General Information

DAC: Sabre ES9281PRO
Input: USB-C

Outputs:
3.5 mm (single-ended)
2.5 mm (balanced)

Signal level:
Single-ended: 1.4 V @ 32 Ohm , 2 V @ 600 Ohm
Balanced: 2 V @ 32 Ohm , 4 V @ 600 Ohm

Formats support:
PCM up to 384 kHz
DSD up to DSD128 DoP
MQA rendering up to 384 kHz

EarMEn-Sparrow-New-1_2000x.jpg

Latest reviews

OspreyAndy

500+ Head-Fier
Earmen Sparrow MK2
Pros: -
- Mature and crisp dynamics
- Amazing technicalities
- Top notch driving power
- Clean and coherent dynamic transients
- Stable MQA performances
- Good battery endurance to the host
Cons: -
- Tone and timbre lacking organic touch
- Less than neutral tuning
- May sound edgy with natively neutral bright partners
- No hardware volume adjuster

Earmen Sparrow MK2​

Review Date: 21 March 2022
0320221233_hdr.jpg

SPECIFICATIONS
DAC Chip: ESS Sabre ES9281PRO
Input: USB C Female
Dimension: LxHxW (mm) 42 x 8 x 22
Output 1: 3.5 mm Single Ended
Output 2: 2.5 mm Balanced
Power 2.5 mm Balanced 3.5 mm
3.5mm: 2.0 Vrms into 600 Ohm, 1.4 Vrms into 32 Ohm
2.5mm: 4.0 Vrms into 600 Ohm, 2.0 Vrms into 32 Ohm
124 dB DNR, -112 THD+N
Audio Formats: DSD 64/128, DoP DXD 384/352.5kHz,PCM 384kHz, MQA 384 kHz

Test Equipment
IEMs:

  • Etymotic ER4SR (Single BA, 45 Ohm, 96db Sensitivity)
  • Shure KSE1500 (Single Electrostatic 200V, KSA1200 Energizer)
  • TRN VX Pro (8BA + 1DD Hybrid, 22 Ohm, 106db Sensitivity)
  • TIN HiFi T3+ (Single DD, 32 Ohm, 105db Sensitivity)
  • Kinera Idun Golden (3BA + 1DD Hybrid, 32 Ohm, 112db Sensitivity)
  • SeeAudio Yume Midnight (2BA + 1DD Hybrid, 32 Ohm, 106db Sensitivity)
Headphones:
  • FOSTEX T40RP MK3 (Magnetic Planar, 50 Ohm, 91db Sensitivity)
  • Beyerdynamic DT880 (Dynamic Drivers, 600 Ohm, 96db Sensitivity)
Sources:
  • Windows 10, Foobar 2000 (USB 3.0 Power)
  • LG V50 ThinQ (UAPP USB Exclusive Mode, Bitperfect)
  • Sony Xperia X Compact (UAPP USB Exclusive Mode, Bitperfect)
  • HiBy Music Player App (USB Exclusive Mode)


LISTENING EQUIPMENT USED IMPARTED HUGE INFLUENCE TO SOUND IMPRESSIONS & RATING

I have been wanting to get myself an Earmen Sparrow since last year. But only managed to buy one for myself this year. Sparrow is a device that has a good following and for good reasons. It is one of the few Dongles that are entirely designed and made in Europe (Serbia).

The unit that I received came labelled with an additional decal on the box indicating it is an MK2 unit, and I believe that this is a revised unit from the model of yesteryears.

Earmen Sparrow is a DAC/Amp built on ESS Sabre ES9281PRO, basically a top tiered ESS DAC which offers native MQA capabilities.

Build, Functions, Usability​

0316221633_hdr.jpg

Aesthetics wise, Sparrow is a very elegantly designed dongle. Aluminum chassis sandwiched by glossy glass on both sides. It is very compact as it is solid. Holding the unit in my hands I was immediately greeted by smooth glazed feel to the touch. Which can cause for a bit of concerns because it can be slippery if not handled carefully. The caveat that I experienced first hand, my Sparrow already picked up small scratches on the front plate, something that happened on the 2nd day when I placed it in my pocket and probably had abrasive encounter with the 4.4mm to 2.5mm adapter that I use. For the record all of my cables are terminated in 4.4mm configuration hence the need for 2.5mm adapter. Being glossy, the Sparrow will also pick up fingerprints quite easily and this can smear the elegant look. So, care is needed if I want my unit to look pristine..

