INAWAKEN DAWN MS

InAwaken DAWN Ms
1DD Purple-Gold Diaphragm
$50 USD


Before we dive in, a huge thanks to Linsoul for sending the DAWN Ms for this review.
But, as always, this review is 100% my honest opinion.

Unboxing

Build Quality

Now let’s talk about the build, The Dawn Ms.

They look amazing. The design is super sleek and I believe the housing is made from medical-grade resin, which not only feels solid but also looks premium.

There’s even this cool little text detail on the dynamic driver housing— it’s small, but I personally love those thoughtful touches.

The cable? It’s great too ! It feels soft and doesn’t tangle easily. Plus, there’s almost no microphonic noise when it rubs against your clothes, which is always a win.

Comfort

When it comes to comfort, these are pretty ergonomic. That said, I have larger ear canals, so I had to swap out the stock eartips for some third-party ones to get a proper seal. Once I did though, I could wear them for hours without any issues.

Sound

Setup I used:

• Stock cable
• FIIO UTWS5, FIIO KA15
• Dunu S&S eartips
• Music from Apple Music and Spotify, covering J-POP, Rock, EDM, Metal, Jazz, and Rap

Overall sound signature:
The Dawn Ms has a tonality that’s close to a Harman tuning but with some tweaks. There’s extra sub-bass and mid-bass, and the mid-treble is smoothed out, which gives it a more relaxed feel.

Bass: This is where the Dawn Ms really shines. The bass is punchy, deep, and the bass speed itself is surprisingly fast.
That “Bass Superposition System” they mention? Not just marketing fluff—it actually works!

• Whether it’s the rumble in EDM tracks or the precision in metal double pedals, the bass delivers both impact and texture.
• It’s not a bass head IEM, but it does have a slight boost over true Harman tuning—just enough to make things fun without overwhelming the mix.

Midrange : The mids are warm and a bit thicker than typical Harman-tuned IEMs, due to the coloration from the bass.

• Vocals feel rich and laid-back, with no sibilance. They’re super easy to listen to.
• Instrumental tracks are where I have a slight nitpick—on something like the Violet Evergarden OST’s "The Ultimate Price", the piano and violin feel a bit too far back in the mix when they should be front and center.

Treble : Smooth, relaxed, and has decent extension

• There’s a good amount of air, but it’s not overly bright, which might disappoint treble heads.
• For the price, the treble detail is actually quite impressive, even though it is presented in a more laid back presentation

Technicalities

For $50 USD, the technical performance is "good"

Soundstage : It’s medium sized, with more width than depth. It creates an oval-shaped stage that feels slightly weird.

Imaging : While it doesn’t quite hit the flagship-level holography, the imaging is very impressive for the price— almost holographic.

Separation & Positioning : The Separation is great, keeping everything clear even in busy tracks. However, the laid-back mids and strong bass make the positioning feel feel a bit less precise at times.

Comparison

Now, how does it stack up against the Truthear Zero and Zero Red, which are also around $50.

• Build Quality : The Dawn Ms wins hands down. The IEMs and cable feel way more premium.
• Comfort : I found the Zero to fit a bit more snugly, but both all of them are very comfortable overall.
• Sound :
  • The Dawn Ms has the best bass texture of the three.
  • The original Zero has more of a bloated bass Harman like sound, while the Zero Red is closer to true Harman tuning but even more laid-back in the upper mids and treble.
• Technicalities : All three perform similarly well / "good" for their price.

Conclusion

So, is the InAwaken Dawn Ms worth it?

For $50 USD?
Absolutely. This brand should get more spotlight in the ChiFi community.
The build quality, accessories, and sound performance they offer for its price make it a great value.
If you’re into a good sounding bass IEM with smooth mids and treble, this one’s a no-brainer.

Thanks so much for sticking around to the end!

You can watch the video review of this here :


-littlenezt.

Review of the INWAKEN Dawn Ms​

Introduction​

This is the first time I’ve heard about INWAKEN, and this might be their debut with a budget-targeted IEM called Dawn Ms. From what I’ve gathered, INWAKEN is a new and upcoming company that specializes in producing IEMs, particularly in the budget segment. Well, that’s for now. I was fortunate enough to get my hands on their debut IEM for review, but before I do, I’d like to clarify a few things.

