Purity Audio K.I.C.A.S. Regular

General Information

K.I.C.A.S.

Purity Audio writes: "The K.I.C.A.S. headphone amp [Keep It Clean And Simple] is a class-A, fully discrete Headphone amplifier. With the entire circuit defaulted to class-A operation, transient voltages are minimized and impulse response is as quick as possible.

"Our current flagship model(s) are the K.I.C.A.S. and Caliente Headphone Amplifier. The K.I.C.A.S. and Caliente employ a single ended, standard RCA/Phono input at the back and a single ended, ¼" phone jack output. It offers both high current output rates for lower impedance headphones, but also has enough voltage to drive higher impedance headphones (up to 600 ohms rated impedance) with ease. K.I.C.A.S. and Caliente are designed primarily for modern dynamic headphones (impedances from 25 to 600 ohms rated impedance, with an efficiency of 96 dB/mW or better).

Technical Specifications



•Frequency bandwidth: 10 Hz - 50kHz
•Maximum power output: 400 mW
•input impedance: 10kohm
•Gain: 6 dB, non-adjustable
•Dimensions: 17cm (6.5") wide x 16.5cm (6.25") deep x 5cm (2") high
•Weight: 1 kg

Which amplifier should I chose?

If you’re looking at this and considering this question, then we feel quite comfortable giving you our opinion. It really boils down to the sound you prefer:

· If you’re a fan of big sound stage, analytical/detailed sound and neutral presentation, the K.I.C.A.S. is your amp
· If you like more warmth in your music, tube amps and/or greater low frequency fullness, then the Caliente is for you.
[end quote from Purity Audio's website]


Latest reviews

wyki

Head-Fier
Pros: Resolution, dynamics, tonal accuracy; affordability; reliability and ease of use; customer support
Cons: None
I bought a blue K.I.C.A.S. regular during this winter's "Beat the Blues" sale.  I'm using it with my new V-DAC (mostly sourced from a DVD player) and vintage Sennheiser HD 560 headphones, the old flagship when they optimized their headphones for classical music (much prized on Germany Ebay; I got mine on American Ebay).  
 
My ears are recovering from a diet of sweetened bass-boosted consumer audio. For the first time, I have wild fresh berries. Some are riper than others.  A very few recordings I used to enjoy are actually unpleasant (where the treble was simply too bright).  Nathan Milstein's performance of Bach's Violin Partitas, as recorded by DG twenty-five years ago, sounds a bit thin and sharp; Isabelle Faust's performance of the same works, recorded recently, sounds lovely.  Fischer-Dieskau and Moore's Schubert Lieder and Maria Pires's Chopin, for example, are warm and beautiful.  Since I do not have a wide range of headphones with which to test it, it is hard to say how it would perform beyond the HD 560.  But I am listening to the pair right now with a Beethoven cello sonata, and there is plently of bass here.  Other recordings are a complete revelation.  I hear for the first time the humor in abrupt passages.  The detail and dynamics are astonishing. So is the soundstage, certainly compared with the consumer Onkyo amp I have in the other room.  In complex passages, I marvel at the texture of music.  
 
Based on the reviews and descriptions, I thought the K.I.C.A.S. would be even better than the Caliente for classical music, at least with my headphones, and Oriel seconded that view.  Though I haven't heard the Caliente and am sure it's a great amp too, I think the bet is proving to be correct. The level of detail is exhilarating to me.  The K.I.C.A.S. is remarkable, the more so at its price level.  I hope that Purity Audio will keep it in production for a long time to come.   I I I

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