Sparrow being spartan, offers simple interfaces and ports of which a female USB C on one end and two Audio ports on the other end. Sparrow is not exactly new, as such it has 2.5mm BAL instead of the more popular 4.4mm Pentaconn which is the normal standard nowadays.

To complete the look, at the front is a large led indicator for playback resolution. The led indicator being Earmen logo. As per industry standards, Purple for MQA and Green for PCM. Blue for anything in between.

On the subject of MQA, I have found my Sparrow unit to connect flawlessly with Tidal Android app in Exclusive mode. Most importantly the MQA unfolding works as intended without any hint of issues with clipping or occasional artifacts as would be observed with almost half of MQA dongles I tested so far. Tidal native app can be quite finicky with some dongles but not with Sparrow. That’s quite a relief.

Endurance wise, Sparrow clocked a respectable 6 hours of continuous drain to my Sony Xperia X Compact (Android 8, 2700 mAH Battery, UAPP Bitperfect, Airplane Mode, driving TRN VX Pro). That is exactly on par to the battery drain score of Cayin RU6, iBasso DC05 etc. After prolonged use, the Sparrow seems to have good heat dissipation as well even when subjected to high load, mildly warm to the touch.

Sound Impressions​

I will be as concise on this as much as I can. Earmen Sparrow being an ESS Sabre unit, sounds exactly like most ESS Sabre DACs I have ever listened to. Up until now, out of 114 dongles I owned, more than half of them ESS Sabre based, so it would not be too extreme for me to say that I can immediately appraise the output of an ESS Sabre DAC the moment I listened to them.

What is evident to me, Earmen Sparrow does not present itself as a neutral sounding unit. It is balanced enough exhibiting mature tuning, but it is not as neutral as how I normally prefer my DAC/Amp should sound like. I can clearly hear that the lower frequencies are elevated above what is neutral, with evident hump in Mid-Bass. On the other end of the spectrum, I am hearing pronounced sparkle that is crisp and borderline bright in the Treble region. The Mids, does sound neutral to my ears. All these were observed through extensive listening throughout all of my regular listening devices from Etymotic ER4SR, Shure KSE1500, TRN VX Pro and all the way to Beyerdynamic DT880. All exhibiting consistent traits.

Timbral balance for Earmen Sparrow is assuredly good, Sparrow managed to avoid the pitfall of sounding outright sterile, metallic and digital-ish. I would say that Sparrow is among the few that exhibited mature and crisp ESS tuning – a rarity since many of the ones out there (ESS) will be either outright bright, lean or edgy sounding. What I do wish Sparrow could have done better, a bit more of organic touch, perhaps a bit more of analogue tonality and a bit more of air. But alas, too many DACs recently were designed with so much focus on chasing clean, clear and pristine sound, more often than not ended sounding sterile and lacking analogue musicality to the output. But then audio has always been a subjective passion and it ultimately boils down to what the listener prefer more over the other. It is not about right or wrong.

On the aspects of dynamics, Sparrow offers articulate balance to emit something that is crisp, mature, vibrant and rich output. The extensions on both end of the spectrum nothing short of reference grade. Perhaps if I am not nitpick, I wished for a tiny bit of smoothness over clinical crisp attack and decays. Going back to lower frequencies, throughout my extensive tests I have concluded that Bass body mass is not just elevated above normal, it is also somewhat slower, larger but a bit loose. I would probably will not complain this much but I have heard many other dongles that offers more neutral yet solid and rich Bass responses.

The highlight of Sparrow, technicalities. Undoubtedly, this is one of the best when it comes to technical prowess. The resolution and details handling are on par with the top dogs of #donglemadness. I must applaud Sparrow for exhibiting good soundstage that does not sound narrow like most ESS based DACs are, there’s good depth and height observed with the staging. Imaging and spatial positioning being very holographic and precise. Speed is amazing too, with no chance of any songs I threw at it sounding compressed or compressed regardless how complex they are.

