DISCLAIMER
I would like to thank Linsoul for providing this review unit.
The Kiwi Ears Allegro Mini can be gotten here:
https://www.linsoul.com/products/kiwi-ears-allegro-mini (no affiliate links).
SPECIFICATIONS/COMPATIBILITY
Tested at $24 USD
I'm not an Apple ecosystem user and can't vouch for this dongle's performance with Apple products. However, the Allegro Mini was easily recognized by various Windows and Android devices I paired it with, with no need for additional drivers on Windows 10 devices and above.
ACCESSORIES
Sadly, the Allegro Mini packaging is barebones, with zero accessories included.
Zero. Zip. Zilch. Nada. Nil. There's not even a USB-C adapter of sorts, so consumers will need to source for these aftermarket stuff.
However, maybe I am being too harsh for an ultra-budget model, and the brand probably cut costs here, so as to funnel more bang-for-buck into the actual sound.
DESIGN/FUNCTION
The Allegro Mini's chassis is made of aluminum alloy, and it is very sturdily built. It is also very compact and easily pocketable.
Uniquely, this dongle has a right angled USB-C port, and this allows it to be snuggly paired with smartphones, eschewing the usual dongle-with-cables concept. In essence, the Allegro Mini can convert a smartphone to become a DAP on-the-fly, without the need to deal with cables or an unwieldy stack. With its length still way shorter than the width of a smartphone, one should avoid inadvertently snagging something and damaging the USB-C port of the connected phone.
This is quite a creative setup from Kiwi Ears IMHO, and I think it will be the Allegro Mini's main selling point, for budget conscious users who want something for their phone, without killing the wallet. On the flip side, the lateral placement of the USB-C port on the rectangular chassis means that the Allegro Mini may not not fit into standard USB-C ports that are close to each other when other devices already inserted, eg in a laptop or USB hub. So pros and cons.
For its $20ish pricing, we can't expect the moon in terms of UI, and the Allegro Mini has no screen, buttons/controls, app, gain settings, EQ or filter options. Well, dongles at this ultra-budget segment usually lack these functions too, so no biggie in my book.
On one end of the fuselage, we have a 3.5 mm (single-ended) port, while the other has a 4.4 mm (balanced) one, depending on your source needs. It is not common to see dongles packing a 4.4 mm port at this price point, so kudos for this addition; this 4.4 mm terminal is also gold-plated, which should assuage the audiophile when it comes to robustness and repeated cable swaps.
The top of the dongle has a little round imprint of Kiwi Ear's logo, and one to use the thumb to press down on this indentation for leverage when unplugging it from a phone, instead of struggling to get a finger-hold during removal.
INTERNALS
The Allegro Mini supports PCM up to 32bit/384kHz and DSD up to DSD128.
Unfortunately, we have no info on the DAC chip or amp that is utilized.
SOUND/PERFORMANCE
I tested the Allegro Mini with Android phones and Windows laptops and PCs. Once again, as I am not an Apple ecosystem user, I can't vouch for its performance with Apple devices.
On phones, I used the HiBy Music Player, with USB bit perfect OTG activated. I cannot vouch for usage with other USB exclusive music apps.
The testing below will be with FLAC/WAV files , on bit-perfect mode.
Tonally, the Allegro Mini sounds neutral-bright. It lets the connected transducer do the colouring, instead of introducing colouration to the music. Purists will be very happy with the sonics as such. However, bassheads or those looking for an injection of fun might need to explore EQ on upstream sources, or look elsewhere. End-to-end extension is good, with no roll-offs at either extremes.
For an ultra-budget source, the Allegro Mini actually has more than decent
technical chops. We hear an above average soundstage with spacious instrument placement. Micro-details and imagingare well portrayed for the coin, but of course we are not comparing it against pricier dongles higher up in the food chain.
Power-wise, the Allegro Mini is marketed to hit 30 mW at 32 ohm. No doubt many present-day dongles can trump this, so the Allegro Mini is not the best option for harder to drive stuff (ie low sensitivity and/or high impedance gear). But for most run-of-the-mill IEMs - other than outliers - this dongle can definitely do a very serviceable job.
My acid tests for source evaluation include 3 of my hardest to drive gear:
1) Final Audio E5000 (low sensitivity at 93dB/mW)
2) Sennheiser HD650 (high impedance at 300ohm)
3) Yinman 600 ohm (600 ohm impedance and 87db/mW sensitivity)
The E5000 on the Allegro Mini's 4.4 mm port was never lacking headroom or volume, but the bass texturing could be a bit better - this is nitpicking as some pricier dongles also struggle to drive the E5000, which is an outlier amongst IEMs. Likewise, the Allegro Mini could juice the HD650 to an okay level, though soundstage and dynamics could have been done better if more power was on tap.
