BQEYZ Cloud

smexxy

New Head-Fier
BQEYZ CLOUD
Pros: - Lightweight and good fitting IEMs
- Thin yet flexible cable.
- 7 pairs of ear tips(3 pairs for Atmosphere, 3 pairs for Reference and 1 pair of foam)
- Includes a hard carrying case.
- Cleaning brush is included.
- Beautiful male and female vocals.
- Very smooth sibilance.
- Impressive Treble, strums are clear and detailed.
- Pleasant sound staging, imaging and depth.
- Bright, good clarity doesn’t cause any fatigue.
- Good separation between instruments.
- Satisfying bass, sub-bass is phenomenal with punchy mid-bass.
Cons: - Metallic shells can heat up when exposed to heat.
- Cable can sometimes twirl.
- Could have had a more premium carrying case.
- Instruments can sometimes bleed with high energy songs.
Quick Disclaimer: I am a beginner who just casually listens to music without thinking much about it and this is my third review. I’ve done more extensive research about terminologies and their meaning but I may use more personal terminologies to describe it in case those who are new to this hobby might be confused. These are also my own opinions, I did not read any reviews prior to making my own(basically going in blind) so if you have your own comments or perhaps any feedback regarding my review or the IEMs, please don’t hesitate to share your thoughts.

The gear I’m using is just really simple: Ordinary Laptop, Iphone XS, Apple Lighting to AUX Dongle, Roseselsa 9039 Amplifier DAC(I will be using this for the rest of the reviews) and the BYEQZ Cloud.

Big thanks to BQEYZ for sending the Cloud IEMs over to our local community for the review tour! Looking forward to future reviews!




Let's get started.

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The BQEYZ Cloud is a 169$ IEM that has a Dynamic Driver and a Passive Auxiliary Driver, the passive driver acts as a filter to the high frequencies and gives it more of an airy or area kind of feeling/vibe which actually does make sense as I talk about it later. What really struck me was the price point, for 169$ some might even say that the price is too much while some will say that it’s worth it. As someone who can just afford around 20$ worth of IEMs I’d say that maybe the price really does have an impact both positively and negatively.




UNBOXING EXPERIENCE
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The unboxing experience was sort of underwhelming. Nothing too crazy and similar to the DZ4 and S08, it feels like a brand new phone but the presentation was a bit lacking. Packaging wise, I like the design since it resonates with the cloud/airy vibes that are the theme of these IEMs . On the upper left, you can see what the IEMs look like since there is an outline of the design. Other than that, the bottom shows that this IEM is “AIR-ASSISTED DIAPHRAGM” along with its Chinese and Japanese translation.

The sides of the box don’t have much going on, the absence of the Hi-Res Audio logo threw me off a bit since hey this is a 169$ IEM so I was expecting that the logo is there to give assurance that the audio on these are of the highest quality but it was although I can say that even without the logo, the IEMs do deliver well(more on that later).

Dynamic Driver: 10mmImpedance: 32ohms
Sensitivity: 110 dBFrequency: 7 - 40kHz
Cable Length: 1.2mPin Type: 0.78mm - 2 Pin
Plug Type: 2.5mm, 3.5mm or 4.4mmCable Specification: Coaxial Mixed Cable
Flipping the box over, you’ll be presented with the specifications of the IEM such as the Impedance, sensitivity and frequency. They also include specifications for the cable length, pin type, plug type, cable specification and the contents inside the box. There is no frequency graph present which would have been nice since this IEM is a bit pricey but as always, if you’re someone who can make out what these numbers are, then you may be able to come up with a graph on your own.

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Opening up the box, the IEMs are covered by a sheet that says “Please turn down the volume befor using certain” no that is not a typo, that’s really what was printed. Removing the sheet shows the IEMs with their beautiful metallic teal finish, I also love how the IEMs also have a reflective design to the bevels. The design of the Cloud is simple with the faceplate only having two slightly curved streaks which to me looks like how you’d draw streaks of wind. The IEMs are encased in a thick foam sheet and lifting the foam shows the Accessories Box and Carrying Case hiding underneath.

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The carrying case is one thing I dislike since it is just a simple carrying case with BQYEZ hot stamped on top, unlike the carrying case of the DZ4 and S08, those were durable but the carrying case that came with the Cloud was disappointing. Inside the carrying case has the cable(thin and flexible and comes with a velco strip to keep it organized should you put it away for a while and lastly the 3.3mm jack), 7 pairs of eartips(3 pairs for Atmosphere, 3 pairs for Reference and 1 pair for foam) and cleaning brush(a very nice inclusion, plus points for that). It is impressive that all these could fit inside the carrying case, I just wish that the case would have been made with a higher quality material.

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I’d like to point out that the Accessories box doesn’t contain any accessories at all since all of those were stored inside the carrying case, the only items inside the box were the manuals. Quite misleading and if you ask me, they could have at least removed the accessory box and saved up some space. For the price point I was expecting a bit more effort since it is above the 100$ margin, they could have made the accessories a bit more premium.



FIRST IMPRESSIONS with Apple Lightning to AUX Dongle

I always thought that I needed a DAC/AMP dongle to get the most of my IEMs but the Cloud has proven me wrong, it is such an easy IEM to power with just a simple dongle since the treble, mid-range and bass are impressive. They say that the Apple dongle is just a neutral dongle and is already a good benchmarking gadget to test if the IEMs are already good out of the box or needs more power hence the reason to invest in a DAC/AMP.

The IEMs make both male and female vocals sound much more natural, there is a bit of an ASMR feeling and since out of the box, the sibilance is smooth like butter. You get to hear the purity of the singer’s voice because of how good the details are; the Cloud also does an excellent job in highlighting the details of the instruments, the clarity(how each strike or plucks are on point) and shimmer(you get to hear the extended ‘tsss’ sound). This greatly adds more dimension to the music you are listening to as once again it gives the impression that you are actually listening to the band recording live inside the studio.

Talking about the sound staging, imaging and depth; these IEMs just made it even better. Remember the AIR-ASSISTED DIAPHRAGM? Yeah that’s the reason this IEM is a beast. Not only does the details of the instruments clearer but it also gives more spacing. The echoes and placements of the vocals and instruments are pleasant to hear and once again has added a new level of dimension to the listening experience. It is able to keep up with high energy songs but there is a certain point where the instruments start to bleed into another, this is due to the higher energy that some parts of the song have or are composed of.

Lastly, the bass, it’s beautiful(nuff said). As a basshead myself, I’ve experienced disappointment when trying out the KZ Castor Bass with the Apple Dongle only to find out that the Castor needs more power to get that bass rocking but this was not the case for the Cloud as it has a punchy mid-bass but a rocking sub-bass. For those who have sensitive eardrums, the rumbling can cause discomfort when listening to extended periods of time but that won’t be necessary here as the rumbling sub-bass doesn’t cause any fatigue and really is satisfying to listen to.



FIRST IMPRESSIONS WITHOUT ROSESELSA 9039

Listening to the IEMs directly from my laptop yields satisfying results. Since the Cloud is such an easy IEM to power even with an Apple Dongle, you can expect that it would be improved since the laptop port has a higher output power.

Both the male and female vocals were much more natural sounding compared to using the Apple Dongle, both the vocal and instrument details were more refined; the clarity and shimmer remain the same.

The sound staging, imaging and depth were improved. If you think that listening with the Apple Dongle was enough, wait till you listen to it through the laptop port. The echoes and placements were much more defined and expanded the space within the environment. This is where the air-assisted diaphragm really shines and proves that this IEM really shines brighter with the right equipment. Listening to music has once again given me a new dimension and added an immersive experience. The feeling when you get to hear more of the staging, imaging and depth gives you that sensation that you’re inside the song itself. Although it still struggles a bit with higher energy songs.

The bass just got even better. Mid-bass just got punchier and sub-bass rumbles more(in a good way), combining with a good amount of decay just makes listening so much more immersive without having any discomfort from all that vibration happening. Even with this, I have not experienced any fatigue when listening to music with a large amount of bass, in fact it just made me vibe with the music even more.



FIRST IMPRESSIONS WITH ROSESELSA 9039

The Cloud is already good, but will it reach its full potential when using the Roseselsa 9039? Yes but also no.

As for the vocals, there wasn’t really much of a difference when plugging it directly to the laptop, it sounds more natural and still retains the details, clarity and shimmer.

Sound staging, imaging and depth only had a tiny bit of an improvement, I wouldn’t really say that it has a night and day difference but it took a lot of back and forth listening with different songs and genres to the point that I’m scared for life that maybe the aux or 3.5mm jack might wear out from all the plugging and unplugging just to prove that there is a bit of a difference. Regardless of that, it is still an immersive listening experience.

While there weren’t many changes to the vocals, staging, imaging and depth; I can say that the bass has changed. I find it strange that the mid and sub-bass were toned down by a bit, this strange phenomenon also happened when using the KZ Castor Bass together with the Roseselsa 9039, for an IEM that is really known for its bass, the Roseselsa kinda did it dirty by toning the bass down. The Cloud still does have the punchy mid-bass and rumbling sub-bass, but the feel is not the same as a direct plug to the laptop.

Overall, the BQEYZ Cloud is an absolute banger, the sound quality and experience that it provides out of the box is phenomenal. While 169$ is pricey for casual listeners, enthusiasts would find that the price is justifiable. The IEMs are capable of handling anything that can be thrown at them(maybe not so much on higher energy songs) and don’t really need an investment for other gears such as a DAC or AMP since it already performs very well(in my experience) with the Apple Dongle and direct laptop plug.

Blup blup 𓆟 and happy listening!