Disclaimer​

*Since this unit tour was organised by the kindly people at Linsoul, I am grateful to them. As I've said in all of my evaluations, the same is true for this one: all of the concepts I've expressed below are entirely my own, original ideas that haven't been influenced by anyone else. If interested, go to this link.
*I am not associated with the connection, and I receive no financial assistance from anyone.
*For the remainder of the review, I will refer to these IEMs as “Dawn Ms.”
*I am using different ear-tips for convenience and better versatility.
*Finally, I will only evaluate the Ms based on their performance, even though I will explain how it feels and seems physically and aesthetically.

Specification​

Dawn Ms is a single dynamic driver IEM that houses two 11.2mm sputter deposition purple-gold diaphragm dynamic drivers on each side. These drivers use a bass superposition system similar to Kiwi Ears’s Singolo. The ergonomic design of the shells ensures a proper fit, eliminating any fit or comfort issues for most users. The isolation is also excellent. The shells are made from 3D printed medical resin that incorporates the bass superposition system. This system creates a cavity at the back of the driver to accommodate low frequency air pressure. The manufacturing process is quite similar to Singolo’s design. However, I prefer this design because it features a beautiful faceplate that is encircled by metal all around the corners. The cable that comes with Dawn Ms is an OFC-shielded cable with two pin connectors on one side and a 3.5mm termination on the other. It’s a well-behaved cable that feels nice in the hand. The included accessories are three pairs of eartips in different sizes and a carrying case. Technically, Dawn Ms has an impedance of 32Ohms and a sensitivity of 110dB. The frequency response range is from 20Hz to 20khz.

Sound​

Alright, this isn’t anything new to hear when it comes to a tuning like Kiwi Ears has done before. Their sound response and driver design are quite similar. However, I found the quality of these IEMs to be truly worth the money, especially considering their price of just 50 dollars, compared to the Singolo which goes for 80 dollars. While the response is more accentuated in the higher frequencies, I prefer this kind of tuning because it strikes a better balance for me. Nevertheless, I believe that technical aspects aren’t the primary reason you’d buy these IEMs. After using these for over a month and comparing them to several other IEMs in the same price range, I’ve concluded that the overall sound of these IEMs satisfies my need for a balanced all-rounder. They have controlled yet thumpy bass, forwarded yet natural-sounding midrange, and extensive yet smooth treble. Let’s delve deeper into the sound to uncover more details about it.

Treble​

One of the aspects that I noticed lacking in the Singolo was its upper extension. At the time, I thought this was the limitation of the driver and the implementation, especially the resonance technology used. It was quite effective, as when I compared the Singolo to the Dawn MS, I felt that the bass had more characteristics but at the expense of upper extension. When I listened to the Dawn MS, I was relieved to hear that the upper extension didn’t require sacrificing the similar bass response. However, this isn’t entirely true if you’re a bass enthusiast. The Singolo is great, but I believe the Dawn MS sounds perfectly fine, especially considering the price. Now, let’s talk about the treble. The response is smooth, cohesive, and fairly extensive. When it comes to the upper extension, the response is more relaxed with a peak around the 13-15kHz region that creates a sense of space and air. It actually sounds airy. The rounded notes have a distinct quality, but they’re not the best in class. However, they sound smooth and relaxed. The lower treble has great vitality and sounds more forward than the Singolo, which brings more elements to shine in the mix. The response sounds expressive. The vocals and instruments hold an upfront quality that sounds clean and somewhat distinct. Listening to the track “Kekkon Koushinkyoku” by ASOBI Doumei, I noticed the bite in the notes of the cymbals and the female vocalist. Also, when listening to “Wonderwall” by Oasis, the forwardness and airiness around the singer sound open and spacious. Overall, the presentation of the treble region is smooth, clean, and fairly extensive.

