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Campfire Audio Andromeda

  1. Medikill
    Clean Green Great Sounding Machines
    Written by Medikill
    Published Sep 20, 2019
    Pros - Clarity
    Mids and treble
    Cons - Lack of Bass
    Nothing else
    Bought these with my own money, this review is not sponsored or indorsed in anyway

    Sony IER Z1R
    Empire Ears Legend X

    HIby R5
    Ipad Pro
    Macbook pro
    Iphone X w/dongle

    Test Tracks:

    Bass response: Drake MIA, Ed Sheeran South of Boarder
    Mid response: Ed Sheeran South of the boarder, Toto Africa, Sam smith How do you sleep
    Treble response: sam smith How do you sleep, Dj snake You know you like it

    Decent, nothing spectacular but the inclusions are nice.
    Good selection of tips (this is important for the Andro's sound)
    It would've been good if in the V2, a mesh pouch was included as the paint on the andro chips easily
    Sony's easily beat here, but at 1.5x the price

    Really like the build.
    Lean Green Great sounding machines
    I have always been fond of the CA house design on their BA IEMs
    I would say the IER is a side grade in terms fo build (as they scrach even easier)

    Good, as long as you find the right *Silicone* tips you will be fine
    Not as good as the legend X, but substantially better than the Z1R

    Tip selection
    Campfire in house marshmellow tips and Final Audio E tips are included
    Don't use the foam. They dampen the sound and the airy sound sig vanishes

    • Bass: Given it is a BA, it's not bad. Interestingly, the lower the impedence of the output device, the better the sub bass response. However, it isn't the star of the show for the Andros. Far from it. The Z1R comes in next - with the best sub bass. But the Legend X beats both out.
    • Mids: Incredible. I really liked the mids on the Andros. Substantially better than the LX and Z1R. There is a good fullness to the texture and vocals sound great.
    • Treble: Very clear and detailed. I found at times (very rarely) it could sound harsh (but i think, in retrospect, this was down the genre choice). Not silibant. On par with the LX and both beat the Z1R.
    • Stage: Very very very very good. Once you get the right tips on these sound very airy and detailed. As if each instrument has a corner of your head. Well done. Beats out both the Z1R and LX inthis aspect.
    • Instrument seperation: Very close between the Z1R and Andros here. The seperation on both is excellent, and the best i've heard so far. Both easily beat out the LX.
    • Reproduction accuracy: Good. But, the Z1R easily wins here.
    This is my first set of IEM's which didn't have a focus on bass and sub bass. And to be honest, i really enjoyed them. Sure, the visceral, palpatation inducing bass was missing, but i cannot complain about that as i don't think that's the intended purpose of these. THe sound signature is a fun take on a reference FR. I think these are suited to someone who enjoys music which is mid and treble centric, as to date, i am yet to listen to a pair of IEMs which beat them in terms of their mids. Another highlight is the clarity and sounstage. It has a palpable airiness to it, which neither the LX or Z1R has (Z1R does kind of have it, but it's silibant).

    Overall, a great set of IEM's. I'm not going to fault it on it's lack of bass response, as i don't think that would be fair, given that's not the market targetted with these. 5/5.

    Thanks for reading :)
  2. twice tzuyu
    Written by twice tzuyu
    Published Apr 11, 2017
    1. EZE99
      At CanJam SoCal, I had 0 fit problems with the Andromeda.  In fact, they were some of the most comfortable headphones I have ever tried on.  Lightweight and fits in the ear perfectly creating a pretty good seal.  Maybe you have smaller ears than I do...  
      EZE99, Apr 12, 2017
  3. PeterPangea
    Fantastic IEMs with a full blend of clarity, comfort, and usability
    Written by PeterPangea
    Published Nov 14, 2016
    Pros - Smooth sound signature, extremely detailed & resolving, great cable, good comfort
    Cons - Shells get scratched fairly easily, hissing across sources
    Holy hell, these are great. Nicest stock cable I’ve used, very flexible and the silver looks fantastic. Build quality for the IEMs are very good, but the aluminum has a bit of nicks from use, no big deal. Comfort is actually extremely good, despite the abundance of hard edges. With the right tips, these just disappear in the ear. I’m using JVC Spiral Dots/Ortofon L tips which have been working great.

    These can be summed up by having a very slight U-shaped sound signature, with very good coherence. Coming from FitEar ToGO 334!, these have much more treble presence, which helps to add that “sparkle” to music. Mids are similar in quality but less emphasized so it doesn’t have as much richness. Bass quantity is a bit less, but the quality can be considered better, as the Andromedas are a bit faster than the TG334s which makes the low end sound more defined. I’d say imaging and soundstage are at the same level between the two, but the Andromedas are more “out of head”. The increased treble is the biggest differentiator I find in favour of the Andromedas. They have a very “hi-fi” sound, even straight from my Samsung S7 Edge.

    In terms of source requirements, these are very sensitive so they are quite easy to drive. Bit of hissing with both of my sources, but apparently an impedance adapter helps to clear that up. Sounds great out of S7 Edge and iPad, so DAC/Amp definitely not necessary.

    Summary: Very great pair of IEMs. Slightly better than the TG334 I had, while being cheaper, which makes them my best yet. Definitely worth looking at.

  4. emptymt
    Green For The Win : The Space of Andromeda
    Written by emptymt
    Published Sep 10, 2016
    Pros - Superior Soundstage and Layering, deep fast tight punchy bass, lush detailed mids, smooth clear non-fatigueing treble, exceptional clarity, looks nice
    Cons - no custom options available, edge on the shell could be smoother
    Hi everyone, Before I start the review, I would like to thank Campfire Audio for making this awesome IEM, and also to d marc0 for inviting me in the tour.
    The aesthetic and design is almost the same as the Orion apart from the color on the housing and the cable, since that is the case, the "Fit, Comfort and ease of use" & "BUILD QUALITY" is almost the same as in my Orion, Jupiter review but not entirely. If you have read that one, you can skip through to the "Sound Analysis" section.
    I'm an Indonesian working as a Web Developer in Melbourne, Australia.
    Other than programming/coding, listening to music is another one of my hobby.
    When I start my headphone hobby, music listening has been a very rewarding experience for me and has helped me in many aspects of life other than music enjoyment of course, although with the booming price of high end headphones/IEM, it has become a bit of a heavy hit on my wallet >_<.
    Starting from almost 2 years ago I've been really hooked by metal music, and nowadays my everyday music listening always incorporate metal tracks, I guess you can call me a Metal-head, although I also listen to other genres occasionally.
    I don't actually listen to all kinds of music, lets say for example Classical, therefore it is important to understand that this review is based on my observation on the kinds of musics I like, and those are mainly:
    - Metal (many kinds)
    - Pop
    - EDM
    - Jazz
    - Indonesian Song (it's basically the Indonesian version of pop, guitar used is mostly acoustic guitar, sounds natural and relaxing however, mastering of the song is usually poor, this is good to test how good a headphone/Iem handle poorly recorded material)
    - KPOP