Driving Power​

Another highlight for Earmen Sparrow, it is one of the most powerful 4 Vrms dongles available now. Extensively tested with the pair of my Beyerdynamic DT880 600 Ohm and Fostex T40RP MK3, I am hearing desktop grade of loudness.

For perspective, here’s what I have found on how Sparrow compares to some of my DAC/Amps:
Song: Diana Krall “The Look of Love”, Foobar 2000 Windows 10, USB 3.0. FLAC Lossless
Headphone: Fostex T40RP MK3 91db Magnetic Planar
  • ZEN Stack (ZEN DAC V2 + ZEN Can): Vol 12/100 (Gain 3/4)
  • Ovidius B1 3.5mm SE: Vol 30/100 (Adaptive Gain)
  • Earmen Sparrow 2.5mm BAL: 30/100 (Adaptive Gain)
As can be seen above, Sparrow offered exact same loudness to my all time favorite of Ovidius B1. And by my calculation, half as efficient on loudness alone as compared to the 15.1 Vrms iFi ZEN Stack (of course the ZEN stack still has a lot more in reserve since it is just set a 3/4 gain level). If I am to place a percentage to the output of Sparrow versus the dedicated desktop stack, I would say that Sparrow scored close to 90%. Losing only on headroom, staging, dynamics richness and air. Otherwise, if not comparing side by side, Sparrow will have more than enough juice to substitute for wholesome listening experience even for hard to drive stuffs.

PS: I was unable to compare Sparrow against my No.1 Dongle, CEntrance DACport HD since it is away now for 2022 #donglemadness tour within Malaysia.

3.5mm SE versus 2.5mm BAL
The good thing about Sparrow, 3.5mm SE (rated 2 Vrms) does sound equally great as compared to the 2.5mm BAL (rated 4 Vrms) port. The main difference, audibly loudness levels are much lower. Driving Fostex T40RP MK3 on the Sparrow 3.5mm SE will require me to crank the volume up to 45/100 while it only need 30/100 for the 2.5mm BAL. Other than that, I do not sense any noticeable difference in sound presentation when loudness is matched – which is a good thing because some Dongles like Luxury & Precision W2 exhibited underwhelming 3.5mm SE output, focusing only on the 4.4mm BAL.

0320221748_hdr-1.jpg

VERDICT​

Earmen Sparrow MK2. Truth be told I have mixed feelings with this unit. Undoubtedly it is a very refined and great sounding DAC/Amp, it has power, amazing technicalities, great MQA stability and well controlled dynamics. However on a personal level of subjective preference, I feel that Sparrow is not neutral enough, not organic enough and somewhat still digital sounding compared to the others that I have had the opportunity to own and test extensively. For me, Questyle M12, Apogee Groove, REIYIN DA-Plus and Colorfly CDA M1 remained the ones that I prefer the most for ESS based dongles. Priced at $199 (and another $30 for shipping) , I cannot avoid being a bit more critical than normal when it comes to Earmen Sparrow. Otherwise, ignoring the steep price, no denying that the Sparrow will have niche appeal that would work for some.

0318221431_hdr.jpg

Best Pairing: Flexible up to 600 Ohms​


#donglemadness
Last edited:
  • Like
Reactions: pitsel

Otto Motor

Headphoneus Supremus
Big Bird
Pros: Best balanced circuit in class.
Cons: None, really.
EarMen-Sparrow.jpg


EXECUTIVE SUMMARY

The EarMen Sparrow is a $200 battery-less warm-neutral sounding dac/amp with dual output: single ended 3.5mm and the more powerful 2.5 mm balanced. It is class leading in terms of both power and sound quality. The EarMen Sparrow supports playback from iPhones, Android smartphones, MacOS and Windows computers. It also plays all 32bit/384kHz formats: PCM, DoP, DSD64, DSD128 and MQA. It is the best dongle I have come across (in the $200 category) and was on my personal favourite gear list of 2020.


