RHA T20 Review
 
Introduction
RHA just launched the T20 in the UAE where I live. It was a great event in a brand new beautiful hotel, the TAJ Dubai, perfect choice, RHA
 
I was lucky enough to attend this event and got the chance to listen to the T20 and also listen to a review sample for the following days.
The way RHA is supporting the local distributor and the audiophile community is really exemplary and a shining example for other manufacturers in the region. Thanks as well to gadgitechme.com for their support. All pictures in this review can be viewed at full resolution. Just click on them.
 
 
 
 
 
 
 

one earpiece without tip of T20 in front, T10 in back
 
About RHA:
 
RHA is short for Reid Heath Audio - a Scottish headphone company that is still quite young but churning out better and better earphones with amazing quality and generous warranty.
 
From release to release RHA managed to up the quality and production value of their earphones. It seems that every detail they learned was implemented in the subsequent product - and they listen closely to what the community and customers have to say. A very interesting approach to start with the lower cost headphones and work your way up step by step. It's not the easiest way to establish a brand but I like it.
 
RHA produces their own drivers and uses metal housings for their headphones which makes them stand out from the competition.
 


T20 with another newby - Fiio X5ii
 
TL;DR
Does the T20 deliver: Yes. Clearly the new flagship in the RHA stable. Their best in-ear yet. 
 
About myself:
 
As a benchmark: I am 42, my headphone inventory can be found in my profile. The test was conducted mostly with the Fiio X5ii, the CEntrance DACmini CX with 1 Ohm mod, the AK100, an iPhone 6 and lastly an iFi iDSD micro. I listen to an eclectic choice of music from industrial to classic, mostly FLAC and ALAC but also some MP3 320kbps and AAC 256 kbps thrown in.
 
I own the MA350, MA 750 and T10, none of the earphones I have from RHA have a microphone, the respective i-versions of these in-ears do have an iOS compatible remote and mic. The mic does work with most Android phones as well….
 

 
 

 

 
 
 Manufacture’s Specifications

1. Type: in-ear
2. Drivers Size: ??
3. Drivers Type: Dynamic with Dual Coil(TM)
4. Frequency Response: 16Hz to 40KHz
5. Sensitivity: 90dB @1mW
6. Impedance:  16 Ω
7. Microphone sensitivity: 
8. Maximum Input:  2/5mW
9. Cable: multicore OFC, 1.35mm thick
10. Weight with cable: 39g  
11. Connector: 3.5mm single ended
12. MSRP:  $279

 
Design
 
The T20 is constructed with injection molded, stainless steel components. It has a thick and sturdy cable that is not replaceable. The design is identical to the T10 and T10i with the exception that the cable is now black instead of grey. Everything feels top quality and the 3 years warranty is certainly something you can believe in. The in-ear comes with replaceable metal tuning filters that alter the sound to a certain extend. RHA calls the driver technology “revolutionary” - well, we'll see about that later. Let me explain what is special on these drivers.
 


T10 and T20 next to each other. T20 has the black cable
 
Dual Coil Dynamic Driver:
This driver supposedly outperforms conventional drivers in resolution, clarity and detail with the use of two voice coils for one diaphragm. The way it works is that there is a voice coil on the outer edge of the diaphragm and one in the “normal” place in the middle of the diaphragm. The coils are operating independent from each other, the outer one (ring shaped) is responsible for the highs and the inner one for the lows. While we recently saw quite a few hybrid designs with in-ears using one or more balanced armature drivers and a dynamic driver, or dual drivers opposing or in line, etc, this is indeed a different approach. 



 
Style

 
The metal body feels extremely well made and sturdy. Like the T10 before them, they are worn over the ear with a patent pending ear hook system. I don’t know what exactly is patent pending on it though, forgot to ask.



 
Build quality

Solid and reliable. Everything I mentioned in the review of the 750 is valid here too. They seem to be rock solid and should outlast man other headphones. And if not: they come with a 3 year warranty that should help with the peace of mind.
 
For a projected price slightly below $300 I would have loved to see a detachable cable. 
 



 
Comfort

They slip into my ears like customs, I sound like a fanboy because if it comes to the fit with the T20 (or T10, MA750) I really am a fanboy. I have funny ear canals, right and left are different so finding something that is easy to insert and provides a great seal without filling around is really making me very happy. Others might not be as lucky but as the T10 these just fit perfect in my ears, comfortable for many hours, they “disappear” - they sit deep enough in your ears so you don’t feel their weight (39g).

Supplied accessories

Standard RHA fare. Nothing new from the MA750 or T10. A nice and soft carrying case (zip-up wallet style) made of soft touch plastic with compartments for all supplied accessories, including the metal tip holder. Great selection or ear tips: 6 pairs of silicone tips, two pairs of double flange tips and two pairs of memory foam tips (10 pairs in total).  A clothing clip is also provided. Like the T10 the additional 2 pairs of tuning filters come screwed into a nice carrying plate made of brushed metal with a color coding on them to distinguish between the filters.
 

Carry case filled with accessories
 

Size comparison carry case
 

Supplied accessories
 

Sound tuning filters in their metal plate holder (screw in)
 
Sound
Ok, so the preliminary price of the T20 is $279 so around $80 more than the T10 and double the price of the MA750… So how does it stack up soundwise? I really liked the T10’s sound - however I found it a bit too thick on the bass, even though I consider myself a semi-basshead, but I like it well delivered and not bloated or overly emphasized. I am happy to say this has been fixed. The T20s indeed deliver everything the T10 did well and fixed most of the shortcomings. It's probably the most neutral in-ear from RHA so far.
 

Frequency response curve - red-treble filter, black bass filter, grey reference...
 
IMPORTANT NOTICE: 
I have done the whole review with the reference filters. I will update this review when I have spend more time listening to the Treble and Bass filters.
 
REFERENCE FILTER IMPRESSIONS:

Bass

Punchy, fast and dry - lovely. This is the bass you want, not too overpowering like the T10 but so THERE if you need it. Hard to describe but the bass is extremely impactful when needed but has a bit of distance in it, so it hits you in front of your head - like with speakers or at a concert. In short - the bass is amazing and it hits hard when it needs to and is absent when it’s absent in the music. Not an easy feat. Way enhanced towards the T10 - Exactly the way I like it. The only criticism I might have is that really low sub bass quality could be a tad better. But then, this is complaining on a very high level. 

Mid-range

More forward than the T10, giving this headphone a lovely fun signature. Female vocals sound great and full, male vocals are clean and engaging.
 
Treble

Haahhh, so much detail. While it’s not a multi balanced armature in-ear it does deliver a lot of detail and clarity indeed. Definitively increased from the T10, they do sound like BA drivers. Not sure how (well probably the dual coil) they did this but the range and detail of available on tap is amazing. With the reference filter the experience is amazing - such an extension from the T10. No wonder these in ears got the HiRes certification from the Japan Audio Society.



Since people asked: left T10 filters with screw up, right T20 filters. They are identical.
 
 

 
Filter sets are identical between the T10 and T20.
 
TREBLE FILTER IMPRESSIONS:

coming soon

BASS FILTER IMPRESSIONS:

vs. T10 with Reference Filter: Putting the bass filters on the T20 is elevating the bass back into basshead levels. Still articulate but it's a LOT of bass. I swapped back and forth with the T10 with Reference filter and must say, the bass is now on T10 level. However you still hear the slightly recessed mids from the T10 that come apparent in that A/B test. Testing the different filters shows, that the T10 is not a bad in ear at all.

vs. T10 with Bass Filter: Geeez, T10 whips the ass of the T20 in bass quantity - that's basshead calibre. The T10 is getting into bloated territory with the bass filters. It can be fun for some songs, but it's too much for me. But I can see the appeal for bass lovers with this filter.

Vs. T10 with treble filter: Still lots of bass on the T10 - however the treble can flow freely into your ears, makes the T10 more V-shaped and enjoyable for me. It's the same amount of bass as with the Reference filter but thanks to the less rolled off highs, you can listen to lower volume and here have a more balanced sound. For the T10 - these are my favorite filters.

Summary: The T20 with bass filter are close to the T10 with treble and reference filter in bass quantity. Quality remains better with the T20 though. They should please bass lovers with this filter... The bass is lovely elevated and still has lots of texture. Not my favorite filter for the T20 but clearly a fun thing to use with certain genres.



 

Sound Stage and instruments separations

 
The way you want it. Expansive but not overly expansive (or artificially large) but enough and I find it deeper than what you usually get in this price range. Pretty exciting balance. It reminds me of my Hifiman HE-560 which envelopes you in the music. The T20 can do that too. Precise and defined placement of instruments. Perfect. I thought long and hard what could be better, and I am not sure I could find something I was missing.
 


​Plug of the T20 (left) and T10 (right) - reads: 303F - 522 for T20 and 303F - 448 for T10
 
Comparisons:
 
vs. T10:
- less bass bloat - bass still there and slightly boosted but never bloated or overbearing, impactful and dry
- midrange not as recessed, more forward, overall more pleasant
- a lot more treble extension, lots of details in the treble you might not find in the T10
 
EDIT: will add other comparisons later once I have made some head2head comparisons...
 
 
Pros & Cons

Pros:

1. sound quality 
2. comfort
3. soundstage
4. crazy versatile bass (with no bloat)
5. high build quality, feels like it can withstand lots of abuse
6. 3 years warranty and great customer service
7. evolutionary step up from the MA750 and T10

Cons:

1. a bit heavier due to metal build (didn’t bother me at all but just want to mention it)
2. no microphone i-version available yet
3. needs some burn-in time to sound best (or brain burn-in)
4. requires a good seal
5. no detachable cable

 
 Rating

1. Comfort                       9/10
2. Sound Quality             10/10
3. Design                        9/10
4. Durability                    9/10
5. Value for Money         8/10

 
Based on a price of $279 retail. 
 
Conclusion
 
Quick recap of the 750 and T10: great build quality, 3 years warranty, great sounding, comfortable, great accessories from a great company. 
 
The new flagship of the RHA line up delivers in spades. What I wrote in the 750 review still holds true, constant improvement and evolution is the name of the game. RHA took the best of the 750 and T10 and combined it with the T20. There is indeed more clarity and detail and the slightly flawed bass heavy T10 was tamed. Though a bit more sub bass (quality not quantity) would have been nice. The detail and clarity of this headphone is really astonishing. The treble is extended compared to the T10. Without being harsh, these are indeed better.
 
In a direct shoot out between the T10 and the T20 I found the T20 to be more involving, more enveloping, with a lot more detail and clarity in the treble. They are also louder and easier to drive than the T10 however the better the amp, the nicer they sound (not referring to power). This is still not a neutral earphone but way more neutral than the T10. As Warrenpchi put it: "the most balanced RHA unit I've heard this far, by a wide margin." That's exactly what I heard as well.
 

​Used the T20 also for some X5 vs X5ii shoot out. T20 quickly became my favorite in-ear
 

Since some of you asked - sound level with T10 (volume matched via iPhone decibel meter app)
 

...and here the same volume with the T20, enlarge to see the small lines I added, yellow T20, red T10. 
 
 
Why no i version?
That question was brought up a lot. RHA obviously thinks that people who buy a headphone like the T20 use it with a DAP and so don’t need a mic. I am not so sure. Personally I prefer not to have a microphone but I sure am in the minority. I guess an i version is in the works or at least seriously considered.   
 
So…..: Yes, they are now my favorite in-ears under $300, maybe even above that price. As far as dynamic in-ears go, this could very well be the new benchmark. I used to use the 750 and T10 as well as the JVC HA-FX850, RE-400 and UE900s a lot before... but now… not so much. The T20, even after wearing off the new-toy-syndrome, is a hit. Properly driven this in-ears delivers. Well done, RHA, very well done. 
 

T10 white/grey cable, T20 black cable
 
 
Update 21st June 2015:
Comparison to MA750:

In the right corner, the contender, with a fighting weight of 39g, the T20, in the left corner the reigning champion, with a fighting weight of 35g, the MaaaaaaaAAAAA SevenFiftyyyyyyyyyy.
The referee today is the Audioengine D3 24 bit DAC. 
MA750 vs T20 - FIGHT!

 
Observations from this comparison:
 
Fundamentally the T20 with the reference filter share the same signature as the 750. They are clearly coming from the same producer, they share the "house sound" of RHA you could say.
But to throw in a Spinal Tap reference: The T20 go to 11.
 
This is what the T20 delivers above the 750:
- more immediate sound with a wider soundstage ( bit of an oxymoron here, the sound is closer to you but the soundstage is wider, if that makes any sense)
- more treble detail without being harsh
- hits harder and goes deeper in the bass and sub bass
 
A fuller, warmer sound with the T20s without loosing treble detail. The T20 with reference filter is an upgrade for any 750 owner. I can hands down recommend this, if it's in your budget. It's not 2 times better than the MA750 but you will have improvements in every area...it's a clear upgrade path for owners of the 750.
 
 
 
Disclaimer: RHA provided a T20 for review following their launch event in Dubai. I own the MA350, 750 and T10.
 

At the time of the review, the RHA T20 has not yet been released in the United States. This review was done as part of a demo tour done with the Head-Fi community. The MSRP at launch is expected to be $239 UDS. Here is a link to the RHA site
 
http://www.rha-audio.com/us/
 
Introduction
RHA has developed a following on Head-Fi with successful releases like the MA-750 and T10. They are known for their solid build quality and dynamic tuning. If there have been any knocks against them in the past it is usually by audiophiles who prefer a more linear tuning stating that the RHA models have too much bass for their own good. RHA is addressing this issue for those critics and introducing a new technology in the T20, using their unique “dual coil technology” which they claim will increase resolution. While I haven’t heard the other previous offerings from RHA, to this point many impressions are that the T20 has improved in terms of balancing the sound and offering a higher resolution earphone with better controlled bass response.
 
Disclaimer
I was given an opportunity to sample their product as part of a tour in exchange for my honest opinion and review. I am in no way affiliated with RHA.
 
My Background
I AM NOT a numbers and graphs audiophile or sound engineer. Personal audio enthusiast? Absolutely! Headphone junkie? Possibly…
 
There’s something about quality DAPs, DACs, Amplifiers and Earphones that intrigues me, especially if they can be had for low prices. I will buy the $5 to $500 earphone that looks promising, in hopes that I will discover that one new gem that can compete with the big names in this industry. If you look at my Head-Fi profile you will see that I have purchased MANY different headphones and earphones, ranging from from dirt cheap to higher end products. For me, this hobby is more about getting great price to performance ratio from a product, and have a variety of different gears with varying builds and sound to mix and match. With personal audio gear, we tend to pay a lot of money for minor upgrades. One thing I’ve learned over the last few years is that just because a headphone has a higher price tag, it doesn’t mean that it has superior build and sound quality.
 
I’m always looking for great audio at a great price. I’m after headphones and IEMs that give me the “WOW” factor. I can appreciate different builds and sound signatures as long as they are ergonomic, and the sound is pleasing to the ear. It is my pleasure to share my experiences with audio products and make recommendations based gear I have owned and used.
 
REVIEW
The T20 comes in a black box with a nice size picture of the T20 on the front and some side notes and drawings displaying the key features of their product. The back of the box displays a diagram with explanations of its features in several different languages.
 


 
 
There is a flap on the front of the box that opens to more information about their new DualCoil driver technology and schematics of their design. There is a nice frequency graph showing the difference in sound between each filter. The right of the display when opening the flaps shows a beautiful display of the product, filters, and eartips. The packaging and display is really well done.
 

 
 

Specifications

 

Included

1. T20 in-ear headphone
2. Tuning Filters with Holder
3. 6 pairs, dual density ear tips - S x2 / M x2 / L x2
4. 2 pairs, double flange ear tips - S x1 / L x1
5. 2 pairs, memory foam ear tips - universal fit
6. Stainless steel ear tip holder
7. Premium carry case
8. Clothing clip

 
There are plenty of tips for just about everyone to get a secure fit and seal.
 
Housings
The housings of the T20 are made of stainless steel. They are built like a tank. They are slightly heavy for an IEM, but not ridiculously heavy that it’s going to impair your ability to get a fit. RHA molded them into a pretty nicely rounded shape so they fit in the ear nicely and are very comfortable. The housing is designed for over the ear fit.

 
Cable, Y-Split, Cable Jack, Strain Reliefs
The T20 cable is a thick and robust design that looks like it's made to withstand the test of time. The cable has very little memory and enough spring to keep itself from getting tangled. It is a very high quality material that most will appreciate. The first three to four inches from the housing sports a rubber material memory wire. Some will like it, but like almost all memory wires I didn’t necessarily care for it and would have opted for no memory wire and the provided chin slider. Your mileage may vary.
 
The Y-split is made of a combination of a stainless steel jacket and rubber strain relief. It is VERY low on the cable. It’s saving grace is a very useful chin slider that will keep there from what would be two separated cables running down to most people’s naval.
 
The Cable jack is a stainless steel straight 3.5 mm gold plated plug. Strain relief at the cable is a metal spring.
 
All in all, I find the cable to be just a bit too long for portable use (I am over six feet tall and still find it to be long). The amount of slack from the Y-split to the housing is excessive. On a brighter note, everything about the cable is top notch in terms of materials used.
 
Ergonomics, Fit and Microphonics, Isolation
Ergonomics are nice in terms of housing shape. They fit nicely, but the memory wire did require me to do a little extra messing with the wire to get a comfortable and balanced fit with them. Finding a tip that fit well was easy, as RHA provides a ton of silicone tips and comply foams in a couple different sizes. I doubt there will be anyone who can't find a stock tip that fits.

 
I find the cable to be a bit long. Between that and the weight of the product, it is bordering on bulky. The chin slider is great in terms of solving these issues because it can be used to snug everything into place. Once I achieved a good fit, I didn’t have to readjust them very often. Getting a good fit took a little bit of extra work, but once I got it they weren’t going anywhere and were very comfortable.
 
When I used these for walking or running I didn’t get any microphonics because of the over the ear design, but I did get a cable noise from the weight of the cable tugging and vibrating with each step. I found that snugging things up with the chin slider more than normal helped remedy this. With smart use of the chin slider I recommend them for use when being active.
 
Isolation is slightly below average, however the robust yet controlled bass that the T20 presents makes them work great for commuting. When wearing them with no music playing, I can definitely tell that they are a vented design.

 
Sound Review & Materials
 
I used my usual same songs for testing gear:
“Limit to your love” by James Blake (bass speed, punch, response)
“Doin’ it Right” by Daft Punk (sub bass)
“Get lucky” by Daft Punk (bass to midrange transition resolution, male vocals)
“Madness” by Muse (soundstage, separation)
“Some nights” by Fun (soundstage and male vocals)
“The soundmaker” by Rodrigo y Gabriela (texture and imaging)
“Bassically” by Tei Shi (bass to midrange resolution, female vocals)
“Skinny Love” performed by Birdie (female vocals, acoustic playback)
“One” by Ed Sheeran (male vocals, acoustic playback)
“Outlands” from the Tron Legacy Soundtrack (symphonic presentation, imaging)
“Sultans of swing” by Dire Straits (detail, separation, balance)
“And Justic for All” by Metallica (driver distortion, treble response, rock playback)
“Ten thousand fists” by Disturbed (driver distortion, treble response, rock playback)
 
Note: Other tracks were used, but the listed songs were primarily used to asses and break down the gear’s response.
 
Sound Signature
The RHA sounds as tough and awesome as it looks. They are a beast of an IEM offering  a powerful and rich presentation that maintains a great level of separation. I heard a slight V signature that is customizable with different filters to tweak the sound and optimize listening pleasure. The filters didn’t change the sound too much, and offered minor adjustments while maintaining the RHA signature tuning for the most part. There was enough difference with each filter to know that anyone who tries these will have a preferred set, but not different enough that the general consensus will find any of the sets to be useless.
 
The T20 plays every genre well with its somewhat consumer friendly tuning that will appeal to both audiophiles and the music enthusiast picking up their first higher end earphones. What I fell in love with when listening to these is how well they play rock music and metal. Simply put, they ROCK with these genres. To this point, I don’t think I’ve heard any other in-ear monitor that makes these genres so enjoyable.
 
The T20 comes with 3 sets of tuning filters that screw onto the housing. Each filter could be screwed on to the housings and had a rubber gasket to ensure a seal of the filter when attached.
 
With the bass filter there was a more forward bass presence and a reduction in highs. Separation and detail was still there, but it was a little too much bass for my preference, as it seems to intrude in resolution of the lower midrange.
 
The treble filter was a close second to the reference filter for me. They provided the most linear sound with a more controlled bass response than the other two, yet still enough bass that it wasn’t lacking in any way. Treble was the most crisp of all three filters and while I enjoyed it quite a bit, I could imagine some people not caring for how forward the treble is, especially those who listen to their music at higher volumes.
 
The reference filter was my personal favorite and rendered a slight v-signature that was pretty balanced and had a nice bass slam and higher frequencies that were spot on. Bass with the reference filter was sometimes bordering on too much with some tracks and would slightly impact the resolution of the lower midrange. Still, there is a level of separation of sound that you have to hear to appreciate.  All in all this was my favorite filter and what I will base my review on moving forward.  
 