    I used the Andromeda for all my music listening everyday for 2 weeks using the AK Jr mainly for maximum portability on the go and Chord Mojo at work.
    The box is made from some kind of carton with an out of space theme, it goes very well with the IEM name, there is also a paper sticker printed with the logo, name of the IEM and a very brief description of what the IEM is.
    IMG_0699.jpg IMG_0695.jpg
    Inside the paper box we have:
    - A hard Sided carrying case with a brown leather with a soft fluffy kinda material on the inside to protect the iem.
    - The IEM itself, with the cable attached on it (most likely 1.2m in length, silvery color).
    - cable management strap (2 of them in whitecolor).
    - multiple types of tips with size option (small, medium, large)
    - documentations
    - cleaning tool

    The Andromeda
    It has five balanced armature drivers(2 lows, 1 mids, 2 highs) and tubeless resonator in a machined aluminum enclosure with 3 bore design(1 for each frequencies I presume) and removeable cable.​

    The Cable​

    The cable on the Andromeda is different from the one included in the Jupiter and Orion when I review them.
    They are all silver, but the one for Andromeda is thicker and less prone to tangling.
    After  a little bit of research, I found out that the cable in question is called Litz cable.
    I'm no cable expert, but looks like the quality cable has some impact to the sound as the IEM sosunds excellent!
    Fit, Comfort and ease of use
    I've always have issues with fits as my ear canal has a significant differences in size. This makes it hard to find a good tips that will sound nice, consistent and comfortable on my ears however, with the inclusion of the comply foam tips in the box, the fit is becoming less of a problem as the foam tips helps a lot with the fit(a very thoughtful inclusion).
    The iem itself has and edgy design however this does not bother me much, when positioned carefully, my ear feel perfectly find after hours of use.
    Do take in mid that in order to ensure the comfort, you need to position the shell carefully, if you feel that the edge is touching you ears in anyway, just carefully reposition it so that it sits nicely on your ear.
    Do not push the shell inside to much that it touches the inside of your ear, this will cause discomfort later on.
    The Isolation is good, I used it a couple of times in the train and at work, it blocks most of the noise just fine.
    The build Quality on The Andromeda is excellent, it has a more classier looks then some of the 1000 dollar IEM out there.
    The housing looks nice with the metallic green finish and I feel comfortable with the protection it provides.
    The unit itself has some weight to it, I can actually feel the weight on my hand when I hold onto it although once you put in the iem and play some music I doubt you will be bothered by the weight, considering the weight most likely comes from the iem housing made using a CNC aluminum housing. 
    I feel perfectly happy with the weight, considering that aluminum just looks so much better than plastic in terms of look, it doesn't feel cheap, like many other more expensive IEM that use plastic, I think the use of aluminum is a step in the right direction providing more protection and classier looks.
    The cable has an angled ends which adds to the longevity of the cable, I also like the fact that it has a detachable cable, I didn't try to detach it, but this will be a very good safety insurance for some people, as it can be replaced easily if something happens to it, and it will detach when a lot of pressure is applied to the cable.
    The positioning of the Y split is perfect for me, not too high not too low. Other than that for people who likes to invest on some high quality cables and wants to change the microphonic cables this will be a very welcoming addition.
    This is an over ear type IEM, therefore, it provides better ergonomics than cable down style.
    My first impressions with the IEMs are very positives. At first I feel that this IEM has a forward presentation in the mids and upper mids/lower treble.
    I am used to a more laidback presentation of my Mr Speakers Ether which is still a bit intimate but nowhere as intimate as the Andromeda, and becuase of that I felt that the Andromeda is a little on the bright side, but with more listening times, my ear adapts to the sound a bit and my opinion change quite a bit.
    The Signature
    In my opinion the sound signature of The Andromeda is quite neutral with forward little emphasized mids, more than the bass and treble, it is by no means a mid focused, the bass is very present in the mix followed by the treble.
    If I have to compare the quantity of the signature, it will be like this: mids > bass > treble
    Although the difference is not big and can still be said neutral in a lot of ways.
    the signature itself works very well with all genres of music, including metal, my favourite genre.
    If you listen to modern musics though, this will be perfect in my opinion as long as you are not a big basshead. 
    I give the tonality of this IEM a perfect 10/10 since it just works and sounds good on everything I throw at it.
    The Bass
    The bass sound's tight and deep with good quantity and it is very fast, when I listen to "Forget Not" by Ne Obliviscaris, there is this part where the drum hits gets super fast, it will usually sound less distinct with other headphones and IEM, but The Andromeda handle this with ease, every hit can be heard and distinguished easily and on top of that it is punchy.
    It has a fast decay and very good dynamics, the drum works in the track mentioned above was transcended to another level when I hear it with the andromeda.
    despite the fast decay and tight bass, the bass doesn't feel thin or anemic at all, in fact it sounds very natural and satisfying. 
    When listening to EDMs or raps, the beat sounds super deep and punch with the excellent dynamic adding to the enjoyment, the switch between the silent phase to the bass shows a significant jumps of volume in a very short time, giving you the surprise factor and attack that you crave for from the tracks.
    The Mids
    The mids is lush, a little forward, very natural and detailed.
    You can listen to many variety of vocal with this and it can only be great.
    As a metal-head, I often listen to song where the singer use scream and growl for their vocals, it sounds really good with Andromeda and never harsh.
    If you listen to Rap, the clarity will make it easier for you to listen to the lyrics.
    If you listen to ballad or Jazz, the lushness will melt your mind away as it the sound has this emotional feel to it. (Norah Jones sounds so good on this)
    If you listen to Justin Bieber, ummm, I don't know, I don't really listen to that kind of music, but other modern music like Ariana Grande sounds excellent.
    I found both male and female vocals is being represented very well by The Andromeda and there is no distinction where male vocals will sound better or vice versa.
    Guitars sounds simply superb on this, the bite is present but never harsh
    You can listen to many old metal recordings where the guitar can sound sharp and harsh, but it will come out fine with this, I'm not saying it will sound excellent or anything since the recording itself is bad, but it will not sound harsh at all.
    On a good recording though, the guitar has a very natural tone to it but still has the bite that we all like.
    Overall Guitars both electric or acoustic, sounds excellent on this.
    The Treble
    Treble is very clean, smooth and present in the music with good air, it is very easy to notice the cymbal hits in metal or rock recordings, It is smooth and sparkly but not to a fault and has an excellent extension.
    It sounds lively and energising, providing the engagement factor on each track that I played. 
    Violin and guitar solos sounds awesome on this and it never gets sharp and harsh or fatiguing, the sound is really smooth and it really catch your attention to it.
    The Soundstage, Imaging and separations
    The soundstage on this is insane, In my opinion this is the best part of the Andromeda, I can confidently say that the soundstage is the widest of all IEMs I've heard to date Including many TOTL that I demoed sometime in the past(including K10U, Jh, etc). I can feel it right away the first time I put it on, It is that good!
    As a metal-head, most often IEM will not work nicely for me, this is because, metal music is dense and require good soundstage to avoid congestions where every sound seems super close to each other, good imaging to pinpoint the instrument and good separation so that 1 instrument will not cover the other instruments, this IEM definitely has it. and because of this it works very well for metal. 
    Everything just sounds distinct and I can pinpoint the instrument location very easily, the soundstage combined with the exceptional clarity makes this IEM sounds very clean and articulate without being thin.
    This IEM is so good at this that if you are looking for an excellent soundstage in an IEM, this is the best that I can recommend.
    AK Jr
    Naked Ak jr
    The pairing is excellent, the emphasized bass in the AK Jr added more bottom end meat to the Andromeda, giving you a bassier presentation but not overly so, mids is still lush and detailed, with good treble presentation.
    The AK Jr also has a very good soundstage further complimenting the strength of the andromeda.
    Power consumption of the Andromeda is quite low on the AK Jr, it last almost 2 days at work without charging.
    Very good sound, with ok battery and super slim and portable set up.
    Easily pocketable, unlike other DAP where I found that it is just too thick and expensive.
    easy and quick to use on many situation (on the bed, etc)
    If you can put up with the slow UI, I highly recommend this paring if you want more bass on your Andromeda.
    With green uniform on, because green is good!!
    Chord Mojo
    Again, the pairing is excellent, the mojo is also a warm source, although the bass boost is not as much as the AK, adding some bass to the Andromeda.
    the bass is a little less in quantity than the AK but is more extended (this is a trade off, I take the AK pairing for bass though, draw for me)
    the mids is still lush and full with slightly more detail and clarity than the AK but still noticeable improvements. (Mojo wins)
    the treble is smoother and more articulate than the AK Jr, this is the biggest improvement over the AK (Mojo wins)
    soundstage is about the same maybe a bit less than the ak, but better imaging and separation (Mojo wins Again)
    Less portable and harder to use than the Ak Jr (AK Wins)
    takes longer to set up, needs a computer or phone (AK Wins)
    more cable management, not good if you have to move around (AK Wins)
    The difference in quality of AK Jr combo and Mojo combo is noticebale but does not really gravitate me to use one more than the others, I'll just whatever the situation calls, this tells me that Andromeda is quite flexible with source pairing and will sound good on many sources as long as the source does not stray away too much from neutrality.
    Comparisons with Jupiter
    It has been a while since I heard the Jupiter so my audio memory of its sonic capabilities is not dependable, I think the main deciding factor is the signature, where jupiter is a slight U-shaped.
    but speaking of performance, technicalities and my own personal taste, I will always pick the Andromeda, the price difference is not huge and it is definitely worth the extra cost.
    In my opinion the performance jump is big considering the small price difference, I certainly didn't get wowed this much when I review the Jupiter, The Andromeda is just better right from the get-go and will always be my first choice IMO
    This is a great IEM with a great tonality and insane soundstage that will suit many genres, sound quality is excellent with excellent detail retrieval without sounding analytical.
    the only cons for this IEM is the edge design that can be a pain sometimes, thus requiring carefull positioning of the shell when wearing it.
    Providing a custom options will solve this problem perfectly and will increase the comfort and sound isolation. In my opinion this is a must do as this IEM definitely punch above its price range and can compete with other TOTL IEM with ease.
    I want to give a thumbs up to Campfire Audio for putting up this awesome IEM in such an affordable price that punch above its weight.
  5. cleg
    Limited version of unlimited sound
    Written by cleg
    Published Feb 12, 2018
    Pros - sound, design, price, stock cable, accessories set
    Cons - some rare fit issues
    I always was a great fan of any "limited editions" and other "exclusive" stuff. So, when my friends from Portativ.ua (Ukrainian distributor of Campfire Audio) told me that they got in stock Pacific Blue version of Andromedas I've decided to sold mine regular ones and upgrade. I'm not sure, are they yet available anywhere (besides actually Portativ.ua), but I'll share my impressions anyway. As I didn't write my feelings on regular Andromedas too, I'll try to make this review two-in-one, because the difference is tiny (but anyway noticeable).