The EarMen Sparrow review was previously published at www.audioreviews.org
The Sparrow is on the blog's Wall of Excellence: https://www.audioreviews.org/wall-of-excellence/


INTRODUCTION

Do all dongles sound equal? Are most dongles just ornaments? Should we rather go for a desktop dac/amp instead to get more value for money? All of the above have been mentioned in discussions lately. For years I have had a single dongle dac/amp, the Audioquest Dragonfly Black. I mainly used it with my iPhone and life was good. Until…

To make this clear a priori: the EarMen Sparrow is the best-sounding dongle I have tested too far…but also the most expensive one. And it is not an ornament.

EarMen is a company registered in in the US, where most of its stakeholders are located – and from where they focus on the North American market. EarMen are a subdivision of premium audio gear producer Auris Audio. The production is in Krusavec, Serbia [video of production facilities]: Made in Europe.


SPECIFICATIONS

EarMen Sparrow USB DAC + Preamp + Headphone Amp, Review - Super Trouper 4

Dimensions: 42*22*8 mm

Purchase Link: EarMen Shop


PHYSICAL THINGS AND USABILITY

In the box is the EarMen Sparrow, the warranty card, and two cables: USB-C to USB-C, and USB-C to USB-A. This allows the Sparrow to connect to Android phones/tablets, and any Windows/Mac computer. It features the ESS Sabre ES9281PRO dac chip – which is well implemented.


Earmen Sparrow




The EarMen Sparrow also works with iOS devices but requires the Apple Camera Adapter, which adds to a “monster snake”. The $30 ddHifi TC28i adapter offers the same funcionality but cuts the snake’s length enormously.

The actual EarMen Sparrow is a sturdy and filigree CnC machined aluminium construction with top and bottom covered by glass…although I wished it had come with a sheath to protect it from being scratched.

In contrast to most other dongles does the EarMen Sparrow offers two different circuits and sockets: a single-ended output through a standard 3.5 mm socket and a balanced output through a 2.5 mm socket. Both outputs/sockets work simultaneously. And it is the balanced output that makes the EarMen Sparrow particularly attractive.

The logo is illuminated depending on input:

  • White – Connected
  • Green – PCM/DXD/DSD
  • Magenta – MQA
  • Red – Not Connected

Earmen Sparrow


EarMen Sparrow connected to iPhone 5S via the Apple Camera Adapter.



Earmen Sparrow


EarMen Sparrow connected to iPhone 5S via ddHifi TC28i adapter.


THE IDEA OF BALANCED AUDIO

Balanced audio is a method of connecting audio equipment using balanced lines [Wikipedia]. Such lines reduce susceptibility to external noise caused by electromagnetic interference. This is particularly beneficial for recording studios, which use kilometres of lines. For our purpose of portable audio, reduced interference results in a clearer, cleaner signal. Headphonesty compared “balanced and unbalanced” audio connections in this article. And yes, it works.


FUNCTIONALITY

The EarMen Sparrow contains no battery and is powered by the source device. It works plug ‘n’ play with computers, tablets, and phones (Windows/Mac/Android/iOS). And it requires adjusting the respective sound panel settings in Mac and Windows computers. Volume is controlled from the source device – there are no buttons on the EarMen Sparrow. It is as easy as that. The EarMen Sparrow decodes all 32bit/384kHz formats: PCM, DoP, DSD64, DSD128 and MQA.


Earmen Sparrow
Sound panel in Apple’s OS X preferences.



AMPLIFICATION

The EarMen Sparrow is one of the most powerful dongle dac/amps on the market according to AudioScienceReviews.com. Its 2.5 mm balanced output delivers 2.0 Vrms into 32 Ω and 4.0 Vrms into 600 Ω. This results in a power of 125 mW and 20 mW, respectively. The 3.5 mm single-ended output is 1.4 Vrms into 32 Ω and 2.0 Vrms into 600 Ω, which translates to 61 mW and 7 mW, respectively.


Earmen Sparrow


From audiosciencereviews.com. The yellow bars refer to the EarMen Sparrow’s two outputs.

I don’t have a balanced cable for my 300 Ω Sennheiser HD 600 Pro, however the single-ended output drives them “ok”. The balanced circuit delivers enough power to drive the 70 Ω Sennheiser HD 25 on my Mac, which indicates that this is good enough for any iem. In fact, imo the EarMen Sparrow drives even the most power-hungry earphones very well with my Mac.