Mid Range​

So, the Dawn Ms follows the typical Harman-like tuned midrange with emphasized upper midrange and laid-back lower mids. This brings energy, clarity, and a sense of revelation without bloating or muddying the response, which could hinder the quality of vocals and instruments’ openness and expressiveness. However, if not done right, this response could sound shouty or peaky. But with the Dawn Ms, the balance and timbre are natural-like. When it comes to the accentuated upper midrange, there are certain areas where it differs from Singolo. As I mentioned, the resonance tech works well in Singolo, bringing tasteful bass while maintaining cleanliness. However, when compared to the Dawn, it produces a warm sound due to the bump around 400-600Hz. I do believe that Singolo has a very natural-like timbre, maybe even better than the Dawn Ms. But I cannot change the fact that the revelation and the forwardness in the upper midrange of vocals and instruments are what make them so captivating. Both male and female vocals have a very revealing and forward response, which creates a beautiful separation between the vocals and the instruments. This allows for a clean and distinct response, resulting in a rich yet expressive sound. Listening to Kokoronashi by Majiko, I can definitely pick out the vocalist’s lowered voice in the bridge section of the song when I heard it through the Dawn Ms. While retaining that subtle and natural-sounding presence. Also, listening to the track “(Don’t Fear) The Reaper” by Blue Oyster Cult, I can discern that the midrange is both lively and calm. This is achieved through the spacious and energetic nature of the sound that surrounds the midrange, effectively eliminating any heaviness in the lower midrange. Consequently, the overall presentation of the midrange region is natural, forward, and satisfying.

Bass​

People who have issues with IEMs tuned to clinical and detailed sound can rest easy with the Dawn Ms. The reason is that the response is smooth and balanced throughout the frequency range. The bass is well-defined with a prominent sub-bass region that hits deep and rumbles, creating a powerful presence while also balancing the mid-bass with satisfying impacts and thumps. The bass sounds substantial and well-controlled, with minimal leakage into the lower midrange. Honestly, I think there’s a hint of warmth that enhances the notes’ smoothness and richness. I believe instruments like bass guitars and drums have a more lifelike and satisfying tone. However, I think the Dawn Ms’s bass is slightly inferior to the Singolo’s. The Singolo’s bass sounds more authoritative and resonant, providing a more favorable response. The Dawn Ms’s bass, on the other hand, is more precise and straightforward, clearly stating its presence. One thing I’m certain of is that the instruments sound more lively and present when listening to the Dawn Ms than the Singolo. When I first heard the Dawn Ms, I chose the Skrillex’s Rumble as my bass test track. It’s often considered the holy grail for testing the sub-bass, and I was thoroughly impressed with how it sounded on the Dawn Ms compared to the Singolo. The response felt more enjoyable and impactful. However, when listening to tracks like Thy Art Is Murder by Keres, the bass on the Dawn Ms felt more on-point rather than lifelike. Don’t get me wrong, it’s still satisfying and enjoyable, but it lacks that characteristic and bite that made me fall in love with this track. This made me feel that the bass on the Singolo sounded more authentic and reassuring. Overall, the presentation of the bass region is fun, rich, and satisfying.

Technical Performance​

The technical prowess of the Dawn Ms is sufficient to bring all the elements to the stage and make them shine. But if looking for a detail orientated and captivating response, I’d say that the Dawn Ms might not surprise you. Let’s delve deeper into specifics.

Soundstage, Sound Imaging & Separation​

The stage is wide and deep, providing an airy and spacious sound. The notes are clear and open, but they lack sharpness. Despite this, the sound is smooth and pleasant. The separation between notes is good, but not great. The distinction between notes is clear and present, helping me pinpoint the source of the sound.

Speed & Resolution​

When it comes to resolution, I believe the macro details are well-presented without any issues, but the micro details are lacking in some instances. The attack and decay of the notes are nicely paced, which brings a more satisfying approach than a resolving capability.

Sound Impressions ​

Sources

Sony WM1A - While listening to Dawn Ms with WM1A, I must admit that the response sounded more pleasant to my ears. I believe that the spacious and spread-out nature of the response contributed to its calming effect, reducing the chaos. Additionally, the extended reach of all the presentable notes made them sound fuller and more original.