    First of all, I'd like to thank Campfire Audio for providing me with the regular version of Andromeda for exchange to my honest and unbiased review. I've used them for almost a year but then traded for this limited edition.
    Box and accessories set are the same as for regular version. The only difference is the color of the box and its sticker. Inside you'll have a brown raw leather case from CA, three pairs of single flange silicone tips, three pairs of foam tips, regular set of SpinFit (how I can type TM symbol?), cleaning tool and signature pin with company's logo. Also, you'll have cable for the IEMs, I'm mentioning it separately, as the cord is indeed excellent. Of course, I'd like to see a balanced wire in this box too, as it was with the first version of Jupiter. But new Campfire (or should I call them Alo) Audio cables are more expensive, and only one is in the box. Anyway, accessories set is excellent even for this price range.
    As for design, probably everyone, who is interested in personal audio gear have already seen Andromedas. Their green color became the signature feature of this model. Anyway, Campfire released few limited editions of a different color. I've tried to gather as much information as possible, but I could miss something or make a mistake.
    - "Polar white" Andromedas for Japan
    - Polished copper and silver versions of Andromedas for Chinese market
    - Polished chrome version for close friends and company's co-workers
    - "Pacific blue" version for other markets
    Anyway, limited version uses the same design as regular ones, but with different color and a bit different hand-polished CNC steel sprouts. I didn't make precise measures, but I've seen mentions that this sprouts version are 1-2 mm longer. Indeed, with limited Andromedas, I've got a bit better fit, compared with my original Andromeda of the first version. Probably, this change isn't sprout-related at all or was introduced in recent revisions of "regular" Andromeda too, here I can't tell for sure, but the fact is new version is a little bit easier for me to fit.
    So, with all above being said, now I can call Andromeda definitely comfortable IEMs without fit issues (but YMMV anyway). They provide convenient fit and average sound isolation that is enough for noisy street or public transport, but subway or in the plane you'll need to increase a volume.

    Some warm words deserve the cable. Campfire uses probably the best MMCX connectors in the portable world (at least of those I've tried), they have a perfect gripping force and serves long, despite the hard usage. Cable itself is also lovely; it's soft, it's easy to untangle, it looks nice and has zero microphonic effect. It's made of high-quality silver plated copper. Anyway, if you're a fan of cable rolling, Alo Audio offers tons of different options, including gold ones.
    Probably everyone here knows the representation of Andromeda (more then 20 reviews, is it a Head-Fi record?): neutral, resolving and super-natural sound with a perfect balance of audiophiliac detalisation with a pinch of musicality.

    Bass is fast, with perfect attacks and a bit shortened decays, typical for well implemented balanced armature designs. It's adequately balanced concerning quantity, but it leans a little bit to the faster side, so in rare cases, I'd like to see a bit more weight (not more bass itself), but that tracks are limited. Andromeda's lows have great texturing and offer clean instruments separation. The depth and overall control are also excellent.
    Mids are neutral, they don't have any coloration, but on the other side, they don't have that hollow, sharp and bodyless representation, typical for inexpensive armatures. Mid frequencies in this IEMs correctly reproduce any single tiny nuance of the track, but Andromedas are critical to the quality of a recording. They don't try to mask mastering flaws or add any missing emotions, so they require that from the so records should be indeed excellent. The imaginary stage is close to maximum in width and a bit smaller than that in depth, anyway, it's one of the biggest in IEMs world. Earphones do a great job in layers separation and instruments positioning.