A bit of an enigma is the dependency of the EarMen Sparrow on my sources: it provides way more power when sourced by my Mac, but appears to be throttled by my iPhones 5s and SE (1st generation). I speculate this is caused by the Sparrow’s power consumption. Sound quality is not compromised and power-hungry earphones such as the TRI I3 are still driven sufficiently well. Newer phones and Android devices may not throttle the EarMen Sparrow’s power. The Sparrow, like most powerful dongles, appears to be a bit of a battery drain on phones.

I tested the power consumption of several portable headphone amps connected to my iPhone 5S. The conditions were as identical as possible: 3 h test, volume calibrated to 85 dB ± 0.5 dB white noise with Dayton microphone, no sim card, BT off, no other apps open; network on, 32 ohm Blon BL-03 iem, Genesis’s Supper’s Ready (from the Seconds Out album) played in an endless loop.

The iPhone’s battery was fully charged at the start of the test and the remaining charge was measured thereafter. The result is shown in the table below. Since the tests were performed at different times and considering the ongoing battery deterioration, the results have to be seen with a grain of salt.


Dragonfly Cobalt


SE: single ended circuit; HUD 100 refers to the Earstudio HUD 100 model.


TONALITY AND TECHNICALITIES

My tonal preference and testing practice


My test tracks explained

The EarMen Sparrow is a neutral-warm sounding dac/amp (more neutral than warm), and therefore offers the best of both worlds. Whereas a warm dac/amp (such as ifi Audio products) harmonizes best with neutral earphones/headphones (e.g. JVC HA-FDX1, neutral amps (e.g. Earstudio HUD 100) pair best with warm iems (e.g. Sennheiser IE PRO series). Neutral amp with neutral iem may sound like metal on metal – and warm with warm may come across as thick and syrupy lacking clarity and transparency. The EarMen Sparrow appears to strike the right temperature balance to harmonize with most kinds of earphones. The other trait is its good extension in both directions and its full body and natural dynamics. The Sparrow has this quasi-analog sound.

And while the sound through the single-ended output is good, it is fantastic through the balanced output. The difference in sound quality is mindboggling (I A/B-ed a balanced cable between both sockets – with a 2.5 mm female to 3.5 mm male adapter for single ended). Apart from the power gain in the balanced circuit, headroom and clarity opens up substantially…the midrange comes out nicely…this worked even for the ~$3000 Vision Ears Elysium. After several months of using the EarMen Sparrow on my Mac, I conclude that the balanced output is as good as a desktop amp for iems – on a computer.


EARMEN SPARROW COMPARED

The neutral sounding $70 Tempotec Sonata BHD dac/amp with its balanced output is an impressive sounding device. The EarMen Sparrow, however, offers a richer, more analog sound, a larger headroom, and more power. It is also more versatile with its additional 3.5 mm single-ended output. The less powerful Sonata BHD has a leaner, sleeker but less creamy/soft/weighty sound with more clarity.


VALUE – IS THE EARMEN SPARROW FOR YOU?

Is the EarMen Sparrow worth its $200? Any answer has to be subjective. For people who regularly deal with >$300 earphones without blinking: yes, no questions asked. Simply makes them sound better.

For the rest of us: yes, but for any or all of these three specific purposes – from my perspective: for the balanced output that sets the EarMen Sparrow sonically and power wise apart from its competition. Second, it is best used with iems or less power-demanding headphones. And third, for use mainly with a computer, where the Sparrow flexes its muscles best.





CONCLUDING REMARKS

I have used the EarMen Sparrow for a few months now. It took me so long to publish my review because I didn’t know what to write – it just worked great for me, and I used it a lot for earphone testing. The Sparrow is the best sounding dongle I have listened to so far (up to $200), albeit also the most expensive.

What sets it apart from the competition are sound quality and power of its balanced circuit. I don’t think one needs anything “bigger” to drive earphones – it was good enough for the $3000 Vision Ears Elysium. And since it does not have a battery, there is no planned obsolescence – the Sparrow will last for a long long time.