FiiO M15S - While listening to Dawn Ms with M15S, the response was more provoking and forward-leaning. The treble had more presence in the mix, while the midrange sounded more forward and pushed the boundaries, enhancing the revealing and expressive qualities of the Dawn Ms. However, the response felt more intimate and close. On the other hand, the bass response remained controlled, still satisfying as before.

Kiwi Ears Allegro Mini - When I listened to Dawn Ms with the Allegro Mini, I was thoroughly impressed by its clarity and power. The soundstage felt more intimate and neutral, which enhanced the overall listening experience. The bass was boomy yet clear, while the vocals were more natural and lifted up because of their forward placement in the mix. Dawn Ms’s sound preserved the wholesome and rich response, but certain areas, especially the treble, felt a bit recessed and less noticeable because of a lack of sparkle and forwardness in the notes.

Tracks​

ASOBI Doumei - Kekkon Koushinkyoku
Millet - Anytime Anywhere
Anri - I Can’t Stop the Loneliness
Kohana Lam - A Few Sentimental
Kohana Lam - Loving Me, Loving You
Uru - Kimino Shiawasewo
Uru - Kamihitoe
Kujira Yumemi - Kenka
Majiko - Kokoronashi
Anly - Sukinishinayo
Kohama Lam - A Few Sentimental
Kohana Lam - Loving Me, Loving You
Miliyah - Kono Yumega Samerumade
Rokudenashi - The Flame of Love
Yu-Peng Chen - A New Day with Hope
Yu-Peng Chen - Another Hopeful Tomorrow
Yu-Peng Chen - For Riddles, for Wonders
Valentino Khan - Satellite
Skrillex - Rumble
Kai Wachi - Happier By Now
Jawns - Erotica
ISOxo - how2fly
Kai Wachi - Happier By Now
The Weeknd - Popular
YUNGBLUD - When We Die(Can We Still Get High)
Bring Me the Horizon - Kool-Aid
Middle Kids - Bend
FLETCHER - Leads Me On
Loathe - Aggressive Evolution
The Weeknd - Save Your Tears
Sigrid - Burning Bridges
AURORA - Black Water Lilies
AURORA - Runaway
X Ambassadors - Renegades
Lupe Fiasco - Words I Never Said
Macklemore & Ryan Lewis - Can’t Hold Us
Gotye - Somebody That I Used to Know
Jay-Z - Run This Town
Lady Gaga - Poker Face
Lady Gaga - Just Dance
Ladytron - Ghost
Travis - Love Will Come Through
LINKIN PARK - Somewhere I Belong
DJ Shadow - Six Days (Remix)
Hoobastank - The Reason
Ricky Martin - I Don’t Care
Tool - 7empest
Tool - Vicarious
Keres - Thy Art Is Murder
A Flock of Seagulls - Space Age Love Song
Zack Hemsey - Vengeance
Oasis - Wonderwall
Blue Oyster Cult - (Don’t Fear) The Reaper
Elton John - I’m Still Standing
The Moody Blues - Nights in White Satin
Michael Sembello - Maniac
Guns N’ Roses - Sweet Child O’ Mine
A.R. Rahman - Kun Faya Kun

Conclusion​

In the end, the brand INAWAKEN did an excellent job of debuting a sensible and ergonomically great product: The Dawn Ms. It’s an all-rounder with a very smooth and soothing response that provides a great balance in the mix. When compared to an IEM that’s almost similar to Kiwi Ears Singolo and costs less, this is an appreciable option. I highly recommend it for now, as it’s a safe choice for anyone.

thaslaya's star rating system:
☆☆☆☆☆ - Fantastic!
☆☆☆☆ - Recommended
☆☆☆ - There are buyers but not for me
☆☆ - Can't see the appeal
☆ - Product is a failure

Disclaimer:
This product was provided to me by Linsoul in exchange for my impartial and honest review. I recieve no compensation and all thoughts and opinions are my own.

