Hello all! It has been a long while since I've been active here! I acquired the Meze 109 Pro about a month ago as I got back into the swing of things. These have been my daily cans at work so I feel I've had enough time with them to offer my opinion on them.
Context:
For some background on me, I started my head-fi journey back in 2013, after moving into a smaller space due to my job. This move forced me into the awkward situation of not being able to enjoy music the way I wanted to... shortly after moving (and a few complaints later) I was put in a position where I had to get rid of my large listening rig (Vienna Acoustics Mozart Grand and ML Dynamo) After a few weeks of being sonically crippled and now dealing with having to downsize my guitar stack (yeah I was that guy) ended up being talked into buying a set of Grado's by a silver tongued sales person called Ken to help ease the pain of my situation. Th Grado's offered a very colored take on recording familiar to me, sometimes it was utter trash, but when it worked they sounded magical! This was the impetus to my head-fi journey, I now needed to find something magical that sounded good regardless of what I fed it! This completely snowballed into slowly acquiring a huge hoard of stuff... Stuff that I've also cleared out here in hopes that some of this gear gets the love it deserves. My sonic preferences lean towards the more analytical side of things, I really enjoyed my time with the HD800, and now Arya. I appreciate fulled bodied presentations but they are not my preference. Musically I digest most things, but really enjoy a Jazz, Prog Rock and Folk.
Actual Context (I promise this time):
Build
The Meze 109 Pro is a wonderfully built piece of functional art. The walnut wood cups look and feel premium as they should, the headband and accompanying hardware are beautifully finished and sufficiently sturdy. Each unit comes with 2 cables (more on that in a second) and a carrying case. The packaging is very nice and includes plenty of aesthetically pleasing waste products (A lot of you will enjoy the unboxing but I'd prefer less waste on marketing and more of the product cost sunk into development or manufacturing) The included cables are at best adequate, they work fine and its nice that we get two choices of length BUT they are of average quality and usability. They like to stick to themselves due the friction of the material used on the outer jacked (an unidentified TPE, though likely a form of TPE-U). The jacks used on the headphone side of the cable are TS mono connectors that are long and skinny since the headphones themselves have a very recessed port. This is just an annoyance but it would have been nice if they were less recessed OR had bigger entry points so I could use my existing balanced cables (I ended up buying a set, another additional cost in this hobby). The ear pads are well cushioned and of above average size, they were never uncomfortable on my very average sized head. The overall package is light, comfortable and built well enough to last.
4/5
Sound:
Bass:
This was actually a surprising thing... these open back headphones have pretty good bass impact, speed and texture! Listening to
Patricia Barbers "Code Cool" I was surprised to be experiencing the amount of bass impact and texture in this track. Now these aren't a bass heads dream BUT they have a very fun way of sounding big when the recording calls for it. Bass is fairly tight and precise with minimal bloom or bleed into the mids. Extension sounds fairly good as demonstrated in
Heather Rigdon "My Mother Would Like You" Electronic music fairs well in this regard also, using Daft Punks Random Access Memories sounds delightful. In short bass response is what I would call fun, punchy, quick and present and never overbearing, or muddy.
4/5
Mids (Where Music Lives):
Mids on the 109 Pro are fairly neutral to warm sounding. The overall feel of the mids is thick but not veiled. Notes carry weight, instruments and vocals have great timbre, and sense or placement. The mids sound luscious and deliberate. Listening to
Nightwish "Ghost Love Score Live at Wacken" The guitars have good texture and are very saturated but retain definition, Floor Jansen's voice sounds glorious here but hold that thought. To summarize these cans have very nice mids that don't do anything to offend and often reveal enough about a track to know if its recorded poorly BUT never beats you over the head with that information ruining the experience .
4.5/5
Treble:
Treble is a sensitive topic for a lot of us so I'll be blunt. These headphones have a good about of treble energy tittering on being sibilant on occasion but never crossing the line. These have what many would call well extended "sparkly" treble, though it continues the theme of texture. Cymbals have great attack and decay, never sounding overly splashy and undefined. If you like treble these are glorious, if you hate sparkly treble, still try these, I find them on the edge of enough and too much... or nearly perfect. Referring back to the Nightwish video above, this recording is somewhat hot in the treble, but listen to then last 3 minutes of it and take in all of that sonic information... on some setups this would sound pretty harsh BUT on the 109 Pro its not. Its well reproduced, detailed and beautiful.
5/5
Presentation and Technicalities:
The Meze 109 Pro makes a very complete and cohesive musical statement blending frequencies into what I consider could be an everyday sound. Rarely do I find a track that sound bad on these (poorly mastered audio will only go so far though) They are forgiving but not completely like some other headphones. They are spacious without sounding artificial (K702, HD800), detailed enough but not overly analytical, impactful without bloat and build well imaged soundscape (although not the best) Detail retrieval is good but not amazing. Layering and separation has a very 3d quality, the overall presentation of the sound stage is fairly wide and tall, with above average depth. Everything about these cans is above average but not class leading. There are a lot of other options in this sub 1K segment that do individual things better than these. OG Clears are probably the biggest competition, but in terms of space the Meze are better by quite a bit, detail retrieval I would give to the OG Clear. The Meze is more fun and engaging, the Clear more "correct" and has better dynamics. Different flavors of the same ice cream if anything.
4/5
Conclusion:
The Meze 109 Pro are wonderful cans. They are not the most technically proficient at anything vs the competition in the sub 1k class BUT they are engaging, comfortable, beautiful and most importantly enjoyable. As an overall package these are great cans. These will be my recommended headphone in the sub 1K space along with the OG Clear. They both offer a taste of more expensive equipment and would be endgame level equipment for a lot of people. They are easy to drive and will sound good out of pretty much anything. They scale a bit with better amps and sources, but never truly make big gains. If you're looking for a fun sounding can with great extension on both end of the sonic spectrum with beautiful mids and a great sense of space you will enjoy these.
4.4/5