Jadedgem

New Head-Fier
BQEYZ Cloud- Up amongst the clouds
Pros: Made for Vocals
Amazing instrument separation
Neutral bright sound signature
Great ear tips
Metal shells
Quality build and packaging
Cons: Not for bass heads
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BQEYZ- Wind review

I am an audiophile from sunny South Africa except for today as it is cloudy and I except rain soon. This is very befitting as I am finishing up this review of the BQEYZ Cloud. Part of the weather series which is now wrapped up and BQEYZ is working on a different series. The Cloud was sent to me by BQEYZ for my honest opinion and I have to say it is difficult to stay un-biased when the BQEYZ Wind blew my socks off. In other words, the Wind left big shoes for the Cloud to fill. The package took less than 21 days to reach me here in South Africa and the company representative is one of the friendliest in the business. So far with me BQEYZ has a perfect score with me in the customer service department.

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Unboxing

The packaging is a very sturdy different than the normal more square boxes you see and I welcome the more rectangular design of the Cloud packaging. The top part of the box that engulfs most of the box housing the earphones except the bottom is drenched in a light blue and white sky and cloud theme and is very befitting of Cloud. When you lift the lid of there is card covering the foam like piece that houses the beautiful Cyan colored earphone shells. It really does present as sophisticated. Underneath the earphones you will find a little accessories box with some foam tips and your user manual. Next to that is a very sturdy leather type carrying case and the quality of the case looks really good. All in all I am happy with packaging and for me it is line with the price.

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Specs

Driver Type: Dynamic driver with 10mm LCP diaphragm + 6.8mm passive radiator.

Frequency Response: 7Hz – 40kHz.

Sensitivity: 110dB.

Impedance: 32Ω

Jack Connector: Choice between BAL 2.5mm, SE 3.5mm, BAL 4.4mm

Capsule connection type: 2Pin 0.78mm

Cable length: 1.2m.

Conductor Type: Silver plated single crystal copper mixed coaxial cable.

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Connectivity

The Cloud comes in 2.5mm, 3.5mm and 4.4mm connection and my review unit came in the standard 3.5mm. I hooked it up to all the various sound methods I have like straight to phone and Dap with the Oppo A78 and Hiby M300. I also tested it with a few Dac/Amps like the Hidizs S8 pro Robin, EPZ TP50 and TP35 as well as the Fosi Audio DS1 and the Bluetooth receiver/headphone amplifier NS3. I also hooked it up to my desktop pc setup via M-Audio Dac and Fosi Audio SK01 Headphone amplifier. The cloud is easy to drive and I had no problem driving it from phone without an amplifier.

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Look & Build

The Cloud has a beautiful timeless look with its high-quality aluminum alloy shells and the Mint-Green Cyan color really ads to this timeless look. The craftmanship and build quality is something I am really starting to appreciate from BQEYZ as I can clearly see effort was put into the look and built and it is just not another mass-produced product. Even though they are metal, the shells are really light and the fit was so perfect I did not even notice the Cloud in my ears even after very extensive listening sessions. The cable reminds me of a pearl necklace type of color, feel and look. You can feel it is good quality and it is not thin and flimsy. The connectors on both sides are metal and also feels good quality. The BQEYZ Atmosphere and Reference tips is really good and there is no need for replacement tips. The Atmosphere tips are narrower bore than the Reference tips and they are housed in a nice metal tips holder.

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Sound

When I evaluate an earphone, I first look at what purpose the manufacturer designed it for. The Cloud is marketed by BQEYZ as “The tuning of the BQEYZ Cloud has been specially adjusted to deliver a true high-resolution audio listening experience. The pair has an energetic, lively treble without any harshness, an extended high-frequency band, pure and clean vocals, and a controlled, tight bass response”. I will put this to the test. I have to state that most of my listening was done with the standard cable and it’s 3.5mm connection. I tested it with several aftermarket cables for example Effect Audio Cadmus ii and the balanced connection took away the cleanliness of the sound and made it to warm for my liking.

What struck me first listening to the Cloud was that I prefer the Atmosphere tips provided with the set a lot more than the Reference tips. So, most of my impressions unless stated otherwise was done with the Atmosphere tips. The Reference tips made it sound just a little to bright and thin for my personal liking and the Atmosphere tips added just enough warmth to still retain the neutral bright tuning but sounding a bit thicker and just the right kind off bright. If you are a lover of Dire Straits music then this is the set for you. I want to make a suggestion that You and Your Friend be the first song you listen to on the cloud. The synergy between the Cloud and Mark Knopfler’s voice and guitar is a smooth and clean music masterpiece. Actually, the whole On Every Street album is a wonderful first edition for the Cloud.

The great resolution of the Cloud was perfectly demonstrated on the tenth studio album by Macy Gray and also her first venture into Jazz. I really appreciated Macy’s voice sounding big, airy and its own space. Macy’s voice sounded so real and the guitar work on Annabelle blew me away as I have never heard a guitar sound so real. I shook my head when the guitar intro started and I could visualize the fingers plugging the guitar due to the awesome resolution creating a sense of realism that I haven’t heard to many times before. While the resolution is great on the Cloud, I did not detect a wide soundstage and I guessed that the depth would also not be that deep and it was pretty evident on Sarah K- Step on Mine. While her voice sounding amazing the whole soundstage was bundled very closely together between my ears. This is not a negative at all as the wonderful resolution makes up for that and each instrument sounds different and real. Even different blows on a Harmonica of the same note sounds different and completely distinguishable from the other.

The purity of the midrange on the cloud is a cut above and is something that should be noted if you are a midrange lover like me. On the song Acapella on the Acapella album by artis Acapella the reverb of the voices can so clearly be heard and distinguished it is breathtaking. Flowing into the next track called Journey into Meditation the voices had me mesmerized and if you are a vocal lover just know the Cloud is for you. There is a naturalness to the Cloud that comes out in songs like Ana Caram- Correnteza that blends all the sounds together in a natural presentation that would get the nod of approval from most critical listeners. With this naturalness comes a very natural blending of the bass, mids and treble and not one bleeds into the other. Even the bird sounds on the song sounded so real and inviting.

The percussive quality of the piano was clearly demonstrated by the Cloud and when I listened to the Donau album by Florian Christl, I was taken to another dimension and imaging a piano player sitting by a window playing with raindrops falling against a window on the song Muntenia. It is almost like the pianist’s fingers were ice-skating on the piano keys rather than sliding. Another reason I think the Cloud sounds so natural is because of the passive radiator designed to catch the excessive notes. The Cloud sounding so clean and the background so dark I could here the pianist take a breath throughout the song. I don’t want to sound like I am hyping the Cloud but man your life will be poor if you have not heard this Cloud.

There is a presence that is very detectable in the Cloud and it especially comes forward in trumpet music. On Double Consciousness by Christian Scott the trumpet is smack down in the middle and so present producing a magical performance. At about 1:30 into the song Christian makes that trumpet scream. You can also make out the presence of other instruments very well and to me it sounds like some African Instruments that I have heard but cannot place. I was just as impressed with the Holographic imaging and one method I always use when evaluating the imaging is by listening to choir music as their must be a big 3d effect when a big choir is involved. With the Carols with St Paul’s Cathedral Choir album, you can clearly pick up the horseshoe shape the choir is positioned in and that says a lot about the holographic imaging. This is especially evident on Ellis: There Is No Rose. Those male and boy voices give you a very calming effect on your psyche and the only word I can describe this performance with is beautiful.

With its beautiful treble and mids I wanted to check the dynamic range of the Cloud to see if it could keep up with a few drumrolls and I remembered a song I had in my audiophile folder on Tidal called Poem of Chinese Drum by Hok-man Yi. From memory I know that song has some great dynamic range. Feeding the cloud with enough power the Cloud rewarded me with such control over the whole dynamic range that I was in awe about the tight controlled bass and spikes when the drums are being played soft and then all of a sudden hammering them with some wild thumps. What an experience and demonstration by the Cloud. The BQEYZ Wind left big shoes to fill and seems like the Cloud is stepping up to the task with its head held high. For me there is no better album to get my feet tapping than Radiohead- In Rainbows and the Cloud has such great pace and rhythm that I listened to the whole album making me indulge in some of the coolest foot tapping tunes.

When I sit listening to an earphone I sometimes come up with these theories and listening to the Cloud I thought, what if I give the Cloud a bit of a bass boost and see how they do with rock and metal as I already knew the top end would be great for rock. So, I hooked up the Fosi Audio SK01 headphone amplifier up to my pc and DAC. I disengaged the tone defeat on the SK01 and gave the cloud a bit of boost in the bass and keeping the treble and mids on neutral. Man did it sound good when I played AC/DC Back in Black through Tidal app on pc in 24bit/96KHz format. Immediately after this discovery I just had to try some Metallica and on the “The God That Failed” it was a performance you could play air-guitar to and the Cloud wowed me with how it sounded with the electric guitar.

Another theory popped up and I swopped the BQEYZ tips for some EPZ M100 as I know they bring the bass up a bit. So, I switched on the tone defeat on The Fosi and went to town by fitting the M100 tips. I wanted to explore some Alternative Rock vocals and Billy Corgan happily obliged and 1997 on the Melancholy album never sounded this good. Songs like Zero took me back to my high school days sitting in my room with my Sony Walkman listening to the Melancholy album and agreeing with Billy that indeed the world is a vampire it took me back to my high school days and me headbanging and playing air-guitar to the melancholy album on my Sony Walkman. So, if you are an old school rock fan or you want to add a little more bass to the Cloud then just get yourself a pair of EPZ M100 ear tips.