The final boss - the Yinman 600 ohm with an ultra-low sensitivity and ultra-high impedance - is inadequately driven by the majority of portable sources or even expensive DAPs out there. So it is no surprise that the Allegro Mini even on 4.4 mm struggles to drive this behemoth; it is not a matter of volume, but more of bass control (texturing) and soundstage - which was quite compressed.
The Allegro Mini
does not hiss with high sensitivity IEMs, and it is also
does not get hot, which are much appreciated traits. In fact, the Allegro Mini is cool to the touch during prolonged usage! While we do not have any specs on the
output impedance of this device, on field-tests I surmise that it should be relatively low, as paired fastidious low impedance IEMs weren't skewed in the frequency response.
While the 4.4 mm port has minimal
"popping" when removing or inserting gear, unfortunately the 3.5 mm port suffers from a rather loud "pop", which probably reflects an inadequate pop suppression implementation on the 3.5 mm side. Once again, it is not uncommon for manufacturers to crowbar the 3.5 mm port in as an afterthought or polish the 4.4 mm to shine better, but definitely the 4.4 mm port is the more refined of the 2 terminals.
Yes, some smart alec is going to ask whether both the single-ended and balanced ports can be used at the same time. The answer is yes, but I wouldn't recommend that, as the volume will be different on each output, so one user might be going deaf while the other can't hear much.
COMPARISONS
The Allegro Mini will be compared against other ultra-budget dongle DAC/AMPs.
Apple dongle
Yes the measurebator's gold standard. The Apple dongle is a rather neutralish affair, with good measurements to boot.
However, it only has a 3.5 mm port, with no option for 4.4 mm balanced output. The Apple dongle is likewise weak in terms of driving power, and can't handle high impedance/low sensitivity transducers (not a matter of volume, but of dynamics, bass tightness and soundstage).
Build-wise, the Apple dongle is more filmsy with a noodle-thin non-detachable cable. We do not have any QOL functions on the Apple dongle like EQ, buttons, gain settings, PEQ etc too.
In terms of technicalities, the Apple dongle is inferior in soundstage, and sounds "closed-in". Micro-detailing is about on par.
For those that chase the highest bit rates, the Apple dongle is capped to a 24bit/48kHz maximum sample rate, whereas the Allegro Mini provides up to 32bit/384kHz and DSD128.
Fiio KA11
The KA11 has a warm tonal signature, and has more bass and a thicker note weight. It has a less extended treble, compared to the Allegro Mini.
Likewise, the KA11 comes in a thin cylindrical design, with no buttons, EQ, gain settings, DAC options etc.
The KA11 loses in soundstage, micro-details and imaging and is a step behind in technicalities.
The KA11 only has a 3.5 mm port, but it can juice out 200 mW at 32 Ω even on this single-ended terminal, easily dwarfing the 30 mW of the Allegro Mini. Thus, the KA11 can juice harder to drive gear.
However, the KA11's greater power comes at the expense of more battery drain and making the dongle hot during usage, unlike the ice-cool Allegro Mini.
CONCLUSIONS
Costing the price of a restaurant meal, the Kiwi Ears Allegro Mini is an affordable ultra-budget dongle with excellent value proposition.
It is built solidly from aluminum alloy, with a right-angled USB-C port that allows this dongle to be nested to the end of a smartphone, immediately converting it to a DAP! Additionally, this device boasts of both a 3.5 mm single-ended and 4.4 mm balanced output; arguably something hard to find at its $24 USD asking price.
Furnishing an uncoloured neutral bright sonic profile, the Allegro Mini will let the connected transducer do the colouring, suiting purists to a tee. Technicalities are nothing to sniff at for the coin, and it comfortably beats the measurebator's paragon of the Apple dongle in soundstage and bit-rate playback. The Allegro Mini also runs ice-cool during usage, with no hiss, which are all plus points.
However, the Allegro Mini is not the most powerful of the ultra-budget dongles - the Fiio KA11 claims that title as of the time of writing - and it comes with no accessories. Like its budget counterparts, the Allegro Mini is lacking in some UI features like no buttons, no PEQ, no screen, no gain settings and no DAC filters, which are par for the course at this price range.
One bugbear is a "pop" heard on connecting transducers on the 3.5 mm port, but thankfully the 4.4 mm is better implemented with a much more silent terminal.
All-things-considered, this device gets my recommendation, especially for the budget conscious user who wants to plug this into a smartphone - to become a DAP of sorts - or for those looking for their inaugural dongle, to dip their beaks into this rabbithole. For $24 USD, one can do much worse nowadays, and I'm sure audiophiles won't mind skipping a Big Mac or two to get their paws on the Allegro Mini.