Non-affiliated product link:
https://www.linsoul.com/products/in...9ykg9uoVmT9TdV40luujdJ6Sv_iyx2dSNe6PoR3A1L71b

Gear used:
●LG v30+
●Samsung Galaxy s22 Ultra
●iBasso DX180
●Samsung dongle
●Hiby FC4
●Kiwi Ears Allegro
●Letshuoer DT03
●Dunu DTC480
●BLON V1

Source:
●Listening was done through Amazon Music HD or Ultra HD as well as local FLAC files.


Introduction:
InAwaken is not a company I was familiar with before receiving the Dawn Ms. This appears to be their company's first and only product to date. This IEM features an 11.2mm dynamic driver with a sputter deposition purple-gold diaphragm designed and developed by InAwaken and can actually be visualized through the shell. The Dawn is currently available for $49.99 on Linsoul. Let's break down this new budget challenger and see how this inaugural IEM from InAwaken fares in today's market.



Build, fit, ergonomics:
The unboxing and accessories are quite good for the budget tier. The Dawn comes in a relatively small box featuring some nice artwork. Inside, you'll find the IEMs, six pairs of silicone tips, a 3.5mm terminated cable, and a small branded zipper carrying case. The shells are made of very clear resin combined with an aluminum faceplate featuring a unique, hand-painted blue and teal inlay. The resin is so clear that it's easy to visualize the purple diaphragm and bass tube inside. The shape of the shell is rounded and simple, not semi-custom like I would prefer, but they are lightweight and fit comfortably without causing fatigue. The Dawn utilizes a flat 2-pin connection, which means swapping cables is hassle-free. The nozzle does have a lip near the end that helps keep tips in place, and it measures 6.4mm at its widest point. This makes it a little on the chunkier side in terms of width but the insertion depth is about average. It seals well for me but those with smaller ears might have fit issues. The 2-wire stock cable is made of SPOFC and is pretty good. It's not spectacular, but it's also nowhere near the worst I've seen at this price. It's lightweight, doesn't tangle easily, and feels good in hand. The silicone tips come in two slightly different shapes, but neither worked well for me, so I utilized the Penon Liqueur tips as I often do.


Sound impressions:
I would describe the Dawn as V-shaped or Harman-tuned. It is quite dynamic, musical, and fun. There is an emphasis on the bass and upper mids, but it's also not devoid of treble extension and air. It does have just a touch of warmth, but I wouldn't necessarily call it a warm IEM. The soundstage is decent. It's not the widest, but it has good depth and mostly sounds just outside of the head. The stage also sounds full and lively without being crowded or compressed. The frequencies are well-separated, which helps create a cohesive and uniform sound with excellent transients. The timbre is very natural and organic and might be one of the best I've heard in this tier, which was a nice surprise. Detail retrieval is also good for the budget tier, but the Dawn has more of a musical style tuning than a clinical one. The imaging is accurate and three-dimensional, and the dynamics are impressive, allowing for enjoyable listening at any volume level. The tuning does well to remain consistent regardless of the volume setting, which is promising for both lower-volume listeners and higher ones like myself. The note weight is perhaps just a hair on the thin side but overall enjoyable. A bit thicker note weight and a little extra warmth would really have helped to elevate this set to better fit my personal tastes. The Dawn is efficient and easy to drive, able to reach fairly high volumes using just a smartphone and a simple dongle, although I did find this set benefits from a bit of extra power. For me, the Dawn pairs best with the Dunu DTC480. It adds a little weight to the body of notes, helps keeps the bass clean and separated, and helps smooth out any tiny bit of harshness in the treble.


●Lows - There is slightly more sub-bass focus than mid-bass, with a decent extension and rumble. The mid-bass lacks a bit of authority, which can come across as slightly softer on impact and I hear it mostly with kick drums. It's not pillowy per se, but it could benefit from a slightly firmer attack and better separation and resolution. However, for $50, it is quite enjoyable, and there is little to no bleed into the midrange. The speed is a bit on the quicker side, and the decay is about average, which gives the bass an overall typical DD sound quality. The texture is decent, as it's neither overly dry nor wet or muddy. Overall, the bass is definitely elevated north of neutral, but it is tastefully done and enjoyable. It doesn't approach basshead levels, but those seeking neutrality might find the bass to be too much.