Bass
Bass on the T20 is bold, forward, fast and with enough punch and rumble to say that is is very well rounded and not lacking. There is a very nice balance when running sweeps from sub to mid bass tones. If there is anything I could fault about the bass response, it’s that the midrange and treble have such nice separation and air between sounds that the bass could sometimes seem wooly in comparison. I really don’t think it’s that the T20 bass is bad at all, because honestly it’s excellent.
 
Midrange
Midrange is lush, textured, and separation is superb. I really enjoyed listening to complex music passages, picking out particular midrange instruments and vocals and listening to them play without the sounds blending with other instruments. The T20 dissects the music and plays it beautifully without any midrange distortion. Although I do get a slight sense of these having a V-signature, It is a very slight V, and midrange frequencies are not necessarily lacking and don’t seem distant like other monitors with this type of tuning. I think the biggest accomplishment is the ability of its midrange to have a slightly thicker note presentation and still retain awesome separation and resolution. Well done RHA!
 
There is a forwardness and resolution in the upper mids that I really enjoy and you probably will as well. This aspect makes the midrange pop and balances things with the robust bass presence, giving it a very entertaining sense while still being pretty natural sounding.
 
Treble
Treble was spot on, with a tuning that many could appreciate. The pronunciation of the letter S never got harsh to my ears. It has very nice extension, better than average detail and a crisp feel that will get your toes tapping. It was only during some of the most complex treble passages that I would get sense of cymbals getting slightly splashy or grainy, but even then it didn’t necessarily take away from the overall presentation. Do I think the treble could be a little more resolving? The answer is sometimes, but I’m not going to deduct points because overall the treble response of the T20 is fantastic.
 
Soundstage and Imaging
The extended bass and treble along with the nicely separation in the midrange give me good sense of space, but for whatever reason the louder you play them the larger the soundstage gets. At lower volumes they don’t yield the same soundstage to my ears. I’m not sure if it’s because the bass presence or what, it just seems that way and I can’t put my finger on it. This applies to imaging as well. turning things up to around the ½ to ⅔ mark yielded better imaging that at ⅓ volume. I suppose isolation and venting play a part in this as well.
 
Source Selection
The T20 will sound fine with something as simple as a cell phone but I did notice that a more powerful and higher resolution source gave me better result. For the most part the better the source, the better these sound.
 
Comparisons
 
Fidue A73 ($130 to $150 USD on many sites)
 
A73 is like that dessert you can't stop eating. The mids are like a perfect consistency cream filling that you can't have just one bite of. You keep coming back for more. While it's not linear or flat or whatever you want to call it, it's this perfect amount of warmth and resolution that never gets tiring. The bass response is forward-ish and present, and displays extension and can be authorative when called upon. Midrange sounds (and vocals) really pop and sound lovely. The top end is layed back in upper mids and still high resolution, and finishes with a nice bite at the top end that is crisp without being fatiguing. Bass through midrange and treble, it is probably the most grain free sounding IEMs I've ever heard. I love the way the a73 fits. The housings are lightweight and there isn't any memory wires to fart around with. Some people prefer memory wire so take my fitment preference with a grain of salt.
 
A73:Better fit for me, Better midrange, Completely grain free sound that is smoother and less fatiguing than t20, yet still entertaining, tuning works fantastic for vocals, Symphony, and EDM. Almost $100 cheaper.
 
The t20 is a beast, period. It's built like a tank. It has a slight V-signature without making the mids sound distant in any way. Their tuning is customizable, which will better allow users to tweak the sound beyond tip rolling. To my ears there's more separation and air between sounds. The t20 really sounds like a multi driver setup to me. They have similar bass forwardness with a little more bass spilling into the midrange but is still minimal (a73 has forward midbass but less spillage). The upper mids are more forward and aggressive on the t20, but very high resolution (I prefer the t20 upper mids as they are more entertaining). The accessories package is phenomenal. There's enough tips for anyone to get a fit, and their accessories package destroys the a73's offering. I am not a fan of memory wire and caught myself farting around with the housings and wires to get a good seal more often than I would like. The t20 is truly end game caliber in terms of build and sound. They will impress everyone who hears them. They are a tough guy and an entertainer at the same time. Their world class separation of sounds is legendary.
 
T20: Sturdier build, better separation of sounds, more accessories, customizable tuning, V-signature better for rock and modern genres, three year warranty is phenomenal

 
T-Peos Altone 250 ($199 USD on CTC Audio)
I had high hopes for the Altone 250 because I really enjoyed the Altone 200, and am partial to single dynamic and single armature hybrid earphones for the most part. However they messed up the tuning of the Altone 250 with tons of mid bass that drowns out the user’s ability to enjoy the rest of what they have to offer.
 
Even with the bass filter of the T20 (which was my least favorable) the T20 destroys the Altone 250 in just about every auditory aspect with the only exception being that maybe the the Altone 250 has a slightly better treble response due to its armature driver being a hair more resolving and able to handle complex passages. Other than this the T20 is leaps and bounds better in sound quality. It also offers a better tip selection and case. The Altone 250 offers two detachable cables (one with a mic and remote, and one without) but their cables are stiff and springy and much more of a PITA to handle than the RHA model.
 
Is there anything that would make me choose the Atone 250 over the RHA T20? NOPE! After using both of them, I would pay an extra hundred, let alone the small forty dollar difference between these two.
 
Conclusion
The T20 rocks. It’s built like a tank, sounds phenomenal, and comes with a three year warranty. The only thing that would prevent me from recommending them to someone is if they said they were looking for something lightweight and with a linear tuning. Other than the fact that they don’t check these two boxes, there is nothing about them I could say is a glaring fault. I already expressed interest to RHA that I want to buy a set. I’m sad that I have to ship them off to the next lucky guy who gets to review them. I know my rock music collection won’t sound as good without them.

Thanks for reading and happy listening!

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-Introduction-​

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RHA is an interesting company. It has forged its own place within the audiophile world, making a name for itself based on the industrial design language of its products and the generous duration of the warranty that accompanies them. Today I have the privilege of reviewing the T20, RHA’s former flagship IEM. While it’s no longer the pinnacle of what RHA has to offer, it’s certainly still worth taking a look at.
You can find the T20 for sale on RHA’s official website here, for $240.
Disclaimer: This review is based upon a sample unit provided to me by a manufacturer or distributor in exchange for my honest opinion and un-edited words. I do not profit in any way from the writing of the review. I would like to thank Marina and Caroline at RHA for sending me this review unit.
Preference and Bias: Before reading a review, it is worth mentioning that there is no way for a reviewer to objectively pass judgment on the enjoy-ability of a product: such a thing is inherently subjective. Therefore, I find it necessary for you to read and understand what I take a natural liking to and how that might affect my rating of a product.
My ideal sound signature would be an extended sub-bass with a leveled, but textured, bass. The mids should be slightly less pronounced than the treble, but still ahead of the bass. I prefer a more bright upper range.
Source: The T20 was powered like so:
PC optical out-> HifiMe SPDIF 9018 DAC 3.5mm out-> earphones
or
AP100 3.5mm out -> earphones
All music was served as MP3 @320Kbps or as FLAC.

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-Sound Signature-​

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Initial Impressions:
Silver/Reference filter: Treble has a notable presence. It is transparent, but not biting, raw, or sharp. Mids aren’t too far back, and are rather dynamic within the mix. Bass is slightly boosted, giving the low end of the spectrum a nice weight to it.
Gold/Treble filter: While the treble filter doesn’t actually decrease the amount of bass being produced, it does make it feel less forward by boosting emphasis to the treble and upper mids. This boost does make the T20 feel a little more precise, and opens up the sound a little bit more. It does not, however, make the treble sibilant or sharp. As a side effect, mids are also slightly pushed back.
Black/Bass filter:
The black filter adds a notable amount of sub-bass, with a slight boost to mid-bass. This makes drops deeper, drum kicks harder, and classical concerts more sonorous. While still not at bass-head levels of bass, the T20 does do a good job delivering in both quantity and quality of bass using the black filter, more so than many “warm” and “bassy” IEMs in this price bracket.


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Unless otherwise stated, the statements made in the following sections are made with regards to the neutral (silver) filter.
Treble: Songs used: White Flag, Midnight City, Outlands
As I’d mentioned earlier, treble is quite nicely placed. It is very transparent and well-extended. Impressively enough, it is also very much not sibilant, sharp, or raw, instead adopting an bold, yet respectful presence. This manifests itself as a good level of retrieval and micro-detail placement in songs like White Flag. Treble layers well, and has it’s own dynamics and depth to it. Outlands fairs just as well, as the T20 does a very good job creating a sense of air, separating out the violins well from the rest of the song.
Hi-hats decay well, and don’t smudge too much into the rest of the upper register.
Mids: Songs used: Flagpole Sitta, Jacked Up, I Am The Highway, Good Life
Evaluating the mid-range of an IEM is more often than not my favorite part of my reviews, and the T20 feeds my interest well. My songs really do come to life on the T20, as each instrument is distinct, with its own position and depth, which is likely due to the airy feeling the T20 gives to many songs. Interestingly enough, the T20 does not seem to have a large spike around the 1–2KHz range that many IEMs use to boost vocal resolution and clarity. While there is certainly a climb from 1–2KHz up to 5Khz or so, such a incline gently moves the vocals forwards, without making them too commanding of the song.
Bass: Songs used: Lights, Gold Dust, 99 Problems (Hugo Cover), Leave Me
Even with the reference filter, bass is not at “reference” levels of emphasis. Instead, RHA chose to give the T20 a small boost in mid and sub bass. While audio purists may disagree with that choice, I actually quite enjoy it. It allows songs like Lights to have a very satisfying level of depth and body, without causing songs like Gold Dust and Leave Me to become boomy and messy. In fact, the reference filter still manages to give said songs a meaty bass drop with some excellent sub bass extension.
Clarity: Songs used: Throne, Map of The Problimatique, I’m Not Alright
The T20 is developed using RHA’s proprietary “dual coil” dynamic drivers. While this may sound fancy (and likely is in practice), the theory behind it isn’t too complex. The “dual coil” refers to a 2-in-1 driver that’s split the transmission coil of the dynamic driver into two separate rings, allowing the driver to divide its workload among the two coils. Thusly, it functions as if it had two dynamic drivers inside, while maintaining a size close to that of single dynamic driver. This technology does show itself when the T20 is pushed quite hard, and it shows itself well. The T20 handled Throne without problem, as it did with I’m Not Alright. No distortion, no noticeable smudging. There was, however, a small amount of lost micro-detail, which is to be expected.
Sound Stage
Sound staging is precise. So precise, in fact, that I had what I’d consider to be my first true “3D” sound space experience with it during the intro of Soldier’s Poem by Muse. But further than that, as I’d mentioned earlier in my review, the T20 does a wonderful job creating an airy and spacious stage for the instruments of my songs to play on. Classical songs can take on a symphonic feeling, punk vocalists can scream their hearts out right next to you, and electronic bass drops can immerse you in the chaos that is the modern EDM scene.

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-Packaging / Unboxing-​

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My apologies for the slightly rotated pictures, as the rock I was taking pictures on was not flat.
 


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-Build-​

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Construction Quality
RHA did a very good job making the T20 feel sturdy and premium. The polished stainless-steel driver housings look like little metallic jewels, and have a satisfying clack when bounced against one another. The driver housings look to be comprised of two metal parts, joined at a seam roughly in the middle of the housing. While it’s an impressive feat, there seems to have been a slight misstep along the way when my particular unit was manufactured. The seam of my left driver housing is wider than the one on the right driver housing. My suggestion to RHA is to try an make the seam less noticeable, as it would greatly enhance the premium look and feel of the T20.
However, for those of you who are nervous, fear not. RHA has great customer service and a heft 3 year warranty on their IEMs, so they’ve got you covered.
 


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[color=rgba(0, 0, 0, 0.8)]The T20’s cable terminates in a gold-plated 3.5mm jack, and is protected by a spring. This gives the T20 (and most other IEMs made by RHA) an industrial, but still premium, feeling. It’s not just a fancy gimmick either. The spring, as well as all the other stress relief systems on the T20, do a very good job protecting the cable from day-to-day mechanical stress.[/color]
 
[color=rgba(0, 0, 0, 0.8)]Controls[/color]
[color=rgba(0, 0, 0, 0.8)]While my unit does not have inline controls, RHA sells a version that does for $10 more called the T20i.[/color]
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[color=rgba(0, 0, 0, 0.8)]Comfort[/color]
[color=rgba(0, 0, 0, 0.8)]Comfort is highly subjective. Everyone has a different bar that an IEM must reach in order to be deemed “comfortable”. Therefore, all I can say is that this section may not be representative of your experiences with this product.[/color]
[color=rgba(0, 0, 0, 0.8)]I find the T20 to be quite comfortable. The insertion depth of the nozzle is farther than the MA750i, and is a little longer than most IEMs I own in general. This lets me get a pretty good seal, even with the stock silicone. The shape of the T20’s driver housings is quite ergonomic, and doesn’t even feel like it’s there most of the time. The cable’s memory wire is also quite good, having an almost perfect balance between pliability and stability. It’s far superior to the implementation of memory wire on the MA750i.[/color]
[color=rgba(0, 0, 0, 0.8)]The memory foam eartips were, however, not very usable for me. It appears as if RHA chose to use generic memory foam instead of genuine Comply eartips. I had a hard time achieving any reasonable insertion depth with them, and found them generally uncomfortable.[/color]

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-Accessories-​

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[color=rgba(0, 0, 0, 0.8)]In typical RHA fashion, the T20 comes with a plethora of eartips all placed neatly on a stainless-steel plate. A variety of nine extra sets are included, which encompass standard silicone, double flange, and memory foam eartips.[/color]
[color=rgba(0, 0, 0, 0.8)]I am confused as to why RHA chose to include these particular memory foam eartips, which are not genuine Comply, when lower tier IEMs in RHA’s product line, such as the MA750i, include eartips that are either genuine Comply, or very convincing generic versions. It’s pretty disappointment for me, as I absolutely love memory foam eartips.[/color]
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[color=rgba(0, 0, 0, 0.8)][color=rgba(0, 0, 0, 0.8)]I mentioned earlier that the T20’s case is large enough to fit the unruly rubber cable permanently attached to the T20’s driver housings in it with no issues. Furthermore, there is plenty of space to throw in some extra eartips or the metal filter holder. As an added bonus, the case is a [/color][color=rgba(0, 0, 0, 0.8)]perfect [/color][color=rgba(0, 0, 0, 0.8)]fit for the Hidizs AP100, my current mobile workhorse.[/color][/color]
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-Summary-​

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[color=rgba(0, 0, 0, 0.8)]The T20 is a versatile, premium IEM. While fit and finish could use a little work, the T20’s sonic prowess is notable for its price. Listeners looking for a stylish, durable, and comfortable IEM with a small amount of bass emphasis should find great solace in the T20’s warm aural embrace.[/color]

 




 
 



































On the other hand, when the bass filter was used for tracks which didn't require bass enhancement or didn't improve the sound using enhanced bass, the overall output felt a little muddied. The tightness of the bass response while using the reference filters was traded off for a more enhanced but less refined one when listening to folk, rock, acoustic and even some metal tracks.
 
Overall, the reference filter was the preferred pair, for my tastes at least.
 
Summary >
 
RHA have ventured up the price ladder with their new flagship, and I feel they're on the right track. I haven't been able to listen to their first flagship, the MA750, which I was looking to purchase at one point, but settled for the Havi B3Pro1 instead, and the MA750 was the model that got RHA the fame they deserve, in my opinion.
 
Now would the T20 be recommended by myself? Whole heartedly. Is it the best price/ performance value out there in this price range? Yes it probably is. The sound tuning filters sure add a whole lot to this department as it can cater to a whole range of consumers, be it the big bass loving, or the slightly treble inclined individuals, there's a filter for that. The sound signature, apart from being 'rich' and not dry at all, is fairly uncolored in my opinion.
 
So that's it, folks, thanks for reading through this hastily written first timer's review. Would appreciate your thoughts, suggestions et al.
 
So while I reluctantly prepare to bid farewell to the review unit, here's wishing you fine folks some happy listening!
 

 
 
Thanks & Cheers

First off I want to apologize for taking so long to get this review put together. Circumstances and family responsibility have conspired against me this year in regards to being able put together a review when I wanted to. But I wanted to make sure I gave the T20 the proper effort as it is a worthy IEM that deserves that. I would also like to thank RHA for sending me their latest flagship IEM.
 
OK enough fluff and excuses lets get to it .
 
Last year when I wrote my T10 review I suggested that RHA had created the perfect Pizza but that it wasn't my flavor. At the end of my review I asked them to make a new flavor. Now, I have no illusions that the T20 was because of my request because I think that RHA was already thinking past the T10 but I think my and all of the other reviews and comments from Head-fi members gave RHA the feedback they needed to start working on the T20 because this IEM is CERTAINLY A DIFFERENT FLAVOR! If the T10 was an all meat then the T20 is a Deluxe Pizza. Unfortunately for me I ate to much meat Pizza last year so find this new pizza to be slightly to spicy for my tastes and slightly lacking the meat department. The good news is I think I will be in the minority in this regard .
 
Starting with build quality as I compare the T10i and the T20 RHA has slightly tweaked and refined their already solid design. The memory wire has been slightly stiffened to help hit retain it's shape a but better but without sacrificing the original T10's comfort. The cable also appears to be very slightly thinner and the sleeve feels a bit less rubbery. The changes are very small but is nice to see that RHA is continuing to improve upon their physical design.
 
The second bigger change RHA has made is their driver technology. The T10 had a single dynamic driver while the T20 has a DualCoil^TM Dynamic driver. The difference in this technology has allowed RHA to create a more technically proficient driver that offers a richer more detailed listening experience.
 
The accessory kit of the T20 is exaclty the same as the T10 model. Which is to say, VERY COMPLETE. RHA is one of the best manufactures out there when it comes to ensuring a person has everything they need to enjoy their products. The vast collection of tips are managed with a great easy to use organizer and the soft case houses everything a person needs easily. They also come with a good quality shirt clip. Overall I would rate the accessory kit of the T20 as a 5/5.
 
Isolation is pretty much exactly the same as the T10, it is not quite on the scale of an Etymotic or Shure IEM for passive isolation but it is close. So I give it a score of 4.5 in this area. While I am on the subject of sound (outside of the music) I think the micro phonics of this IEM are also above average and again deserve a score of 4.5 ot of 5.
 
Finally the T20 comes with the same filtering system as the T10. This allows a person to customize their sound to their preference at will. The even better news is the filter system seems to suite the T20 a bit better than the T10 as the T20 more balanced signature allows each filter to work as designed. For myself I found the neutral filter to work best as it allowed most of the bass and treble through without impacting the mid-range their is a slight V shape but it is very slight. The bass filter removes quite a bit of the midrange making the signature decidely V shaped. The treble filter removes quite a bit of the bass and lower mid-range giving an upper mid-range / treble oriented signature. For many the treble filter will be considered the most neutral especially if they come from IEM's like Etymotic or classic full size headphones like the AKG K/Q7xx line. For my testing I have settled on using the neutral filter as it suites my tastes best.
 
When it comes to sound, like last year I need to say again... TO HECK WITH WHAT I LIKE! I say this because I was introduced to a darker less upper mid-range and treble oriented sound with the T10 and continued to search for an IEM that reflected that type of signature which lead me me down a different path to meet my personal requirements. So when I got the T20 I had already become used to this new signature. But the T20 is pretty much exactly what I envisioned RHA making when I initially reviewed the T10. So I do believe the T20 will be enjoyed by a large segment of audiophile oriented music lovers.
 
In regards to which group that should avoid this IEM I would say if you really like a bass oriented experience the T20 will come up a bit short for you. Similarly if you struggle with any glare in the upper registers and ear fatigue you might find the T20 a bit to much for you as well. If you happen to like bass AND are treble sensitive you will find yourself turning up the volume to try and satisfy your bass love which then makes the treble even more problematic.
 
Bass - I found the bass of the T20 to be much less than the T10 verging on being a bit to polite for my tastes. Having said that the bass is tight and detailed. It seems to have slightly less sub bass which is the one area I miss the most. I rate the bass as a 3.5 for bass lovers, 4.5 for balanced signature lovers, and 4 for treble lovers. But this is one area where the filters can make more of a difference especially the treble filter which will make the bass more in line with an Etymotic type of sound for the treble lovers.
 
Mid-range - The midrange is more forward than the T10 with lots of wonderful detail and is decidedly less warm sounding. It is also more aggressive and edgy as compared to the T10. For most audiophile listeners the T20 offers the type of sound they want. Personally I wish is had a bit more warmth while maintaining the level of detail it has. I rate the mid-range as a solid 4 for my tastes and a 4.5 for balanced and treble lovers.
 
Treble - The treble of the T20 is a massive step up from the T10. Where the T10 erred so far on the side of caution as to be considered muddy by many Head-fi members the T20 is clear, detailed, edgy, and ever so slightly hot. Personally I find the slight peak in the lower treble a bit to much for my ears causing slight fatigue especially if turn up the volume.. But for most audiophile listeners I think this won't be an issue. In regards to sibilance I only noticed what was naturally occurring in an album and then it was never really harsh or annoying. I rate the treble as a 4 for my tastes, 4.5 for balanced lovers, and 5 for treble lovers.
 