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Conclusion

Another phenomenal release by BQEYZ and I highly recommend it for audiophiles and everyone who enjoys a very neutral and bright sound. The realism on the Cloud puts it a step above anything I have heard so far. Perfect for male and female vocals and so clean sounding that I actually think these could be used for monitoring. I also think that these are in the right price bracket and you completely get what you paid for and more. If you appreciate craftmanship and good built quality then the Cloud is for you. In a world of Harmon tuning featuring with most earphones a manufacturer using it as it seen as a safe tuning, BQEYZ chose to be different and scored a full score from me in the process. This is the second time I am going to give an earphone a perfect 5 score because for what the manufacturer intended, they over excelled and I want to commend the tuner of BQEYZ earphones for a job well done.

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Ceeluh7

500+ Head-Fier
BQEYZ Cloud Review
Pros: -Build Quality is great

-Design is gorgeous in my opinion

-Nice accessories / unboxing

-Bright yet nicely balanced tuning

-Very nice timbre and lean-lush style note density

-Punchy and fast bass region

-Very nice midrange with nice musicality

-Treble is fantastic, brilliant yet non-offensive for most listeners

-Fantastic imaging capabilities

-Detail Retrieval is better than I would’ve thought

-Very airy sound with good separation

-Just a nice overall tuning
Cons: -Warm or rich lovers will likely want to pass

-Not the most guttural or deep bass

-Can become a tinge bright for those very sensitive to it (not for me)

-Not many more cons with this one

BQEYZ Cloud Review



Cloud Featured image
Full Review HERE
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BQEYZ Cloud Review

Intro

This review and feature covers the BQEYZ Cloud from the audio brand BQEYZ. The Cloud comes in with an MSRP of right around $169 and comes equipped with one dynamic driver as well as one passive radiator. Before I begin the intro, I want to state that I am well aware of how late I am to the party in this set. I suppose I’m late to most iem debuts. In truth I honestly didn’t know if I’d be able to check out the Cloud. However, I have to extend a huge thank you to BQEYZ as well as Audio Geeks as I am part of the US Tour of Audio Geeks. Audio Geeks provides many reviewers the chance to check out sets that they’d otherwise never have an opportunity to review. So again, thank you to both entities, I greatly appreciate it and so does mobileaudiophile.com.

BQEYZ

Folks let’s get one thing straight; BQEYZ doesn’t play around. Always this is a brand that will be on the tips of everyone’s tongues and on the lips of audio hobbyists with every new release. It’s a given. Without question every single last release from BQEYZ will create some buzz, some hype, and many opinions. I’ve only had the luxury of reviewing one of their models in my reviewing history. Oddly enough. That set was the BQEYZ Topaz (Topaz Review). Now, I’ve owned many of their sets and have spent quality time with many of them. My BQEYZ listening began with the BQEYZ KC2 which is still one of the better vocal sets in the price point. Certainly, an acquired taste, but good for what it was. In fact, I’ve owned many of their earlier budget sets. However, I also dipped my toes into their more mid-fit sets. Like the BQEYZ Summer, BQEYZ Autumn, BQEYZ Winter, BQEYZ Wind, and now the BQEYZ Cloud. So, I have plenty of understanding about this brand despite my lack of actual reviews. I actually don’t know much about where they began or what their mission statement is, but what I do know is that they operate with a level of class and sophistication that is almost unrivaled in the price segments that BQEYZ sticks to. It seems that the $150 to $300 price point is their bread and butter, and their success says that I’m right. To be honest, I haven’t heard a set from BQEYZ in which I wasn’t at least marginally impressed. So, needless to say I cannot wait to hear the Cloud and spend good time with them.

Competition

Of course, what’s a good release above $150 without the mention of some good competition. Heck, there’s good competition for the Cloud within the same brand. I think anyone who’s been paying any attention to the market will know that there are many sets which battle for your attention and more importantly for your dollar. I will do my absolute best to try to help describe the Cloud in a way which makes at least some semblance of sense against the field of iems within the price range. No doubt BQEYZ goes into this battle with full armor on, they know the market very well and seemingly prepare every new release with the market in mind. Now, does the Cloud compete mainly against other single DD’s (yes, I consider the Cloud a single DD)? Or do most prospective buyers usually look at every driver configuration to figure out how best to spend their money. The answer to that question changes the field dramatically. If we are looking at single DD’s alone then there really isn’t many in this exact price point. We have a ton around the $100 price and a bunch around the $200-$250 price point. How much does the competition change when we consider every configuration? It’s one of the questions I ask myself when reviewing. Trying to think like a buyer where every purchase has to matter and gives me the best bang for my buck. That said, it’s an interesting thing to ponder. However, either way BQEYZ has to have their A-game at $169. I can tell you one thing for sure; I am truly happy to try to figure that out. With that said I’m ready for critical listening. The BQEYZ Cloud everyone…

Non-Affiliated Purchasing Links:

Linsoul
Aliexpress
Amazon

Disclaimer:

I received the BQEYZ Cloud from BQEYZ Audio as part of the Audio Geeks US Tour. The Cloud is a touring review sample with which I will conduct a full review and feature at Mobileaudiophile.com. I have not received any payment or any other form of compensation for this review. This set is a review sample iem. BQEYZ has not requested to pre-read any review and doesn’t have any control over “what” or “when” anything gets published to mobileaudiophile.com. All thoughts within this review are my own, though please take note that I will always have my own biases. This is impossible to get around. I try to be as objective as my subjective self can be, but this is an opinion piece folks. Thank you to the very kind people of BQEYZ and Audio Geeks and thanks for reading.


Cloud


Cloud Gear Used



Gear used for testing

Ifi Go Blu

EPZ TP50

Simgot Dew4x

Aful SnowyNight

Fiio Q15

iBasso DX240 with Amp8 MK2

Shanling M6 Ultra

Shanling H0

Cloud

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Packaging / Accessories

Unboxing

One thing you can count on is a solid unboxing experience from BQEYZ. Once again, they haven’t failed because I quite enjoyed opening the package up. Now, please forgive me as I cannot do a true to life unboxing description because this was a tour unit, and nothing was where it was supposed to be… Lol. So, I can just tell you that the medium sized rectangular box is a soft light blue color with “Cloud” written in a soft white at the bottom. No doubt to mimic our skies. So, take off the box top and what you’ll see is the Cloud earphones looking all dapper sitting in cardboard cut-outs. Take off that layer and you’ll see the carrying case and right next to the carrying case is an accessory box. Now, I have zero idea what comes packaged where, but it does come with tips which are arranged on an aluminum eartips holder of sorts, a cleaning tool, and the cable. I realize that I didn’t really spruce up my words here, but the unboxing is quite good and fitting of a $169 iem.

Cloud Packaging
Cloud Packaging
Cloud Packaging



Eartips

Cloud eartips

SO BQEYZ adds in a total of seven pairs of eartips in the packaging. First, they provide one pair of medium sized slow rise foam tips which come in a little plastic holder. The next type of eartips provided are what BQEYZ refers to as their “Atmospheric” tips. They are three pairs (S, M, L) of gray eartips with a narrow bore and are a longer eartips for a deeper fit with a firm flange and a rigid stem. I like this set, but I much rather would use at least a semi-wide bore tip. More on that in a second. The next type of tips provided are three pairs of white shallow fit wide-bore eartips. Now these tips are a semi-firm at the flange which doesn’t typically work for me. I need firm for my ears. Although, I do like the idea of wide-bore with this set but these tips simply didn’t seal for me. Still nice tips and good enough quality which I’m sure will fit many folks just fine. However, after going through a multitude of my own tips, from the S&S tips to the Divinus tips, Final E-tips, and a slew of others I finally landed on the tips which fit me no matter what. That is the KBear 07 tips. I really feel that semi-wide bore is perfect for this set. Of course, your mileage may vary. However, semi-wide offers just enough openness as well as restriction, I think. I did like the S&S tips from Dunu with the Cloud as well but for whatever reason the fit was awkward with them. So… KBear 07’s it is.


Carrying case

Cloud Carrying case

The carrying case provided is a nicely sized black zipper case with what appears to have faux leather covering it. It’s your average run-of-the-mill sized case. Definitely a nice inclusion and certainly large enough to fit the Cloud earphones and cable as well as some extra tips, maybe a small dongle dac can squeeze in there as well. Not bad at all. Not too big and bulky but reasonably sized.




Cable

Cloud Cable

Now, the cable provided is actually a bright spot. Of course, I wish it was a modular cable, and I would’ve liked the set I was using to have a 4.4 balanced connector on the end. Nevertheless, it’s a very nice cable. Gorgeous actually and nicely pliable, nicely thick, and pretty to look at attached to the Cloud. Made of single crystal copper wire and plated with silver it is very nice with the Cloud sonically speaking. Now, you can purchase this white beauty with either 3.5 single ended, 2.5 balanced, or 4.4 balanced connectors. Truly a very nice addition. Having said that, my sources are almost all balanced sources and so I had to choose a balanced cable of my own. So, I do what I do and went through what seemed to be about 15 different cables and what seemed to take about two hours of my life that I won’t get back. At any rate, I went with one of my favorite branded cables on the market with the FSIjiangyi fully copper 4.4 balanced cable. The look is stunning with the Cloud, and the sound surpasses the included cable for me. I suppose that is due in part because the Cloud does scale with power. However, I also think that a full copper cable also helps the sound. I realize this doesn’t help you at all but if you need a second cable for this set, I recommend a fully copper cable. Again, the included cable is quite nice.

