett's mids are too recessed and unfortunately muffled. It is hard to recommend Scarlett if you care about vocals.

• Midrange: Maestro Mini > Titan >> Scarlett

Treble
Maestro Mini has the most treble energy. The treble can be quite coarse and grainy. In several tracks, it can be peaky and piercing. Luckily, this does not happen often. At the extreme opposite, Scarlett almost has no treble energy. In my opinion, Titan has the best treble among these three. It strikes an excellent balance: it has enough sparkle but still sounds smooth.

• Treble: Titan > Maestro Mini >> Scarlett

Space and Imaging
In terms of soundstage, Titan is the most intimate, followed by Maestro Mini and Scarlett. Titan and Maestro Mini have very good imaging, while Scarlett's imaging is quite poor. With Scarlett, the music seems to come from a very distant singular point, making instrument positioning a mess.

• Imaging: Titan = Maestro >> Scarlett

Detail Retrieval
In terms of technicality, all three IEMs are roughly on a similar level. Titan has slightly better instrument separation, followed by Scarlett and lastly Maestro Mini.

• Detail: Titan > Scarlett > Maestro Mini (difference is minimal)

Conclusion
To sum up, each of the Scarlett Mini, Maestro Mini, and Symphonium Titan have their own appeal. Scarlett Mini is for bassheads who only care about bass and want the deepest and biggest bass among all IEMs in the market—and don’t really care about mids or treble. Maestro Mini is for those who enjoy an energetic IEM with punchy midbass and warm vocals—at the expense of slightly more elevated treble. Titan would be suitable for those who love rumbling subbass, a more neutral sound, and smoother treble—at the expense of a lack of vocal warmth.

It is well known I’m a fan of Symphonium’s IEM line up and since the Helios, I've been a fan like many others when it comes to Symphonium’s wonderful tuning and their recent designs that are stunning to the eye. As a fan of the Triton which sounded like a fun tuned IEM compared to the Helios, I was excited to see a bass focused IEM in the same price bracket as their Helios. The Titan is a Hybrid BA and DD design. Not much info is given on the driver setup of the Titan. It comes in at $999.00.

Quick shoutout to my friend @tamtrum for letting me borrow his unit to check out and review. While I always appreciate the chance to test and review products sent in from manufacturers or dealers or in this case, Sir Tam. It never affects the rating of my reviews.

The Symphonium Titan can be pickup below:
https://www.symphoniumaudio.com/products/titan

Onto the review of the Symphonium Titan! My personal preference is a hybrid/tribrid IEM where I get good hitting bass and have a detailed treble with decent mids. When it comes to an over ear headphone I prefer a spacious sound with a deep low end, the mids to be more forward and the highs to be a little bright with some sparkle. I listen to a lot of genres but I hover in the classic rock, blues and edm music with some rap here and there.

Gear Used​

IPhone 14 Pro Max with headphone adapter, iPad Pro M4 w/ Moondrop Moonriver 2 Ti, I/O Audio VOLARE, THIEAUDIO Monarch MKII, Eversolo DAC-Z7/SMSL SP400 desktop stack.

Looks and fit​

Since Symphonium started moving away from their industry style Helios bland shell design to the new designs like the Crimson, I’ve been a huge fan of these new color schemes and slightly smaller shell designs. The Titan has a black shell with an outer blue ring on the faceplate. The faceplate has a middle carbon fiber insert like the Crimson but with a gold flake instead of the red one the Crimson used. The shells are lightweight for an all metal design and I find they can be comfortable when paired with the right tips for my ears. I want to mention that I’ve always had issues with Symphonium’s shell and nozzle/stem angles. The helios and Triton either had a super seal that caused me discomfort or I had to run larger tips to get a partial seal. The Crimson was the first of their products I could obtain a normal-ish seal with the W1 and Omni tips from Spinfit without the over pressue issues I had with their older designs. The stock tips on both the Crimson and this Titan cause my ears to lose a longterm seal due to the angle of the nozzles when in my ears. With my preferred tips however, I have no issues using the Titan for long listening sessions.

Isolation and sound leakage​

The Titan has good passive Isolation and it blocks out a good amount of outside noise. It also doesn’t leak much sound so you can get away with higher volumes in quiet areas which is nice given their unique location of the vent slot which is right under the 2 pin connectors.

Packaging and accessories​

Since this was a loaner, I only got the carrying case, the stock tips in two nice cases and finally the little double bag to protect the shells. The case is made out of metal and it's actually a good size but it’s quite heavy and I probably wouldn’t carry in the stock case these outside of my sling/backpack. Being realistic though, I don’t daily carry expensive IEMs in my pockets. I’ll usually keep the nice stuff in my sling bag so a small and heavy case like this one is totally fine for how I would transport the Titan to and from my home. I know they provide a good amount of accessories and the presentation is good on their normal packaging so you might need to look at other reviews to find pictures of the packaging and included accessories.

