Questyle CMA600i "Current Mode Amplification" Headphone DAC/Amp and pre-amp

Average User Rating:
5/5,

Recent User Reviews

  1. glassmonkey
    5.0/5,
    "Questyle CMA 600i: who needs a stack of components when CMA600i does it all so well? DSD256, fantastic clarity, plenty of drive. Heck yes, I want it."
    Pros - Excellent clarity, dead silent noise floor, drives my HD600 as well as my Heron 5, balanced topology, clean pre-amp output, audibly excellent SNR
    Cons - Soundstage could be wider (still average/above average), tiny indicator on volume control

    Acknowledgment   

    Thanks to @Tony-Hifi  of HiFi headphones for making me review this desktop DAC/Amp as a favour. I love reviewing loaners, but it’s always sad to package and send them off afterward. It’s definitely a carpe diem kind of experience, for you know the end is nigh. Thanks, Tony, for feeding my manic/depressive cycle of celebrating audio beauty just to watch it leave me to other hands and ears. Parting is such sweet sorrow.
     
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    Introduction

    Schnikies! I only had 9 days to review this beauteous Questyle CMA600i AND the Fidue Sirius A91—delicious masochism. Thank you, sir, may I have another! When Tony of HiFi Headphones said I could review the Sirius, I was super psyched, but he did it on a condition, I had to review the Questyle CMA 600i and I had a short window to borrow them. I felt so put out that I nearly stamped off in disgust. :wink: Not really, but reviewing two units at the same time is challenging, especially when one is a large desktop amp.
     
    Whilst that type of situation may make one review feel like a ‘me too’ review, that was not at all the case with these two reviews. Both pieces of kit were brilliant, but one star from the East shone brighter.
     
    I first encountered Questyle at CanJam London 2015, where they were rolling out the Questyle QP1R—a fine player deserving of all the laurels and lauds flung at it. I didn’t have a go with an HE1000 like @moedawg140. If you want to know everything there is to know about the QP1R, Moe has an Encyclopedia Questylica going up here on HeadFi. Before I arrived tired and excited after a 3 hour bus-ride from Southampton at CanJam London 2015, I had already seen pictures of Moe parading the QP1R and the HE1000 around with Gordon Ramsay and looked like an avatar of audio walking around Heathrow airport. The QP1R looks classy. Questyle makes classy stuff with current mode amplification. I don’t pretend to be a tech expert so I’ll tell you more about that from the mouths of the creators in the next section of the review.
     
    Questyle, like many innovative companies, has an interesting origin story. I’ll give a taste of the origins here, but the story is worth reading on their website. I always find it inspiring to hold in my hands what is the realisation of someone’s dream, evidence of finding a calling, not a just a job, but a pathway by which they can feel fully enriched and change the world in a way best suited to their talents. From what I can tell, Wang Fengshuo, founder of Questyle audio found his calling. He started building current mode amplification while at university after an accidental discovery of current mode amplification. Whilst other students went home for the summer, he remained on campus playing and working in the lab, sifting through piles of components in search of perfect matches for his innovative prototype he was building. He finished that amplifier in the Summer of 2004, and went off to work for a big design firm after graduation. At that firm he met some like-minded folks and they built the CMA800, birthing it into the world in 2007 and revising it an astounding 22 times over the next four years before they finally realised that people really liked it and they needed to be able to sell and produce on a larger scale. In 2012, Questyle was born to bring current mode amplification to the world. Since then they’ve been rolling out products, but not getting a lot of official reviews here on HeadFi, just lots of positive impressions.
     
    After making a series of purported world-beaters like the CMA800i DAC/AMP, CMA800R monoblocks, and CAS192 DAC, the CMA600i is more modest, what could be considered Questyle’s entry level desktop DAC/Amp. If this is entry level, I can’t wait to hear the top tier.
     
    Whilst I set the Sirius burning in, I got some heavy pet… listening in on this gunmetal (space grey, they say) glory. I listened to the Sirius quite a bit on this after burn-in, but found that I liked it better in balanced mode out of the Geek Out V2. If I had a balanced adapter from Norne Audio on hand, I would have gone all Questyle all the time, I think. During this review a Heron swoops in, the real value of balanced output is tested, and the hard scrabble streets of Lewisham (South London) are challenged.
     
    Here’s the obligatory about me. How can you trust someone’s ears if you don’t know a thing about what they like and how they hear? Hopefully my little blurb is helpful for you.
     