    Trebles are also "typical" for well-done balanced armatures, they have the superb attack and a bit shortened decays, but most important is that they have the right layering. For me, that layering is #1 criteria of TOTL models. Of course, we can even not mention treble resolution and sense of realism. So, if you're not too treble sensitive, high frequencies here will impress you.
    As for a limited version of Andromeda, there is just one minor difference: they have a bit more body on the lower half of spectrum (starting from lows and up to the middle of mid frequencies). I can't tell for sure, is it right for all limited edition Andromedas, maybe it's just a difference in two particular exemplars, but I've done some blind A/B testing and the difference was audible. Anyway, this difference was pretty subtle, so I don't think that you'll need to exchange basic version if you already own one.
    Andromeda is a sensitive IEM, and you should consider this during source selection. You'll need not only perfect control all over the whole frequency range but also a low level of background noise. Subjectively, I prefer A&K models and Cayin N5-2 with this earphones.

    So, from one hand, I can't tell $1000+ IEMs "affordable," but from the other hand, Andromeda is at the early beginning of "TOTL" IEMs range, so let's say so: Andromeda is the most affordable way of achieving of the hi-end sound in the IEMs world.

      PlantsmanTX likes this.
  6. homzik
    Campfire Audio Andromeda - complete and universal
    Written by homzik
    Published Aug 9, 2017
    Pros - great storing case, cable, foams and SpinFit eartips
    perfect workmanship, unique looks
    good isolation
    universal sound signature that don’t demands particular synergy, but is sensitive to audio-source’s quality
    natural, vivid, hi-res and balanced sound with great bass and midrange plus extended highs
    Cons - no 2.5mm cable included
    average single-flange eartips
    demand a clean signal sound source
    angular shells can cause some ergonomy-related problems
    Below is the English version of Maciej Sas's review that is available at http://zakupek.pl/test/sluchawki/recenzja-campfire-audio-andromeda/

    Campfire Audio Andromeda is an IEM equipped with 5 Balanced Armature driver. Does it really offer great soundstage, deep and even bass, extended highs? Is it worth its 1100 USD price tag?

    We’ve already tested some Campfire Audio’s IEMs, which is a sister company of ALO Audio. Andromeda is one step up from Jupiter and it’s the highest model among IEMs using a Balanced Armature driver. Andromeda looks very similar to Jupiter – their housing is also made using machining technique with 3D-printed chambers, which are supposed to haul trebles and expand the soundstage.


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    Accessory set is similar to those added to older version of Campfire Audio’s Jupiter, but in case of Andromeda, the tips variety is a bit different. The packaging is as always impressive with unusual graphics, yet a simple design.

    Case is typical for the American company. It is hard and made of leather. Its interior is lined with a imitation of... sheepskin coat. Andromeda’s case is darker than the one added to Jupiter.

    There are no Comply foams in the included set, but their substitutes also do the job. SpinFit tips are very intriguing as their tangs are partially movable. Typical single-flange tips are very ordinary, just like tips that can be found in many cheap IEMs. It’s also a pity that the balanced cable is lacking.


    Campfire Audio boasts about their production methods. The earphones are hand-made in the US and the whole procedure is complicated and long-lasting. Andromeda uses the same shell shape as lower models – it is CNCed aluminum covered with zirconium and anodised. Housing color is green, which significantly differs Andromedas from its younger brothers. Inside, there are 3D-printed chambers called TAEC, which stands for Tuned Acoustic Expansion Chamber.

    The form of the IEMs is special. The shells are highly angular, V-shaped, several times cut at the edges, with grooves in the upper part, screwed with clearly visible Tri-Point screws. The inner part shows additional bulges where large channel indicators are embossed. Anromedas use MMCX sockets and are worn Over the Ear.

    Cables are ALO Audio’s speciality. Andromedas use Litz Cable, which is braided (Litz geometry) and silver-plated. Splitter is made of metal and with the additional slider added. The 3.5mm jack plug’s housing is quite bulky. MMCX sockets are made of copper and beryllium, which shall expand their life-span.

    Build quality is awesome and color scheme unique. Andromeda is without doubt an unordinary product and the Portland-based company cares about details and uses high-quality materials.


    Angular shells might cause some ergonomic issues. Earphones in focus might require some adaptation, certain method of inserting and shuffling the ear tips. For me, tear-shaped IEMs produced by Noble or Shure are more comfortable, but Campfire Audio is not bad either.

    At first, shells pressed and irritated my ears during prolonged listening sessions. It turned out that I need to change their angle, move them a bit more clockwise. Owners of bigger ears, however, should not experience any problems.

    Cable arranges perfectly and the ear hooks are flexible and one can easily give them a desired shape. Microphonics is not a big issue. The 3.5 mm plug is rather big, but it should work fine with all the additional cases for DAPs or smartphones.

    In my opinion, the included foams are better than Comply. They are made of more durable, thicker and less porous material. The foams don’t expand too quick, so one can insert earphones without rush. Isolation is good and the sound doesn’t change as much as with Complies.

    SpinFit tips are also interesting. Their movable flange easily fills the ear canal, so inserting the IEMs goes quickly. In case of SpinFit, isolation is, however worse than in case of either single-flange or foam tips.


    • 5 Balanced Armature drivers
    • Frequency range: 10Hz – 28 kHz
    • Sensitivity: 115 dB SPL/mW
    • Impedance: 12.8 Ohms @ 1kHz

    Gear used:

    : Campfire Audio Jupiter, Noble Audio Savant i Noble 4, Etymotic ER-4PT, RHA CL750, Brainwavz B200, FiiO F5

    AMPs and DAC+AMPs: Burson Conductor Virtuoso (Sabre), RHA DACAMP L1, AIM SC808, ODAC i O2, Leckerton UHA-760, Zorloo ZuperDAC

    DAPs: iBasso DX200, FiiO X5 III, iBasso DX90, Cayin N3

    Interconnects: Forza AudioWorks Copper Series, Klotz

    Music: many genres, various realisations including 24-bit and binaural tracks

    In the past, I didn’t like Jupiter much, while I enjoyed Andromedas instantly – they got all that the lower model lacks. The overall characteristics of Andromeda is balanced, but not very analytical. They should be placed somewhere between being musical and analytical as they provide plenty of details, don’t reduce the midrange, but remain mild and easy to listen. The sound signature is quite flat and hi-res, without lab harshness and cold. In addition to that, there’s quite big and three-dimensional soundstage.