Sound(Overall)​

These final impressions were done off the Eversolo DAC-Z8 connected to the SMSL SP400. This desktop stack is what I use for the main sound impressions for all my reviews. I use this in combination with Audirvana. The SMSL SP400 has been in use since 01/2021 and the DAC-Z8 since 04/2023. These impressions are what the Titan sounded like to my ears. This was also using the Spinfit Omni tips. Things like ear tip selection and DAC/amp selection will produce different results and impressions vs what my ears hear on my specific gear.

The Titan goes for a bass heavy tuning but with less of the downsides I’ve heard from other competing basshead IEMs. The sub-bass is boosted quite high which results in super strong impact and slam. I will say it’s not nearly as boosted as say something like the FatFreq Scarlet Mini. The mid-bass is strong and while I find it extremely detailed for how thick it sounds, it doesn’t bleed into the mids nearly as much as I expected. The bass bleed doesn’t even sound muddy or dull. It sounds like they put effort in trying to keep the mids and bass as separated as possible to avoid the typical basshead bass to mid bleed issues. The mids are on the slightly warmer side and vocals, while pretty coherent, also exhibit a slight softness in the details. Which is perfectly fine and I prefer this for a bass heavy IEM tuning. The upper mids are pretty tame to my ears and the lower treble has a little extra energy but still sounds more balanced out and tame compared to the bass. The treble speed is slower and the sharpness is a little more dull sounding. Once again, I prefer more neutral sounding mids/treble like this with bass heavy IEMs since a big treble boost would make these sounds super splashy and a mess tuning wise. I do want to mention I did find the detail retrieval and resolution pretty good given the bass head tuning. This still retains a Symphonium house sound to my ears and I’m happy they didn’t do something wacky tuning wise. Basshead level IEMs are very easy to mess up tuning wise so good job to the Symphonium team.

Soundstage/Imaging​

I found the soundstage pretty narrow width wise but it has really good depth. This has a “listening to sound from down a hall” type of staging to my ears. This could be due to the specific tips that I’m using as Symphonium strongly recommends their stock tips which are custom picked for their products and their specific tuning. Imaging was about average for something in the $1k range but I was mostly able to pick out specific sounds in busy tracks. I was even able to pick out most of the sounds I look for in specific tracks that were on the bass heavy side.

Sensitivity/Drivability​

The Titan is a little harder to drive than normal for IEMs. Still easy enough to run high volume on most devices but it likes power for sure. The Titan has no sensitivity issues as most modern IEMs are free of floor noise on balanced outputs.

Stock cable​

The stock cable is their standard ear guideless cable but in a really light blue color which goes well with the blue and black shell. It’s a lightweight 4 weave cable and works well with the slightly taller IEM shells. It has a QD plug system that is easy to use and pretty standard these days. I have no complaints with their stock cable and I wouldn’t change it.

Gripes with the Titan?​

I really don’t have any important complaints about the Titan and things like driver/channel matching were spot on. Given that the unit I’m using was a production unit bought by a friend, this is very impressive. I did however want to vent a little when it comes to the driver configuration info provided by Symphonium.

I was rather irritated when I was told the Crimson drivers and configuration weren't public info and while the Titan does list it’s a hybrid BA/DD design, it still doesn’t say how many drivers and what types of drivers are being used. Is it important info? Maybe not but if I didn’t know about the team from other audiophiles and this was a possible first experience with them, I would absolutely avoid buying from them for not disclosing more info. To me, it’s like being told the car I’m looking at to purchase is a car. It has an engine, don’t worry about the details and just trust us. Gas mileage? It consumes gas and that info isn’t public. Symphonium IEMs aren’t cheap so it’s kind of a downer to have everything kept private info wise.

On the flip side! They’re keeping their secret black magic tuning and designs a secret for a good reason. Nothing really sounds as special as Symphonium IEMs. Literally ask anyone who has demoed, reviewed or paid money for Symphonium IEMs and there’s an extremely high chance they will have nothing but high praise to give. So it’s not my preference but I also understand the reason they do what they do.

IEM comparisons​

I don’t have any super bass heavy IEMs in the ~$1k range so I’m going with IEMS +/- ~$400 to give comparisons to what I do have that hang out in the warm/bass boosted IEM range.