Cloud Cable
Cloud




Build / Design / Internals / Fit

Build Quality

Now we get to the build, and I feel this is a highlight of this set. My opinion of course. Crafted using what BQEYZ refers to as “state of the art” German 5-axis cutting technology and made 100% out of aluminum alloy except the nozzles. I feel like I’ve seen enough sub $200 iems to know when I see a solidly built set. The feel, the structure of it, the shape and size are all toeing the line of premium. The Cloud was made with medium length nozzles which should fit most ears just fine. I wouldn’t think they’d be an issue. The nozzles are fully metal with what appears to be a brass coating. Also, I do see two vents. There’s one closer to the nozzle and one situated on the back side of each earphone. Really friends, this is a well built iem. Something BQEYZ is well acquainted with crafting.

Cloud Build Quality
Cloud Build Quality
Cloud Build Quality
Cloud Build Quality
Cloud Build Quality
Cloud Build Quality



Design

Now the design is also fairly striking. Well, at least the color green colored set that I received. Now, the Cloud comes in two vastly different colorways in black and what BQEYZ calls green. Really, it’s more like a sapphire, or a light version of teal more than anything. Something akin to the color of the sky I suppose. Which is appropriate considering the name. How black fits into the naming scheme is beyond me, but I digress. I do feel the sapphire color is much more enticing to the eye. While the black looks a bit less unique. Not that the black is ugly either, just not as effervescent or charming as the green (sapphire). That said, this is a simple design. Nothing crazy, no huge logo on the faceplates, no steam punk look, nothing glittery or glam. It’s simple, minimalist, and somehow completely refined looking. Leave up to BQEYZ to design a gorgeous alloy set. Again, something they are well acquainted with making. In fact, look at all of their sets! They are all wonderfully designed. Each and every one of them are not flashy but instead are classy to the core. Truly a cool looking iem in my opinion. Also, that cable goes with the design absolutely perfectly. I couldn’t have picked a better cable to pair with aesthetically. Great job BQEYZ!

Internals

Like I said earlier, the BQEYZ Cloud has a single DD configuration with an extra passive radiator as well. To be exact the Cloud has a 10 mm LCP (Liquid-Crystal Polymer) dynamic driver as well as a 6.8 mm passive radiator driver. Let’s not get it twisted, BQEYZ uses nice drivers and the LCP they decided to go with is obviously a very nicely controlled and dynamic addition. Now, the passive “auxiliary” radiator 6.8 mm driver actually works with the air flow inside the acoustic chamber regulating and balancing the internal air pressure which works in concert with the inner cavity’s “circulation system”. Of course, we’ve seen PR drivers on a number of iems but what the Cloud aims to balance out is the high frequency ranges thus making them less edgy and smoother while still being able to bring some good brilliance and lift in those regions as well. You know, you really don’t know how important the treble region is until you’ve heard a set that can really give you quality treble. Maybe that’s a slight prognosis for later in this review, and maybe it isn’t. We shall see. Anyways, it’s hard not to like the effort BQEYZ sound engineers etc. put into this set.

Fit / Comfort / Isolation

Okay, so at first, I didn’t feel this was an easy set to make seal. To be perfectly honest it is very rare that I have a set which doesn’t seal for me. However, the Cloud gave me some fits. Okay, it was short lived. Literally it took me a few different tip choices and the seal was perfect. That said, one of the real nice attributes of the Cloud is how light they are in the ear. They really feel like nothing. Very comfortable. As far as passive sound isolation, I’d say the Cloud is average at best. I mean, once music starts the world will shut down and music is all that matters and so isolation really isn’t an issue.

Cloud

BQEYZ Cloud Review Pic (49).JPG


Drivability / Pairings

Output power

The BQEYZ Cloud is rated with an impedance of roughly 32 ohms and a sensitivity of 110 db’s which means they are a very sensitive set. Not hard to drive at all. Folks, I used my iPad, and it drove this set to volume quite easily. Literally every device I own was able to drive the Cloud with zero issues. So that’s a nice thing to see. Notwithstanding, the Cloud also scales with more juice. I find that darn near all iems do the same. It seems that once I give the Cloud a bit more power they seem to tighten up, while opening up the treble. I think it may have to do with the airflow and air pressure on the Cloud, but they do scale very well with power. On all of my daps which are all around 1 watt in output or more, I put them all in medium gain and it made all the difference for me. Nevertheless, I would try to find a decent Dongle Dac if you can. Preferably something slightly warmer. But more on that next…

Tonal source pairings

Cloud

Like I said, you may want to give the Cloud a slightly warmer source device if possible. This is not a requirement either as brighter sources worked very well too. However, I do like the offset of a warmer source device against the brighter hue of the Cloud. I used many different sources and none of them were outright bad, yet some were better than others (for me). Using something like the IFi Go Blu, EPZ TP50, iBasso DC07, Simgot Dew4x, Aful SnowyNight, are all great source devices which aren’t too bright. They are actually more like neutral to warm neutral, and they all replayed wonderfully. Listening with my daps I found the Shanling M6 Ultra was by far the best sounding unit with the BQEYZ Cloud. Those two simply SANG together! Like they were meant for each other! On the flipside, the more neutral iBasso DX240 and Fiio Q15 really brought a surprisingly nice energy that never seemed to get too rambunctious. Let’s put it this way, sources closer to neutral didn’t seem to exaggerate the Cloud’s already brighter sound all too much. Instead, they seemed to simply bring out a hair more details and basically illuminate the technical side of this set a bit more. So, take this for what you will folks, but I really feel the the Cloud has this hidden musicality not usually heard in a brighter source and using a warmer source device does help.

What do you need?

I feel like I’ve answered this. Like I said, get yourself a decent Dongle Dac, it doesn’t have to cost ten million dollars either. Nowadays you can find cheaper devices which are actually quite awesome. Also, I feel that more power does open this set up a bit and so finding a device which incorporates a 4.4 or 2.5 balanced jack would also be beneficial. Again, this set is very easy to drive and so if all you have is a smartphone then you’ll be in business. The sensitivity of the Cloud is certainly a nice thing to see.



Cloud

BQEYZ Cloud Review Pic (81).JPG




Sound Impressions


When I first received the BQEYZ Cloud I really didn’t know what to expect. I hadn’t done even a moment of research on them simply due to the fact that I didn’t think I’d get a chance to review them. I have so many backlogged sets that extra homework simply isn’t my idea of a good time. However, count me pleasantly surprised when I put them in my ears and hit play on Weezer‘s cover of Toto‘s remarkable song “Africa”. This is a track which can get very piercing in the chorus, and I found the Cloud certainly got bright, yet somehow it never reached the uncomfortable stage. On top of that, the kick drum had some bounce to it, some punch too. It was not what I was expecting. So, with that said, I find the Cloud to be neutral/bright yet with an extra slathering of low-end amplitude. There’s some bass lift but it never comes anywhere near enticing the tonal coloration of this set. I also find the Cloud to be a very clean sounding iem with great texture to every note. Like chiseled note outlines with glass lined smooth edges rather than velvet smooth. There is most certainly density of notes, there’s some lean mass, some real good contour to each note as well. I hear this from the sub-bass to the upper treble. Really a well-done bright sound.

Bright, but not… bright

This is a technically inclined iem as well. I would think a tuning like this would hover closer to an analytical style, but actually the Cloud comes across very melodic and engaging. Yes, it’s neutral, yes, it’s brighter, yes, the energy is high, but there’s this rigidity to certain frequencies which adds weight to the sound. It’s quite rare actually to have these descriptors and still carry some semblance of musicality. Now, please do not get me wrong as there will be those who are sensitive to a brighter display that will not enjoy this sound. It is polarizing in this respect. Even though I have nothing but good things to say about how well BQEYZ tuned this treble region, I still know many people who detest anything even approaching sparkly, airy, luminous or… well… bright. Yet it’s the illumination of the upper frequencies which enables the subtleties to rise to the surface. No doubt micro-dynamics are fantastic as even subtle low volume shifts are able to be heard.

Condensed Sound Between the 20’s

At any rate, this is the point of my reviews where I condense my findings of the whole of the mix to just one paragraph. I do so to give the reader a little preamble to the rest of my findings which I cover in detail in the later sections.

The lows on the Cloud are most definitely NOT for bassheads, or even moderate bass rumble lovers. The Cloud won’t give you that big and deep resonance and weight. Instead, the lows are fast, tight, punchy, with rounded notes, clean notes, decently dense, well defined with moderate rumble and slam. Looking at the midrange, there’s a certain symphonic energy to this set. It’s airy, open sounding and neutral throughout the midrange. Note weight is lean, yet it’s also compact and rigid in that slightly lean replay. I also find the midrange not to be overly harsh, or glaring. Great for vocals too. Transients are tighter than they aren’t with good crispness. Now, the treble is very nice. You have this controlled brilliance from the Cloud’s treble region with good note body. Each treble note comes with a solid attack followed by a short decay and none of that comes across splashy, shrill, or over the top in brightness. Really a solid treble. Details are easy to come by with a very resolute playback from the Cloud. Same goes for separation of instrumentation and even more so with the Clouds imaging ability. The stage isn’t the grandest, about average with minimal depth to the sound. About average in that regard. All in all, this is a very nice listen, if you ask me. However, without question the BQEYZ Cloud will NOT be for everyone.


Cloud Graph
Graph courtesy of Hi-End Portable, Thank You!


Cloud




Bass Region

As I said a couple sentences ago, the BQEYZ Cloud’s bass region is not going to bring the bass-bois out of the woodwork. Not for bassheads, got it! Nevertheless, I do believe the bass region will appease those who really like a tight and punchy bass or a low-end which will not get in the way of other frequencies. It’s certainly clean in that way. As far as actual weight, the Cloud comes through with a light density, but also decent texture from the roundness of each note. Basically, the Cloud offers a bass which is lighter in body, lesser in rumble, faster in transient intensity but also fairly palpable in note delivery. There’s a clean, yet raw and realistic feel to the bass… which I happen to enjoy. Not every set is tuned in this manner. So, no, it isn’t that ultra fun and boom inducing bass that’ll satisfy the child within. No sir, this is a mature and effortlessly well-defined low-end that’ll keep up with most any track you throw at it. Within reason.