    Lows are great! Bass is full and deep, can be precise or hard or massive and soft. It’s dense and plastic, has thick character, but it also doesn’t lack speed or dynamics. Mid-bass is a bit accented, which adds a bit of warmth and makes the sound neutral. Sub-bass rumble is also sensational and, what’s important, there are no gaps in the upper bass. Low quantity is optimal – the music is well-ballasted. Bass passes lots of details in a non-blatant way. Instrument’s texture is highly diversified, which highlights different bass-guitar playing techniques. Andromedas work well with different genres, including some really heavy music.

    Midrange is realised via just one BA driver, yet this range is on par with the rest. Mid tones are natural, near and clear. It’s not cold, sharp or analytically raw. One can hear some hardness, but without roughness or hiss. Midrange presentation is not as close and intimate as in Etymotics or Shures, but it’s neither as distant as in Westone’s or Earsonics’ IEMs. The same applies to details – guitar, brass or keyboard instruments are very natural and detailed, but at the same time they sound musical and engaging. Andromedas shine in jazz, but also perform well in electronic music. They can sound either digital or ‘dirty’, archaic.

    I was expecting high tones to be much more exaggerated, while trebles are served in a well-controlled way and their quantity is proportional to the bass. Andromedas are not bright or cold and high tones are not prioritised. Their quantity is optimal and people enjoying strong trebles might take Andromeda’s sound as softened. At first, I also lacked a bit stronger highs, but I quickly appreciated the non-harsh, universal and hi-res tuning.

    Soundstage is of high-standard. The space-size is OK for in-ears, but not exceptional. What is unparalleled is holographics – instruments are big and plastic, positioned in a three-dimensional environment. Depth and width are also great and the perpendicular is also above average. Andromedas seem to sound from outside one’s head, surrounding the user with all the tones. Separation is perfect, but sound is not very airy, the distance between the instruments aren’t very vast.

    Andromedas vs audio-sources

    The IEMs are not very sensitive regarding source’s signature, but it’s better to avoid dark-sounding gear. Andromedas do respond to source’s quality, especially to the clearness of the signal. The earphones in focus are low-impedance and high-sensitivity, so the hissing is highly audible (which, however, disqualified just a few pairings).

    Highest hiss-levels could be observed in case of Cayin N3 or FiiO X5 III. DX200 hissed a bit less, but still at noticeable levels. DX90 sounds clearer than the current iBasso’s flagship device.

    In terms of sound quality, DX200 worked best, with great soundstage and dynamics and loaded down bass. FiiO X5 III also performed well. It sounded balanced and soft, pretty detailed, yet DX90 offered even better sound.

    Leckerton UHA760 served the clearest signal (especially with the minus gain), either as a mobile amp or DAC+AMP. It reduced the hiss and alone paired well with the Andromedas. UHA760 also cooperated well with DX200 and X5 III. UHA760+X5 combo worked better than the UHA760+DX90 duo.

    Andromeda vs Jupiter vs other IEMs

    Andromedas further develop the sound of Jupiter, especially at the edges. They offer more direct and brighter signature, which results in improved soundstage, separation and resolution. Andromedas are one level up than Jupiter and a logical step forward. Both IEMs share the same core: natural sounding with great midrange and holographics. Andromedas tuning is even more balanced, more universal and more complete, while Jupiters don’t demand as pure signal Andromedas and the hissing is not as strong too.

    Noble Audio Savant use ‘just’ 2 drivers, but it performs quite well in comparison with Andromedas. Savants are a bit brighter, with flatter bass. Midrange is a bit reduced and trebles are of lower resolution and not as well-controlled. Noble Audio’s IEMs, on the other hand, offer wider and more airy sound due to lack of bass. Another Noble’s product called ‘4’ show similar near midrange, but resolution, soundstage and treble control are all not on par. Highs can be harsh at time and the bass is much flatter.

    Etymotic ER-4S, when compared to Andromedas, are just a pair of flat studio monitors. They are brighter, with worse holographics and imaging. Etymotics, on the other hand, sound more direct and unforgiving. Tuning of Andromeda is more musical and more universal with richer midrange and fuller bass.

    RHA CL750 are brighter and thinner in bass and mids. RHA’s are colder, sharper and sound artificially. Andromedas offer more lush mids, deep bass and soft, non-fatiguing highs. Those two pairs are like night and day.


    Campfire Audio Andromeda is a marvellous pair of IEMs! I felt anxious for them as in the past Jupiters disappointed me a bit. On the contrary, Andromedas engrossed me with their gorgeous bass, unique midrange, hi-res trebles and great holographics. Their sound is complete and universal, with plenty of details which don’t limit the musicality.

    There are some flaws, though. Angular shape can irritate some users and the sound can at times be too hard and too thick in bass or midrange. Andromedas should be rated somewhere between being technical and musical. It’s not the best choice for those seeking for very analytical and bright tuning. It’s also a pity that the 2.5mm balanced cable is not included.

    + great storing case, cable, foams and SpinFit eartips
    + perfect workmanship, unique looks
    + good isolation
    + universal sound signature that don’t demands particular synergy, but is sensitive to audio-source’s quality
    + natural, vivid, hi-res and balanced sound with great bass and midrange plus extended highs