I/O Audio VOLARE​

The Volare comes in at $599 but it is a great example of a bass boosted IEM that acts well as an all rounder. The bass is obviously way stronger on the Titan but the Titan is able to show that you can have strong bass levels without ruining the rest of the frequencies. I can almost guarantee if I EQ boosted the bass to the same levels as the Titan, the VOLARE will start clipping. The mids are clearer on the VOLARE and the Vocals sound more detailed on the VOLARE as well. The Titan doesn’t fall behind however and the focus is just more bass oriented. The upper mids and treble are once again brighter sounding on the VOLARE in comparison to the Titan but the Titan still manages to pull in details just as well as the VOLARE if not a little better. Staging is better balanced on the VOLARE but the narrow staging of Titan sounds way more unique and fun to my ears.

THIEAUDIO V16 Divinity​

The V16, while old, was a $1499 IEM that was a great example of a nice warm IEM that had great bass performance and a sweet and relaxed sounding mids/highs. This feels like a great comparison since the Titan has a similar yet stronger bass performance. The Titan has a substantially stronger sub-bass and mid-bass thump over the V16. The V16 is no slouch as a bassy IEM but the Titan really shows off its strong impact/slam. The mids on both are warmer but the V16 has the better balance. The vocals sound a little softer on the Titan and the upper mids sound a hair more detailed on the V16. Treble on both is relaxed but the BA drivers in the V16 do seem to pull in better detail when A/B testing. Now keep in mind it’s hard for me to subjectively focus at times on upper treble details with the Titans since the bass takes centerstage. Both exhibit good staging but the V16 is wide and depth is average while the Titan had a narrow and deep stage. I consider the V16 one of my favorite IEMs and the Titan takes it a step further in a fun tuning direction.

Amping Combinations​

Moondrop MoonRiver 2 Ti​

I love the little warmer sounding MR2 Ti dongle since it provides enough power for most IEM usage. I would like to mention that on first use with the MR2 Ti, I noticed what sounded like the faintest clipping at the end of bass hits with the MR2 Ti attached to a brand new iPad Pro M4. After that one session, I never heard that little faint clipping ever again so I’m gonna blame the brand new iPad for not sending enough power initially to the MR2 Ti. Now! When it comes to the pairing, I will say it compliments the Titan pretty well. The bass is still powerful and normally the MR2 Ti adds a little warmth but I didn’t notice it here. The mids are still warm and the vocals have an added softness which makes them sound a little more neutral. The upper mids sound relaxed and the treble is a little brighter than my reference desktop stack but not enough that it makes a dramatic difference. The staging is a tiny bit wider with the Titan so it adds a very light echo to the narrow/intimate stage.

iFi Diablo II​

The Diablo II is quite the high volume output transport device. On the lowest gain, it normally is too loud for most IEMs. The Titan, like most Symphonium IEMs, can handle more power without breaking a sweat. I was able to get the Diablo II to run in both normal gain and their turbo gain no problems and the Titan had no issues with either being too loud or the common floor noise issues on their high output gains. The Titan’s bass performance sounded like it exhibited a cleaner and tighter performance compared to the dongle above and I found the mids and treble cleaned up nicely and sounded a little closer to desktop stack performance. The staging stayed about the same as the desktop stack so a narrow but deep stage.

Eversolo DAC-Z8/SMSL SP400​

As mentioned in my sound impressions, this is the main stack I used for my overall impressions of the Titan. I did get the best performance with this pairing but I don’t quite think the Titan needs a desktop stack to sound it’s best. I think something warm like the Moondrop MR2 Ti dongle or anything else that is warm or neutral sounding that has decent power output will do just fine with the Titan.

Overall thoughts​

I like bass but tend to shy away from basshead level IEM tunings at prices ~$1k since I listen to a variety of genres and personally prefer a balanced tuning for the higher end IEMs. What it really comes down to is that I can’t justify specific genre headphones/IEMs at prices higher than $700 since I just don’t make enough money to bump up my price ceiling for specific genre IEMs. Does that mean I don’t like the Titan? Nope! I love the tuning of the Titan and they really nailed a good basshead level tuning without ruining the overall sound which can be hard to do. The real question is whether or not I recommend the Titan. WHICH I absolutely recommend! With a big caveat however. I think this is great for those who know they want a high end bass boosted IEM for everyday use or someone who has the money to drop on something they’re likely to only use for specific genres and listening sessions. I don’t think the Titan does well as an all rounded as much so I recommend really thinking about this or maybe something like the company's Helios/Crimson if you’re hunting a “do it all” IEM. Those with the money, go for it and enjoy another awesome offering from Symphonium that will make all the big thump thumps while still sounding competent! As always, great job to the Symphonium team and I look forward to what they come out with next. Thanks for reading!!!