My overall score based on my own preferences would be a 4, for balanced lovers and treble lovers 4.25 - 4.5

This is an encouraging tale of disappointment and an anecdote of the merits of patience -- an unveiling of sound that’s rich, lush and beguiling!



I quite recently purchased the RHA T20, as I was curious about the tuning filters (Bass, Reference, Treble) and the proprietary Dual Coil dynamic driver. I’ve heard a lot of good things about their MA750 (and mixed thoughts about their overly bass-focused T10). When I first put on the T20 at the store right after purchase and played some test tracks, I had the compulsion to immediately return the item. But after mustering some courage (and faith), I decided to keep them and let them run their course. So after about a week of (brain or gear) burn in, I’ve come to enjoy these sexy & robustly built IEMs (with a bit of tip-rolling).

For this review, I won’t go over the packaging, build and accessories (as others have done a wonderful job with that already), but will focus on the RHA T20’s sonic qualities.

***PREAMBLE***

I’m a 41 year old lover of all things sonic, with some classical voice training. I compose cinematic-inspired pieces & make choral arrangements in my spare time. I enjoy listening to a wide spectrum of genres, such as classical & cinematic scores, choral music, jazz, folk, world / new age, musicals/theater, pop, rock & alternative. I prefer a relatively flat signature, with some bass enhancement (but not bass-head levels), or presentations with a mild “u” signature (not an exaggerated “v”). I don’t consider myself as an “audiophile” but I am a self-professed music lover. Despite being new to this hobby, I believe I can discern tonal & pitch variances quite accurately. Nope, I am not getting monetary compensation from RHA for this review – this is simply an exercise of sharing my auditory experience regarding RHA’s in-ear monitor, the T20, with the hope that you may find it helpful (if not, at least entertaining). Just remember – my ears, gears & sensibilities. Your tastes and perceptions would most likely vary.

Btw, do check out some notes at the end of this review for my thoughts on burn in (gear/brain), suggested product improvements, as well as RHA’s superb after-sales service.

***GEARS & MUSIC TRACKS***

For this assessment, I used my Cayin N3 (warmish neutral tonality), gain set on medium for most tracks, volume primarily at 50%. The T20’s stock “reference” tuning filter was used. EQ was left untouched. Aside from at least 100 hours burn in (brain or gear), most importantly, I also used some spare wide bore / shallow tips I had lying around. Using these tips, instead of the stock tips, the sound opened up and the bass was tamed yet still commanding, while maintaining body of the mids, as well as the treble energy. I tried the “treble” filters, but found the overall signature became too “v-shaped” for my tastes, and the “bass” filter was just too bassy for an already warm default signature. No external amp was used.

Below are the primary tracks (FLAC) used to evaluate sonic qualities & presentation, and the T20’s delivery of certain genres, instruments & vocal ranges:

Jupiter: The Bringer of Jollity (Gustav Holst)
Chasing Pavements -- Live at The Royal Albert Hall (Adele)
Marche Royale (Igor Stravinsky)
There’s A Small Hotel (Jane Monheit – soprano range)
Anch'il mar par che sommerga -- Bajazet (Cecilia Bartoli -- mezzo soprano range)
Breathe Again (Toni Braxton – alto range)
Even Flow (Pearl Jam – baritone/high-baritone range)
Believe Me Natalie (The Killers – high-baritone/tenor range)
If Ever I Would Leave You (Robert Goulet – low baritone / bass range).
Kadu Buva (Kenny Wollesen, Jonathon Haffner & Dalius Naujo)
Young Hearts Run Free (Kym Mazelle)
Tundra (Amber Rubarth)
Sweet Georgia Brown (Monty Alexander)
Pretty Piece of Flesh (One Inch Punch)

…and some other music tracks, across different genres.


***THE MEAT***

So here are my thoughts about the previous flagship offering from Reid Heath Acoustics – the T20…

TONALITY & SIGNATURE

INITIAL LISTEN:

Bloom. Boom. Dark. Veiled. Aggressive. Congested.

The lows were overly dominant, as if one was swimming in sub-bass. Vocals and mids sounded curtained off. Treble sounded muffled. Gasping for air.

AFTER BRAIN/GEAR BURN IN:

Detailed. Energetic. Warm. Rich. Expansive.

The T20 follows RHA’s V-shaped house/signature sound with a stout low-end and pronounced highs, best paired with a neutral or slightly bright/cold DAP/DAC, in my opinion. I think my initial dismay was due to the fact that I’ve been using the Fiio EX1 2nd Generation on most days prior to acquiring the T20. The Fiio EX1ii is an IEM that is generally bright and somewhat balanced, with enhanced but controlled lows, superb soundstage / airiness / imaging, and with mids & treble that I enjoy. Also, I believe that my Cayin N3 (unfortunately) adds to that already warm & bass-heavy presentation of the T20 (the N3 is slightly warm to neutral).
So yes, the sound did take some getting used to (or the drivers have finally flexed their muscles).
Now the T20 is more enjoyable, offering a full-bodied, richer and impactful presentation.
The T20 is not the most revealing, but in lieu of this, it enhances the sound making even some bad recordings/mixes sound quite enjoyable. The T20 is not ideal for reference/mixing but it is definitely crafted for music enjoyment, assuming you’ve taken a liking to its type of presentation.

LOWS
Sub-bass emphasis, with decent rumble & extension – a good backdrop to the rest of the higher frequencies. Emphasized but rendered like a sonic wall at the back of the stage.
Mid-bass is punchy and quite fast, and surprisingly doesn’t intrude much on the lower mids.
I would have loved the lows, if they were at least 2db lower. The bass can be a little too much for my tastes, thus, I had to tip roll as I don’t like touching the EQ on my DAP. The stock narrow-bore / low silicone tips further emphasize the bass, which may suit those who want heftier lows. I chose to use my spare wide bore / short silicone tips to lessen the funnel effect and tone down the bass – the sound becoming more balanced and enjoyable!

MIDS
Male Vocals are natural and full-bodied, though very slightly recessed and can get quite drowned out on busier tracks (especially baritone/bass voices). Eddie Vedder’s vocals in “Even Flow” was well rendered with ample grit but a little less so compared to how the Audiofly AF56 or iBasso IT03 does it. Still, alternative rock/grunge sounds great on the T20! Robert Goulet’s rendition of “If Ever I Would Leave You” was simply sublime, with sufficient body, emotion and warmth!
Lower Female Vocals are more forward, slightly dry yet natural sounding – Tony Braxton’s vocals in “Breathe Again” had an enticing warmth & heft to it! Higher Female vocals have better imaging and ample airiness, and carries over some warmth of the lower registers, resulting in vocals that sound fuller despite the higher pitch.
Good transience and micro-detail retrieval for instruments such as trumpets, horns, guitars – as long as the track does not get too busy.

TREBLE
Lower treble is prominent with decent clarity & detail retrieval, giving it energy & character. Violins are energetic, forward and detailed enough yet sound ever so slightly smoothed over. I actually find this treble rendition as one of the T20’s charms – energetic yet not grating! Btw, I could handle pronounced treble, so YMMV.
Upper treble extends quite well. Cymbals and high hats have good shimmer without becoming splashy, though sound slightly fuller than they should. Sibilant-prone tracks are not as sibilant, due to the overall darker / warmer character of the T20.

SOUNDSTAGE, IMAGING, TRANSPARENCY
Quite intimate compared to the superbly staged Fiio EX1ii and the iBasso IT03, but still above average. However, I occasionally get surprised with the T20’s soundstage rendition – it can sound expansive, depending on the track (resolution, mix/mastering, etc.). The T20 has ample width, closely followed by height, and some depth. It has enough air, but is not as airy as the offerings from Fiio and iBasso. However, the T20 can still deliver exceptional directional queues, positioning & holographic effects despite its more intimate soundstage. Things can get quite claustrophobic on very busy tracks, due to the overall warmth – however, it barely shows distortion even in louder volume settings (an interesting finding!).

DRIVABILITY & SENSITIVITY
The T20 is quite easy to drive (16 Ohm impedance with 90dB sensitivity) on my Cayin N3 with volume averaging at 50% on medium gain. Its frequency range of 16-40,000Hz does hint at the impactful presence of lows & highs. It has an almost black background and an unnoticeable driver reflex (if any).

BRIEF COMPARISONS
As of now, I don’t have other gear in the same price range to directly compare with the RHA T20 (purchased at approximately US$200).

So I’ll just make comparisons with some of my other IEMs:
Vsonic GR07 Classic Edition (approx. US$100)
iBasso IT03 (approx. US$300)
Audiofly AF56 (approx. US$100)

Hopefully these comparisons will help you get a better idea of the sound virtues (and cons) across the budget/entry/mid-level price ranges. Just note that the aforementioned prices were as of time & location of purchase.
Comparison Guide:
> is defined as “more but just by a little compared to…”
>> is defined as “very perceptible variance; obvious difference”
= is defined as “equal to; same as”

*By the way, even if a certain IEM is positioned at the last rung, it doesn’t mean that that particular quality is absent or lacking, as it can still be average / above average. I will call it out if the model really suffers/shines immensely in a particular aspect.

So here are the gears stacked against each other, exemplifying certain qualities, from the most to the least:

Neutrality = GR07 > IT03 > AF56 > T20
Timber/Naturalness = T20 > IT03 = AF56 > GR07 (upon further listening, I realized that the GR07 is the least natural sounding among this roster. However, the GR07 still has good timbre and doesn’t sound too digital / artificial / metallic, albeit sounding ever so slightly nasal in certain vocal renditions, compared to the other three)
Detail/Resolution = IT03 >> AF56 = T20 > GR07
Airiness & Clarity = IT03 > GR07 = AF56 > T20
Imaging & Positioning = GR07 = IT03 > AF56 > T20
Soundstage = IT03 = AF56 > GR07 > T20
Dynamics = GR07 = AF56 > IT03 > T20
Transience = IT03 > AF56 > T20 = GR07
Bass Quantity = T20 > AF56 = IT03 > GR07
Bass Quality = T20 = AF56 > IT03 > GR07
Mids Quantity = GR07 = IT03 > T20 > AF56
Mids Quality = T20 = AF56 = IT03 > GR07
Treble Quantity = T20 = IT03 > AF56 > GR07
Treble Quality = IT03 > T20 = AF56 > GR07
Amount of Sibilance = GR07 = AF56 > IT03 > T20 (based on first listen, but all have tapered down after ample burn in, and clearly, the T20 wins here!)
Comfort = T20 > GR07 >> IT03 > AF56
Apparent Build / Durability = T20 >> IT03 > GR07 > AF56
Immersion / Engagement = T20 = AF56 = IT03 >> GR07 (the GR07 is the most neutral of the four but still manages to be engaging. But the other three models have the upper hand with their own unique form of immersive presentation.)

CLASSICAL/LIVE = IT03 > AF56 = GR07 = T20 (the enhanced lows of the T20 and AF56 balance the typical treble-centered classical genre, while the GR07 allows most, if not all, the voices & instruments to clearly assert themselves)
ALTERNATIVE/ROCK= T20 > AF56 = IT03 > GR07 (the T20 really shines here, though the IT03 & AF56 are not very far behind!)
R&B/JAZZ = T20 > AF56 > IT03 = GR07
POP/EDM = IT03 = T20 > AF56 > GR07


***OVERALL***

The RHA T20 is a commendable all-rounder and a good day-to-day music companion, excelling in studio-produced tracks (alternative, rock, EDM, pop), and genres that call for more pronounced lows. It’s satisfying enough for live or concert hall recordings that demand impeccable imaging, clarity and soundstage, while giving an entertaining and exceptional low-end balance to treble-focused genres such as classical/orchestral. The T20 is a looker with a luscious pebble-like solid steel injection-molded housing. It feels robust, with RHA’s standard three-year warranty adding to that confidence. Although the T20 can improve on staging, it delivers a cohesive sound with its Dual Coil dynamic driver. If you’re used to cold / neutral / flattish IEMs and are seeking an exciting yet warm signature, natural (almost analog-like) timbre and a robust bass, the T20 is certainly a viable option. What began as a dark & lackluster experience transitioned into a tale of delight, with Reid Heath Acoustics’ T20 eventually unveiling its charms – an immersive, lush and full-bodied life-like sound for sheer musical enjoyment!

***NOTES***

1) WARRANTY
Aside from the sexy & robust metal housing, and lively sound, I purchased the T20 due to the generous 3-Year RHA warranty. When my cable had some problem (it happens to the best of us) and the local retailer was less than engaged with my problem, I emailed RHA directly and they responded and acted fast, sending a replacement unit immediately. Thus, it’s easy for me to recommend the T20, and RHA as a company – buy with confidence!

2) BURN IN
I’m still on the fence regarding burn in. Do small transducers, particularly Dynamic Drivers, really change their sonic renditions in time, or is it just my brain becoming accustomed to the sound and/or has become selective to the presentation and frequencies to create a more enjoyable listen? Frankly, there’s not much change in my other IEMs after ample burn in, but with the RHA T20, it’s quite a "night & day" difference! So whether the T20’s dual-coil dynamic driver really flexed itself to sound better through use, or my brain and ears simply adjusted, I would still recommend these IEMs for that lush and natural sound (albeit sometimes too powerful bass).

3) RECOMMENDATIONS to RHA
I think RHA has something nice going on with the T10 and T20, particularly with the tuning filters. The T20 is simply bass-abundant, so whichever filter you use, the lows would still assert their undeniable presence. It would be nice if RHA could create some tuning filters that really enhance the mids (making them more forward) or one that truly tones down the bass. The over-ear hooks' sheathing could be improved, too, as they have started to crinkle a tiny bit. Length of the wire/cord could also be reduced for more manageability. But, please, do keep using that sexy injection molded stainless steel construction (which is surprisingly light!) to maintain the robust and premium feel of your products, as most plastic/resin housings can feel quite, well, inexpensive. Replaceable wires/cords would also be a nice touch, to lengthen use and enjoyment of RHA IEMs.

 
INTRODUCTION
Being a fan of the RHA MA750 (RHA's first flagship IEM), I was quite excited to hear when RHA released the T10i.  The new stainless shells, novel "memory wire" implementation, and smartphone-friendly plug along with tune-able sound via interchangeable filters got me pretty excited, so I took part in a tour for the T10 at that time and spent a week using the T10 as my primary IEM.  While the new ergonomic shell and "memory wire" solved my biggest problem with my MA750 (comfortably staying in place), the sound wasn't what I was looking for in the MA750's successor as RHA's flagship.  It had a quite dark / warm sound signature that satisfied a lot of bass-heads but just wasn't for me.  But even back then, there were promises of more to come from RHA...
 
So what is this new IEM RHA unleashed on us with the T20?  I got to spend a week with these as the first tour member in the U.S. / Canada tour and if you don't read any further, I want you to know that in my opinion the T20 is RHA's next-generation, all-new & improved flagship and a very worthy successor to the MA750.  In his recent review, @Koolpep@ called the T20 the love-child of the MA750 and the T10.  I agree with that statement but think the T20 are more than that, and I hope to convince you of that in this review.  Read on to find out why...
 

(PHOTOS COURTESY OF RHA)

 
RHA T20 PRODUCT PAGE
 
 
RHA T20 TOUR
When the T20 was announced on Head-Fi, I reached out to RHA to see if we could set up a U.S. / Canada review tour.  RHA obliged, and here we are.  Many thanks to RHA for sending a pair for the tour, and a special shout out to Iain at RHA for helping to coordinate the tour!
 
 
ABOUT ME
I'm a 43 year old music lover who listens to a wide variety of genres and artists (but mostly electronic, metal, and modern composition these days). As with a lot of people my age, I've got some hearing issues - some upper frequency loss and mild tinnitus. 
 
My portable music journey started with the venerable Sony Cassette Walkman and then progressed to portable CD players, minidisc recorders, and finally on to DAPs like the Rio Karma, iRiver IHP-120, iPod, iPhone, and the newer crop of DAPs from Fiio and iBasso. 
 
My headphone journey started with Sony MDR e888 and Eggos back in my minidisc days.  I moved on to full-size Beyerdynamic and Ultrasone cans and Shure E2 and E3 IEM. Those all served me well for quite some time.  Then I rediscovered Head-Fi, and my poor wallet...
 
 
SPECS

 
 
PACKAGING & ACCESSORIES
I'm not one to go on about packaging and accessories, so I'll keep this short and sweet.  The packaging and accessories are up to snuff for an IEM at this price point - several pairs of tips (single flange, double flange, and foamies) in a credit card style stainless steel tip holder, interchangeable tuning filters screwed into a small stainless steel plate, shirt clip, and nice zip-up case.  In fact, they're pretty much the same accessories that came with the MA750 with the exception of the filters.  And they are the same as those that came with the T10, so if you're familiar with either of those you'll know what to expect. 
 
My only complaint was the shirt clip, which was too small to accommodate the T20's cable. It bent out of shape and showed signs of stress (whitening) when I attempted to insert the T20's clip just below the y-splitter. I informed RHA of this and hope it will be fixed before final release.  In the meantime, I affixed an aftermarket shirt clip to the tour T20. 
 


 

 
BUILD & ERGONOMICS
 

 
My first reaction after opening the box was, “Looks a lot like the T10i!”  In fact, they look pretty much identical to the T10i with the exception of the T20’s black cable.  When I removed them from the foam insert, I was reassured by the weight and super solid construction.  The injection molded stainless steel shells are very smooth and comfortable sitting in your ear with no exposed sharp bits.  I’ve found this can be a problem with a lot of shells. Whether metal or plastic, a lot of shells have one or two spots with an exposed seam of other sharp bit that irritates your ear after a while.  Not so with the T20!   
 
The T20’s shells are fairly heavy, but once inserted I didn't find them overly heavy due to RHA’s novel memory wire implementation.  With other memory wire cables I’ve used, you bend the memory wire and it just stays in place with no give. RHA’s memory wire implementation is pretty springy.  After inserting the T20, I would gently press the memory wire in place, give it a gentle tug near the small weight below the memory wire, and the T20 would stay in place.  I wear glasses and the one nitpick I have with RHA’s memory wire implementation is that it is thicker than other memory wire I’ve used.  This means it will interfere more with the arms on your glasses.  Is it a deal breaker?  No.  Would it have been better for me as a gasses wearer if the memory wire were thinner?  Definitely.  That said, I don’t know if RHA can make their novel memory wire implementation any thinner.
 
Speaking of thick vs. thin, the cable is another point where I think some improvement could be made.  As with the MA750 and T10i, the T20’s cable is quite thick.  It honestly seems more like a headphone cable than an IEM cable.  Luckily, it is pretty flexible and doesn’t have memory issues, so you can coil it up to store them away in the included case, pull them out, and they straighten out right quick.  The main improvement I could see here would be to thin down the cable both above and below the y-splitter.  If the main cable were the thickness of the two cables above the y-splitter, they’d still be plenty thick.  The other improvement I’d suggest is to have a better balance between the cable length above and below the y-splitter.  I’m 5’ 10”, and the y-splitter nearly reaches my belly button.  In my opinion, that’s too long.  I’d rather see it hit me mid-chest, so the shirt clip was in a more reasonable location.  I’ve never used an IEM where the y-splitter sat so low.  It again reminds me more of a headphone cable than an IEM cable. 
 
So how’re the tips?  I know from previous experience that RHA’s double flange tips don’t fit me well, so I stuck with the stock medium single flange tips.  They fit well and sounded good, so I left those on for most of the review.  I only took them off to try a pair of medium foam-filled Sony Hybrids.  I enjoy those on my MA750.  They help keep them from popping out and add a bit more oomph to the bass.  With the T20’s memory wire, more ergonomic shells, and sound signature, I didn’t find the Sony Hybrids to be an improvement and took them off.  Are the stock tips perfect?  No, they’re not.  They still pop out after a while, but I have this problem with a lot of IEM and it wasn’t enough of a bother to warrant a change in my opinion.
 
I once referred to the MA750 as a multi-use IEM.  You can listen to them, and they sound great.  If you’re short a tie-down, you could probably use the MA750’s cable in a pinch to help secure a load. And if you’re attacked, well… there are several ways I can envision using the MA750 for self-defense.  RHA has taken the same approach with the T20 but kicked it up notch, creating a really nice balance between ergonomics and durability.
 
 
SOUND
(PHOTO COURTESY OF RHA)

Frequency Response Curves
Red = Treble Filter
Gray = Reference Filter
Black = Bass Filter
 

I'm going to keep this section simple. I appreciate reviewers who wax eloquent, describing each peak and valley - but that's not my forte.
 
With that disclaimer out of the way, how do they sound?  Does this new DualCoil™ technology perform? Based on the performance of the T20 vs. MA750 and T10i, I’m going to say that the answer is a definitive yes!
 
After receiving the T20, I used them with the Reference filter and stock medium single flange tips for several days to accustom myself to their sound signature.  For those of you who are "burn-in believers”, I left them playing overnight at a moderate volume with my music collection on shuffle for the first three nights I had them in addition to listening for a few hours each day.  After that, I tried out the Bass and Treble filters and compared them to my Dunu DN-1000 and T-PEOS Altone200.  I listened to a wide variety of music but stuck with albums I know well.  A lot of my listening was done with Bjork’s most recent albums (Biophlia and Vulicura), as they have a wide range of musical elements.  The RHA delivered very nicely! 