    - no 2.5mm cable included
    - average single-flange eartips
    - demand a clean signal sound source
    - angular shells can cause some ergonomy-related problems
      Aslshark likes this.
  7. Wyd4
    Amazing IEM - Apparently it IS easy being Green
    Written by Wyd4
    Published Jan 31, 2017
    Pros - Sound, Build, Accessories, Fit, Colour, Attraction of the opposite sex
    Cons - Not the most stealthy IEMs
    I was recently given the opportunity to review the Campfire Audio Andromeda thanks to the kindness of Ken/ALO/Campfire and D_Marco
    It is great to be part of a community that allows such experiences, putting such trust in those also interested in this fine, rewarding but infinitely more and more expensive hobby.
    Prior to getting my ears around the Andromeda I was also lucky enough to hear the Lyra, Orion and Jupiter from the Campfire line, so I will try to draw some comparisons, however bearing in mind these are from memory.
    This review will be fairly brief as I do not have a lot to say about the Andromeda.
    This is in no way a negative, in fact far from.  I absolutely love the Andromeda in all of its green glory.
    I will start with the one and only negative I feel is of significance and we will go from there.  But be told, its all UPHILL from there.
    If I could pick a negative from my listening with the Andromeda it would be that it lacks a little soul.  Now this is quite subjective I know, however I like my music with feeling.  My favourite IEM of all time is the Tralucent Ref1too.  Yes at times it had far too much bass and was at times too Dark, but with the right source and the right music it just connected with me.  It took me back, it made me feel as though I was living the music.
    Now I find the Andromeda (and all of the Campfire line except the Lyra) to technically exceed the Ref1too in most regards.  However if I were given the choice I would take the Transducers with soul every time, even if I do cringe at some genre’s/tracks.
    NOW.  That seems like a pretty big deal breaker, except, I would buy these in a heart beat.  On-wards and upwards I say!!!
    Firstly, they are accessorised beautifully.  They come in a far more subtle cardboard box than its lesser siblings.
     It comes with a fantastic leather portable carry pouch that is lined with lambs wool.
    It comes with an array of Comply and Silicone Tips that are bound to fit most ears out there and it comes with a fantastic cable.  Not only does this cable look quality, I had zero issues with microphonics when walking to and from work.
    The build quality is also superb!  The very solid feeling aluminium units are anodized in a perfect shade of green.  Rarely did I wear them in public without getting attention.  Either that or I had something in my teeth.  Probably also green.  It’s always something green.
    The sound, well in a nutshell is very very very good and well within what I expect from an IEM of this price range. The beauty of the Andromeda is that is sounded fantastic with everything I played through it.  From Progressive Rock, Death Metal, Folk, Jazz, Jazz Fusion, Pop, Acoustic Rock it all sounded perfect.
    The highlight for me was the bass.  But at heart, no matter how much I try to lie to myself while listening to my Ether C headphones, I am a bass head.
    Are the Andromeda a bass head IEM.  No…. No they are not.  However if you are a bass head with taste, then perhaps these are worth a look as while their bass is excellent and for me the highlight, the rest of the signature exceeds any basshead iem/headphone I have heard.
    The Bass:
    It punches.  It punches hard.  I was surprised that I was listening to a full BA iem.  The only time I had experienced bass like it from a BA is the TG334 and the 1964 v8/u8.
    It has a great thump to it, however it maintains texture and control.  It has a slow decay for a BA driver, however it is more controlled than many dynamic drivers I have heard that manage similar impact and volume.  I thoroughly enjoyed the bass on the Andromeda for its ability to hit hard but sound great with all music.  I have found many headphones that manage to impress me with bass impact and volume, trip up on tracks that simply do not call for so much bass, or are more technical and require a more nimble approach.  No such problem with the Andromeda.
    The Mids:
    The mids are smooth, in line with the upper registers and present vocals beautifully.  I am not a fan of overly forward mids, particularly upper mids and I found no such traces of either in an offensive way with the Andromeda.  Often I find the mids (and more so the highs) with BA driver iems sound artificial to me.  I play guitar and I like guitars to sound like guitars.  Same for any instrument.  While the Andromeda does lack that euphoric quality I was referring to at the beginning of this review, it does sound very natural and realistic.  I was very pleased with the mid range presentation.
    The Highs:
    The highs are smooth, extended, detailed and realistic.  What more could you want. I never found them sibilant, even with some punk recordings that are just terrible.  But by the same token, I was never left wanting for more detail.  These are Highs done right!.
    First lets rank these suckers:
    Andromeda vs Orion:
    The Orion to me was a case of fantastic tuning, limited range.  I personally felt that the tuning of the Orion was bang on with the drivers they implemented.  It sounded natural, cohesive and pleasant.  It did sound a little thin, it did lack extension at both ends and it did lack bass impact.
    To me, the Andromeda has everything I wanted added to the Orion.  It has the bass.  It has more body to the sound, giving it more realism and feeling, it has fantastic extension at both ends and just sounds more refined.
    While you would expect all of this given the price difference, this is how they compare to me with the Andromeda wiping the floor with my previous favourite Campfire iem.
    Andromeda vs Jupiter:
    The Jupiter I found technically brilliant.  As I stated in my Jupiter review, it had nice bass, smooth mids and highs, good sound stage and amazing separation.  However it sounded off to me.  Instruments seemed to pop out individually so well, that it didn’t sound like music, it sounded like many instruments individually playing a tune.  Technically I cannot fault that, its amazing really, however from an enjoyment stand point it didn’t invite me into the music, it didn’t make me want to listen.
    The Andromeda to me is like the Jupiter with improved and increased bass, a richer mid-range with more body and a very similar top end.  However the big difference being that the music sounds whole again.  Sure if I listen for a guitar I can isolate it and tell you where it is in the array of instruments, but I am being presented with music.
    I will work on getting some images up and the formatting fixed in coming days.
      twice tzuyu likes this.
    1. View previous replies...
    2. cpzzy
      Wonderful review! Thanks
      cpzzy, Feb 4, 2017
    3. Onny Izwan
      Please someone, compare it to Sony's fabulous XBA-Z5
      Onny Izwan, Feb 7, 2017
    4. gprs007
      Nice review bud. Tried these in CanJam NYC and smitten by it
      gprs007, Feb 7, 2017
  8. daduy
    The perfect IEM
    Written by daduy
    Published Dec 19, 2016
    Pros - Build quality, cable quality, fits nicely, good isolation, perfect sound balance and quality
    Cons - I can't afford it
    I got this unit as part of Australia/New Zealand tour arranged by @d marc0, thank you very much for including me in this tour :)
    I am just another music fans in this world, I love listening to music, and that made me stumble into head-fi around 9 years ago when looking for the best way to listen to my music. I am not in anyway an audiophile, heck not even close, so please forgive any lack of details in my review. Most importantly this is my personal impression on the unit, most likely i heard things differently than you, my ears, my preferences, my brain :)
    I've listened to CA Andromeda for about 2 weeks. I use them exclusively from LG V10 amped by Fiio E18. The source will be either the built-in LG music player or Google play music.
    Sound Quality
    Ok I am not going to muck around with this one, CA Andromeda is perfect. I can fault them in any way, they simply sounds right to me, in every aspect. There is enough bass, perfect midbass/warmth, forward enough mid, and excellent treble response.
    Is this the best IEM in the world? probably not, but it's the best I have heard so far. Does it beat my full size cans? hmm.....yes and no.
    I can only compare them to my ZMF Blackwood, so yeah (as usual) it's not a fair comparison but it's all I got.
    All right, let's start with the obvious, for soundstage, ZMF Blackwood clearly beat CA Andromeda, that's the very first obvious thing I notice when comparing them. I don't have
    any problem with Andromeda soundstage, but ZMF sounds more spacious compare to Andromeda.
    Now let's talk resolution and details, again CA Andromeda is awesome, they are really really good, but when you compare them side by side with Blackwood, I will have to pick up
    the Blackwood as the winner, however the difference is not that big here, I really have to focus on listening to notice the difference.
    However there is one thing that I prefer Andromeda over the Blackwood, the balance. As I mentioned before, they are just perfect. Blackwood is awesome headphones, but I found Andromeda
    to provide better bass compare to the Blackwood, and probably slightly better treble sparkle. Please bear in mind I compare both of them from the same source/amp, so it's very likely
    Fiio E18 is not adequate to drive ZMF Blackwood.
    No argument, the best IEM ever for me, I am in love. The only downside is I can't afford them....yet, but I will own them one day
    Thanks for reading :)
      Aslshark likes this.
  9. Kervsky
    Campfire Audio Andromeda - The Winner
    Written by Kervsky
    Published May 17, 2018
    Pros - Warmth that doesnt overwhelm, great overall clarity and detail, sparkly and airy highs, great soundstage and layer separation. Great build quality, fit is comfortable (though some may disagree, experiment with tips), accessory package and cable is good. It's Green.
    Cons - Maybe a bit more bass kick wouldn't hurt, no option to choose what termination (2.5mm, 3.5mm, 4.4mm) comes with it, at flagship levels, I believe that it should be a valid option.