    Like most sensible people I started falling in love with music as a child. My first portable audio device was a Sony Walkman (the cassette kind) that I got when I was 10 years old (24 years ago).  I listened with the cheap Sony on ears that came with the Walkman until I bought a Koss CD boombox and started listening to UAF College Radio and 103.9 (alternative rock at the time) in Fairbanks, Alaska. I once listened to Louie Louie for 3 days straight, and I’m not insane. My musical tastes started out with listening to what my friends liked (Dr. Dre and Green Day) and what my parents liked (The Beatles, Rolling Stones, Bob Dylan) and I only really discovered my own musical tastes and sonic preferences in my late teens to early 20s. What I discovered is that I have very eclectic and some would say weird tastes. I could be listening to gay punk rock, Japanese dream garble pop, 8-bit chiptune, Scandinavian black metal, Latin guitar, the Mariinsky Orchestra, or Miles Davis, but I mostly listen to Classic Rock and Indie/Alternative. I’m a big fan of intelligent hip-hop like Metermaids, Kendrick Lamar and Aesop Rock, also.
     
    I tend to like headphones and gear that are all-around performers, this generally means a balanced or neutral sound. If I have to choose between warm and bright, I’ll choose bright almost every time. A few screechy high notes are preferable to me than a foggy unfocused bass guitar. I somehow never manage to have much money, so I don’t want to buy infinity headphones to switch between my myriad genres that I play. I can hear all the way down to 10hz and all the way up to 23Khz—these are what I’ve heard doing test tones on headphones. It has been a long time since I had a test with an audiologist. I’m sensitive to peaky treble but do enjoy smooth extended treble. I like deep rich tight bass and impactful drums, and dislike upper midbass emphasis.  I like my vocals crisp, so stay away from Josh Tillman’s voice you nasty upper midbass hump.  I hear soundstage better than just about anything I identify in music, but my words haven’t caught up to my ears. I listen at volume levels that others consider loud (72 to 75 dB), but I just set it to where the dynamics peak. I’m not here to shatter my eardrums. I like them just how they are.
     
    I generally don’t believe in using EQ, not even for inexpensive headphones, especially in reviews. I won’t claim that I haven’t done it, but I generally try to avoid it.
     
    I’m a firm believer that cables can make a difference, but I don’t think they always do. When I tried out Toxic Cables line, none of them had labels and the cheapest looking one was the one I liked the best. I was excited that I wouldn’t have to spend much to improve my sound. It turned out that the cheapest looking one was the Silver/Gold top of the line cable. I’ve heard the difference that USB cables can make, from upgrading from the crappy cable that came with my Geek Out 1000 to a Supra USB, and then again when upgrading to the LH Labs Lightspeed 2G with the iUSB3.0. When I picked up a cheap shielded power lead from Mains Cables R Us to replace my standard kettle lead on my amplifier, I heard more crunchy and clearer treble. I switched the leads with my wife blinded and she heard the same difference. I didn’t tell her what I heard and let her describe it herself. But cables don’t always make a difference. When I switched from my standard HD650 cable to a custom balanced cable (Custom Cans UK, very affordable), the sound stayed exactly the same when hooked up via a top tier (custom made by @dill3000 silver/gold) 4-pin XLR to 6.3mm converter. Balanced mode made a difference in clarity and blackness of background. Your mileage may vary and you may not hear a difference, but I have.
     

     

    Vital Statistics (specs from manufacturers and distributors)

    In this section of my reviews I try to let the manufacturer’s story about their product be told. Statistics about their product’s performance are part of this story and this data is important for consumers to know. Beyond measurements, manufacturers and retailers always have something to say about their products, some of the time it’s accurate. The review sections will tell whether that is the case here.
     
    As the CMA600i has a lot of components, it has a lot of stats, so prepare yourself for lots of graphs and tables. First I’ll throw down what Questyle has to say about the unit on their English website:
     
     
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    According to Questyle, it only took three months to design (prototype?) the CMA600i, but over a year to tune it. With “5 changes to the main circuit design, over 50 different components, 10 different headphones, 5 pairs of world famous active speakers and more than 500 times sound alignment.” I hope that other manufacturers do similar things, but without being an insider I can’t know. What Questyle says sounds impressive, but it could be routine and just a normal part of the design process. Many devices take years to develop, one year and three months doesn’t sound like that long a cycle.
     
    I left out some information, because Questyle likes to talk a bit. Like I said, you can tell that they are passionate about their devices and their vocation.
     
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    Frequency response chart​

     
    As can be seen, the Questyle CMA600i has ruler flat frequency response. That drop at the end is normal.
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    Total harmonic distortion plus noise (THD+N)​

     
    From what I know, that is about as good a THD+N graph as you are going to get out of your Audio Precision machine.
     