The Bass filter imparts a more intimate soundstage and treble roll off.  This is the “relaxed listening session” filter and reminds me a bit of the T10i with the Reference Filter.  However, it didn’t suit my taste.   With bass-heavy music, the bass emphasis was just too much for me becoming more one-dimensional, slower and more ponderous instead of quick and responsive.  I know the bassheads out there will really like it, but it wasn't my cup of tea.  Instead of using it for electronic music as suggested, I could actually see using this filter for acoustic / instrumental music to add depth / warmth.

The Reference filter strikes a good balance between warmth, clarity, and soundstage - nice! The bass was quick and responsive with good attack, decay, and texture.  Mids were well-balanced with the rest of the spectrum, and vocals came through clearly without getting shouty.  Upper mids and treble were crisp and clean with nice detail.  There was some discussion about these being aggressive in the upper mids and treble region with the Reference filters, but I didn’t think so.  It was certainly vivid and added nice shimmer / sparkle, but it seemed natural and lifelike to me - definitely not over the top like some BA IEM can get.  For those of you with younger ears, your mileage may vary.  These attributes plus the expansive soundstage kept my ears quite happy for my week with the T20.  This is your all-rounder filter.  For those of you with the T10, the T20 with this filter reminded me most of the T10 with the Treble filter on but with more controlled bass, crisper highs and larger soundstage.  

The Treble filter is for those you who like to live on the edge.  Compared with the Reference filter, the bass is a bit less prominent and upper mids and treble take a leap forward.  I found it was a bit shouty and aggressive.  I thought I'd hear a larger soundstage with this filter but was happy that I think I heard a wee bit larger soundstage with the Reference filter.

I'm sure all three filters will have their advocates.  Devoted bassheads will screw on the black Bass filter and never look back, if Ety fans were to pick this up they’d head right for the Treble filter, but most people will be more than happy with the Reference filter.  This makes me really happy as after hearing the T10i, I was a strong advocate for the Treble filter being the most balanced.  After owning the MA50 and auditioning the T10i, I’m really glad RHA had the T20 up their sleeve.  Good job making an IEM for the rest of us, RHA!
 
 
ISOLATION & MICROPHONICS
Not much to say here.  Everything is fine.  Isolation is on par with my other dynamic and hybrid IEM, and the over ear fit plus thick, rubbery cable control microphonics very nicely.
 
 
LISTENING NOTES VS OTHER IEM

 

Unless otherwise specified all comments apply to T20.
 
vs. MA750 (with foam-filled Sony Hybrids)
- more engaging
- more holographic soundstage
- better instrumental separation
- increased clarity
- more well-rounded, impactful, less one-dimensional bass
- same cable but in black
- same y-splitter
- plug now fits into phone cases
- more ergonomic shells
- memory wire works better than MA750 ear hooks
- clear sonic upgrade for those looking for more impactful bass response, more mid presence, and increased clarity, soundstage, and instrumental separation
- MA750 would be more like T20 bass filter mids, upper end, clarity, and soundstage + treble filter bass
- clear ergonomic upgrade
- comparable durability
 
vs. DN1K (with red ring + clear tips)
- more of a fair fight but T20 are again more engaging
- slightly more spacious
- slightly better instrument separation 
- slightly increased clarity
- similar bass weight but with faster attack and less one-dimensional character - less bloated
- T20 has more ergonomic shell and more durable but less ergonomic cable
- sonic upgrade
- toss-up in ergonomics
- upgrade in durability
 
vs. A200 (with foam-filled Sony Hybrids)
- again more of a fair fight but T20 are again more slightly more engaging
- slightly more spacious
- slightly more instrument separation 
- slightly increased clarity
- warmer mids
- similar bass weight, impact, and decay but more well-rounded
- sonic upgrade
- toss-up in ergonomics
- upgrade in durability

 
My preference: T20 > A200 > DN1K > MA750

 
 
SUMMARY
The T20 are an attractive, well-built pair of IEM with filters that work to very clearly customize the sound signature.  With the Reference filter, the sound is quite engaging - a clear upgrade from the MA750 and T10i.  They’re also very competitive with the triple driver hybrids I own.  It’s obvious that RHA not only pays attention to sound but also ergonomics and durability.  My only nitpick with the T20 is the headphone-like cable which could be thinned down a bit for IEM without compromising durability, but that's certainly not a deal breaker.  RHA's best IEM yet!
 
Thanks again to RHA for the opportunity to give these a listen!

What do you think of when you hear: injection moulded stainless steel housing, dual coil drivers, interchangeable tuning filters, and a 3 year warranty.
The RHA T20 is the probably the only earphone with this mix of characteristics.   At first glance, the T20 appear awfully similar to its sibling the T10.  I thought the same way when I finally saw pictures of them, there seems to be very little differences, aesthetically anyway.
 
However, it seems that RHA had been listening to the feedback  they received from the T10 and upped the ante with the T20, by implementing a “dual coil dynamic driver” (aimed to better separate the bass, mids and treble), in addition to all the goodies that was already present on the T10.
Despite the beautiful craftsmanship and accessories of the T10, the sound of the T10 had generated mixed responses from many users on head-fi and beyond, especially being premium, luxury product at the price of ~$199.
Lets find out, if its strike 2 for RHA or have they hit homerun with the T20s.
 
Disclaimer: As with every review, price is always in consideration when rating and commenting about the gear I am reviewing. I want to thank RHA and nmathesis as well as all my other peers on head-fi for making this T20 tour possible. I’m very glad to be a part of the North American Tour for the T20.
 
Below is my Full video review over on youtube of the T20 and my T10i review for reference. (i have also included my comparison video of the T20 vs T10i as well). Enjoy!
 

 

 

 
Accessories:
The T20s come with an abundance of accessories, and for good reason considering, it’s a premium product commanding almost a $300 price tag.  It comes with:
3 interchangeable filters (bass- black, reference-silver, treble-gold)
A Metal Platelet  to display the above mentioned filters
6 sets of single flange (of the hybrid variety, in various sizes)
2 sets of biflanges (2 sizes)
2 sets of foam tips
An elegant metal frame to hold the included eartips
A large zipper carrying case (to store the earphones and all the eartips)
A clothing clip
An Exceptionally Long standing 3 year warranty.

 

 

 

 
 
Summing up, theres not much more you can really ask for in terms of accessories, the T20s have certainly impressed me with the amount of goodies it comes with.
Overall: 10/10
 
Build quality:
The T20s are built simply superb. The injection moulded stainless steel earpieces have a very robust quality to them, they are quite heavy, on display is beautiful craftsmanship and a luxurious feel.  Moving down toward the cables, the T20s have a black, medium-stiffness memory wire, to help prevent the cable from flopping around, especially since the cables are on the chunkier and thicker side. The cables impress and provide assurance that the T20s will last for a long time, even under the most active and rigorous conditions (I honestly think they can be a used a rope to harness your bikes to your car on road trips). The drawback of this thick cable is the additional weight that comes with, making a bit cumbersome and noticeable when turning your head quickly.  
The headphone jack terminates in a straight angle jack with a long spring acting as as a strain relief. Personally, I would have liked to see a small, compact L shape/90 angle plug with a shorter strain relief section to help assist in portable listening environments.
Overall: 10/10
 

 
 

 



 

 
 
 
Comfort:
The way the T20s were designed and with the addition of memory wires, signal that the T20s were intended to worn cable up, helping to to minimize cable noise.  I found the comfort to be above average, despite the slightly larger, “tubbier” housing. This is mostly due to the very smooth housing, that convey a sort of “organic” shape.  I found sleeping with them quite comfortable, I was able to lie on my side in bed with them, and because their so solidly built, I’m wasn’t afraid of waking up to broken earphones, considering I toss around in bed quite a bit.
 In retrospect, my outer ear did get a bit sore after 2-3 hour session; I suspect that may have more to do with the angle of the nozzle then anything else. I would prefer a nozzle that is angled about 45-60 degrees as with its competitors. Overall, in terms of ergonomics, I felt RHA has done a fine job.
Overall: 8/10

 

 
 
 
 
Isolation:
In my short time with them, unfortunately, I wasn’t able to use really put the T20 to the test on public transit and the like. However, in my general use, (around the house and around the neighborhood and mall), I found the isolation to be above average, despite the vent/mesh on the face of the earpieces.
Overall: 7.5/10
 
Sound (In general terms)
The RHA T20, is an essentially a re-tuned, and I consider “better tuned T10”.  In my opinion, I felt T20’s sound is what the T10 should’ve been. But in my conversation with nmathesis, we agreed that the T20 came to fruition only because of the feedback from the community and consumers alike from the T10s. Well, if that’s the case, I’m happy camper.
So, lets get down it!
The T20’s general sound signature stays true to their house sound, a textbook “V shape sound signature”, that’s warm, and bassy with a crisp treble that works well with today’s modern music.
 
Filter system:
**In my conversations with RHA, I was able to confirm that the T20s have the same tuning system as the T10i.**
 
I will summarize the sound signature of the T20 below, the filters do alter the sound (but it’s more of a tweak, rather than 3 completely separate earphones).
 
Bass- The bass is impactful albeit a bit on the slower side, but attention grabbing, quite satisfying bass. It impress you with the amount of bass those dual coil drivers can generate, more so then the detail and the texture. The bass has more emphasis in the midbass, with a bit of bloat, but is compensates with great definition down into the sub bass as well. This makes the T20, fun but not an overwhelming bassy experience. I think this bass boost if very appropriate if your using them during your commute to help cut through the rumbling and shuffling in loud noisy environments. (If this doesn’t sound like its enough bass for you, skip down to the bass filter section).
 
Midrange- The midrange does take a small dip, but is quite competent, clear. While a doing good job sounding  clean, and natural, (good detail in conveying the texture and characteristics of voices). However, obviously it wasn’t tuned with classical or acoustic pieces in mind, instead it chooses to excel in genres such as pop, and electronic music. That said for as bassy earphone, I’m very happy with the midrange performance of the T20. The Reference filter helps accentuate conveys the most “natural” sound of the bunch. (skip to the reference filter section below).
 
Treble- The slight dip in the midrange climbs up in the upper midrange to the lower treble, giving more life and energy, giving tambourines, and chimes a “clean” sort of metallic/shimmery texture.  The top end extension is good, but I feel its missing that extra little bit of “air” needed to really take the T20s onto another level. (If you want more treble extension and sparkle see the Treble filter section below).
 
 

 

 

 
 
Favorite Filters Ranking:
 
#1 Treble filter sound
They open up the RHA house sound, which makes the sound leaner, which I think is a good addition considering I find the T20s can get a bit congested at times with the other filters (the Treble filter is stark contrast compared to the Bass filters). The treble gets a bit more shimmer and extension, and allows female vocals to gain more energy, but at times I can see that it can be interpreted as maybe a bit thin or brash. I think it could use a bit of tightening up here (maybe a bit of dampening), however it’s the liveliest sounding of the 3 filters. The treble filter just edges out the reference filter as my favorite filter.
 
#2 Reference filter
I quite like the tuning with the reference filter; the tonality is spot on for a bassy earphone. I could use a bit less bass however, as I felt that it can get a bit too thick in the mid to upper bass, causing a bit of smearing. The reference filter is probably the filter with the widest appeal (don’t let the word “reference” fool you, they’re anything but flat or neutral sounding).  The reference filter is probably the most natural sounding of the bunch and that’s why I slotted them at a firm #2.
 
#3 Bass filter
This is where bassheads unite! The bass filter on the T20 I find is more likeable than the T10i with the same filter. The bass here does reach basshead levels and its very chunky and very chesty, and it does dominate the sound signature as expected.  This filter is a great option for the average consumer who wants big bass punch with a rolled off treble.  For me however, I found the Bass filter to be my least favorite of the bunch, it felt too bloated to my ears, and due to the rolled off treble, caused it to sound dull and overly dark.  
 

 

 

 

 
 
Comparing the Brainwavz S5 with RHA T20 (with Treble filter)
The T20s have a more refined sound overall, the bass more even (less midbass bloat), and hits lower. The treble is cleaner, refined as well, it also has less veiling in the upper midrange. Soundstage-wise, it’s more well rounded, where as the S5s are wider in terms of left and right then height.
 
Comparing to the Yamaha EPH 100 with the RHA T20 (with Reference Filter)
The tuning here is more similar, with more bass punch on the T20s, whereas the EPH 100 has more defined and extended treble, revealing the finer details.  The biggest difference between the T20s and the EPH 100 lies in terms of their physical build. Where the EPH 100, sorely disappoints with a thin, fragile cable, with long but flimsy strain reliefs. Whereas the T20s, look like they can withstand the heavy abuse squashed under a backpack full of heavy textbooks.
 
RHA T20 Bass Filter with RHA T10i with Bass Filter
This is a direct comparison between the current and former flagship from RHA, with the same filters. Listening to songs like  “Let’s Go by Calvin Harris Feat Ne-Yo”, and “ Party Rock Anthem by LMAO, the T10i will give that boomy, chesty bass bump, but I felt the bass suffered from some smearing and can sound one-note.  In terms of the bass, I found the T20 to be tighter, with the edge in terms of scaling. Also, the T20 trades off some of that bass found in the T10is for a bit more upper midrange-lower treble, giving those synths more liveliness. Both earphones are polite, and dark sounding, so they good choices for the treble-sensitive bassheads out there.
 

 
 
Overall: 8.5/10
 
 
In conclusion, while the price tag of $249 is not what many attribute as being a “budget” product. The T20 is not really targeted toward that demographic. For a mid-high tier product, the T20 packs a lot of desirable features (robust steel housing, ergonomics, and sound) in a relatively compact package.  Personally, I would be more comfortable seeing the T20 in the $170-200 price range, but it’s an earphone I can very comfortably recommend if you have the extra cash to splurge.
 
Overall Rating: 44/50= 88%

First of all I’d like to thank RHA for sending out a unit of the T20 for us to do an Australasian tour. RHA is a company that I am quite familiar with now, having tried their other two previous flagship IEMs. The MA750 was the first RHA product I tried and I was very impressed by the build and the sound that it put out. However, their last entry into the mid-range market, the T10 left me wanting a lot more as far as sound went. It was overly bass heavy and I noted that they needed a more “reference” reference filter.  
 

 
The T20 is the successor and the new RHA flagship and is supposed to incorporate the suggestions that came from the T10 and pick up from its mistakes. I had very high hopes for the T20, and I loved the design aspect of the T10, so was happy when I discovered that the T20 would have the same design as the T10. RHA is known for the build and meticulous attention to detail of their IEMs and the T20 certainly continues that trend.
 
The T20 is priced at $240 in the US and this slots perfectly into the mid-range of IEMs. This is a price bracket which I feel has the best money to sound ratio and going into the high end market will cost considerably more with little return. The competition over here is very stiff and I was curious as to see whether it would knock off the DN-2000.
 
**Disclaimer** These were provided by RHA for a tour in return for an unbiased review.
 
 

Unboxing & Accessories

The packaging is classic RHA again and it certainly looks very well presented. The box shows off the many features that it has and it showcases the red dot design award that it received. It tells you on the front of the box that it comes with a three year warranty, compared to the one or two that most other competitors offer. Opening the flap will reveal a graph with all three of the tuning filters and there is a clear plastic window where you can see the T20 along with the tips and filters. Good presentation and the packaging survived the tour rather well, so it seems unlikely that it would get damaged in transit.
 
The T20 certainly comes with a ton of accessories. It has a lot of tips including foam ones so everybody should be able to find a comfortable fit easily. The tips are all on a metal plate, just like the other RHA IEMs and this is a really nice design IMO. There are 3 tuning filters, which is one of the selling points. The change is not all that large between each of them, but it’s not exactly subtle either. The case is also the standard RHA leather case and it serves its job very well, but it would maybe be nice to see something that it more protective. There is also a cable clip and a manual. Overall, this area is good just like all of their other IEMs.
 

 

Design & Isolation

The physical presentation of the T20 is amazing, it is the same as the T10 except it has a vent on the face. The brushed metal looks excellent and it is very well built. The build is also very impressive, all the seams are very tight and the earpieces just feel very well built. They do scratch quite easily though, so be careful with them. The entire housing is made of brushed stainless steel and is very well finished. The left and right side are colour coordinated, which is a nice touch. The shape also fits very well in my ear and it is shaped like Shure or Westone IEMs. Seal was a little hard to get with these with the stock tips, but I think that might just be my ears and not the T20.
 
The cable is awesome just like the T10. There is no remote on the T20, but I’ve heard that RHA are going to come out with a T20i, which is the version of the T20 with a remote and mic. The memory wire, just like the T10, is ever so slightly too long and it goes a little past my ears. The cable feels very solid and is just the right thickness and still remains flexible. The jack has a good strain relief, but it’s is really long and it is probably just a little too intrusive. It would be nice to see a more low profile strain relief.
 
Isolation is probably a little under average for these, the vent really doesn’t help isolation too much. In relatively quiet areas, the T20 has no issues, but in noisier public places the T20 may not do a sufficient job at blocking out sound. It’s not bad, it’s just not that great. Listening to this while I am typing this review, I can hear my mechanical keyboard quite clearly.
 

 

Testing Gear

I tried the T20 with a range of sources and I discovered that it actually scales quite a lot, more than the price would suggest. The best pairing I found was the iBasso stack that I have been pairing with the 1plus2. I used it with the D14 as a DAC and the P5 as the amp. I felt like this really brought out the dynamic sound of the T20, and made it sound more alive than from other sources I tried. The DX90 was quite a good pairing, but it didn’t drive the dynamic driver with the same authority that the P5 had. I tried with the iPhone 6 and the Xperia Z2 and they sounded really poor, lifeless and quite dull, I would really recommend pairing these with a high end source, because they really need something good to shine. I also decided to use the treble filter for the review, because I found that it was the more natural sounding filter out of all the three options.  
 

 

Sound

Just a word of warning, these require burning. RHA sent them to me first and out of the box I was really disappointed. Upon hearing them, I felt like RHA still hadn’t addressed the issues that plagued the T10 – bloated bass, overly warm sound that lacked clarity. However, after it did the rounds around Australia and New Zealand, I was actually really impressed with the sound and was shocked just how much it had changed. So when you just get them, don’t judge them straight away. I’m not sure how many hours the T20 had gone on the tour, but I’d say to burin them in for around 200 hours before judging them.
 
 

Filters

Like I mentioned before, I used the treble filter to assess the T20 and I’ll give a short comparison of what the other filters sound like. The reference wound is bass heavy and is a little less treble happy compared to the treble filter. However, with the treble filters, the bass also seemed to decrease. I’m not sure if this was actually the case, or whether the increase in treble gave the impression of reduced bass. The bass filter was not great IMO, it increased the bass from the reference filter, which was already a little too heavy to start off with, so unless you are a basshead, I wouldn’t recommend going anywhere near the bass filter.
 

 

Bass

The bass was pretty much what I expected TBH. I knew that RHA are a somewhat bass heavy company and all of their IEMs that I have tried are all somewhat bass heavy. The T10 was overly so, but the T20 certainly takes a good step back and it is nowhere near as bass heavy as the T10. The bass is strong, but feels rather controlled and is not bloated whatsoever. There is a little bit of boominess, but it is not to the point where it bleeds into the midrange and it is actually rather pleasant. I find myself reaching for the T20 over my other IEMs when I am looking for a bit more of a bass response. Detail is quite good, speed is obviously not great, but this is the trade-off for a bass heavy IEM. Extension is quite good, but not the best I have heard in the price range. There seems to be a bit of sub-bass roll off and the bass hump sounds like it is in the mid-bass. Bassheads will love this.
 
 

Midrange

The midrange was probably the area that came as the largest shock of all. It is very clean and crisp, not warm or tinny at all like the T10. The midrange actually sounds like it some from a BA driver and not a dynamic driver. The clarity that is has is excellent, on par with the DN-2000, and I’m very surprised that it manages to do all of this with a single dynamic driver. It is probably one of the cleanest sounding midranges from a single dynamic driver IEM. I felt like the tonality of these with the treble filter were perhaps just a tad bright, but they are by no means cold at all. With the treble filter, it is a little recessed, but not overly so, they are just a little laid back. Instruments have a natural timbre to them. Vocals are excellent, they sound very natural and they sound very clear due to the tuning.
 
 

Treble

With the treble filter, obviously the treble is more boosted than the reference filter, but it sits right in my sweet spot – it is almost perfect for my preference. I like treble to be slightly elevated and the T20 with the treble filter is exactly that. With the reference filter the treble was quite neutral. The upper registers have slight roll off, even with the treble filters, but it doesn’t really affect the sound much. Cymbals are excellent and they have a very natural tone and sparkle to them. There wasn’t any sibilance, but I’m not very treble sensitive so I guess this can change from person to person. Detail is excellent, not quite as good as the dual TWFK of the DN-200, but it holds its own well. The treble sounds excellent with the treble filter, it really showcases the ability of the T20.
 

 

Soundstage & Imaging

The soundstage on these is rather large, both wide and tall. It certainly challenges the DN-2000 and perhaps even betters it in this regard. The soundstage seems much more expansive than the T10, which is nice. The width especially was impressive, it was considerably wider than the DN-2000, but obviously doesn’t reach the levels of the 1plus2. Height is good too, it gives the entire presentation a concert hall sound. However, something that could perhaps be improved on is the depth, it wasn’t quite able to keep up with the DN-2000 and as a result, the DN-2000 had a more 3D soundstage. The T20 is very impressive in this areas.
 