Sub-bass

So, this is one area that may feel lacking to some. However, don’t let those words dismay you. At least not yet. No, the bass isn’t extended and deep, capable of dark and dirty rumble resonance. The Cloud certainly has somewhat of a sub-bass roll-off. I did say “somewhat”. The sub-bass is there, it’s not non-existent. It also can’t really add weight or a sub-bass coloring foundation to your music either. Now, the Cloud will rumble when a track says it’s time to. It can do that. The Cloud will take a bass heavy and bass gritty track like “Groove” by Ray Wylie Hubbard and sound pretty gravely and weighted. It’ll even feel pretty deep and come across marginally physical. That said, there won’t be any guttural weight like some more emphasized sets have. You’ll still hear some haptic feel to the sub-bass rumble on a track like this, but it won’t steal the focus of the track. If that makes sense. So, it’s not extra heavy or super low droning.

Sub-bass cont…

But for all of that, let’s get one thing clear… the Cloud has some nice sub-bass realism with a clean attack and a glass lined crest at each notes peak, followed by a non-fatty decay and a recovery sustain which cuts off most bulbous or wide resonances. Basically, it’s clean, centered, and has enough fullness to satisfy most genres. I will add that the Cloud’s sub-bass is not going to influence other areas of the mix. No bloat, no mud, no masking. Now, despite the good stuff, there will always be those who yearn for more. Shoot, there’s plenty of tracks that I’d like a smidgen more sluggishness, resonance, and overall weight. Still, I couldn’t lie and say the Cloud doesn’t have a nice sub level of the bass region. To add to that, the sub-bass makes sure to leave a clean sound field for the mid-bass. Still, there is some apparent sub-bass “roll-off” and so you may want to take note of that.

Mid-bass

Now we move on to the mid-bass which offers a lean and punchy sound with plenty of compacted density. However, just like the sub-bass I’m not hearing those lingering harmonics which can muck up the air between notes. Again, just like the sub-bass (and partially due to the sub-bass), the mid-bass is simply clean. In fact, if I could pick one word to describe the mid-bass it would have to be… “clean”. I wish describing what I hear was that easy. Really there’s a bunch of words which capture the essence of this part of the frequency. Words like punchy, articulate, rigid, kempt, firm, taught, stout, and lean. So, it’s both firm and lean which helps tremendously in its ability to sound articulate. It has rigidity to its mid-bass notes while sounding taught, making each note come across both punchy and stout. Again, not for bassheads, but certainly for good bass enjoyers. Kick drums generally sound authentic enough to life with that satisfying tactility, yet possibly lacking in actual weight. Also, bass guitar may sound a hint lean. So, there’s a give and take. Yet even in that leanness, each bass guitar groove still carries an abrasive growl which in my opinion is pretty realistic.

Mid-bass cont…

So, a heavy kick drum track like the beginning of “Move Along” by The All-American Rejects actually comes across well on this set, if not a bit less impactful. You have that moist and tacky initial attack, swiftly followed by a quick decay. Whereas other sets may extend that hollow boom a bit longer and even come across more thundering to the ear. I guess it all comes down to what you want in your earphones. That said, I’m sure many big bass folks have already stopped reading. Bass is always one of the most polarizing frequency ranges.

Downsides to the Bass Region

The obvious downside to a bass region like this would be for those who truly adore a gratifying and heavy bass. Coincidentally, that also may be the only true “con”. If you can call it that. I suppose I’d also say that some people do enjoy a bass region which can offer a more organic or atmospheric sound. Also, one could say that the Cloud’s bass region lacks a bit of depth and extension for some instruments, and I wouldn’t argue that at all. Still, I happen to really enjoy the Cloud’s leaner but punchy demeanor. Yet nothing can please everyone. I really think that’s the only real “subjective” issue for the Cloud’s bass region.

Cloud



Midrange

Now the midrange is what I would call neutral/organic with a brighter hue and very tuneful. Not just another bright set either. I don’t hear any real recession as the midrange is closer to the listener, which makes vocals sound as though they have a lively and highlighted presence against the rest of the mix. The Cloud has good bones, good structure, some ductility, good agility, and quick note recovery speed. But really… it’s just clean folks. I know I’ve said that a lot, but that’s the word which keeps popping up. It’s clean. Note weight is lean yet still has a solid body to most midrange notes, some dimension, some roundness to it. There is the tiniest tinge of warmth in the lower midrange which gives that portion of the mix just enough body to spruce up the midrange keeping the region from coming across a touch too thin. The midrange has nicely compact notes with a smooth demeanor across the midrange yet crisp when it needs to be. I’d say crisp for the snap on percussion, or for the satisfying abrasive edge required for a nice guitar track etc. However, the midrange comes across smooth like glass, not velvet smooth, if that makes sense. Very clean note outlines without grain, fuzz, or sibilance.

Mids cont…

The Cloud has a nice sound in this range coming across melodic in a very effervescent type of way, in my opinion of course. Many folks will enjoy the replay of the Cloud’s midrange. Now, is it my personal favorite? Not exactly, but I really enjoy the Cloud’s mids when spending time with them. Usually, I like a hair more actual weight, but I find it easy to get on board with this set. I called it “tuneful” because tuneful seems to describe the mids very well for me. Beyond the timbre and tonality, the midrange is also very detailed. Very precise in each note’s attack and release, very airy and open sounding, very definitive and transparent with its clarity for the price of $169. Imaging is also something nice too. Placement of midrange Instruments is done very well. Now, speaking of instruments, each track will come across slightly differently. So, just picture your favorite instrument and then think of them clean-cut, slightly more vibrant, more elated too. This bodes well for some instruments and not as well for others. Good for that crisp snap on percussion, or the body of a cymbal, the abrasive silvery goodness of a violin. Yet less good for any instrument that needs that warmth and weight to sound authentic. I won’t go through all of them, my reviews are already way too long.

Lower-midrange

Looking at the lower-mids I find them to be mostly unsullied and rather pristine. Like I said, I could use a hair more actual weight to notes in this region, but I still hear that nice rich sound. Leaner but dense, solid, and with some good note structure. Not as soft or docile in presence as I hear a lower mids with really nice energy. There’s nothing boring here. Male vocals sound in front, commanding, prominent, and really, they can just grab my attention on some tracks. Many sets low-mids are usually the most boring area of the mix but the Cloud is tuned to lift up male voices very well.

Male voices in the low-mids

However, it isn’t the type of energy and lift which exaggerates the edginess in some singers. Vocalists like Chris Stapleton in the track “Sometimes I Cry” can (at times) come across a bit knife-edged and coarse with some sets. Whereas the Cloud seems to uplift his voice projecting the inflections without causing more abrading scratch to the crest of his notes. Most notably in those moments of this track where he is belting his heart out. Other singers like Dermot Kennedy in the track “An Evening I Will Never Forget” seem to have such a well composed and palpable substance to his voice with the Cloud in my ears. Again, not rich as in “weighty and warm”, but rich in the form of “lean and dense”. Add to that the timbre is really something nice. There’s a natural air and transparency to the sound which I have certainly heard in other sets. I’m not trying to make the Cloud out to be some male vocal phenomenon. However, I can’t just slide past the fact that there is some really nice vocalization happening. Not perfect, but nice to listen to and not like every other set. Males just sound good…most of the time… to me.

Upper-Midrange

This brings us to the area where most female vocalists seem to encompass. That of course is the upper midrange. The upper-mids are bright, but not glaring. Maybe not completely natural sounding, but nice nonetheless. They’re luminous and shimmery without sounding scathing to the ear. This is a very nice thing to be if you’re an upper midrange. That said, females can also come across too forward for some. Perhaps. This is a forward and full brightness. Yet in that brightness and energy I find the vibrance here shines with a bridled control. All of the excessive and inflated resonances and exaggerated harmonics seem to be cut short and tamed which I’m assuming has a lot to do with the passive radiator. Like the upper midrange has been somewhat sculpted, where each note goes right to the brink of being “too much” but capped right before any sharpness. Don’t get me wrong, the Cloud can sound sharp. Especially if you are sensitive to this area of the mix. There’s still a pretty tall 12 dB pinna rise against an 8 dB bass shelf. So, keep that in mind. However, I find female vocals to be fantastic on most tracks. There’re so many ways to listen to females and enjoy them on so many different iems. Different tonalities, signatures and different energy levels and they can all sound great. But for a brighter display I find the Cloud is done right.

Upper-mids cont…

Female vocalists like Rachael Price from the amazing band Lake Street Dive sings “I Can Change” and folks, she sounds so contoured and forward, with every syllable sung with etched out clarity. Somehow in this vibrant display the emotion isn’t lost in this song and is still fully represented. Her voice isn’t dry, or papery and her voice still has that saturated feel to it. Very nice presence. Again, her voice is forward, brighter than natural, but also very sweet-toned, charming and catchy. Obviously much has to do with the song and the singer, but I find the Cloud adds an extra element to that charming voice. Some kind of canorous euphony. Having said all of that, you still have to enjoy this type of presentation. I really mean that. This is not going to resonate with every hobbyist. Also, I really feel that this sound will have to be an acquired taste for some. Maybe some brain burn is needed here. I have the fortune of being able to review many different sound signatures and have come to truly enjoy almost all of them, so long as they are done well. Yes, even neutral/bright sounding sets. If you are like me, listening to the Cloud, then there may just be a moment that you recognize the sentiment I’m putting out in this review. You’ll catch the right song, the right moment, and you’ll hear how nice female voices can come across on this set. Again, are they perfect? Absolutely not. Are they really damn good for those who can appreciate this type of sound? You betcha.