It is the balanced output that makes the Sparrow fly high: first it opens up the headroom and then it makes it a most powerful dongle – ahead of the competition. The EarMen Sparrow is just a very fine dac/amp. One of my favourite devices of 2020…and likely 2021, also. Basta!

Until next time…keep on listening!

Jürgen Kraus signature


DISCLAIMER

The EarMen Sparrow was provided by EarMen upon my request. I thank them and also the audiofool who had established the contact. The audiofool has reviewed the Earmen Sparrow here.

You can purchase the EarMen Sparrow from the Earmen Shop.

Our generic standard disclaimer.
Last edited:
  • Like
Reactions: Miroslav EarMen

notaris

Head-Fier
Review EarMen Sparrow and Eagle: Top tiers
Pros: For Sparrow: Balanced, yet engaging, detailed and substantially open sound, with realism, very good soundstage, image and dynamics. Outstanding quality.
Cons: The soundstage could be bigger, leading to more full bodied sound, although this is not really a criticism.
Introduction

Maybe the name EarMen does not ring a bell to everyone. Although, it is a relatively young company, it had a lot of activity since it was founded just a few years ago. Of course, this is no by accident; EarMen has an older sibling, Auris Audio, which is famous for making tube amplifiers characterized by their emphasis on purity of sound. The idea behind every Auris product is to perfect neutral, natural and clean sound and package the final product in a stylish and quality design that please the eyes and last for many, many years to come.

It is no secret that behind both Auris Audio and EarMen is Milomir "Miki" Trosic who has designed and engineered all products of both companies. Obviously, for someone who has designed the exquisite Auris products is rather easy to design the EarMen products. The difference between the two is that the former are hi end desktop products, while the latter are portable devices to be used with computers and smartphones. However, both share the same philosophy: Top sound and outstanding quality, and this is what characterizes the products under review EarMen Sparrow and Eagle.


Description

Sparrow and Eagle share a lot of common characteristics. Both consist of an aluminum structure design on the sides,created via CNC milling, with a front and back glass plate. This is a light-weight but robust enclosure, which protects audio signal from interference. Also, both devices have smooth rounded edges, which make them look very nice, and the overall quality is truly outstanding and very pleasing to the eyes.

Technically, Sparrow and Eagle have top of the line ESS Sabre DAC chips, ES9281 PRO the former and ES9280C PRO the latter, both chips with HyperStream®II modulation and excellent specs. The difference is that, on top of all PCM, DXD and DSD formats, Sparrow also supports MQA rendering and Qobuz Hi-Res playback, which might be important for some people. Also, both devices sport a 4 layer gold-plated Printed Circuit Board (PCB) and super low Equivalent Series Resistance (ESR) tantalum capacitors; the result of these high quality components is reduction of noise to minimum and improvement of super fine details especially in Hi-Res files where one can feel and hear the differences.

EarMen Sparrow.jpeg


Now, if one difference between Sparrow and Eagle is the audio formats played by each one (see the previous paragraph), certainly the biggest difference between the two is that Sparrow, on top of the 3.5 mm output that both devices have, offers also a 2.5 mm balanced output. The benefit of the latter is much higher power, almost double of that supplied by the 3.5 mm output (see the specs below). The obvious and rather natural question is whether this 2.5 mm balanced output is actually needed and of course whether provides some improvement in sound quality; the fast answer is that this extra feature is needed in some cases and in those cases it provides (some) improvement in sound quality (see the section on sound).

EarMen Eagle.jpeg


A last difference between Sparrow and Eagle is the way device one connects to one’s computer, laptop or smartphone; the former through the supplied USB C to USB A or USB C to USB C cable, while the latter through its USB A port, which is part of the device, although a USB A female to USB C cable is also supplied.