The imaging is on par with the soundstage, they are both very impressive. While it isn’t as pinpoint as the TWFK hybrids that I have heard, it does superbly for its price point and its single dynamic driver produces a very accurate and clear stage. It doesn’t do layering quite as good as the DN-2000, but it is still very good. It is very easy to tell where instruments are even when the stage gets quite crowded. Overall, the T20 is very proficient in this area and passes with flying colours.
 

 

Separation, Detail & Clarity

The T20 is also very goods in separation despite its single dynamic driver. It fares well on congested tracks and background instruments are not masked by the main ones even in complex passages. It doesn’t quite do as well as the dual TWFK in the DN-2000, but it holds its own well. It is certainly a huge upgrade over the T10. The T20 is up there with the best in this area, but it doesn’t quite match the DN-2000.
 
With the treble filters, the T20 is actually a really detailed IEM. I wasn’t expecting the T20 to be as detailed as it was, having heard their past 2 flagships. They were both warm and that blurred out details. However, this is not the case with the T20, and it is a very detailed IEM, but falls short of the best of the BA IEMs. TWFKs simply are more detailed, but for a dynamic in this price bracket, the T20 is excellent.
 
While the T20 isn’t as cool as the DN-2000, it is about as clear as the Dunu. The bass response is boosted, but this doesn’t really affect the clarity. Everything sounds sharp and clear without seeming artificial. The decay is very realistic and natural, the timbre is just right. Both vocals and instruments are all very well balanced. The T20 is superb here, it manages to have great clarity while still sounding natural.
 

 

Conclusion

The T20 with the reference is the perfect IEM for a moderate basshead, who likes their bass, but also looks for clean mids and treble. The reference filter is great for people who just was a more V shaped sound. The T20 is a very versatile and the filters allow people to select the tuning which they prefer the most. It is an excellent choice and stands alongside the DN-2000 as an IEM between $200 and $300 that I would happily recommend to others. The T20 really does stand out from the crowd with its design and energetic sound signature.

RHA T20i Review: Old Guard

Very few companies can tout that they make their drivers “in-house”.

RHA is one of them.

They originally piqued my interest back in 2013 with their MA750i earphones, which had a very comprehensive packaging and a rather fun tuning for something not priced at the upper echelon of the market. Surprisingly, those are still being sold by RHA, and while there are better IEMs at that price nowadays — they don’t completely fall apart against the competition unlike some of their contemporaries *cough* Shure SE215 *cough*.

RHA T20i was released back in 2015, and are still being sold as RHA’s mid-range offering. Their predecessor, T10i, has been phased out, while their initial successor, the CL1, has been buried six-feet-deep (now that’s what you call a spectacular failure). The asking price has gone down considerably from their original $250 MSRP, but given the abundance of chi-fi IEMs at this range, many don’t even consider the T20i as a viable option.

So, how do they stack up against the current competition, 5 years later? Read on.

Note: the ratings given will be subjective to the price tier. Definitely the expectations from a $15 IEM won’t be the same as a $150 one, and that’s the approach taken while assigning scores. I bought the IEMs with my own funds. Disclaimer)

Sources used: Questyle QP1R, LG G7, Cayin N6 II, Yulong Canary

Price, while reviewed: ~$140. Can be bought from RHA’s official website, or look for deals and discounts on Amazon.



Build: I’ll just cut to the chase: the RHA T20i is exceptionally well-built. The whole outer shell is made out of stainless steel via a rather complicated process called Metal Injection Moulding. This leads to a sense of density and solidity that very few IEMs in this range can match.
The overall design is rather utilitarian and industrial, with smooth curves, minimal lines and a compact, pebble-like shape. The exterior finish is immaculate, as even the joints can’t be felt as you brush your fingernails across them.
There is a rather sizable driver-vent on the back (beside the RHA logo), while the inner-side has the channel-markings. The nozzle itself is removable. You can choose between three filters — Reference, Bass, and Treble (more on these later). The pattern of the grille on the nozzle is also quite unique.
The cable itself is non-removable, and that’s a shame. Not that the cable is poorly built — it’s more solid than most third-party cables and can withstand severe amounts of abuse. It’s just that the memory-wire is a royal pain to deal with, and at 1.35m the cable itself is quite long for carrying while commuting (mine got stuck in precarious places more than once, smh). The earhooks used to be frail and broke apart over time on the earlier models, but RHA has fixed that now by replacing the material. Apart from these niggles, there really is nothing else to complain about. There are more than enough strain-reliefs with the 3.5mm jack having a spring-assisted one (cool!). The chin-slider works, and the remote with mic and play/pause control is quite convenient.
5/5



Accessories: RHA usually has a rather comprehensive packaging, and the T20i is no exception to that. You get their signature tip-holder, and 10 pair of eartips of various types — Comply foams and regular Silicone tips (both single and dual-flange). You also get a sizable carry case and a shirt clip. The biggest attraction of the packaging though is the metal tuning-filter holder. You just unscrew the existing filter on the IEMs (Reference filter by default) and replace with one of the supplied filters.
Now, I personally had to use Final E-type tips to get a good fit, as the supplied tips didn’t work for me, but there are plenty of people who find them just fine so I won’t hold it against RHA.
4.5/5


Comfort: Being on the heavier side of things, the T20i doesn’t just disappear into your ears like some other IEMs. The memory wires also need a bit of getting used to, but after a week or so it doesn’t bother you much. With the right tips, they will be fairly comfortable for long listening sessions.
The smooth sides fit snugly in the ears and you can actually lie down with them in ears (though I wouldn’t recommend falling asleep with any earphones). I can’t see them being suitable for workouts though, the cable is too long and the IEMs too heavy for such activities.
4/5

Now, onto the sound.

This is a fairly novel driver setup that’s proprietary to RHA as far as I’m concerned. They used two voice coils of differing diameters instead of two separate drivers, and places them in front of the same magnet. The inner voice coil is tasked with the frequencies from the midrange (2.2KHz) to the sub-bass (16Hz), while the outer voice coil takes care of the remaining upper frequencies. There is a crossover circuit that divides the frequencies accordingly, but since this is a single driver assembly in the traditional sense you don’t have to deal with phase or coherency issues. You can read about it more here.

Do note that all sound impressions are made with the default Reference filters. I’ve tried both the bass and treble filters, but they tend to shove the mid-range six-feet-under and boost the bass and treble respectively. The Reference filter offers the best tonal balance and showcases the T20i at its best IMO, so that’s what I’m going to base the impressions upon. Your mileage, of course, may vary.

Lows: Perhaps the stand-out feature of these IEMs would be their overall bass presentation and extension. The sub-bass digs deep and you can feel the rumble even around 18Hz, and they take the center stage with around 4dB of boost over the rest of the bass frequencies.
Mid-bass has rich texture but it’s not as prominent as the sub-bass, and overall bass speed is on the faster side (for a dynamic driver that is). There’s some bass-bleed into the lower-mids, but that adds warmth to the overall signature rather than congestion. This bass response suits particularly well to Pop/Rock genres, e.g. John Mayer’s Clarity has a rhythmic bass-line that’s wonderfully reproduced on the T20i.
With the bass filter on — this can become a true basshead IEM. My only gripe with the bass response is its tendency to distort at unsafely high listening levels. I myself would never listen to such volume but if you are one of those loud listeners — take note.
4.5/5

Mids: Being a V-shaped sounding IEM, the T20i has recessed mid-range. However, V-shaped tuning doesn’t mean that the mid-range is poor, rather a tastefully done V-shape signature can be quite enjoyable on modern Pop/Rock songs — just as it is on the T20i.
The upper-bass to lower-mid transition is smooth without any jarring peaks, but it is dipped a couple dB below the rest of the mid-range which results in distant-sounding male vocals, as evident in Colin Hay’s I Just Don’t Think I’ll Get Over You. Fortunately the lower mids aren’t thin sounding by any means, so this rendition isn’t offensive in my book.
From the lower-mids, it gradually rises for about 2/3dBs into the upper-mids, and in the archetypal v-shape fashion female vocals have more emphasis than male vocals.
Mid-range timbre is on the warm side, and has a euphonic signature overall (for the lack of a better word) that gives string instruments a colored yet appealing tonality. This particular mid-range rendition can get addictive and definitely adds to the overall fun-factor of the IEMs. Mid-range resolution is very good overall and only bested by certain multi-BA/hybrid assemblies or DD IEMs solely focusing on detail retrieval (e.g. Shuor Tape). I personally didn’t encounter any shoutiness or sibilance in the vocals, and apart from the lower-mid recession (a couple dB of boost would’ve been fantastic) I have no complaints.
4/5

Treble: Upon first listen, there’s a good chance that you’ll find T20i’s treble rather… odd. Firstly, there’s that metallic “shine” to the whole treble region (it’s characteristic of RHA’s house sound in a sense) that adds some grit to metal tracks but sounds odd on more mellow songs. Secondly, the peak around 5KHz gives an unusual crispness to acoustic guitars and other string instruments, while violins and such high-pitched instruments are not so up front as the region from 6–8KHz is dialed down by at least 5/6dB. Usually this would mean very blunt cymbal hits and crashes, but thanks to the peak around 10KHz and then another upper-treble peak between 13–14KHz allows the cymbals to have their natural decay without sounding overly blunt. They are still behind the mix in most tracks (e.g. in Filter’s Take that Knife out of My Back, Tool’s Chocolate Chip Trip) so if you need hard-hitting cymbals — these won’t deliver on that.
As for detail retrieval, there’s fairly good amount of resolved treble detailed, though the recessed 7–9KHz region will probably not satisfy those who are pursuing the utmost treble detail.
4/5


Soundstage: The soundstage on the T20i is very well-rounded with similar height, width and depth. It’s not as exaggerated as some multi-BA IEMs, rather it’s more of a natural expansion where the instruments are slightly out of your head without being too distant. This was really enjoyable especially while watching movies so there’s that.
4/5

Imaging: Imaging is precise and even manages to get the “cardinal” (i.e. top-left/top-right etc.) positioning of instruments right. My test track for imaging in this case was Yosi Horikawa’s Crossing and it sounded nearly as good as on Philips SHP9500 (though the SHP obviously had an upper hand in the end). Precise instrumentation and spatial cues are definitely a strong point of these IEMs and something RHA has executed admirably.
4.5/5

Bang-for-buck: There are numerous other IEMs under $200 nowadays and many of them are really good. However, few does the v-shape tuning as well as RHA managed to do here. Those who do it well usually don’t come with the 3-year official warranty that RHA provides, and it’s something RHA honors all the time. Their customer service and RMA process has been fantastic for me personally, and this is something one should definitely take into account while purchasing.
4/5

Source and Amping: While the sensitivity figures of this IEM (90dB/mW) will lead you to believe that they’ll need some serious juice, reality is quite different as they sound loud enough out of almost everything. That being said, I’d suggest pairing it with a low output impedance and noise-floor source as it’s quite sensitive to hiss and power-supply hum.



Select Comparisons

vs Shuoer Tape (~$130): The Shuoer Tape has been one of the most hyped IEMs in this price range, and shall make for a good comparison against the “old” T20i. While the Tapes are marketed as “electrostatic” IEMs, they are in fact “magnetostatic” and dynamic driver hybrid made which is supplied by a specific OEM.
First up — the build quality and accessories aka the entree. I’m personally not a big fan of the Tape’s design, and considering the frankly awful Quality Control of that IEM — this round goes squarely to the T20i.
Next up, sound quality aka the mains. Both IEMs have very elevated bass response, but the Tape focuses on mid-bass a bit more than the T20i. Mid-range is where the T20i pulls ahead as the mid-range tuning is more coherent and less shouty on the RHAs. Shuoer Tape applies a wide-band upper-mid boost that makes certain female vocals very shouty and tiring. Overall mid-range resolution is also better on the RHA with more nuanced placement of micro-details instead of them trying to shove everything down your ear-canal via FR fudgery. The one area where the Tapes clearly have an upper hand is the treble response where it simply has more extension in the upper treble and a more prominent lower treble tuning than the T20i. It can get fatiguing during long listening sessions, however, in case you are treble sensitive, so there’s that.
As for the other aspects: Tape is more comfortable. The soundstage is wider on the Tape while both having similar soundstage depth. Imaging is also similar on both — as in great.
If you have to pick between one of them and don’t care much for absolute upper-treble reach — take the T20i. If you need that upper-treble (and a frankly different presentation of tracks, which may or may not be a good thing) — go ahead with the Tapes, though be wary of their questionable QC.

vs Campfire Comet (~$200): Campfire’s “budget” IEM hasn’t had much hype lately, but they are one of the best built and uniquely designed IEMs in this price bracket. Build quality is exemplary on both, though some may find more peace of mind with the Comet’s replaceable cable (I am skeptical of mmcx, however). Accessories are also fleshed out and Campfire also has good customer service.
About the sound, the Comet sounds like a polite purr compared to the visceral growl of the T20i. Really, they have such a starkly different presentation that it can feel jarring while A/B-ing them. While the Comet is one of the bassier single-BA IEMs around, they pale in comparison to the T20i’s gut-punching bass lines. Then comes the mids where the lower-treble sounds almost blunt, resulting in a bland presentation of string instruments. The upper-mid peak does put the female vocals forward enough to enjoy them, and is perhaps the only similarity they share with the T20i. Treble is where the T20i simply has more energy and details, though some may prefer the smooth and fatigue-free treble presentation of the Comet.
Soundstage depth and imaging both are inferior on the Comets, while soundstage width is a tad better on them than the RHAs.
In short, I’d suggest the T20i over the Comet if you prefer a more energetic signature and overall superior detail retrieval and technicalities. The Comet is more laid back and soothing, making it fit for relaxing listening sessions.

vs Mee Pinnacle P1 (~$150): The Mee Pinnacle P1 has been Mee Audio’s flagship IEM for over three years or so. They have a more neutral presentation overall compared to the RHAs. Bass response is not as pronounced and extended on the P1s compared to the RHA T20i. The mid-range tonality, however, is more neutral on the P1, along with the overall timbre. Detail retrieval is about on par for both, though the P1 doesn’t focus on the micro-details as much as the T20i. Those details are there, they are just not pushed forward. Then comes the treble response where cymbals are more forward on the P1 and upper-mid to lower-treble transition is far more even handed compared to the abrupt “peak around 5KHz then just fall off the cliff” tuning of the T20i. Soundstage is definitely better on the P1, while imaging is about on par for both.
The biggest issue of the P1 is their build quality as their mmcx connector tend to loosen up over time. There’s also the matter of impedance matching as they are 50Ohm IEMs and you’ll probably need a decent source to make the most out of them.
It’s difficult for me to choose one in this comparison, the best would be to try them both and pick one (though that applies to almost any IEM comparison).




Conclusion

While RHA has been struggling for a while with their flagship IEMs (the CL1 was a massacre, while the CL2 has had mixed receptions), they still have a very capable mid-range offering in the T20i.

The biggest issue with the T20i would be the first week or so. You’ll have to fight with the memory wire, perhaps try a few different eartips and finally learn how to deal with the extra-long cable. Once you get past that and the “north-of-neutral” sound signature — there’s a very fun sounding IEM here.

The T20i is V-shape done beyond well. Well-extended and enhanced Bass? Check. Not too recessed mids that focus more on instruments than vocals? Check. Detailed top-end that’s not fatiguing? Check. Great soundstage and imaging? Check, check.

If it’s V-shaped signature that you want, the T20i will deliver. It might be “old” and not as hyped anymore, but it is plenty capable of standing on its own, and that’s that.

#Recommended

Test tracks (as Tidal playlist): https://tidal.com/browse/playlist/04350ebe-1582-4785-9984-ff050d80d2b7

Test tracks (as YouTube playlist, often updated):
https://www.youtube.com/playlist?list=PLetb5RqtcrlXdSG4tSCjCJpvoszUb4OjG

First things first:
 
I would like to thank Lin and RHA for the opportunity to test these IEMs and provide my honest opinion of them in return.  It really is great that this community allows this kind of interaction with manufacturers.
 
Secondly:
 
We all hear things differently, one of the curses and beauties of this hobby.  There is so much variation in gear, hearing, preference that it truly is a dynamic hobby.  I refer to this again throughout this review but please make sure if you are looking to buy these, that you read as many reviews as you can.
 
I am 31 years old and I am a noob when it comes to audiophilism.  I love music, I know what sound I like and I spend hours and hours every day listening.  I am not a reviewer, I am not an “Audiophile”, I have just loved music since I was 5 years old, sitting in front of my fathers Stereo listening to Deep Purple, Black Sabbath and Johnny Rivers on vinyl for hours on end.
 
Now for the poorly written slab of dribble that is my attempted review.
 
Build Quality:
 
These things are built like a brick … House.  They are rock solid.  They feel as though they are punched from a solid piece of billet and slapped on a pair of chains.  I was expecting good things in the build department and I was not disappointed.
They are heavy, bold and cold to touch.  All of which I love! 
While the weight seems a little odd initially, once you get used to the ‘lil billets nestling into the old cauliflowers they soon enough fade away, only occasionally to be reminded by the occasional tug on the cable.
The cable is thick and heavy in its own right, which I personally do not usually like in a portable unit.  That being said, the ergonomics are quite good, and given it is not detachable, it is comfortingly sturdy.  I had no real issues with microphonics or other such interference to my musical enjoyment.
 
Accessories:
 
Why I am glad you asked, because we have a treat for you!! Oh, you didn’t ask, well let me tell you anyway.
We have the pair of iems in all of their glory.  Spread out like some majestic phoenix for all to see.
We have the 6 filters (2 installed, 4 in their aluminium containment device).
We have regular silicon tips in all number of sizes, we have bi-Flange, Tri-Flange and foams.  All neatly laid out within their aluminium card designed to seemingly both display proudly and functionally detail more tips than anyone will ever carry.  Handy none the less.
 
In addition to above we also have a nifty faux? Leather carry case.  This is a good size and allows you to store the iems without having to crush them in order to fit them.  This is a nice change in comparison to the hard case that comes with the Aurisonics AS2.5 for example, which one might think from a glance is the better option give its hardshell nature, however it is actually too small and causes many a headache in aligning the IEMs so as not to damage them when closing the vessel.
 
Another nice feature of this case is there are elastic straps within which allow you to nest the Tip card within the case.  While this is nice, to be honest, once I find a pair of tips that work with a pair of IEM’s I tend to only use the one and MAYBE keep a spare pair on hand.  I would have much preferred to see the ability to store the filters in the case, as I am more likely to roll these pending my mood.
 
Sound:
 
Regarding the sound I will give a brief overview of my thoughts, then break it down into various sections to try elaborate.
 
First things first, I wasn’t a huge fan of these IEM’s from a sound perspective.  Which was quite a disappointment given how excited I was upon opening them and seeing them in all their bling glory.  I found that the overall signature lacked a little finesse or refinement.  Just seemed a little rough around the edges.  I found that the details seemed a little glossed over, and while the overall sound was smooth, somehow it gave me the feeling of harshness.  This was something I couldn’t work out, but something I was definitely hearing.  Now I may have been being overly critical of this IEM, as I was comparing it to my Ref1too and ASG2.5, so it may not be a fair comparison, however I my overall comments here are relative to an IEM in its pricepoint.  I have owned many IEMs and headphones from varying price points and my rating and comments will hopefully reflect that of a $300 IEM. 
 
One last thing before I dive into the sound breakdown, I am an unashamed basshead.   OK, so now that I have come clean, lets move on.
 
I tried all 3 filters and obviously my go to was the Bass filter first. 
I felt that this filter’s perceived effect on bass come at the cost of too much detail and refinement loss from the rest of the signature.  I truly thought I would pop this filter in and be done, but sadly no.
 
The Treble filter while adding more perceived detail up top I found to be a little too bright for my tastes.  However this is the point of this filter so I will not say whether this is a good thing or bad.
 
The reference filter I found to be the best match for me.  While I still maintain my above comments regarding the overall signature, this was my favourite tuning.  When needing more bass I used the bass boost feature on the Cayin C5D, however in most cases I just left it off.
 
Ok so onto that sound breakdown I promised.
 
BASS:
 
This little IEM is packing heat.  Is it a basshead iem, I am not sure.  When compared to my Ref1 and ASG2.5, it almost sounds bass light with regard to impact.  However I think this is due to it having less bass emphasis while being tuned and having a driver capable of big bass impact on demand, because on tracks like “Georgio” on Daft Punks RAM album, WOW there is some bass.  In fact I found the bass on these IEM’s to react quite well to Electronic bass, giving big impact and moving quite a lot of air, however on kick drums on say Monuments – Horcrux, the impact just wasn’t there.  Bass extension is overall pretty good too, with soundtracks like Man of Steel maintaining that super low bassline.  Nothing tectonic, but certainly better than many IEM’s I have tried.
The good news is, on the T20, the bass is certainly far more controlled than its younger sibling.  So if that was an issue for you, these are certainly headed in the right direction.
 