    Introduction: Campfire Audio is a well known audio company that produces great IEMs (and now a headphone too) and has gained even more fame with their recent 3 big ear turners, the Cascade, Comet and Atlas. Of course we're not talking about those now (I could probably review the Comet at least at a later time, if my budget allows it) as you can see with the first picture and the obvious title, we're talking about the mean green machine known as the Andromeda.

    I've had the Andromeda for a long time but have skipped reviewing them because a lot of people have done so before. And yet as each new Campfire Audio product comes to light, I feel the urge to tell the world that the Andromeda is still here, it's still relevant and still pretty in green. Please note that I won't be as exhaustive as I normally am since a lot of the nitty gritty details have been tackled awhile back.

    10Hz–28 kHz Frequency Response
    115 dB SPL/mW Sensitivity
    12.8 Ohms @ 1kHz Impedance
    Dual High Frequency Balanced Armature Drivers + T.A.E.C.
    Single Mid Frequency Balanced Armature Driver
    Dual Low Frequency Balanced Armature Drivers
    Beryllium / Copper MMCX Connections
    Machined Aluminum Shell
    Tuned Acoustic Expansion Chamber™ (T.A.E.C.)


    Unboxing: One of the things I love with Campfire Audio is their minimalist boxes, everything fits in a compact space that's pretty and functional (and recyclable) though the material isn't the sturdiest, the cardboard holds up well through handling and age.


    Package Details:
    Andromeda In-Ear Monitor
    CA SPC Litz cable
    Genuine Leather case
    3 Pairs of Comply foam earphone tips
    3 Pairs of silicone earphone tips
    3 Pairs of Spinfit earphone tips
    Earphone clearing tool
    Small CA branded pin
    Owners Manual


    Build/Fit/Design: The Andromeda follows the shell design of the Orion, Polaris and Jupiter where the shell is CNC'd into the sturdy industrial/angular shape you see in the picture. The thing with the shell, some people cannot fit it comfortably due to differences in ear shape and size though it fits me like a glove and for that it gets my thumbs up on fit and comfort, with the right tip, the Andromeda can sit in my ears for hours on end. On a parallel note, it annoys me to a certain degree that the look and color was copied by a certain IEM company and is nearly constantly mistaken for the K.O. even if the Andromeda uses a Beryllium MMCX connector and the other one is a 0.75mm 2 pin connector. Still, for me, it's a good and memorable design and yeah, the color is just perfect (Yes, I love green) as it both looks and feels good in hand and in my ear.


    Cable: The included cable is the much lauded Campfire Audio clear SPC Litz cable, with a 3.5mm L-plug with the Campfire Audio logo on the top, a metallic Y-splitter with a plastic chin adjuster and terminating in a Beryllium MMCX jack. The cable itself is thin, light and very flexible, this was the first time I've ever experienced such flexibility and simple beauty in a cable.


    Sound Stuff: When my wallet was ready for a good IEM, I sampled a lot with varying prices, brands and designs and in the end my ears decided on the Andromeda. Out of the box it was exactly what I wanted paired with my WM1a, easy to drive, a bit of warmth, nice bass, good mids and pretty highs! After a long, long time of listening to these babies, the following is what I've been hearing using the stock cable and the WM1a on v2.0 firmware. Note that due to the low sensitivity, the Andromeda can demonstrate a low hiss, though this has not been the case for me with my DAPs or phones.

    Lows: The Andromeda presents a good amount of sub-bass, extension and great bass separation. Low rumbles sound natural and smooth with moderate impact and fast decay, this leads to an overall clear bass resolution. Mid Bass has a good amount of body and delivers a balanced slam that's neither aggressive or weak, coupled with a warmth that makes for a great musical experience.

    Mids: The mids on the Andromeda is one of it's strengths as vocals and instruments are neutrally placed and presented in a very clear and detailed manner where layering of instruments and vocals are easily identified in a wide open space. Even with all that clarity, there is a lot of body and smoothness in it's rendition giving sweet life to both male and female vocals in whatever genre you play.

    Highs: are one of the other strengths that the Andromeda packs, there is a great amount of extension and airiness that doesn't lead into harshness or sibilance as there is great control in this area. The body of the treble is full on with each note being crisp, detailed, smooth and well separated. The highs effectively convey the emotional energy needed for each track without being fatiguing.

    Soundstage: is probably the best known feature (here) of the Andromeda with a generously wide soundstage that gives you a realistic and natural feeling of width and depth on each track that is both spatially accurate and positionally correct.


    Conclusion: So easy to love, the Andromeda captured my ears and heart then and it still does today. It is in my book, a compelling choice for audiophiles that want a piece of the high end without gutting your wallet (too badly) bonded with a sound signature that will please nearly anyone that doesn't require enormous amounts of bass in every song with its warmth, detail, clarity, technical proficiency and large soundstage. The Andromeda is my winner.

    Pros: Warmth that doesnt overwhelm, great overall clarity and detail, sparkly and airy highs, great soundstage and layer separation. Great build quality, fit is comfortable (though some may disagree, experiment with tips), accessory package and cable is good. It's Green.

    Cons: Maybe a bit more bass kick wouldn't hurt, no option to choose what termination (2.5mm, 3.5mm, 4.4mm) comes with it, at flagship levels, I believe that it should be a valid option.

    Nitpicks: None comes to mind.


    Sound testing was done using a Sony WM1a (Primarily), a Hiby R6 (for comparison) and a phone (for checking driveability) volume matched to 90.X db of safe hearing and calibrated using a 1kh tone on a dedicated DB Meter, all sources patched through a switcher. Original post is found on my blog, audiobuko @ blogspot.
      Aslshark and Qrays34 like this.
    1. Qrays34
      I see you’re using it with a WM1A, have you tried the 4.4 Pentacon Balanced out in the 1A with the Andromeda?
      There’s a noticable change in sound quality through the Balanced out in Sony new DAPs, so I’m really curious if the Andromeda performs better with Balanced.
      Qrays34, Jun 28, 2018
      Kervsky likes this.
    2. damart81
      Great Review!
      damart81, Sep 5, 2018
      Kervsky likes this.
    3. Kervsky
      @Qrays34 I'm sorry for not answering sooner (I didnt notice the question till now) but on balanced and on the WM1a, yes, there is a big improvement with the Andromeda. The way things are, Sony made it so the balanced output on the WM1a lot better sonically than single, and the Andromeda takes that improvement and makes it sound better.

      @damart81 Thank you kind sir :)
      Kervsky, Sep 8, 2018
      Qrays34 likes this.
  10. prismstorm
    Campfire Audio Andromeda - Impeccably Done
    Written by prismstorm
    Published Mar 18, 2018
    Pros - Extremely high fidelity, balanced tuning, agile and nimble bass, expansive soundstage
    Cons - may be light on bass for some people, highly source dependent, can be too bright for some.