●Mids - The midrange is well balanced with just a hint of warmth. Vocals are clear and natural without being strained or shouty, but I personally would prefer them to be just a hair more forward and prominent. Male vocalists can be a bit further recessed than females, but both are still well represented and enjoyable. Timbre is a strong suit and is impressive for this price bracket. Both vocals and instruments sound natural and organic with a realistic quality that I seldom hear in this price range. The note weight could use just a touch more thickness for my tastes, but the midrange is a really well-executed aspect of the Dawn's tuning.

●Highs - The treble is not the main focus of the tuning, and it shows. It definitely lacks some sparkle, air, and extension, but there is enough here for my taste. There is a little bit of extra energy and sizzle to my ears that can cause a slight harshness, but it is track-dependent. I can't pick up any real sibilance, but there can be a slight sizzle to "s" and "sh" sounds at times. Cymbals, claps, snares, and hi-hats are well-represented in the mix with good energy but refrain from coming across as splashy or irritating. I think a little less emphasis on the lower treble would have smoothed out some of the issues I have with the Dawn, but lowering the volume can also make things more agreeable. I do think the lack of air and extension means this one is likely not going to please treble enthusiasts.


Comparisons: Credit to Audio Amigo and Paul Wasabi for the graphs.

●Truthear Zero:Red (~$50) - On paper, this comparison isn’t ideal, as these two don’t graph super similarly, and the Dawn utilizes just a single DD. But the Red is my IEM to beat under $50, so I wanted to see how the Dawn stacks up. These two are essentially the same price and have a similar bassy sound signature, but the Red has more sub-bass and a more noticeable mid-bass dip. Their accessories are quite comparable in terms of tip selection, but the Dawn has a better cable (I really hate the Truthear one), and the zipper case is a significant improvement over the small pouch that comes with the Reds (I hate that too). The Zero's tonality is noticeably warmer with a slightly more prominent midrange and sounds less energetic in the upper mids/treble, which could translate to it being less engaging for some. The Red also offers the option of using impedance adapters, which can add more bass for those who want it. Aside from the Dawn's superior accessories, this choice ultimately boils down to personal preferences regarding tuning. I personally gravitate more toward the Red's laid-back style, although the Dawn is not overly energetic, especially when paired with a warmer source. This one was closer than I would have initially thought. The Red remains my favorite set at $50 and below, but seeing the Dawn come in and compete so fiercely is a pleasant surprise.
My pick: Zero:Red

●Juzear Clear (~$45) - These two aren't very close in their measurements but they are both single dynamic driver IEMs with a V-shaped sound signature. Regarding overall accessories, they are almost evenly matched. Both include decent cases and ear tip selections, but the Clear has a better cable, which is my favorite so far under $100. The Clear has an attractive blue resin shell, and the Dawn has a very nice hand-painted faceplate, so both have great designs in their own ways. As far as sound goes, these two are more similar than they are different. The Clear is more unapologetically V-shaped in its tuning and is, in essence, both bassier and brighter. The Dawn sounds more balanced in comparison but is still accentuated in the bass and upper mids/treble region. However, unlike the Clear, it mostly remains free of any harshness or sibilance. Essentially, this means that the Dawn can be enjoyed more at higher volumes, while the Clear gets a bit fatiguing and harsh when turned up. When the Clear debuted, I loved it for its bass-heavy tuning, but the upper mids/treble region can be a bit too much for me. It takes some good tip and source pairing to rein in the highs closer to my taste. I think the Dawn accomplishes a lot of what I like in the Clear, but with a better-executed treble that I can enjoy regardless of the source. It's still a bit more energetic than my usual preferences, but I believe the Dawn will replace the Clear as my choice and recommendation for a V-shaped tuning in this price range.
My pick: Dawn