MIDS: 
 
I think this is where my main issue with this IEM resides.  To me the mids, while sitting pretty much in line with the rest of the spectrum, seem to be glossed/smoothed over.  This to me made things like guitar (both electric and acoustic), vocals and even to an extent some upper basslines to sound congested and to be honest a mess.  While I liked overall where the mids sat in the mix as in they were neither too far forward or back, I think this is where I got the impression of harshness.  Yes the sound is smooth, but it sounds as though the guitars, vocals and all other instruments residing in the midrange were all fighting for their spot and things just get messy.
Others have reported fantastic midrange separation, so this could have been an issue with the C5d/T20 combination, which I used exclusively, or that I simply prefer a different tuning.  People have reported taking issue with the Midrange of the Tralucent ref1, which I loved personally, so as always, make sure you read all reviews before making your decision if you are looking to buy these J
 
TREBLE:
 
The highs are smooth.  Much like the mids, but I think they are a little better executed.  I don’t get the sense of congestion or harshness from the highs.  There is enough data presented for the sound to be enjoyable and inoffensive, but these are not a detail monster.  If not for the midrange I think I could listen to these for days on end with zero fatigue.  While I prefer a little more detail in the upper registers, I do like the way they were presented.  I would say they are slightly shelved down from the rest of the presentation, but only slightly.
 
SOUNDSTAGE/SEPARATION:
:
The soundstage while not huge, does portray decent width and depth for an IEM.  I think the dynamic drive assists in this to an extent.  However the above average soundstage at this price point is let down by the congested signature.  On very basic passages where the drivers were able to keep up, I was rewarded with a very realistic soundscape and able to pinpoint instruments throughout, however even on a song like Damien Rice – Cannonball, I did not get beyond the intro before things started to get messy.
 
OVERALL IMPRESSION:
 
I think that there are a lot of positives with the t20’s.  Especially coming from the t10 to the t20.  The bass is much better controlled and refined.  I think the overall sound is quite pleasant with a slightly emphasized bass, balanced midrange and slightly less emphasized top end.  I just wish they were a bit more coherent through the midrange to avoid that congestion, or in technical terms “SHMOOSHING” of sound.
 
Would I buy them.  No.  I think they are just a little bit overpriced for the sound quality.  If I were paying for build quality and included accessories then yes, they have it in spades, but ultimately, I am not buying them as a fashion item.  I think if they were around the $200 aud mark I would definitely snap them up.
 
While this is probably an overall negative review, one point I would like to make is these are a definite step in the right direction for RHA and if I were me, I would be keeping a keen eye on the t30 IEM, because if they come forward as far as they have from the T10 to the T20, then the T30 will be a keeper!!!!
 
I am currently on the train tethered to my phone trying to jump in pending reception.  I will upload pics, apply formatting and generally tidy this up when I am home.

Preamble:

Hi guys, I'm a budding audio-appreciator since starting on this journey about a year and a half ago. I just have average ears that like to listen to slightly above average music and so don't consider myself an 'audiophile' by any stretch. Please forgive any wrong use of terminology and lack of vocabulary yea. (I seriously cannot tell how 'extension' and 'warmth' are supposed to sound like..) 

 
Disclaimer: The T20 I received is the demo unit for the Asia arm of the T20 tour. I did not receive any benefits, monetary or otherwise from RHA, and I am in no way affiliated to to them. I wasn't aware of this tour initially but many thanks to RHA for conducting this demo tour and @Tobias89 for the invitation and heads up!
 
Prior to this tour, I've not had any experience with iems from RHA (or Reid Heath Acoustics for long) so I'm unfortunately unable to compare the T20s to their previous offerings. I can however, try to give a fresh perspective from what experience I have so far.
 

Tech Specs:

First up, the T20 boasts steel shells made by a metal injection molding process and incorporates RHA's proprietary DualCoil™ technology whereby the inner and outer edges of the driver are separately driven, generating an effect that sounds something like having 1.5 drivers while avoid the phasing issues.
 
Drivers: DualCoil™
Frequency Range: 16Hz - 40kHz
Impedance: 16 Ohm
Sensitivity: 90dB
Cable: 1.35m Multicore OFC
Jack: Gold plated 3.5mm
 

Package:

T20 in-ear headphone
Tuning filters with steel storage plate
Hybrid (different core material) ear tips - S, M, L x2 pairs each
Double flange silicon ear tips - S, L x1 pair each
Memory foam ear tips - x2 pairs each
Stainless steel ear tip storage plate
Zipper carry case
Clothing clip
 

 
 

Build Quality: 4.5/5

Right off the bat I was blown away by the sheer quality of build.

 
The driver shells are beautiful (how the heck do you even injection mold stainless steel anyway) and cable is beefy, smooth and untangly.
 

 
There’s also an insane spring strain relief on the plug.
The Y- split is a heavy duty metal cylinder about the same diameter but slightly shorter than the headphone jack. Strain reliefs aren't very long but in combination with the beefy cable, they look like they'll last a long time.
It’s my first time using an iem with memory cable, the cable is quite pleasant, pliable but still holds its shape.
There’s some minor microphonics from the slightly stiff cable, but managed to mitigate it by using the chin slider to touch the cable to my neck.
 

Accessories: 5/5

 

 
3x the filters, 3x the sound, 3x the review, ⅓ the buyer’s remorse though.
The filters are solidly engineered, the knurled bit makes it easy to grip and twist, while the o ring ensures that it won't dislodge so easily.
It was fairly difficult to get the eartips off and on to swap filters so I believe that they'll be quite secure.
Also included is quite an impressive assortment of tips.
I feel that the included pouch, while nice, has a small design flaw : as the iems and eartip holder are made of stainless steel, carrying them together in the pouch will cause them to scratch each other in the long run
 

Comfort: 3.5/5

Iem sits very comfortably in my ears, even though it's steel, I can't feel it there
They  to worked their way out of my ears initially, but didn’t any more after some use.
The issue disappeared entirely with spinfits, so I will be doing more of the latter part of the review using the spinfits to get a better feel of the sound.
After using the T20 for a while, the memory cable has a tendency to make my ear a little sore at the place where it hangs over.
 

Isolation: 4/5

Isolation is above average, in spite of the rather large vent facing the outside.
 
I did the listening via the Fiio X3 direct using high gain.
Songs are mainly FLAC and MP3, with the occasional YouTube rip (lol).
 
The T20s are fairly easy to drive, a volume level of 25/120 was enough, on the loud side even. In contrast, my Havi B3 requires 38/120 to reach decent volume.
 

Test Songs:

DragonForce - Through the Fire and the Flames (Bass speed)
Chiaki Ishikawa - Ruisen (Soundstage)
Nana Mizuki - Gimmick Game (Vocals)
Wagakki Band - Nijiiro Chouchou (Imaging and attack)
Wagakki Band - Akatsuki no Ito (Soundstage and imaging)
 

 

Filter system

This is probably the main selling point of the T20.
 

Neutral filter

 

Soundstage

A little narrower than I’m used to, coming from the Havi B3, so about average width but above average depth.
 

Imaging

Imaging is pretty good, Wagakki Band has a lot of acoustic instruments and the instrument placement is fairly defined, though a little close together due to the relative narrowness of the soundstage.
 

Treble

Attack of plucked strings is fast, crisp, and had nice texture. Generally however, the treble is quite smooth and a little veiled sounding. However because of this it's not fatiguing. Female vocals can go up pretty high without becoming piercing.
Not sure if it’s to do with the treble response or the DAP, but i feel that the sound is just a little lacking in transparency, as if there was a curtain behind the band playing, or in between the band and me..
 

Mids

Female vocals are sweet and articulate, fairly intimate.
T20 is wonderful for acoustic tracks and live performances.
Soundstage is of more than average depth and width, more than height
Separation is above average, though slightly closer in for the left and right side as a result.
T20 handles strings exceedingly well
With spinfits on, it seems to even out the treble and bass, taming resulting in a very pleasant and balanced sound.
 

Bass

Bass is fast and punchy, can feel the thump in my ears, and I can differentiate between the taiko and bass guitar too. Quantity-wise, it strikes me as being more than natural, but not excessive. Decay is still fairly natural however, never felt like I was getting the short end of the ‘boom’
Man the T20 is FAST! Even on Through the Fire and the Flames, the T20 easily kept up with the rapid guitar shredding and double pedal drum kicks. Seems like RHA’s DualCoil technology really does have substance. Is this really a dynamic driver??! (Comparing it amped and unamped though, the bass, while fast, does lose abit of punch at that speed, so it does take a bit more power to maintain the punch after all.)
The bass does go down pretty low though, quite a lot of sub bass.
Quantity of bass is rather more than I'm used to, even for the neutral filter but it doesn't bleed into the mids
 
I did discover some subtle drums that I hadn’t noticed in tracks before though.
Using Spiral dots, bass extension seems to increase, and I get that head-vibrating sub bass again, and the mids seem to recess abit. Wide-bore tips seem to open up the treble and soundstage width more as well. Of note is that the nozzle sits halfway up the bore of the Spiral Dots due to the thickness of the retaining ring.
 
 

Treble filter

 
All of a sudden the sound becomes airy and more transparent
The soundstage widens
The sound becomes considerably brighter and a little thinner
Female vocals become more intimate as do stringed instruments, male vocals become slightly veiled.
There's still plenty of punchy sub bass; just that it doesn't thump as hard.
Never thought I'd say this, treble sensitive as I am, but I rather like this filter. Don't think I could listen to it for too long a stretch though, it's more fatiguing.
With spinfits, the combination is quite nice, taming the treble slightly and boosting the bass a little by virtue of the better seal
After putting some hours on it, I feel that for all its clarity and crispness, it lacks a bit of body (to me) as compared to the reference filters. Ear fatigue also begins to set in, but I must say that I'm a little treble sensitive. (I find the Noble 4 too hot up top so go figure )
 

Bass filter

 
When I first heard about the bass filter, the first thing that crossed my head was that it wasn’t going to be my thing. I do get bass induced headaches from boomy phones. After putting them on with the spinfits however.. They’re not all that bad actually. It’s like a subtle filling in of the lowest end of the spectrum, giving that extra ‘oomph’. The overall tonality of the sound becomes darker and warmer. The added boominess doesn’t affect the layering and there is impressively NO bleed into the mids whatsoever. The speed and punch is definitely still there, just with more power.
Listening to Through the Fire and the Flames actually made me want to headbang in office.
Treble is accordingly reduced, though I can still hear the occasional distant cymbals and triangles.
Male vocals stand out a bit more.
Transparency is reduced however, and to me it sounds a little closed in.
Strangely enough, the sound of the bass filters with spinfits reminds me of the reference filters with the stock tips
 

Some notes after extended burn in:

I was 2nd in line to demo the T20 and at that time, it was probably not fully burnt in yet, hence leading to to feeling that while this is a nice iem, the sound was abit rough around the edges and didn’t sound particularly impressive. IMO, not exactly worth it’s price tag.
 
After going full circle though, it arrived back in Singapore and I gave it a listen again (using balanced filters and stock tips) to see if there had been any changes to the sound. Interestingly enough it felt like the soundstage had opened up considerably, going from average to slightly above. The rough wooly wall defining the edges of the soundstage had become a silk curtain. The bass also seemed to have tightened up abit and didn’t pound my brain into a dull ache anymore (or maybe I had just gotten used to bassier iems than the Havi). The most marked improvement IMO however would be the transparency, that veil in between band and listener being lifted. So is it worth it’s price now? Hm.. I’ll say that the worth has increased significantly. It’s now a solid mid range performer in my book.

INTRODUCTION

I was first introduced to RHA (or Reid Heath Acoustics) during a review tour for the RHA T10i arranged by David (lin0003 on Head-Fi), and t would be fair to say that although the build and fit were impressive, the sonic signatures (even with filters) left me feeling disappointed - too bassy / warm. This time RHA have retuned the default signature to give some more top end and modified the bass so that it doesn't quite overshadow the mid-range. David again organised a tour with the new T20, and my thanks to him (and RHA) for giving me the opportunity to partake in it.

Reid Heath Acoustics (RHA) is a Scottish based headphone company. Their core values (from their website) are described as follows:
“We stand for true-to-life audio reproduction and lasting quality. With these values at our core, we work to deliver the most accurate, comfortable and unobtrusive listening experience possible. Every RHA product combines high quality materials, precision engineering and our fundamental commitment to design.”

Their current product catalogues ranges from the budget oriented MA350 (~ USD 40) to the current flagship T20 (~ USD 240) which I have the pleasure of reviewing today.

In the last couple of weeks I have spent as much time as possible listening to the RHA T20. Sadly I don't have a chance to directly compare to the original T10, but toward the end of the review I have compared the T20 to some other IEMs in similar price brackets.

In the time I've spent with the T20, I’d estimate that I’ve logged around 20-25 hours actual listening time.

DISCLAIMER

I was provided the RHA T20 (as part of a tour) from RHA and lin0003. I am in no way affiliated with RHA - and this review is my subjective opinion of the T20. The tour unit was returned at completion of the review.

PREAMBLE - 'ABOUT ME'. (or a base-line for interpreting my thoughts and bias)

I'm a 48 year old music lover. I don't say audiophile – I just love my music. Over the last couple of years, I have slowly changed from cheaper listening set-ups to my current set-up. I vary my listening from portables (Fiio X5ii, X3ii, LP5 and iPhone 5S) to my desk-top's set-up (PC > USB > iFi iDSD). I also use a portable set-up at work – either X5ii/X3ii > HP, or PC > E17K > HP. My main full sized headphones at the time of writing are the Beyer T1, Sennheiser HD600, and AKG K553. Most of my portable listening is done with IEMs - and at the moment it has mainly been with the Dunu DN-2000J, Trinity Delta, and Dunu Titan. A full list of the gear I have owned (past and present is listed in my Head-Fi profile).

I have very eclectic music tastes listening to a variety from classical/opera and jazz, to grunge and general rock. I listen to a lot of blues, jazz, folk music, classic rock, indie and alternative rock. I am particularly fond of female vocals. I generally tend toward cans that are relatively neutral/balanced, but I do have a fondness for clarity, and suspect I might have slight ‘treble-head’ preferences. I am not treble sensitive (at all), and in the past have really enjoyed headphones like the K701, SR325i, and of course the T1 and DT880.

I have extensively tested myself (abx) and I find aac256 or higher to be completely transparent. I do use exclusively redbook 16/44.1 if space is not an issue. All of my music is legally purchased (mostly CD – the rest FLAC purchased on-line).

I tend to be sceptical about audiophile ‘claims’, don’t generally believe in burn-in, have never heard a difference with different cables, and would rather test myself blind on perceived differences. I am not a ‘golden eared listener’. I suffer from mild tinnitus, and at 48, my hearing is less than perfect.

For the purposes of this review - I used the RHA T20 mostly straight from the headphone-out socket of my iPhone 5S, and also from my Fiio X5ii. Whilst I have tested the T20 with portable amplifiers (E11K & E17K), IMO they do not benefit sonically from additional amplification. In the time I have spent with the T20, I have noticed no change to the overall sonic presentation (burn-in), but am aware that I am becoming more used to the signature of the T20 as I use them more often (brain burn-in).

This is a purely subjective review - my gear, my ears, and my experience. Please take it all with a grain of salt - especially if it does not match your own experience.

THE REVIEW

PACKAGING AND ACCESSORIES

The RHA T20 arrived in a reasonably large, but attractive black retail box (in a very similar style to the original T10i). The front flap is hinged to reveal the inner compartment - which really does look very spectacular, with a full window view of the IEMs, accessories and tuning filters.


The inside flap of the box displays the make-up of the new driver, a little about the dual coil technology, some specification details, and a frequency graph. The rear of the box lists some more information on creating the custom injection moulding for the housing. It’s great to see so much information readily available – good job RHA.

Opening the T20 retail box gave me a feeling that this is indeed a premium product - it really does leave you with a little "wow" factor. Inside the retail case is an open inner box with foam inset which holds the T20 (cable nicely wrapped around the foam), filters and tips.



Lifting the foam inset out further reveals a lower plastic compartment housing the carry case, manual, yet more tips, and a shirt clip.

The user guide is a mini multi-lingual booklet and is superbly designed, and informative, including a response graph, and full information on everything you may need to know about the T10i – from cleaning to getting the proper fit. A lot of thought obviously went into this. Kudos RHA.

The carry case is a large soft zippered case measuring approximately 127mm x 77mm x 25mm (at its deepest point) – so while it’s not pants pocket friendly, it does pocket very well inside a light jacket.. It is well padded, with generous inner pockets and a very soft outer covering which feels like soft Lamb Nappa leather – not sure if it is synthetic or not. The case is large enough to hold the tips in their steel display tray.

The tip selection is generous, and the tray includes 2 pairs of dual flange silicone, 5 pairs of single flange silicone, and 2 pairs of foam tips. The mounting tray is stainless steel, and once again gives a feel of something upmarket. The 3 bags inside the box contained a further 9 pairs of tips!



Lastly there is another stainless steel plate which houses the metal filters. Like everything else, it is both functional and stylish – and clearly states (treble, reference, bass) which filter is which.
Impression so far, like the T10i, 10/10.

TECHNICAL SPECIFICATIONS

(From RHA)


FREQUENCY GRAPH

The graph below is generated by a new measuring system I’m trialling – using the Vibro Veritas and ARTA software. I don’t have the calibration 100% correct yet – but the graphs I am getting are relatively close to Innerfidelity’s raw data (on other earphones), and I think are “close enough” to get a reasonable idea of the frequency response for the RHA T20. Over the coming months I’ll be adjusting a pre-set compensation curve so that I can get the graphs more consistent with Tyll’s curves.




What I’m hearing though (reference filter):

1. Bass that hits reasonably low and is a little above neutral in quantity
2. Very cohesive and quick mid-range with good transition between upper and lower mid-range. Clean and clear vocals with a little more emphasis on upper mid-range.
3. Reasonably extended upper end which falls short of sibilance, but has enough extension to nicely cover cymbals.

BUILD QUALITY / DESIGN

The RHA T20 has a two piece injection moulded stainless steel body which is one of the smoothest, and well designed IEM shells I’ve ever had the pleasure of wearing. The shell is a little under 20mm in length, 19mm in height, and 11 mm in depth (18mm if counting the nozzle length). The nozzle features a threaded cavity to house the screw in filters for personal tuning. On the exterior of the IEM body, next to the “RHA” engraving is a small mesh covered port – I’m assuming this is to vent the dynamic driver.



The ear guides attach to the housing with excellent strain relief (blue for left, red for right). The ear guides themselves have been patented by RHA, and are very formable, with a soft and malleable protective outer sheath. I’m not sure what materials are involved, but they are one of the best example of formable ear guides I’ve encountered – and for me, are very comfortable. The T20 are designed to be worn over the ear only (my preferred method). The formable guides end with a strange 20mm plastic/rubber section which joins to the cable proper. I’m assuming this is simply to accommodate the join between the formable guides and the cable – but it does look a little strange and ungainly.

The cable is relatively thick and sturdy, well sheathed, and best of all does not display any memory or kinking. It is virtually microphonic free below the Y-split, but there are some microphonics above. Of course use of the shirt clip, and keeping the cable underneath clothing relieves most of this. At times I wish that the cable wasn't quite as bulky as it is - a little thinner would make it a lot better.



The Y split has excellent cable relief, and an integrated cinch. The cinch works really well, and definitely helps remove any remaining microphonics. Like the T10i though, the apex of the Y-split sits just above my belly button (I’m 6 foot tall) which is really still far too low. The Y split is stainless steel, engraved with “designed by” and the signature of Lewis Heath (RHA’s Product Director) – a nice touch.

The cable terminates in a straight 3.5mm gold plated jack – with once again excellent strain relief. There is also the slight rubberised ring between the plug body and tip of the plug – which protects your device (and the plug) from metal on metal scratching, and also accommodates plugging into your average smartphone (with case attached). It works very well with my iPhone 5S.

So apart from the Y split length, the build quality and attention to detail is excellent.

FILTER SYSTEM

For tuning, RHA includes a 3 filter system on the T20 – bass (black), reference (white/silver) and treble (amber/gold). The filters are very easy to swap in and out – utilising a simple screw in thread. They have a rubber washer to ensure a secure fit.



In a departure from the original T10i I previously reviewed, this time the filters change the frequencies primarily between 2.5 – 10.0 kHz. So instead of changing the bass (which actually remains pretty constant throughout), they raise or lower the mid-range and lower treble (see graph).

This actually works pretty well – far better than the original T10i – but the one thing I’ve found with the T20 is that they have stuck to RHA’s “signature” with a more robust bottom end. As a result, their reference filter is once again a little too warm for strictly reference sound (IMO) but I do find it a lot more palatable than the T10i. My preference would be the treble filter (as the most neutral of the three).



Looking inside each filter, both the reference and bass filters appear to have acoustic foam or dampening material. The treble filter has none.

FIT / COMFORT / ISOLATION

I have one ear canal slightly different to the other one (my right is very slightly smaller) - so I tend to find that usually single silicon flanges don't fit overly well. I initially tried the included large silicone tips, and whilst they fit OK, I was unable to maintain a constant seal.

I did try the T20 with a variety of aftermarket tips including the Ostry tuning tips, Spinfits, Spiraldots and Comply S series sports foams. All fit brilliantly – but for the review I stuck to my tried and true (Sony Isolation tips). They fit perfectly with a brilliant seal, and great comfort. The angle of the nozzle and design of the housing create the perfect angle for my ears, and I could (and have) used these for hours at a time. Despite their weight, they remain one of the most ergonomically well designed housings I’ve used. I’ve included a photo of my daughter wearing the T10i from last review – the shells have the same dimensions – and she thought they were “pretty comfortable”.