Before we go to sound analysis, let’s compare the specs of the two devices:

Sparrow
Led indicatorWhiteConnected
GreenPCM/DXD/DSD
MagentaMQA
RedNot connected
Unbalanced 3.5 mm
Power
THD+N
32 Ω
60 mW
<0.004%
150 Ω
26 mW
<0.004%
Balanced 2.5 mm
Power
THD+N
32 Ω
110 mW
<0.002%
150 Ω
100 mW
<0.006%
Audio Formats
DSD64/128 DoP
DXD384/352.8 kHz
PCMUp to 384 kHz
MQA RenderingMQA native hardware
Dimensions L x W x H42 x 22 x 8 mm
Weight12 gr
Supported Operating SystemsWIN 10, Android, Apple macOS, Apple iOS

Eagle
Led indicatorWhiteConnected
GreenPCM/DXD/DSD
RedNot connected
Unbalanced 3.5 mm
Power
THD+N
32 Ω
62 mW
<0.002%
150 Ω
27 mW
<0.004%
Audio Formats
DSD64/128 DoP
DXD384/352.8 kHz
PCMUp to 384 kHz
Dimensions L x W x H55 x 22 x 8 mm
Weight15 gr
Supported Operating SystemsWIN 10, Android, Apple macOS, Apple iOS


Performance

I use the word performance, because both Sparrow and Eagle have a DAC and an AMP section, so I shall comment on each one of the two, and the combined effect is what I call performance.

Soundwise Sparrow and Eagle share a lot of common behavior, and they also have certain differences.

First of all, through the unbalanced 3.5 mm output the two devices sound completely identical, and their first characteristic is that they are very nicely balanced; balanced does not mean what some people call neutral. One has to be very careful with this term, and because of that I very rarely use it. I do believe that very few manufacturers want to make a truly neutral product, and I very much doubt that they can actually do it even if they want to. Fully neutral means no engagement and musicality whatsoever, so maybe good for studio recording but not for listening to music. Sparrow and Eagle have tight bass, in the right amount in both sub- and mid-bass; mellow mids, with very nice female and male vocals; and extended but not hissing tremble. Overall, the timbre is natural and smooth and the tonality is uncolored and very nice. Both devices are very revealing with lots of details and very transparent. They have a quite big soundstage, both in width and depth, and a great holographic image and dynamics; they truly do open your sound, and I am sure that they would be an absolutely worthy addition to every computer, laptop and certainly smartphone. The whole of the audio spectrum is reproduced in a very articulate and engaging way, and there is a big difference from the usual one-dimensional output that comes out from a computer’s or a smartphone’s DAC.

The sound testing on both Sparrow and Eagle was done with a variety of musical pieces from TIDAL, varying from the classical songs “You’ve got a friend” and “The look of love”, beautifully performed by James Taylor and Dianna Krall,respectively; to the really powerful, but not for everyone, piece “Move” of the Japanese artist Hiromi; or the wonderful orchestral piece “Fanfare for the volunteer” by Mark O’Connor.

Now, the main difference between Sparrow and Eagle is the balanced 2.5 mm output that the Sparrow has, and the Eagle does not. Of course the interesting question is how one does compare two devices, essentially, on different grounds. Typically this is not possible, unless you do a little trick: Play Sparrow through the balanced 2.5 mm output and Eagle through the unbalanced 3.5 mm one, and adjust the output level to be (as close as you can) the same in both devices. Doing this little test, the difference, soundwise, between Sparrow and Eagle was truly minimal, to the point that in some cases I was really wondering if there was any. Of course, if your headphone set is truly power hungry, because of its high impedance and/or its low sensitivity, then this will bring Eagle to its limits; in such a case, using Sparrow’s balanced 2.5 mm output will supply the extra power needed, opening up the sound and revealing details that were missed through Eagle. Having said this, I want to emphasize that by no means I do not mean, and it is actually wrong to say, that Sparrow is more accurate than Eagle; the right statement is that both are equally accurate, given the power limitations of each one.

And talking about power, the obvious question is how powerful Sparrow and Eagle are? In the unbalanced 3.5 mm output the power is almost the same in both of them, and it is actually plenty for headphones with an impedance of up to 250 Ω. Now, if your set has an impedance higher than that or it has a low sensitivity, and depending of course how loud you want to listen to your music, then Sparrow would make your life easier.


Sparrow or Eagle?

For the majority of IEMs and headphones, Eagle is more than sufficient and its performance will satisfy even the most demanding listeners, keeping in mind that we are talking about a portable DAC. With, overall, top sound and outstanding quality, and keeping in mind that it is Made in Europe (Serbia), at $129.00 Eagle is a bargain.