Downsides to the Midrange

The downsides are obvious. This is easy to answer with a polarizing set. Polarizing in the way that it isn’t tuned for the masses. It’s bright, uplifted, but also pretty sharp at times too. You have to be okay with that. So please don’t say I didn’t tell you so. So many of you want a warmer and more robust sound and I get it. Often that’s what I want too. Sometimes I’m not in the mood for luminous and sparkly. I’m just not. Doesn’t make this set bad either. If it doesn’t jive with your preferences that is. Reviewers too. So many reviews condemn a set because it doesn’t fit perfectly to the reviewer, and I believe wholeheartedly that this is a disservice. Not saying I do it right either. Lord knows I have a lot to learn as well. Still, I cannot in good conscience speak badly on the Cloud. It is very well composed. That said, there are subjective downsides to it. Some may not enjoy a thinner style of density; some may not want a more analytical lean to their music. Some may hate the name “Cloud” … who knows. I think it sounds great for what it is and for the price.


Cloud



Treble Region


Another area of the frequency which walks the absolute way of controlled crispness and brilliance without all of the harsh peaks and shrillness. I think we’ve established that the Cloud is on the bright side. Hopefully you haven’t read this whole review without gathering that little tidbit. She’s bright folks. Yet in that brightness the Cloud is marvelous. This vibrant portrayal of the treble region comes with notes that have dimension to them. Each note has a defined bite and definitive punch. Well, if the track calls for it. Still, the Cloud is well capable of this. The Cloud from BQEYZ treble region is somehow NOT shouty in the traditional sense that bright things in this hobby are shouty. It’s controlled, constrained, and the lift and emphasis in the treble region comes across almost tethered to the overarching structure of the sound as a whole. Basically, the treble fits the overall tuning wonderfully and doesn’t enhance all of the shrill and hazy treble style sheen which so many brighter sets come packaged with. It’s emphasized, extended, pushed to the limits of most folks’ treble brightness ceiling and it does so with great clarity. This clarity comes from the fact that the Cloud doesn’t seem to smear it’s treble between notes with a clean air gap and delineated instruments. The treble is lifted to a degree that may be uncomfortable for some but no more than something like the Simgot EA1000 is lifted. It’s quite similar actually. Just more composed in this region.

Fluid density and details

The treble comes across with fine details as even small volume shifts and micro-dynamics subtleties have a clean canvas and details shine through very nicely. I suppose on some more energetic and treble heavy tracks those details aren’t as easy to discern, but those tracks will do the same in most any set. Having said all of that, I honestly don’t find this set to be overly analytical and clinical in its approach. I really don’t. There is a fluidity and rhythmic style to the Cloud’s treble region which allows musicality to shine through. You see, I hear details, but the note structure isn’t such that it has to be abrasive in its exactness and precision. The beauty of this treble region lies in its ability to attack and decay quickly yet with fluid density. Notes have this lean-muscle style mass that can stop and go on the dime and recover quickly while not widening out in overdrawn harmonics. Man, I hope this makes sense to you because I don’t know many other ways to say it at the moment. The Cloud are in my ears right now and I’m listening to “Magnetic Fields Pt. 1” by Jean Michel Jarre and the precision of each note is just great. Before this track I was listening to “Evil Twin” by the amazingly talented Lindsey Stirling. The Cloud was able to put on a show. Every note is smooth enough to comfortably take in without being forced to strain my attention to those notes. While at the same time each note is etched out with strict accuracy and comprehensibility. Details are there when I want to find them, yet they aren’t the focal point.

Extension

Also, extension into the upper treble is quite nice. That’s if you enjoy extended treble. As for me, I happen to like it. I like hearing the secondary harmonics of a cymbal strike not come across splashy and full of extra treble tizz. I enjoy hearing the mandolin with bodied notes and good tonality in this region. Not every set can recreate the upper highs convincingly, especially for single DD’s. To be honest, I would’ve sworn this set had a hidden balanced armature driver in there somewhere. The extension is very nice to hear and simply adds another dimension to my music. Of course, other sets have this ability but it’s still a nice attribute to have in a set of earphones. Especially for $169.

Downsides to the Treble region

The common theme is recurring in this region just as it was in the last (midrange). The Cloud is bright. Granted, that brightness doesn’t overkill in my mind. But I’m not you. You may only want warm, rolled-off, or even dark. I always speak with folks who can’t stand a brighter treble. They loathe it, detest it, and run as far as they can away from it. I’d say the Cloud isn’t for them. Again, an acquired taste. Yet still very tasty. The treble has some pepper, some cayin, some zestiness that brings you right to the brink of being too spicy… only to reign it all in with a glorious aftertaste. Folks, I think the treble is either the highlight of this set or it’s one of the best parts about it. Truly a special treble for this price point. It’s very well detailed, very composed, each note is very well contoured and very clean. The transient agility and speed are emphasized even more by the Cloud’s ability to exactly mute certain resonances. Attack has bite and crispness all the while remaining oddly fluid to the ear. A job well done BQEYZ!

Cloud



Technicalities

Soundstage

This brings us to the soundstage section. Now, the soundstage is not one which will make soundstage fiends to jump for joy. This isn’t some hugely wide stage. It isn’t narrow by any means, but it is about average in width. Also, depth is not going to win any awards, but the sound does have depth. There are layers to the sound as I can clearly hear this when listening. However, The Cloud’s soundstage still has a slightly immersive quality to it. The sound is still full. I hear a psycho-acoustically rendered sound field which envelopes the whole of my mind space. The thing is, it’s closer to the listener. Like I’m in a small room but the band has my complete and utter attention. Not so huge that I feel it’s vast or outstretched. In that sense the soundstage isn’t as good as quite a few sets in the price point. However, a wide stage and a hugely deep stage doesn’t make the stage good. It all has to come together per the tuning. This is what BQEYZ has succeeded with when it comes to the Cloud. Having said all of that… it’s a very nice version of “average”.

Separation / Imaging

Now, separation of elements within that psycho-acoustically rendered stage are nicely partitioned off from one another. I hear an instrument here, an instrument over there, and only in the most complicated and congested recordings do those sounds converge or blend. The Cloud has tight transients, it’s uplifted and relatively airy sounding, great clarity and transparency, and all the while extra resonances are cut slightly short so that they don’t smear the width-presence of those elements of that stage. All of these factors help to separate instruments and voices. This leads me to imaging which in my mind is very good on the Cloud. There is absolute exactness in the Cloud’s placement of instruments. There is also layering of instruments as well, even with the not hugely deep stage. I actually feel that the Cloud is one of the best sets for the purpose of sound field imaging that I’ve heard in the price point.

Detail Retrieval

Do I even have to speak on this… again. I feel I’ve literally touched on “details” in every section of this review. Oh well, I don’t mind saying it all again. Anyways, detail retrieval is exceptional on the Cloud. There isn’t one area of the mix which stands above any other. Not to the degree that masking, blending, blurring, or muddying occurs. There’s a very nice balance along with great note integrity, cleanliness, precise note structure, contour, speed, and an overall very transparent sound which helps the Cloud to illuminate the minutiae within my music. Having said that, as good as the Cloud is, I still don’t feel that details steal my attention. Like I said, there’s some fluidity to the sound of this set. As nicely fine cut as the details are I really don’t feel that I hear some ultra dry and analytical sound. At any rate, detail retrieval is very well done.

Cloud Comparison
BQEYZ Cloud / BQEYZ Winter


Comparisons

BQEYZ Winter ($239)

Winter

The BQEYZ Winter is a very special iem. Now it’s a slightly older set and certainly a big brother to the Cloud but I felt it was one which may help to explain the Cloud a bit better. Maybe. Anyways, the Winter is a dual driver set featuring a 12.6 mm large dynamic driver and a 11.6 mm piezoelectric bone conduction driver. Truly an advanced iem that has been loved by many over the last couple of years. I happen to feel it’s one of BQEYZ best sets they’ve ever made but they’ve made a lot and so that’s debatable even in my own mind. At any rate, this really isn’t the fairest comparison, but it does help the reader to get a gage on how the Cloud sounds.

Differences

The first difference is in the build. The Winter is a bigger iem and heavier too. Not by much but there’s a difference. Both sets are built ridiculously well. That said, I do think the Winter takes the win here. It’s just a very well-built set. As far as looks, that’s up in the air. For me personally, I like the Winter’s design a bit better. It’s more unique I would say. Despite that, I really do think both iems are dope looking. Both sets are accessorized almost identically other than coming with different cables. I do like the Cloud’s cable a bit more. Yet there’s the same number of tips, but the actual included tips change a hair. Also, the case is the same. So very much similar. Of course, the Cloud is a dual driver with a passive radiator while the Winter is a dual driver with a bone conduction driver and so there is definitely different tech involved with both sets. Also, the Winter costs quite a bit more. Granted it’s older and so the price has come down a bit from $279 to $239, but it’s still quite a bit more expensive than the Cloud. Obviously, that’s something to consider.

Sound Differences

This brings us to the sound differences. First, the Cloud is brighter, with a more vibrant sound whereas the Winter is closer to neutral. I just find the Winter has better control to the more aggressive and energetic Cloud. It’s a matter of taste if course. Macro-dynamics are livelier on the Winter however, even with the increased energy of the Cloud.

Bass

Now, the bass region of the winter is more authoritative by the smallest of margins. The graph says something different but I’m sure a lot has to do with the PR driver. Make no mistake though, both sets will not amaze you with their sub-level-rumble. They are both slightly light in this regard. I simply hear more of a low droning haptic feel and robustness on the Winter.