●Simgot EW300 (standard model with silver nozzle ~$70) - Despite different driver configurations, these two graph very similarly. I'd say the Dawn is a bit more energetic and fun, whereas the EW300 is slightly warmer. The Dawn also features just a single DD to the tribrid configuration of the EW300. The Dawn has a better stock cable and tip selection, and I do like the resin shell, aesthetics, and design more too. The fit and insertion depth of the Dawn are also better for my ears. The EW300 has better detail retrieval and resolution, but the Dawn has a bigger soundstage, better imaging, layering, and cohesion, and is more musical to my ears. The bass responses are very similar, but the Dawn has a slightly deeper and bolder sub-bass response, while the EW300 has a punchier, more full mid-bass. In the midrange, vocals are a bit more forward and full-bodied with better note weight and better timbre on the Dawn. But guitar strums sound a bit clearer and are more resolving on the EW300. The Dawn has a bit of extra treble energy, and snares, in particular, are more impactful. It's slightly more incisive with a bit more bite to it, but it doesn't suffer the same thinness as I found on the EW300. These two IEMs are indeed more alike than they are different. It's hard to see why any collection would need both, so it comes down to preference. Is the addition of an extra tuning nozzle worth the added cost? For me, that's a no because I've tried the gold nozzle and it's not a tuning I like, nor would I choose to use it. For me, this one is easy: get the cheaper and, in my opinion, better-looking Dawn unless you want to invest a bit more for the extra tuning nozzle, metal shell, or the DSP option of the EW300.
My pick: Dawn


In conclusion:
For the first release from an unknown company, the Dawn Ms is very impressive (there have been conspiracy theories that InAwaken might be a secret sub-brand of a more renowned manufacturer, but those are only theories at this time). Just looking at the box art, accessories, and shell design, it's easy to tell that a lot of thought and consideration went into this release. The shells have excellent build quality and beautiful, unique aesthetics. The tuning is a fun, bassy V-shaped affair that isn't afraid of a little energy in the upper mids/lower treble. Honestly, the cable could be a bit better and the case is a little on the small side, but for $50, there's not too much to complain about here. Sure the tuning isn't super unique or anything but it's well executed and the Dawn's performance does punch slightly above its price, notably the imaging and timbre. The Dawn doesn't quite set a new benchmark in the budget tier, but it's an impressive first release that could be considered a slight upgrade over some other budget offerings. As is always the case, I did not make any of my impressions in this review with EQ. I'm not a big proponent of EQ, in general, but since I'm also in the middle of reviewing the iBasso DX180, I wanted to take advantage of its customization functions. I must say that with a little bit of tweaking, the Dawn gets even closer to my target and to a 5-star rating for me. I'm adding this information to make it known that the Dawn does take well to EQ if that's your thing. I find that the tuning is well-suited for many genres including rock, pop, metal, country, and instrumental and could make a decent all-rounder. This might become my de facto recommendation for anyone looking to get into the hobby with $50 burning a hole in their pocket. With the release of the Dawn Ms, InAawaken has proven they have the knowledge and skill to make a competitive and solid budget IEM. I'd love to see what the company can do with a bigger budget and loftier aspirations. I don't think this is the last we'll see of InAwaken.

The Inawaken Dawn MS enters the crowded sub-$50 IEM market with a lot of promise, offering a sound that aims to balance both engagement and precision. While it’s easy to get swept up in the excitement of finding a budget-friendly IEM that delivers impressive clarity and detail, it's important to set expectations. The Dawn MS is not without its limitations, but it certainly surprises in areas where many competitors fall short. It’s clear that a lot of thought went into its tuning, making it a strong contender for those looking for high value without breaking the bank.

Whats in the box:

The tonality of the Inawaken Dawn MS can best be described as balanced with a hint of musicality, offering a sound that’s both engaging and technically competent. It’s the kind of IEM that pulls you into the music without overwhelming you with any particular frequency range. Let’s break it down.

Bass:
The Dawn MS delivers a bass that’s more about refinement than brute force. It’s deep, well-controlled, and satisfying, but not overpowering. For those who enjoy precision and texture over sheer impact, this IEM hits the mark. The sub-bass has enough depth to provide a solid foundation, delivering a satisfying rumble, but always in a controlled manner. It’s like having a bass player who knows their role—providing support without stealing the spotlight.