Sparrow, for $70.00 more, gives you, on top of the unbalanced 3.5 mm output, a 2.5 mm balanced one, with the extra power that comes with it. Given that it has the same top sound and outstanding quality as Eagle, Sparrow is another great buy.


Comparisons

To Nuprime Hi-mDAC

The first comparison of Sparrow and Eagle was made against the Nuprime Hi-mDAC, which I consider one of the best DAC/AMPs in the market. The Hi-mDAC uses a Cirrus Logic CS43131 chip, it has a single 3.5 mm output and an MSRP of $139.00. It is known for its relaxed and balanced, yet engaging, presentation, which mainly comes from the very nice tonality of its internal chip. Hi-mDAC’s sound is very open and detailed, with great transparency, big soundstage, and very nice image and dynamics.

Now, the sound signature of Sparrow and Eagle is very close to that of Hi-mDAC, to the point that in some cases it is hard to distinguish between the three of them. They all have the same balanced and detailed presentation. The difference is that Hi-mDAC is a little bit on the dark side, while Sparrow and Eagle are more on the bright side. This might give the impression, in some musical pieces and depending on the IEMs that you are using, that Sparrow and Eagle are a little more open than Hi-mDAC. On the other hand, the power output of Hi-mDAC is kind of a mystery; although it was communicated by NuPrime that it is 30 mW at 32 Ω, it certainly appears to be higher. Nonetheless, whatever Hi-mDAC’s power output actually is, it is certainly lower than that of Sparrow and Eagle, so the latter have an added benefit.

To Resonessence Lab Herus+

The other comparison of Sparrow and Eagle was made against what I consider a reference portable DAC/AMP, the Resonessence Labs HERUS+ (an upgrade of the original HERUS). The HERUS+ uses the ESS Sabre ES9010K2M DAC chip, it has a 1/4 inch output and its MSRP used to be $395.00, so it was not cheap. On the other hand, the design and implementation of the HERUS+ was done by the people who designed and implemented the ESS Sabre chips (Mark Mallinson, the owner of Resonessence Labs, was formerly Director of Operations in ESS Sabre), so they took full advantage of the ES9010K2M’s abilities. The result is a portable DAC that is made like a tank, it is a pleasure to look at and a bigger pleasure to listen to.

HERUS+ is beautifully balanced, with a sense of naturalness and realism that is rarely found; it has superb transparency, with plenty of details, a huge soundstage, in both width and depth, and top image and dynamics. Up to a certain extent, these merits are found in Sparrow and Eagle, however not in the same amount, particularly as to the overall openness is concerned; Sparrow and Eagle are quite open, but HERUS+ is huge and its sound is certainly more meaty and full bodied. Powerwise, all three DACs are about the same, with the exception of Sparrow’s 2.5 mm balanced output. Now, maybe it is not fair to compare HERUS+ with Sparrow and Eagle, as HERUS+ costs at least twice as much and, essentially, it is a miniaturization of a desktop DAC; also, maybe this comparison does not make much sense anymore, given that Resonessence Labs closed down its doors at the beginning of 2020, so it is impossible for someone to buy HERUS+. Granted! But I thought I should give you a measure of comparison for those who happen to know HERUS+ (or HERUS for that matter).


Conclusion

Sparrow and Eagle have a sound that is balanced, yet engaging, detailed, substantially open and overall very articulate. By adding either one of the two to your computer, laptop or smartphone, it will result in a big improvement to the sound out of your headphones; you will hear details that you were missing before. Eagle is sufficient for most IEMs and headphones, roughly up to 250 Ω, and only if you are using the most demanding ones, you would have to switch to Sparrow; however, if you have to, EarMen gives you the option!

The quality of both devices is outstanding, and the aesthetics very pleasing.

Given their top sound and outstanding quality, Sparrow and Eagle have my high recommendation.

https://www.earmen.com
https://earmen-shop.com

Comments

zolom

500+ Head-Fier
I guess it might not be a fair comparison, but still, can someone post an SQ comparison of the Sparrow balanced vs. Chord Mojo (SE), using good overheads?

Thanks.
 
Back
Top