Mids

As far as the midrange, I hear a more forward Winter with a richer and fuller note weight to the Cloud’s slightly thin replay. Vocals are decent to good on both sets, just different versions of what decent to good sounds like. The Cloud is a bit more vibrant, yet well controlled against the better timbre of the Winter, more natural and smoother overall. Still, detail retrieval in this area goes to the Cloud with tighter transients. Instruments seem to sound more natural on the Winter with more note body to bring a hint more realism to my listening sessions. Plus, the Winter has more depth of field. Not to say the Cloud has anything to be ashamed of. There’s a pretty massive price difference here. Both are very nice per their price and distinct tunings.

Treble

This is an area which could go either way for you. I’d think treble heads would. Probably enjoy the Cloud a bit more though both sets have a talented treble region. Yet again, just different styles and tuning. The Cloud is without question brighter to a large degree with a more energetic, lively, and more detailed treble. The Winter has that good feel to the treble with better bite and punch. That bone conduction driver doesn’t need the huge rise in this area to enhance the treble. Extension is better in the Cloud as well.

Technicalities

Technically speaking these two trade blows. On one hand the Cloud is certainly the more detailed, more analytical style with leaner notes, more vibrance and just as clean. The Cloud also has just as good instrument separation (if not a hair better) and imaging is fantastic on both sets. Transients are tough to discern as both are relatively “perceivably” tight. Both are good here. I do hear better layering on the Winter to a degree. Soundstage is wider on the Winter with a slightly more 3D stage. I’d say the Winter also has a bit more depth.

Final thoughts on this comparison

I don’t know if I should’ve compared these two. It may have been the wrong choice. I only have so much time and there is a slew of sets which probably would’ve made more sense. For whatever reason I feel it necessary to compare between sets of the same brand. I have to stop doing that. Anyways, obviously the Winter is probably going to be looked at as the better set by more folks. It is tuned a bit more even, musical, and has an even more balanced approach. Yet it also costs quite a bit more. Original MSRP is over $100 more. So, it stands to reason that it’s also the better set. However, this takes nothing away from what the Cloud is and how attractive it will be for those who prefer its tuning. Both are fantastic iems at their price points.

Cloud Winter Graph
Graph courtesy of Hi-End Portable, Thank You!


Cloud



Is it worth the asking price?

At $169 against a flooded market with some very good iems I can say without the shadow of a doubt that the BQEYZ Cloud is worth what they are asking. It’s a good buy. With a few conditions. I’d say it’s worth that amount if you enjoy the sound signature. Do you want a neutral/bright sound that’s snappy, transient-swift, and very well detailed? Do you value clarity in your music? If you desire a less intense bass, but quick & mature. If you enjoy a forward midrange with vivid and prominent vocals. Also, I’d say the Cloud is worth the $169 if you enjoy a brilliant treble-focused set which is very talented, detailed, and very clean without feeling forced, along with solid upper treble extension. It took me all of about 10 minutes to know that $169 is a good price for this set. Even against the field. However, the Cloud is most definitely not going to please everyone. Surely there are those who won’t feel the Cloud fits their listening preference and those folks will obviously not be as smitten with this set as I may have been. Still, I find it a very easy conclusion to come to that the price is very nice. Especially considering that the Cloud can quite easily go toe-to-toe with some of the better $150 to $200 iems. So yes, in my opinion the Cloud offers a very good value per the performance and against the field.
BQEYZ Cloud Review Pic (30).JPG


Final Comments

As much as I can enjoy this set, I have to admit that it is not my favorite. However, I cannot listen to this set for as long as I was able and call it anything but good. One thing I’ve learned over my time reviewing earphones nis that…it isn’t always about me. To be totally honest, there are a number of sets I’d pick up within the price range before this set. Yet even in that I still love to chill with the Cloud in my ears and I’m quite positive that many folks will consider this set one of the best money can buy under $200. BQEYZ did an awesome job on the Cloud, and they should get their flowers for it. I feel that the Cloud is a very competitive iem which will not simply get forgotten by time because it has something that other iems don’t seem to have; the Cloud has true talent and a true answer to many issues that traditionally brighter sets are plagued with. I have had a blast revieing this set and I’m happy to say that if you dig a brighter display than the Cloud gets my instant and easy recommendation. Let’s take a look at my ratings and close this one out shall we…



Cloud



Ratings (0-10)

Note: all ratings are based upon my subjective judgment. These ratings are garnered against either similarly priced sets or with similar driver implementations or styles with the unique parameters of my choosing. In the case of the BQEYZ Cloud ratings below, that would be $150-$200 iems of any driver configuration. Please remember that “ratings” don’t tell the whole story. This leaves out nuance and a number of other qualities which make an iem what it is. A “5-6” is roughly average and please take into consideration the “lot” of iems these ratings are gathered against. $150-$200 is a large sized scope of iems. So, It should be a nice surprise to see a rating above a “9.0”. My ratings are never the same and each set of ratings tells a different story. Each time you read one of my ratings will be unique to that review. Basically, I create a Rating that makes sense to me.

Aesthetic

Build Quality: 9.3 Built very well.

Look: 9.0 Dope industrial design.

Fit/Comfort: 9.2 Fit and comfort is great for me.

Accessories: 9.1 Accessories don’t matter at this price.

Overall: 9.2🔥🔥


Sound Rating

Timbre: 9.0 Natural/bright

Bass: 8.8 Good clarity, definition, & punchy.

Midrange: 9.3 Detailed, clean, great presence.

Treble: 9.6 Treble is flat-out great.

Technicalities: 9.2 Technically very nice.

Musicality: 8.9 Still pretty musical.

Overall: 9.1🔥🔥🔥


Ratings Summary:

This is a set that could get quite a few ugly words from the peanut gallery over some of my ratings above. It’s a set that most folks will either totally adore or perhaps, they may dislike. Now, I used the $150 to $200 price point to rate the Cloud against. I also threw in a couple sets just over $200 as well. It’s a very tough price bracket which encompasses what I feel is one of the more competitive ranges as well. Having said that, I do feel the Cloud fares nicely against the competition. This is also a price bracket that changes frequently. Sets will come in with an MSRP in this range and within 6 months they usually drop under the $150 range and so it’s a moving target and one that ratings should almost be ignored. I wouldn’t trust them. Shoot I barely trust my own ratings. Lol.

My ridiculous method

What I do is lay out in front of me all of the sets that I own in the range specified and I go to town listening to each set with a track, or a portion of a track that I feel represents each category. Full disclosure, I’ve used the same tracks for almost all ratings. Not that anyone cares. Anyways, in this review I actually have quite a few $150 to $200 sets to compare against. Friends, please understand that I subjectively rate these sets. Also understand that these ratings could change and vary be the day, by the mood I’m in, by the hour. I say it in all of my reviews that you shouldn’t make any Purchasing decision based on ratings, and I stand by that. That said, I actually enjoy doing this. It’s fun. Going set to set, track to track and judging them… It’s fun for me. I get to re-hear some sets I haven’t spent time with for a while, which is nice. Still, do not under any circumstances take my ratings as gospel. These numbers above are opinions that I gather very quickly. Grains of salt folks. With that all said, the Cloud did well.

Explain Yourself!

So, the first rating which will absolutely get me some sideways looks is the “Bass” rating. I gave the Cloud a fairly high “8.8”. I gave it this rating for its clean and punchy accuracy and speed. It’s maturity over guilt pleasure, or quality over quantity. Obviously, those who enjoy a more authoritative bass region would not likely give the Cloud an “8.8”. So that’s certainly a debatable rating.

No metric

Next, I could see the “Timbre” rating (9.0) above also argued against. What is good timbre? How does one quantify good timbre? The answer is… It’s purely and 100% subjective. There is no grand standard to judge timbre and tonality and to be honest it’s kind of a crap shoot. What is good to one may not be good to another. I happen to feel the Cloud has very nice timbre. Yes, it’s brighter and not as full or weighted and yes, sometimes that brightness and energy can make that timbre sound a hint artificial, or too luminous. Still, there’s no metric for timbre and it all comes down to individual ears and individual opinions. In my opinion, the Cloud’s timbre is at a “9.0” against the field of iems that I’ve heard and understand.

It’s all subjective

Lastly the “Midrange” rating of a very lofty “9.3” is another that some will flat-out disagree with. So many enjoy an even more musical and warmly weighted sound with an even smoother and rhythmic cadence. I totally understand too. Usually, I would rather listen to a more weighted delivery too. However, the midrange on this set is wonderful. It truly is. Vocals are fantastic, details are in abundance, the separation, the imaging, the everything is just plain good. I know there are those who would refute that and that’s okay. I wouldn’t argue it at all. It’s subjective folks and it always will be. Hence why ratings really shouldn’t hold much water.

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Conclusion

Now that I am done with my feature and full written review of the BQEYZ Cloud, I have to again thank the good people of BQEYZ for providing Audio Geek with a tour sample to be passed along amongst reviewers. Thank you so much BQEYZ, you made a fine iem. I also need to thank Audio Geek as well. Again, I’m part of the US tour for Audio Geek and it gives me the chance to hear iems or audio devices that I usually wouldn’t be able to hear. So, thank you very much! Next, I need to thank you, the reader. Thank you so very much from both me and from my partners at Mobileaudiophile.com. It means the world that you click the link and stay for a while and hopefully you have taken something valuable away from reading our thoughts. That’s the hope anyways. Each click is valuable, and time spent is also very valuable too. So, much appreciation to all of you.