The mid-bass offers a punch that adds body to the music but remains polite, never overshadowing the mids or highs. The bass decay is fast, which adds energy and speed to tracks, particularly in genres like jazz and electronic music where timing is key. One of the most impressive aspects of the Dawn MS’s bass is its transient response. It’s agile and precise, staying clean even when the track gets busy, allowing each note to shine with clarity.

Mids:
The midrange is where the Dawn MS shows its charm, especially for those who love vocal-centric music. Slightly forward in presentation, the mids make vocals and instruments sound intimate and engaging. The low mids are rich and full, giving male vocals warmth and presence. This fullness adds body to the sound without making it muddy, thanks to the bass remaining under control.

The upper mids, though slightly less full sounding compared tothe lower mids but still manages to present female vocals with clarity. Occasionally, there’s a slight thinness and sometimes peaky on the upper frequencies, which is more noticeable on certain tracks but doesn’t detract from the overall experience. It’s like hearing a female vocalist who sometimes gets a little too close to the mic—noticeable, but not deal-breaking.

Treble:
The treble on the Dawn MS is truly impressive, especially at this price point. It's both detailed and airy, providing excellent extension that adds a touch of sparkle and shimmer to the upper frequencies without straying into fatiguing territory. Hi-hats, cymbals, and other treble-focused elements are presented with remarkable finesse, allowing you to catch even the subtlest nuances without any harshness.

What really stands out is the sheer amount of detail in the treble. Every delicate variance is captured—from the light tap of a cymbal to the breathy nuances in a vocalist's upper register. Despite this impressive level of detail retrieval, the treble manages to stay smooth and avoids any sharp or peaks in the sound.

Technical Performance:
In terms of technicalities, the Dawn MS performs admirably for its price. The soundstage is wide enough to give instruments room to breathe, though it doesn’t reach the grand scale of more expensive models. It’s a horizontal spread that gives a decent sense of space but lacks towering height.

The imaging is sharp, allowing you to pinpoint the location of instruments and vocals with ease. This accuracy in positioning adds a sense of realism, making you feel like you’re right in the room with the musicians. The resolution is another area where the Dawn MS is good at, revealing micro-details that you wouldn’t typically expect from an IEM in this price range. From the subtle texture of a vocalist’s delivery to the tiny detail of a string instrument, it manages to keep things clear and articulate.

Dynamics:
The dynamic range of the Dawn MS is impressive, effortlessly handling both quiet and loud passages. the Dawn MS manages transitions and scale with grace. Its micro-dynamics, capturing the subtle shifts in intensity, are particularly notable, adding depth and texture to the sound.



Final Thoughts:

At the end of the day, the Inawaken Dawn MS is the kind of IEM that makes you question how far we’ve come in audio tech. For under $50, you’re getting a level of detail, balance, and refinement that feels more like a mid-range product. Sure, the bass could use a bit more heft for those who crave a big, booming low-end, and the upper mids could do with a touch more body, but those are small critiques in an otherwise stellar package.

If you’re looking for a budget IEM that delivers clarity, precision, and a fun engaging sound signature, the Dawn MS should be at the top of your list. And hey, if you ever want to brag about how much sound you’re getting for so little money — these IEMs make that conversation pretty easy

Get it here: https://www.linsoul.com/products/inawaken-dawn-ms?_pos=1&_psq=inawaken&_ss=e&_v=1.0

I'll just do a very short and straightforward review based on my first impressions.


Bass
The bass is well-defined and tight with great texture, it's perfect, there's no cons that i could find.

Mids
Lower mids is rich, they sound full and male vocal has a really good presence here. The lower mids isn't the cleanest you'd probably expect that from the amount of bass, but overall it's very good.
Upper mids is okay, female vocal is a bit shy, not as good as male vocal, but still natural and balanced. I could hear a slight hint of metallic on the upper frequencies here, but this is very personal and depending on the track.

Treble
Now this is where I'm kinda blown away, the treble is detailed and airy with good extension but without any peaking or harshness. They're very engaging but still smooth and well controlled.

Technicalities
Very good tonality & timbre, accurate imaging, high resolution details and micro details, pretty wide soundstage but not so much on the height (like half of the width).

Overall?
Crazy good, buy it!