    Physical specifications
     
    Finish
    Silver/Space Grey
    Chassis materials
    Special CNC tooled Aluminum
    Dimensions
    12.99” (330mm)[W] x 11.81” (300mm)[D] x 1.38” (55mm)[H]
    Weight
    113oz (3.2kg)
    Working status
    Pure Class A
    Voltage
    100-120V or 220-230V, switchable
    Power consumption
    18W
    Volume control
    Analog ALPS motor potentiometer
    Input devices
    Remote control

     
    Headphone amplification specifications
     
    Gain
    13.4dB (4.7 times)
    Max Output
     
                Single Ended
    220mW @300ohm, 950mW @32ohm
                Balanced
    630mW @300ohm, 1900mW @32ohm
    THD+N
    0.00057% @1kHz, Po=100mW, 300ohm; 0.00034% @1kHz, Po=50mW, 32ohm
    Signal to Noise Ratio (SNR)
    113dB
    Frequency response
    DC-100kHz (+0, -0.7dB); DC-600kHz (+0,-3dB)
    Sensitivity
    1.7Vrms
    Input
    Internal DAC output or external RCA, switchable
    Number of outputs
    Two single ended, one 4-pin XLR

     
    DAC and pre-amp specifications
     
    DAC chip
    AKM AK4490, independently powered
    Supporting files
     
                SPDIF and Optical
    PCM 16/44 to 24/192
                USB
    PCM 16/44 to 32/384, True (native) DSD64 to DSD256, DoP DSD64 to DSD128
    Supporting OS
    XP, Vista, Windows 7-10, Mac OS
    Digital input
    SPDIF, Optical, USB type B
    Kernel streaming modes
    WASAPI, ASIO, KS
    Digital Filter
    PCM mode, IIR (MP) and FIR(LP), switchable; DSD mode, no filter
    Output
    XLR and RCA
    Max amplitude
    XLR: 8.6Vrms; RCA: 4.3VRms
    Analog output
     
                THD+N
    RCA<0.00082%, XLR<0.00064%
                SNR
    RCA>105dB, XLR>121dB

     

     

    Form & Function

    The Questyle CMA600i comes packaged with a driver disc—at the time I had this I couldn’t identify drivers online, a remote—I didn’t use it, warranty information and the unit itself. It is a sleek looking unit with excellent CNC machining. The colour is a neutral color that will go with most decors. It is solid feeling and solid looking. The ALPS potentiometer has a very solid feel and has beautiful adjustment due to being entirely in the analog range. I didn’t use the remote, but I have a similar motorized potentiometer on my Cambridge Audio azur 540A integrated amp, and it is wonderful. It’s magical watching the knob move from across the room. I didn’t put this beauty out in the living room, as my toddler is real grabby and would have smacked the crap out of it—she has no respect for other people’s expensive property. I put it in my office on top of my desk for safekeeping. She’ll have to grow another foot before she can mess with my reviewing area now. Mwa ha ha, no fun for you, baby!
     
    I’ve got one quibble about the volume knob. It has an incredibly tiny black indentation for showing the volume level. I was sitting right in front of it and had trouble seeing it. I’ve got better than 20/20 vision. A little bit bigger volume indicator would be really helpful. For me it was a nuisance when volume matching components, but I got used to it over time.
     
    Overall, the unit is attractive, and the build looks reassuringly bombproof. I never noted the Questyle to heat up like a bomb, so that is a point in it’s Class A amplification favour.
     
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    Audio quality

    First, lets start out with equipment I used in this review.
    1. Questyle CMA600i
    2. Airist Audio Heron 5
    3. iFi Micro iUSB3.0
    4. LH Labs Geek Out V2
    5. Custom made 4-pin XLR to 6.3mm adaptor (uber adapter with quad core litz-braided Au/Ag wire and gold plated pins on the Neutrik XLR jack with a Neutrik 6.3mm jack)
    6. Supra USB 2.0 cable to iFi Micro iUSB3.0
    7. 2 LH Labs 2g USB cables from the iFi iUSB3.0 to the DACs
    8. Van Damme XLR cables (XKE quad microphone cable, SPOFC, £25 for a set on eBay)
    9. Atlas Element Integra RCA interconnects
    10. Wensa SPL meter
     
    I compared the Questyle CMA600i amp to the Airist Audio Heron 5 amp, both with the Questyle CMA600i as the DAC. I tried the Airist Audio Heron 5 fed in balanced mode and in single ended mode. I compared the CMA600i with the iUSB3.0 and without it in single-ended and balanced mode. I did a volume matching experiment between single-ended and balanced headphone outputs. I volume matched my HD600 using white noise when comparing the Questyle CMA600i and Airist Audio Heron 5. I listened with the following headphones: Fidue A91 Sirius, 64 Audio X2, Echobox Audio Finder X1, oBravo EAMT-3a, Sennheiser HD600, Audeze LCD4, Ether, and Ether C. In other words, I put the CMA600i through it’s paces.
    For volume matching I didn’t use a rigorous method—my setup is modest and my time is limited. I stuck headphones onto the same location on my SPL meter best I could and set white noise playing to my desired volume level on each device. The headphone used was the same for each device, so I recorded volume level locations on the volume dials so that I could quickly switch back and forth. Volume levels used during the review ranged between 78dB and 82dB. I listen a bit loud.
      1. Keith Greeninger – Harder that we love (DSD128)
      2. 2Pac – God Bless the Dead
      3. Daft Punk – Giorgio by Maroder
      4. Jan Kraybill – Allegro from Symphony #6 in G Minor (24/96)
      5. Horrendous – Anareta

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