Isolation with the T20 is better than average for me (not quite near Shure’s or Alclair’s almost perfect isolation – but very effective), and they would be good enough for public transport (despite the vent). Because of their flat profile (when worn they do not extend past my ear), I would have no issues at all relaxing or sleeping with the T20.

There is no driver flex present.

SOUND QUALITY

The following is what I hear from the RHA T20. YMMV – and probably will – as my tastes are likely different to yours (read the preamble I gave earlier for a baseline). Most of the testing at this point (unless otherwise stated) was done with my Fiio X5ii.




Tracks used were across a variety of genres – and most can be viewed in this list http://www.head-fi.org/a/brookos-test-tracks.

Thoughts on Default Signature
When I first reviewed the T10i, I found them bassy and fatiguing, and at the time asked RHA for a more reference sounding IEM. They’ve definitely listened – and the T20 (whilst still having RHA’s signature warmth and thump) this time has a clear and detailed top end.

It’s still probably a little bassy for my tastes, and is quite V shaped in signature, but it’s a sonic combination which lends itself well to a variety of genres, and for those who struggled with the T10i, you may find the T20 to be a very pleasant change.

For the review – I’ve stuck with the reference filter.

Overall Detail / Clarity
For this I always use both Steely Dan’s “Gaucho” and Dire Strait’s “Sultans of Swing” as there is a lot of micro detail in both tracks, and the recording quality for both is excellent.

The T20’s detail retrieval is very good on both tracks. The sax intro on Gaucho has enough tone to be both natural sounding and pretty smooth. The bass guitar might be slightly more emphasised than I’d personally like, but it’s not overpowering everything, and there is plenty of detail coming through with cymbal and hi-hat.

Sultans of Swing is more of the same, dynamic and fast. The bass guitar is there but not overblown, and more importantly there is some excellent detail coming through with cymbals and the click of drum sticks. Knopfler’s guitar has good edge, and his vocals have good contrasting tonality.

Sound-stage & Imaging
Next up is Amber Rubarth’s binaural recording “Tundra”. It’s usually difficult to get a reasonable stage size from an inner ear monitor. The stage is often quite small / close – with an average impression of space. The T20 has an intimate stage with this track – maybe just at the perimeter of my head. Imaging is very good and very consistent though. I have a very clear idea of where everything sits.

Switching to “Dante’s Prayer” and the T20 again was very good. It captured Loreena’s vocals really well – and the whole performance was intimate but enjoyable. In this track, the applause at the end is so well presented that with some headphones (HD600) I can actually close my eyes and imagine myself in the crowd. With the T20, I was getting some immersion – so a nice display of width and depth.

Last was Amanda Marshall’s “Let It Rain” – and this track is a good one because it has a naturally holographic feel about it, and can convey an amazing sense of space with the right headphones. That holographic quality shone through with the T20 (it really is good with female vocals)!

Bass Quantity and Quality
Muddy Waters is a track I use to evaluate bass quality. This blues rock track is quite dark and brooding anyway, and usually exposes any muddiness or bass bleed. The T20 was really good with this track – visceral impact in the lower bass, and also conveys the timbre and gravel of Mark’s voice with aplomb. I was expecting a little bass bleed with the slightly enhanced base quality – but I was pleasantly surprised at how clean the bass is with this track.

Next to see how low the bass would go – so I switched to Lorde’s “Royals” – and once again the T20 delivered right from the opening notes. When the bass guitar kicked in, the low bass was copious, and this time there was a little excessive bloom into the mid-range. Ella’s vocals remained crystal clear though – and I can see this signature being quite popular with anyone liking a little more oomph. For me though – it’s a bit too much.

As this is an IEM that does have a bass emphasis, I wanted to try it with a little trance – so I switched to some AVB, and this time it hit the spot. Plenty of impact, and once again, a really nice vocal presence. I think any fan of this genre (or EDM) is going to quite like the T20.

Female Vocals
A lot of my music revolves around female vocals – jazz, pop, rock, electronic, or even opera. I’m an unabashed fan. For me personally, the sign of a good IEM (for my personal tastes) is how successfully it conveys emotion and timbre with my female vocalists. My early litmus test is usually queuing Agnes Obel – as some of her recordings can become quite strident or shouty if the mids aren’t quite right. The T20 is not perfect with this track, displaying just a little hollowness in the beginning, but it got better as the track progressed,a nd the presentation of the cello was excellent.

So I ran through my usual medley of other tracks from artists including London Grammar, Angus & Julia Stone, Christina Perri, Gabriella Cilmi, Feist, Florence and the Machine, Lianne La Havas and Norah Jones. For the most part, the T20 was excellent, and my biggest complaint (for my tastes) was when the bass very occasionally had a little too much thump – but I know I could fix that simply by a little EQ.

Anything with true thump (Feist / FaTM) was definitely very dynamic – and actually pretty enjoyable in small sessions. All in all, the T20 handles female vocals pretty well.

Male Vocals
Switching to Male vocalists meant delving into my rock and grunge genres. I kicked off with 3 Doors Down, and then moved onto some Alter Bridge, Eagles and even a bit of Seether (accoustic). The T20 does seem to nail rock really well. The first noticeable thing is the combo of guitar and drum – the T20 brings great dynamics to play with rock tracks. The second noticeable thing is the improved clarity, and what it brings to guitar crunch and cymbals in particular. Male vocals have good texture and tone – and whilst not as full as something like the DN2000 – very enjoyable.

The T20 has everything really good rock needs – very good speed, clarity and timbre, good bass impact (again sometimes just a little on the heavy side), and the ability to contrast really well. Acoustic rock is also a standout (Lofgrens’ “Keith Don’t Go” and Eagle’s “Hotel California” were both phenomenal).

Time again for my usual litmus test – Pearl Jam. Vedder’s voice is good with the T20 – nice timbre and tonality. Not noticeably thin. Cymbals in particular are rendered very well, as is the snare. It’s not the best I’ve heard – but it is up there. I could happily listen to the T20 for ages with PJ.

Other Genre Specific Notes
Rather than go into details on genre, I’ll simply cover each with a few sentences.

I’ve already covered Rock and derivatives. Alt-Rock (Floyd and Porcupine Tree) was very good on detail. Sometimes the bass guitar tended to dominate – but a touch of EQ would easily tame this.

Jazz, Blues and Bluegrass were all very good with the T20. The added detail really helps, especially with both cymbals and also brass. Stringed instruments also benefit from the added clarity. The bass is very good with double bass – good timbre and tone.

Rap, EDM and Pop are very dynamic and I have little doubt that bass lovers will enjoy the T20. It’s not over the top – but is very present. For my own tastes, I once again find the mid and low bass sometimes just a little too present – but once again easy to EQ.

Classical and Opera were also surprisingly good, and I guess this once again where the extra top-end really helps. Because a lot of this music is not bass dominant, the overall presentation is really enjoyable – particularly string quartets, solo violin. Cello is also very well presented, and Zoe Keating’s recordings are sublime with the T20.

I also own a lot of Indie music and the T20 was really good with this. Bass was a little too much for me with Wildlight, but Band of Horses was just brilliant. Add the presentation of female vocalists as well, and the T20 was really hitting the right spots.

AMPLIFICATION REQUIREMENTS

The T20 is easily powered straight out of the portable devices I have, and I haven’t experienced any issues with the iPhone 5S, or from any of the Fiio’s. With typical pop/rock songs on the iP5S I’m usually at a volume level of around 30-40% (depending on the dynamics of the track). I did try amplifying the T20 with the E11K and E17K (and even the iDSD), but noticed no major improvements outside added volume. So far I’ve had no issues with hiss.

EQUALISATION

I only used this sparingly, and it was mainly because the filters change the upper end rather than the lower end. For me it just involved a cut in bass from around 125 Hz down. This just had the bass behaving a little more for my own tastes, and really did “complete” the T20. They respond to EQ well.

COMPARISONS

I’ll make these very quick. I compared the T20 side by side with some of the other IEMs I have in similar price brackets. With the comparisons, I first volume matched with a 1 kHz test tone and SPL meter. I had a fast switch set-up in place with a splitter and volume attenuator for the volume matching. This section is very subjective, as it is sighted, the change between IEMs took about 5-10 seconds, and I knew exactly which one I was listening to. But it is my honest thoughts on where the T20 sits for my own personal tastes.


RHA T20 vs Altone 200
Build quality goes to the T20, although both are built exceptionally well. Fit and comfort are pretty even – different styles, but I find both very comfortable. I prefer the Altone’s thinner cable. Sonically the Altone is a little thinner and a little brighter through the mid-range. They both sound similar though with a definite V shape. T20 has more bass impact. My preference = T20

RHA T20 vs DUNU DN2K
Again although both are built exceptionally well, the T20 gets the nod on overall build. This time the T20 is definitely the more comfortable fit, and once again I prefer DUNUs cable to RHA’s. Sonically these are very different with the DUNU being more balanced overall, a lot warmer, and a lot thicker in note tone. The RHA is a little more pronounced in vocals (particularly female). To me the T20 has more overall bass dynamic impact, but the DUNU has more comparative quantity. My preference = T20



RHA T20 vs Trinity Delta
Interesting match up. Build quality is fairly even – but the T20 would be more robust. The Delta has the far better cable (it’s not close), and the filters on the Delta I think are better tuned in the changes they bring (over whole frequency range). Both are extremely comfortable to wear long term – but the Delta is slightly easier to fit, and the T20 slightly more comfortable. Sonically the two are similar but the Delta is a little smoother and more balanced while the T20 is a little more V shaped. The T20 has a little more edge in upper mid-range. Both have plenty of thump down low. If anything I quite like the T20’s low bass emphasis over the Delta’s more mid-bass slant. If I switch to the bass filter on the Delta it actually comes pretty close the to the T20 signature. My preference = Delta

RHA T20 vs DUNU DN2KJ
Both are built exceptionally well, but once again the T20 gets the nod on overall build. The T20 is also the more comfortable fit, but once again I prefer DUNUs cable to RHA’s. Sonically these are quite different with the DUNU being a lot more balanced, a touch weightier through the vocal range, and also a little brighter. The T20 has a lot more bass, but the DUNU has more quality of bass presentation. My preference = DN2KJ

RHA T20 - SUMMARY

I was rather a vocal critic of the original T10i, and one of the things I (and others) asked of RHA was a more balanced IEM with similar build but more emphasis on clarity, and a little less on bass. RHA have responded with a pretty well tuned IEM, and I think a lot of people will like these.

Like its predecessor, the T20 has phenomenal build, a nicely ergonomic shell (great comfort for me personally), and comes with an exceptional accessory pack. The filter system on the T20 this time nets some changes in the upper mid-range, and lower treble – but sadly don’t change the bass very much, which is a pity as that is the one area I would love to shave a few dB from.

Like the T10i, the T20 does carry quite a bit of bass – but this is less warm, more controlled, and does not dominate like its sibling.

The T20 will appeal to lovers of a V shaped signature, and particularly those who like a nice thump with their music. Personally it’s still not tuned to my overall preferences, but I am very impressed with how far they have come.

At around $240 on Amazon, the T20 represents good value – especially when you combine sonics, build and accessories. I would recommend them as long as potential owners are aware of their bass output.

Once again thanks to RHA and David for including me as part of the tour.

RECOMMENDATIONS TO RHA

Firstly, thanks for allowing us the chance to sample your products. I really appreciate it. I think the cable needs some work. Just a little more flexibility (and a little less bulk) would really help. And I’d really like to see a filter system that allows tuning of the bass. Bravo on the improvements so far though.

 

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I used these for a couple of weeks as I do on an everyday basis - I didn't do anything special other than a bit of subjective A/Bing with other earphones in its range that I own (VSonic GR07, Aurisonic Rockets) through my Cowon J3 with no amping. I listened to 16/44 flac and wav files from a variety of genres, and mostly from recordings that are considered to be well-mastered. I used them on my commute, at a local coffee shop, at work, and at home - pretty unscientific, but this is what I came away with.....

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I think they tick most of the boxes here for me. The quality of the cable, plug, strain reliefs, and Y-split are all excellent. They are also consistent in terms of style, which is clearly important to the folks at RHA - they are on a branding mission with their earphones and I think they're succeeding in this regard. I really like the strain relief used where the cable meets the straight 3.5mm plug:
 

It's just a beauty, isn't it? The only problem I had with the cable was its length - much too long for me when my DAP is in either my chest pocket or pants pocket. It was a bit annoying, but they do include a cable clip to help manage this. The cable doesn't tangle easily, so that is another in the win column. The quality and attention to detail is apparent, and the finish is very, very nice. The Y-split gets the same level of treatment:
 
 
The earpieces are pretty well-known by now, so there's nothing really new for me to add - they are excellent, even worthy of a much more expensive flagship with the exception of the cables being non-replaceable. They are a bit heavy (and I wonder if the thickness of the shells can be reduced), but comfort is as good as anything I've ever tried, largely due to the absence of corners and edges - everything is smooth and nicely rounded. They're pretty small, too, so they should fit everybody. Isolation is average. The memory wire which loops over the ears is a nice touch - it's a bit different than what I'm used to as you can certainly bend them to your liking, but they retain a bit of spring, too. They are reasonably thin (certainly thinner than the ear guides that come with my VSonics), so it was never a bother even when wearing eyeglasses. Top notch!
 

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I can't talk about the sound without mentioning the swappable, color-coded tuning filters. They do work and they come with a very cool storage system - you simply screw them on the aluminum holder when not in use:
 
 
These also use what RHA calls "DualCoil" Dynamic drivers. I am not able to provide an explanation of what that means to the average consumer, but I suppose it looks cool on product literature. I will leave it to those with a stronger background in this field of technology to comment on the implications of these particular drivers - all I can offer are impressions from the perspective of a fairly middle-of-the-road head-fi nincompoop.
 
When I received them, they had the bass filters in, and I didn't really care for the sound. I'm not a bass head - I like tight, controlled, but accurate bass. This sounded too boomy to me, especially with sub-bass, but I did give it a few days to see if brain burn-in changed my opinion. Nope. I then went to the reference filters and still felt that there was too much bass emphasis for me - it was a better sound, but still not my cup of tea. On to the treble filters. This had the right amount of bass for me (though quality was not the best I've heard), but then the treble was too fatiguing for me to enjoy them for extended periods of time. Herein lies the potential problem: the changes made by the filters may not give you "just right". You may have to, as I did, choose the one that least displeases your ears rather than what sounds perfect. I went back to the reference filters after trying all three and stuck with these for the remainder of the time I had them.
 
Bass: Overtime I came to appreciate the bass a bit more than I expected - it sounds a bit thick which a touch of boominess, but it does give the overall sound more body and richness than what I normally prefer, and I was really enjoying it by the time I had to send them on to the next participant in the tour. I felt like I could live with this compromise, though it's still not as well-rendered as the GR07 in this department. However, I wouldn't characterize it as being uncontrolled. They may have nudged my tastes towards the world of bass a little bit, to be honest. As I read about the Noble K10 and other IEMs that offer a complete bass experience, I find myself thinking that I need a bit more of it in my life after the T20.
 
Mids: I thought these were good and I couldn't hear anything seriously wrong with them. They aren't as clear and airy as they are on my Rockets, but they are a bit richer-sounding which has its own appeal. Yes, some may find them a bit congested in comparison to other earphones, but I would be surprised if anybody felt like they were not at least decent-sounding. Voices sound natural with good clarity, but using either the bass or treble filter may give them the impression of being veiled or recessed. Pretty good in this department with the reference filters imo.
 
Treble: Very good level of detail and toes the line by not being sibilant with the reference filters. Not flagship-level treble, but pretty good for its price point. Those who are less prone to sibilance may find the treble filters to be pretty engrossing, but that wasn't the case for me - they sound great at first, but fatigue set in pretty quickly and I knew these weren't the filters for me. Reference filters were more than acceptable for me, though. They sound better than the VSonic GR07s, which are notoriously sibilant. Perhaps the level of detail isn't quite on par with the VSonics, but these are seemingly without any significant spikes in the highs and are better for long-term enjoyment.
 
 
Perhaps the best thing I can say about the sound of the T20 is that once my brain burned in, I found myself paying more attention to the music than the IEMs themselves. People talk about earphones that are fun and enjoyable, and these most definitely are. Critical listening does reveal shortcomings, such as the bass presentation. With the reference filters, it wasn't distracting and I've since come to appreciate a fuller bass presentation then I did before I tried these. Combined with the level of comfort and build-quality, I have to say these are going to please a lot of people, but I fear that serious audiophiles may pass on them. Ultimately, I think they are going after people who are new to the hobby and are more accustomed to a typical consumer-friendly sound. These seem to be trying to rope in both segments, but I'm afraid serious enthusiasts looking for a true reference IEM may be left wanting. Their branding campaign, while very eye-catching and well-implemented, is evidence to me that they are more concerned with attracting the mass market than the much smaller niche of audiophile obsessives on head-fi; from a dollars and cents perspective, it is the obvious move and it seems to be working - their products have made it into the Apple Store. My hope is that they develop another product in the future that is clearly aimed at the headphoneus supremus rather than everybody.
 
If I were to offer any recommendations to RHA, I would suggest that they:
 

1. shorten the cable and consider a user-replaceable model (balanced?)
2. target the serious audiophile niche market with no compromises (a big ask, I know)

 
There aren't many things on my list, so I think this is going to be a fairly successful product on the whole. Thanks again to RHA for setting up the tour and their willingness to interact with head-fi members.

 
At the 2015 Spring Tokyo Fujiya Avic Headphone Festival I had the pleasure of meeting Lindsey from Reid Heath Acoustics and talking to her about their new T20i IEMs. Lindsey was insistent that I try the new models and I almost forgot with the overwhelming number of products I was busy trying and photographing. On a Sunday afternoon at the end of the show is the hardest time to impress me after all that has been seen and heard, but the T20is didn’t disappoint, with some very punchy bass that I felt needed further investigation, so I agree with Lindsey to review a pair.
 
The T20 use a very interesting and unique driver. Where a normal dynamic driver has one voice coil, the driver in the T20i has two, the inner coil producing the bass and lower mid-range and the outer coil producing the upper-mid-range and treble encased inside injection-moulded steel. The small casing is contrasted by the chunky rubber cable.
 
RHA has also taken pains to ensure that the cable does not transfer noise to the earphones themselves. While thicker than regular IEM cables, it feels more robust and I didn’t find it uncomfortable, even with glasses on. The last 4 or so inches of cable is pre-shaped for comfort, and a choker is attached to the cable allowing it to be held comfortably in place under the chin. Topping it off is a shirt clip and a neat carrying case with space for spare tips and straps for the cable. The plug has a metal spring strain relief, making it stick out quite far when used with portable gear, something some people may not like. 
 
The well-designed package includes not only a good selection of tips, including foam and two sizes of double-flange tips, in an aluminium plate no less!. Additional “Treble” and “Bass” filters are included, which allow a degree of custom sound tuning, each respectively boosting their ends of the spectrum slightly. A quick examination of these reveals that the "treble" filters is a pass-through, and the "reference" and "bass" filters have different foam in them. 
 
Initially sounding a bit harsh out of the box, after a few dozen hours of use, vocals and instruments by themselves are wonderfully presented through the mid-range and the treble. Initially when I put mid-sized tips on them, I didn't get a proper seal, nor any significant bass response. The small steel casing for the T20s ensures that they should fit easily in most ears, though the "pill and nozzle" design doesn't work for everyone if deep insertion is required, and that is possibly what was happening with me. Putting large, or double-flange tips on them solved the issue, with the bass kicking in a serious way, sometimes too much.
 
The default “Reference” tips give a presentation still with a considerable amount of bass and the highs slightly, but not excessively rolled off. The treble filter brings out the frequencies noticeably in the 5-10 kHz range, very often the upper notes of acoustic instruments. That sometimes leaves the mid range a little bit behind, along the lines of full-sized headphones such as the Foxtex TH600s and TH900s. Once I'd settled in on using the "reference" nozzles, I had a go using my favourite SpinFit tips, however the mid-range was pushed back a bit. Having a go with some Comply foam tips that I had handy, the treble ended up reduced too much for my liking. Handily, JVC's Spiraldot tips fit perfectly, their unique design improving things all around, which I felt gave the best results. 
 
Detail retrieval doesn't appear to be the T20's strong point, and they still have something of what I call an "IEM sound" with treble that isn't as good as more expensive offerings. Given the accessories and the price, they give a solid and enjoyable performance. The bass punch of the dual-coil dynamic driver is simply a lot of fun. 
 

For under US$300 (£179.95) is a quality product from this company from Scotland which is sure to gain a lot of fans with the quality presentation and excellent, if somewhat warm-of-neutral sound.
 
The T20 was provided by RHA for this review. 

Preamble:

Before I start with my review, I want to thank RHA for providing me with a sample of their T20 in exchange for my honest opinion. Please note that I am not affiliated with RHA in any way.

RHA is a manufacturer of In-Ears with dynamic transducers and based in the UK. Their latest In-Ear flagship, the T20 that retails for about $240 in the US, has got (like its predecessor) three different interchangeable tuning filters for individual sound customisation.