    Ever since I got the Campfire Audio (CA) Vega in late 2016, I really didn’t use anything else. It ticked so many of my boxes, that I was reluctant to return to other earphones. That was until the acquisition of the exciting new Cerakote (CK) Pacific Blue edition of the renowned CA 5BA flagship – the Andromeda. We have reviewed the regular Andromeda previously, so this time around we will change things up and talk about this special iteration with new setups, pairings, and against the context of the current market dynamics.

    Disclaimer: The Andromeda CK Pacific Blue and ALO Gold 16 Cable were sent to us courtesy of Campfire Audio. Click here for the product page from the official site.


    Opening up the compact and funky blue packaging, we find the usual accessories, comprising of a very stylish tan-colored hard leather case lined with soft wool inside for maximum protection, along with an assortment of Comply, foam and silicon tips, an instruction card, cleaning tool and CA-branded pin. Although we at Accessible Audio have unboxed a great many CA IEMs now, unraveling the Andromeda CK still brings a smile to my face, as everything has the mark of a great deal of thought having gone into it. The box itself looks so discreet and low-profile, just enough to pack all the goodies you need, and has no bloat or wasted space. Everything feels humble, unpretentious, yet very boutique-like.




    CA’s trademark attention to detail comes to full glory when the industrially designed, impeccably machined Andromeda CK Pacific Blue got pulled out, its perfectly chamfered edges melding harmoniously with the previously unseen Pacific Blue coating. The ergonomics have been tweaked after early feedback on the debut version, and this latest one fits snugly with no discomfort. This ocean blue finish has a matte texture that feels lovely to touch and is much more robust than the default green anodizing. This dual-low / single-mid / dual-high balanced armature setup is armed with the high quality silver-plated-copper Litz cable that now comes standard with all CA IEMs.


    Since we last reviewed the Andromeda with the stock cable, this time around we spice things up by mating it with CA’s mother company ALO (Audio Line Out)’s finest IEM cable – the Gold 16. The cable is itself an art piece and is painstakingly crafted to perfection. The cable resists oil and moisture with an FEP (Teflon) jacket and is low in microphonics. It is incredible how compact the cable is given its high number of conductors. Each conductor is composed of 24 strands of individually pure gold plated OFC copper woven very finely and retains both suppleness and articulation for maximum handability in the field. If you ever feel cheeky, applying counter-pressure at any two points of the cable shows its meticulous and dense weave in a magnificent spread. It gets uncomfortably addictive and is sure to melt many audio nerd’s hearts. Gold 16 also retains a relatively tangle-free profile and this further contributes to its immense usability. Sound-wise, CA states that the combination of gold and copper emphasizes mids and lows, enhances the overall depth and soundstage, and pairs well with balanced armature based IEMs.



    And what an accurate description that is. While the standard Litz cable is no slouch, the Gold 16 is a substantial upgrade, both in terms of mechanical construction and the boost it grants the Andromeda in the low end, the richness of the mids, and the staggeringly wide soundstage that stretches expansively across the x-axis. Imaging and positioning of sound elements are scarily accurate, vivid and multi-layered. Running out of the Astell & Kern SP1000 Copper, the Andromeda with Gold 16 oozes details and is exceedingly transparent at all times. The expertly separated tiers of sounds makes the music really pop out, as is evident from Bonobo’s Jets and Towers (feat. Szjerdene).


    Migrating from the incredibly bassy Vega, how did I find the bass performance? The short version is that it is an apparently brighter and leaner offering. Coming from more than a year of Vega listening, the Andromeda is a breath of fresh air. What was immediately clear is that the bass no longer rattles your brain, but feels clean, highly textured, and takes on a bouncy and agile character due to the short decay. It no longer lingers and spreads permeating warmth, but each drum hit is still succinctly heard on Sithu Aye’s The Andromedan Pt II: Mystic Village, and have a real sense of articulation, solid impact, and dimensionality to them. Overtime, I have come to appreciate this crisp, linear low-end that unearths tremendous amounts of intricacies. Sure, double bass beginnings of jazz tracks are less atmospheric and realistic than that of Vega’s rendering because the bass is much more neutral and uncolored, but in return it means the Andromeda is much less overwhelming and fatiguing in prolonged listening than its flagship sibling. Make no mistakes about it, on Sasha’s Smile (The Youngsters) the sub-bass is still very deep and sonorous, with a clarity you won’t ever hear in clubs, enough to send your toes tapping to the rhythmic, steady rumble.


    Years after its debut, the star of the show for the Andromeda is undoubtedly still the buttery smooth, rich mids and truly soaring highs. CA’s acoustic resonator chamber technology results in refined midrange and an extremely open, airy high-end that infinitely extends and still appears to have more to give. The resultant sound signature is very high resolution, high-fidelity and musical, as heard on WoongSan’s Savannah Woman, Andrea Bocelli’s Champagne and Sissel Kyrkjebo’s If. Vocals are powerful with majestic extension, piercingly transparent, and at times incredibly moving. Timbre of the entire ensemble could be easily made out in Sylvain Gagnon’s Gracias a la Vida, from cello plucks to the cruising smoothness of saxophones. The most complex passages are handled with frightening responsiveness in Kyle Landry’s Fantasy Etude, with melodic piano notes flying off nimbly and accompaniments having just the perfect amount of staying length.


    From our experience, the Andromeda is quite source-dependent and plays much better with dedicated players with higher end DACs and amps than running straight from your typical smartphone. Given its less colored signature and all-BA composition, it has a tendency to get a bit harsh, peaky, and distorted when paired with perfunctory sources that have less than ideal impedance values. Its enhanced highlight on upper mids and treble can be brutally revealing if not neutralized with a healthy dosage of warmth either from the cable or the source. Fix up your audio chain and it quickly takes on a very smooth, detailed and high-fidelity reference sound with little to no sibilance and a naturally wide soundstage.


    Comparing it with its brothers and sisters in the CA stable, I would say it lacks the affectionate and intimate warmth and meaty embrace of Vega, or the raw viscerality of Lyra II and Dorado, but is more high-fidelity as it has a less full bodied coloration yet still possesses rich tonality and uncompromising clarity. The Andromeda is surprisingly smooth, lacking all the metallic and machinated coldness that is so prevalent in pure BA IEMs, giving a whole meaning of how bass music can sound like.


    Bearing a personal propensity to prefer bass-heavy monitors, I never expected to like the Andromeda as much as I do. Nevertheless, I persisted and was rewarded with a taste of how life could be when a completely different tuning approach is imparted into the songs I am very familiar with. In fact, the Andromeda turned out to be the perfect IEM to round out my existing lineup – the special something that completes a truly versatile portfolio of amazing monitors. With textured and articulate bass, superb soundstage, world-class vocals and a treble extension that knows no bounds, the Andromeda occupies a unique throne in the CA lineup. Alongside the thick, aggressive and muscular Vega, the smooth and linear Andromeda forms an unbeatable one-two punch with its flagship partner and spearheads a full-fledged empire of IEMs, perfectly complementary to each other and both essential to own in my opinion. Nicely done indeed, Campfire Audio; or dare I say, impeccably done.

      Aink and Deftone like this.