An interesting novelty is its DualCoil™ driver, a new coaxial-like construction with two independent voice coils that are attached to the single diaphragm that reproduces lows in its centre and high frequencies on the outside. One can see an explanation of the DualCoil transducer’s working principle along with a nice exploded drawing on the packaging.
In my review, I will also include comparisons to the Sennheiser IE 80, as I see it as a direct competitor in this price range.

Just as the other RHA products, the T20 is covered by a three year warranty.


Technical Specifications:

Drivers: DualCoil™ Dynamic
Frequency range: 16-40,000Hz
Impedance: 16 Ohm
Sensitivity: 90dB
Rated/max power: 2/5mW
Weight: 39g
Cable: 1.35m, multicore OFC
Connections: 3.5mm, gold plated
 

Delivery Content:

The T20 comes in a beautifully designed packaging which has got a magnetic flap that covers a see-through plastic window on the front side, allowing you to take a look at the In-Ears, filters and eartips. On the flap’s inside is a nicely labelled exploded diagram that also explains the DualCoil driver’s operation principle.
Opening the packing, one will find ten pairs of eartips (one is already preinstalled), the tuning filters, a pleather carrying case (that looks and feels just like the one that came with the former Bose earbuds, but has got an additional pocket on the inside), a shirt clip and last but not least an illustrated multilingual instruction manual.
 

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Aesthetics, Build Quality:

The premium In-Ears’ bodies are made of stainless steel, seem very sturdy and well-made and feature engraved company and model names on the front and the back. Conveniently, both non-removable cables have got colour-coded strain reliefs close to the IEMs’ bodies to simplify identification of the correct side.
The y-split is also made of stainless steel, has got a nice overall design and features “Designed by Lewis Heath” lettering on it, whereby “Lewis Heath” is illustrated calligraphically.
The 3.5 mm headphone jack is also made of stainless steel, with the same design as the Y-split, but has got a silver-coloured spring as strain relief – that’s an inconvenient, but very effective way to prevent lead fracture and makes the In-Ears differ from other companies’ models.

Just as the In-Ears, the holders for the eartips and tuning filters are made of stainless steel, too. The latter has even got threads, but they could have been better cut, as some of the filters don’t screw in smoothly. The filters’ and IEMs’ threads however are very well cut and screw in smoothly.
By the way, the interchangeable tuning filter tubes have got spongy damping material inside, just as the Shure SE846’s tuning filters.

The cable is pretty long and appears to be very sturdy.
 

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Comfort, Isolation:

Just as most In-Ears in the premium segment (except for few models), the RHA is designed to be worn with the cables over the ears, which improves fit, comfort and reduces microphonics.
Although the T20’s weight is comparatively high, it sits very comfy in my ears and I don’t even notice that it is heavier than most In-Ears, which is also achieved by the excellent and ergonomic shape of the IEMs’ bodies, which is (with a slightly different angle of the sound tubes) also used by Westone and Shure.
The mouldable ear hooks that are used by RHA are patent pending and very flexible (although they stay in place nicely) and not stiff like most other IEMs’ ear hooks that are generally made of steel wires.
Nevertheless, there are few, but not bothering microphonics that can be eliminated completely by using the included shirt clip.

Noise isolation is just marginally better than average, but noticeably higher than the Sennheiser IE 80’s.


Sound:

T20’s sound quality was mainly evaluated with my iBasso DX90 playing CD rips and Hi-Res files; listening tests were made with the large single-flange silicone tips. The In-Ears were burnt in for at least 50 hours before I started critical listening.

The T20 offers three different pairs of sound tuning filters for individual sound customisation to one’s personal likes. This idea isn’t new and was used in some other In-Ears in the past; nevertheless it is a nice way of altering certain frequency bands to one’s personal preference without having to buy several IEMs (a few companies offer various versions of the same IEM that only differ in tonality).

Tonality:

The difference between the various tuning filters isn’t huge, but noticeable.

“Reference” filter:

With these filters that come installed as standard, T20’s overall tonality could be described as bassy-dark and consumer-oriented.
Bass is quite prominent and starts quite early with about 10 dB in upper bass, but luckily only slightly more level in midbass. Subbass rolls off a bit, but is still audibly emphasised.
Lower ground-tone area is also emphasised, but clearly less than the bass, wherefore sound isn’t warm, which is also because the ground-tone and lows in general don’t bleed into the mids which are present, but neither recessed nor emphasised.
In my ears, voices are moderately on the brighter side, but sound still natural.
Except for a rather broad-banded peak at 4.75 kHz (I used a sine generator to locate its exact position) highs are gently recessed, while upper highs are more in the background than the rest.

“Treble” filter:

With the copper-coloured treble tuning filters which are completely empty and undamped, bass loses some of its presence, just as the ground-tone area that starts to sound leaner.
Mids and voices are still rather on the brighter side.
Middle treble gains some level and the peak minimally shifts to 5 kHz; upper treble is less recessed, but still audibly in the background.

“Bass” filter:

Perceived, bass maintains the same level as with the “Reference” filter, but ground-tone area gains some and therefore sounds warmer.
Interestingly, the “Bass” filters are the only ones out of the three that in my ears alter mids’ tonality. The black filter tubes that have got the most foam/sponge material inside make voices appear tonally correct and lose their slightly bright character.
As expected, highs are pushed back further and the peak in the middle highs loses edginess.

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T20’s tonality compared to the Sennheiser IE 80:

The RHA has got definitely less ground-tone that also starts extending lower than the Sennheiser, which sounds much warmer and has got dark voices due to its utterly emphasised ground-tone area. RHA’s voices are clearly superior.
The Sennheiser has got a bit more midbass.
While the Sennheiser’s lower and middle treble are recessed with a following peak in the lower ranges of the upper treble, the RHA (with the “Reference” and “Treble” filters) slightly emphasises the middle treble and has got an audibly recessed upper treble. It’s up to one’s personal matter of taste which of the two styles of treble emphasis is the better one.

Resolution:

For an In-Ear with dynamic transducers, T20’s resolution is on a very good level and all in all comparable to the IE 80’s level of details and even excels it in some areas.
What the T20 does really well are voices: they are well-contoured, very clean, differentiated and precise – something where the Sennheiser somehow fails in comparison in my opinion.
Although T20’s treble is quite high resolving, the Sennheiser briefly wins in this category, as highs have got a slightly too hard attack on the RHA’s side and also seem marginally uneven in the middle treble.
Something that really surprised me in a positive way was the RHA’s bass which is very dry, hard hitting, controlled and punchy for a dynamic transducer and clearly excels the IE 80’s rather muddy lows, although it could have a bit less upper bass for my tastes.
Regarding bass quality, the difference between the three tuning filters isn’t huge, although the “Treble” filter offers the fastest bass out of the three, whereas the “Bass” filter has a somewhat slower decay, but without losing crispness or sounding slow. The “Reference” filter is somewhere in between, but closer to the “Treble” filter.

Soundstage:

Typically for vented dynamic In-Ears, T20’s soundstage has got a good expansion to the sides, but without sounding unnatural or exaggerated. Spatial depth is also present, but of lesser amount, though clearly present.
Instruments are very cleanly and precisely separated from each other and layering is also pretty decent.

Although the Sennheiser IE 80 has got the bigger soundstage (both in terms of width and depth) and therefore is able to achieve the better instrument placement, the RHA T20 has definitely got the sharper instrument separation and offers the better and more precise layering.


Conclusion:

With its current flagship, the T20, RHA has developed a very interesting In-Ear that is on a high technical level and features a new coaxial-like dynamic driver unit, called DualCoil™.
Build quality with mostly stainless steel elements is flawless and the ergonomic In-Ears sit very comfy and securely in my ears, additionally their bassy sound is highly resolving with very well differentiated mids and voices, dry and fast lows, adjustable treble through the included tuning filters and a good soundstage reproduction that provides a very precise instrument separation.

RHA is a fairly new audio company that has made quite a splash recently with their MA750 and T10 IEMs. RHA has recently announced their new T20 IEM which is due to be released sometime during the summer of 2015. Before its release, RHA has opened a few spots for people to demo and review the new IEM as part of a tour. I was one of the few lucky people that got the opportunity to give the T20 a listen before release.
 
I am no affiliated with RHA but I would like to give them a shout out and big thank you for making this tour happen!
 
To me, the T20 has a very commercial design with their packaging – and that’s a good thing. It reminds me a lot of the popular consumer headphone packaging (ex. Monster, Beats etc.), where you’re presented with a nice box that opens and you get to see a teaser of what’s inside the box. Overall, the design and presentation of the product is fashionable and beautiful.
 
The T20 comes with some very nice and quality accessories. There is a large variety of eartips to choose from of all sizes. There are also sets of dual flange and comply tips provided, which was a nice touch. I honestly think that the eartips RHA provided are of very good quality. They are very soft and comfortable while being very durable and retain their shapes well. Kudos to RHA for both the number of tips they provide and the quality of the eartips.
 
With the packaging also includes the filters that change the signature of the T20 as well as a square pleather carrying case and a shirt clip. The overall presentation of the T20 is very attractive and the accessories provided also feel very nice.
 
 
The RHA T20, like the T10, is a beautifully built and sturdy IEM. The housing is made completely out of metal, making it slightly heavy compared to your average IEM. Despite that, the T20 felt lighter than I expected when I put them in my ears and they basically disappeared after a while. The housing is very comfortable and I wore it for over 3 hours straight without and comfort issues. The housing also has red/blue and R/L colors and engravings on the housing to help those that need help distinguishing left and right for whatever reason. The T20’s housing also has vents that most likely help give the bass more body. I’m also quite interested in the design of the new dual coil driver. I know they mentioned that the T20 has two independent voice coils that collaborate and act on the same diaphragm to produce sound. I wish there was some sort of diagram showing that.
 
Because the T20 does have vents, it doesn't have the best sound isolation. In addition, I also found that the T20 generally doesn't sit too deep in the ear. Because of those reasons, I find the T20's isolation to be average at best. It's still more than enough to isolate noise while you're out and about though.
 
Perhaps what’s most interesting about the design of the housing is the nozzle that also act as filters. Three filters (treble, reference, and bass) are provided and each can alter the sound to give the user some flexibility in choosing what their favorite sound is.
 
Moving onto the cable also marks the departure of my enthusiasm for the T20. Well, maybe that’s a bit extreme, but I’m not the biggest fan of the cable. The 3.5mm jack as well as the Y-split are both made of metal and very solid feeling. The 3.5mm jack has a spring attached to it to lower the strain that may be put on the cable there, increasing the sturdiness of the longevity of the cable at the cost of some aesthetics in my opinion. Overall I think it’s a smart design and I would gladly take it knowing its one less place that my earphone has a chance of failing at. On the other hand, while the Y-split is solidly built and nice looking, it’s placed in a bizarre spot. Standing up, the Y-split reaches almost down to my belly button. I guess it doesn’t really affect the comfort but it does look a little wonky.
 
On the cable is also the ear guide. I’m personally not the biggest fan of ear guides in general, but there have been some that I feel are fine or even good. Unfortunately, I find the ear guide of the T20 to be a bit long. To add to that, the extra bulk at the end of it makes it pretty clunky overall. It’s not my favorite thing but doesn’t really take away from the comfort of the earphone all that much either so I don’t mind too much.
 
The cable is made of a rubbery material that is fairly tangle-free, but is on the thicker end of the spectrum. Because of its thickness (and its metal Y-split), the cable is on the heavier side. It doesn’t make the cable uncomfortable, but it also doesn’t disappear like other cables can. In addition, like most rubbery cables I’ve had experienced with in the past, the rubbery cable also tends to carry more cable noise. It’s not a big issue for me, but I feel that amount of noise transferred by the cable has room for improvement.
 
Overall, the T20 is a very sturdy IEM that is made with very solid materials, but I do feel that the cable could be improved upon.
 
Listening was done using my iBasso D14 “Bushmaster” with my laptop running Foobar as my source. Music of all genres and of varying quality (with the exception of DSD) was used for my listening impressions. In addition, for consistency, the majority of the listening impressions were done with the reference filter. The other two filters are included in their own sections.
 
 
With the reference filter, the T20 presents a warm and V-shaped signature that I personally wouldn’t categorize as being reference. The sound is tuned to be quite musical and fun, but not to a point where the sound is overly colored either.
 
Bass
Even with a “reference” filter, the bass of the T20 is a whole lot of fun. The bass is pleasantly boosted with good punch and with very good extension – reaching 30 Hz and beyond without too much trouble.
 
While the bass isn’t bloated in any way, I do have some issues with it. First off, I find the bass boosted to a point where it’s not bloated, but distracting and somewhat inaccurate. Instruments that resonate in the lower register tend to be brought out more, and not necessarily when they should. Listening to Jason Mraz often sounds a little odd as the bass (guitar) seems to overpower the acoustic guitar while the kick drum lets out kicks that, while juicy, just seem out of place. Listening to Regina Spektor’s “The Calculation” also gives a similar feeling, with the bass (guitar) rumble dominating the track. I feel that the T20 works much better with music that does make sense with a more filled out bottom end. Rock music, for instance, feel much more at home on the T20.
 
I also feel that the bass can be cleaner. While possessing good thump, the bass isn’t particularly tight or well-focused. It also tends to have more of a bloom to it and can be on the slower side. Sub bass texture is still generally much better than what’s offered by balanced armature IEMs at the same price range, but I feel that the bass of overall a bit smoothed out and lacks a bit of detail.
 
While I don’t feel that the bass performance of the T20 is its strong suite, I can’t help but admit that I quite enjoy it. It’s been a while since I’ve listening to anything that brings some really nice big thumping bass that while keeping the midrange and treble fairly clean. The bass isn’t boosted to a basshead level, but I do feel that those who enjoy bass, or are borderline bassheads will enjoy these.
 
Midrange
While the T20’s bass can pack some serious punch, the midrange remains clean and generally free of any sort of bleed from the bass, which I found to be quite impressive. The midrange balance seems a bit wonky and inconsistent to me. I generally feel that the midrange is just a tad recessed, given the bigger bass and sparkly treble, but remain fairly well-balanced, but there are tracks where it may seem even a little forward. However, vocals tend to be more relaxed and laid back but remain engaging, than being forward. Instruments generally remain clean but I do find that separation can take a hit on more complex tracks. I also find that there are moments when I feel that the some instruments sound a little metallic, but not to a point where I find it particularly unnatural or harsh in any way. The midrange generally feels clean, smooth, and just a tad recessed.
 
Treble
Treble has good detail, good extension, as well as good sparkle without ever sounding harsh to me. Treble decay is a little longer, which on some tracks can sound quite beautiful and natural, but translate to being a bit splashy on more demanding tracks. However, the treble of the T20 is perhaps the most articulate part of the T20, having good energy, bite, and texture in comparison to the rest of its frequency range. I found that it had a good balance between being sparkly and energetic while remaining fairly smooth.
 
Soundstage and Imaging
The soundstage of the T20 is fantastic, and one of the largest I’ve heard in an IEM at this price point, while beating out a lot of balanced armature IEMs that’s much pricier than it. The T20 can expand fairly well in both its width and height, while being just a bit flatter in terms of depth. The imaging and separation of the T20 is also pretty good, but I don’t think it rivals the precision that balanced armature IEMs around the same price can offer, despite generally having a significantly smaller soundstage.
 
Comparison
 
T20 with Bass Filter
I think the filter system of the T20 is actually really well done. The T20 with bass filter is nowhere near as bassy as I thought it would be, and the rest of the frequency wasn’t affected by the slight boost in bass all too much. Sub bass is lifted just a tad bit as well as just a little more punch in the bass. It’s still not basshead level, but will be good to have those that enjoy just a bit more punch or thickness in their sound.
 
T20 with Treble Filter
I personally feel that this is actually the most “reference” sound of the three filter the T20 offers, and is what I prefer the most personally. Treble is generally faster, more detailed, and more textured, but does have the tendency to be sharper, venturing into the realm where people will consider a bit harsh. I tend to favor a brighter treble so it wasn’t an issue for me personally. The treble filter also has more air that, to me, gives the soundstage a more expansive and natural feel.
 
Like the bass filter, the treble filter doesn’t affect the rest of the frequency too much. You still get a nice thumping bass in the music.
 
CustomArt Ei.3 and RHA T20
In my opinion, both IEMs are very good and have their own strengths in different areas. To me, comparing the two is a classic scenario comparing dynamic and balanced armature drivers.
Typical of a dynamic driver, the T20’s bass extends a good deal deeper than the Ei.3’s bass, and also has much more authority and rumble. Overall bass of the T20 is a bit more accentuated with a little more midbass bloom in comparison, but really not by much. The T20 is by no means a bass monster. While lacking the authority that the T20’s bass has, the Ei.3 bass has tighter impact that causes the bass of the T20 to feel like it lacks a bit of focus in its impact. Despite that, I do feel that the bass department of the T20 is superior to that of the Ei.3 as its more textured and realistic.
In the midrange is where the balanced armature drivers of the Ei.3 really flex their muscles though. Vocals are presented beautifully on the Ei.3 with crystal clarity and good detail. Instruments are also well textured and clean. Compared to the clarity and naturalness of the Ei.3 midrange, the T20 has a slightly veiled tonality. While the midrange of the T20 is good, it doesn’t quite have the detail, texture, and articulation that the Ei.3 can output.
Treble between the two I find to be fairly close. The T20 has slightly more treble energy and overall extension while having slightly less treble texture and a longer decay. The Ei.3 bring more realism to the instrument and can pick up more micro-details and nuances than the T20.
Soundstage on the T20 is noticeably larger, especially in terms of width. However, the imaging of the Ei.3 is much cleaner and accurate. Instrument separation is also better thanks to its fantastic clarity.
Priced at 240 dollars, I think the T20 is a very good sounding IEM. Being around 100 dollars more than the T20 (300 + 50 for ear molds), it would only make sense that the Ei.3 is an upgrade to the T20 – and it is. Bringing better clarity and realism to the music, I do find the Ei.3 to be an upgrade in sound over the T20. However both IEMs deserve praise for what they’ve accomplished at their respective price points.
 
 
The T20 is a fun sounding IEM that has an attractive sound despite not being the strongest in terms of its sonic capabilities. For some reason I was under the impression that the T20 were priced at 280 dollars, but the RHA website has them listed at around 240 dollars. At 240 dollars, I think the T20 is a good IEM to pick up that will give you a fun and relatively detailed sound when you’re out and about. I think at 280 dollars its perhaps pushing the price a bit.
 
I feel that the T20 does a lot well, sounding fun while giving a respectable amount of detail, but has the tendency to sound just a bit out of place and confused. On acoustic or soft rock, the snare drum decay can sound wonderfully natural, but the bass is strangely rumbly. On the other hand, listening to some hard rock gives some fantastically satisfying bass that dig deep, but the T20 can struggle a little to keep up and remain crystal clear and clean.
 
As a whole, I think the T20 is a fun experience that is certainly worth the attention of those looking for a quality set of IEMs with good build quality, comfort, and a fun sound. While retaining a fun sound signature, the T20 does have the most "reference" sound and quality in RHA's line and certainly deserves its status of RHA's flagship. Despite its sound signature deviating from what I generally enjoy, I would be lying to say I didn’t enjoy the sound of the T20.

I dont want to go on forever in this review, but these RHA T20's are some of the best IEMS i have ever used. But! there are always flaws that can be fixed.

BUILD QUALITY AND DESIGN:

- stunning metal finish. The housing is made by a metal injection moulding process, which is done hand made at RHA. There is no competitor in build quality for the buds themselves.
- very good fit in most ears. There is plenty of included eartips to fit almost any ear. In terms of a universal fit, i would give the T20's full marks.
- colour coded eartips. i know its a minor detail, but it makes putting on the premium IEMS more seamless.
- the over ear/hook design provides very good isolation. but they are not as isolated as some balanced armature IEMS that I have used.

Cons:
- Cable is very likely to get "wear and tear". The first day i recieved this, the spring near the jack broke off. This meant that there was freying on the cables end.
- There is no detatchable cable!!!. This is a huge frown on RHA, for selling premium and durable IEMS, but the cable is the bottleneck to its lifespan. Would like this on future revisions please.
- Would prefer a lower profile jack. Preferably the T jacks that run along the side of phones. This the elongated end of cable , makes it bulky and orkward to fit in my pocket.

SOUND QUALITY

Very good sound quality, especially for modern dynamic drivers. The mids and treble are very crisp, while also having good punch to the bass. The mids and treble can be refined with the interchangable filters. The bass filters didnt do as much as expected, as i was impressed by the instant change in detail with the other two filters.
I cannot speak much of the sound quality now, as the T20's are in for repair.

Overall, the T20's have some solid features. They arent the best professional earphones you can buy for the price, but it has many unique features most IEMS dont. I currently have just recieved the Audio Technica ATH-IM02, and am starting to miss RHA's unique sound signature, good looks and charm. The RHA T20's are amazing in ear, with great sound quality, and can suite any audiophiles tastes, with adjustments in bass, treble and mids.

EDIT: Extra star, the customer support is really good. If the cable breaks or anything happens to the device, they will gladly replace the earphones for you, this is thanks to their flexible 3 year warranty.