Other perspectives

So now that you’ve read this review of the Cloud, I want to ask you to read other reviews and opinions of the BQEYZ Cloud. It’s hard to get a clear understanding of a set from one review. I don’t think you can get a good gage on what a set or device is with one opinion. We are all so very much different. We all have our in-grown biases and each of us has our own personal opinions. Each of us has our own likes and dislikes, we have different gear and sources used, we have different musical libraries, different hearing abilities and most importantly, we all have been down a slightly (or not-so-slightly) different journey through audio. This journey helps shape our perspectives. There are so many variables my friends. So please, do yourself a favor and check out other thoughts on the Cloud. There has to be a mountain of reviews of this set and I’m sure you can gain a good understanding with a little homework. With all that said, I am now done. Please take good care, stay as safe as possible and always… God Bless!

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nikbr

Headphoneus Supremus
BQEYZ Cloud - Such An Aptly-Named Pair
Pros: Gorgeous simplistic design, small sized shells, wonderful effortlessness in its sound presentation, textured bass, open midrange, fantastic female vocal, fluid and fatigue-free treble (at lower listening volumes), good accessories
Cons: Could be too bright for some, bassheads - run away now, not for louder listeners, not an all-rounder
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This hobby is an escapist's dream. Escape from daily routine and distress that's causing you via something as sincere and everlasting as listening to music. I believe that the power of music is still not fully understood since it works in mysterious ways. Allow it to do its magic on you and let your worries dissolve in melody.

Having had the possibility to try so many different sets in a relatively short time I felt obliged to go ahead and express my gratitude by trying to help some lost souls out there, just as I was when I first stumbled upon this weird hobby about wired earphones – so yesteryear! … I thought. Possibilities are seemingly endless and only by getting to meet the right people did I manage to jump onboard the train heading the 'right' direction without getting off-track thousands of times along the way. Make sure to understand the helping person's preferences and you too can find your footing and hit the ground running in no time.



Quick Intermezzo About Me

I won't bore you for too long with personal trivia, however my quick & short background resume goes as follows. Currently I am 27 years old and more in awe of sheer power of music by the day. I have always been moved by music just that slight bit more than average, I'd say. My spending started with a roughly 200€ Bose bluetooth speaker back in my first grade of highschool. What an extraterrestrial thing that was in early 2010s. And it keeps on playing to this day – a true testament of quality. Also sounded fantastic back then, nowadays … yeah, not so much. Lots of BT speakers, TWS, car audio speakers, IEMs, etc., later bring me to this day when I truly consider myself an audiophile. What brings me the most joy beside listening to music is singing, so I am currently participating in a choir and challenging myself with solo vocal covers (check the links in my signature to hear my projects). Unsure where all this leads, but the journey itself is marvelous and life is nothing but a journey.

My preferences lie somewhere in the neutral camp with just an ever so slight bass boost, but I try to keep an open mind and truly appreciate any outliers that dare do it differently. Our ears vary, so do our brain and tastes. I am an advocate for respectful discourse, especially in topics that don't even have many objective undeniable truths. Audio is one of those.

My most listened genres are, in no particular order: jazz, singer/songwriter, slow-paced electronica, ambient, rock, metal, blues, trance, techno & pop.


Disclaimer: I have received the BQEYZ Cloud at a significant discount via BQEYZ official AliExpress store in exchange for this review. Even if I wanted to shill this to the moon and back, I am way too mindful of others' money to overly hype stuff that does not deserve it, so there's that.


How My Reviews Are Structured

I will start off by mentioning the packaging, accessories, design & comfort, then continue by placing the showcased IEM in my special trademarked graphs & graphics, give it a score on certain qualities, and describe the decision-making process behind the graphics & scores to reach the final star score. Those that are seriously considering the BQEYZ Cloud, please do not hesitate to reach me and ask for any specifics you want me to answer.

I have left the set to burn-in for 100+ hours and listened to songs of varied genres to better convey what one can expect from the Cloud. As sources I have been using my FiiO BTR7, Venture Electronics Megatron, iBasso DX180, and Venture Electronics RA2B-FE + Prime DAC (in short, called the 'VE Stack'). Certainly no lack of power and quite a different taste on all. Listening was (mostly) done at a volume ranging between 65-75dB. I am using the Pentaconn Coreir Brass tips and the Hisenior Whitewhale cable.


Here is the quick and rough description of how I understand various star ratings:

Do not even think about it :star2:

It has too many drawbacks and gets demolished by competition :star2::star2:

This item has the potential but feels a bit too bland and has multiple issues :star2::star2::star2:

Wonderful item with rare and mostly subjective drawbacks :star2::star2::star2::star2:

Eargasmic performance with all the aspects covered at an incredibly high level :star2::star2::star2::star2::star2:


Keep in mind these ratings are certainly affected by the item's price in the overall assessment too. Sometimes that will result in slightly higher score than based solely on my scoring of bass, mids, and treble, while other times it results in a slight penalty if I deem the item a tad overpriced.

In layman's terms - anything rated below 4 stars overall does not get a space in my regular rotation and is either stored and revisited some time later again just to see if my thoughts have changed, or it gets gifted.


The Warmly Welcomed Changes I Have Incorporated


Instead of going through a million songs and describing what I hear in real-time, I will do it a bit differently this time. I'll describe individual aspects briefly in whole.

Should you have any specific questions regarding any genres/songs in particular, feel free to contact me.

I am still catching my stride on how to describe the sound aspects in a clearer way. It is a slow but enjoyable learning curve. I am attempting to make my reviews as ballast-free as possible. The graphics were the step in the right direction, I feel. Capturing the essence of sound characteristics in a less wordy way is next on the list. We all have our own busy schedules and I understand reading a review for 15+ minutes is in (nearly) no-one's interest.


Let's Get Going!

Packaging, Accessories, Design & Comfort


The Cloud comes in a schematic box that beautifully depicts both its visual appearance as well as its sound.

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Upon opening you are greeted by the IEMs and IEMs only. This is a welcome change from the usual All-At-Once approach which tends to look messy and disorganized.

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But worry not, a decent collection of accessories is hiding right under the IEMs. I was nicely impressed by all. Differently presented eartips ('Atmosphere' are narrower-bore, while 'Reference' are wider - the latter reduce bass which is by no means overpowering and right on the cusp of neutrality with the 'Atmopshere' tips) and the extra foam pair that came in a plastic container, a silky smooth and tangle-free 2-pin 3.5mm cable, a cleaning tool (not pictured), and a sweet carrying case.

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I much preferred how the Cloud sounded with the 'Atmosphere' tips over 'Reference' ones. Latter are very bass-shy and increase upper mids which need no increasing.

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Design is always going to be the most subjective topic. I for one, am positively impressed by how vivid yet calming this particular shade of blue they have chosen here is. The shell is simplistic and in no way offensive or too ostentatious, despite the colour. I like its shape which certainly reminds me of clouds too.

Comfort is tough to put into words. All of our ears are different. Yet, this should be a relatively secure and comfortable fit for most. The shape is ergonomic and the nozzle is not on the thicker side.

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Some might struggle with the nozzle being a bit short perhaps. That is one of the reasons I have chosen the Coreir Brass tips in the end too. And tip-rolling was quite an undertaking, see proof below.

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A few hours later, I've found the winner! Others were simply not a good fit character-wise to the Cloud. Second place actually stayed with the stock 'Atmosphere' tips which were not too far behind the Coreir to be frank.




Graphics, Graphs & Scores
As you might realize by now, I am all in for a well done set that dares to go a different way. Cloud does just that. Instead of placing its emphasis on the low end, it tries to impress with high end clarity and openness. Now, how well does it do? Let's have a closer look with some help of my faithful graphics.

I have added some other recently reviewed sets to this graph to help you better understand where the Cloud is in comparison to these others. Going from warmest to brightest - Sivga Que, Tripowin Piccolo, Simgot EW300, and BQEYZ Cloud. It boasts the greatest technicalities too, albeit closely followed by the EW300.

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Six Basic Traits
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As mentioned before, comfort is a non-issue and I would be willing to bet it won't cause any discomfort for the majority of users. What its universal shell design fails to provide is any significant isolation so these won't be the greatest listening partner in louder settings. Bass strikes a very sweet quality, but won't be sufficiently rumbly, punchy, nor present enough for lots of listeners that are used to ample bass most sets nowadays provide. It also does not provide enough meat for certain istruments to sound fully correct, eg. cello. Mids are a thing of beauty with their spaciousness and timbral accuracy as well as their clear as day vocal replay. Treble is just beautiful in this setting, but its wet and thick character only works this well in conjuction with the relative lack of bass. Cohesion is almost spot on, but treble does occasionally give a slight impression of wandering away on its own. Only rarely, though.

Magic Balance Boards
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Cloud leans extremely lean which means it won't be too forgiving to poorer recordings. It also feels more speedy than slow, but the enjoyable decay on the bass notes (even though they're attenuated to begin with) brings sufficient balance to remain distinctly DD in presentation and avoid sounding BA-ish (talking solely about difference in driver character, I like all-BA sets too). On that last balance board it leans only slightly towards techy instead of musical. I find this set tremendously musical too, despite usually reserving this description for those warmer and less technically-savvy sets.

Soundstage Measurement Tool
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Simple to read graphic that provides us with how I perceive the soundstage dimensions of the Cloud. It provides an impressive width and height while the depth is neither great nor bad. Particularly impressive is the sense of height which almost feels weightless and unburdened by bass. It fits acoustic music so wonderfully.

Quarter Circle Playground
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Cloud leans trebleheady, but does not quite reach that status because of its exemplary balance that puts sufficient emphasis on bass too and will satisfy those bassheads that put first a tasteful texture and a delicate quantity over sense of speed, attack, or rumble. Cloud also leans a bit towards energetic instead of laidback due to its lively treble and the detail retrieval maintaining listener's attention.

To clarify, it is the sort of set that will absolutely not work for loud listeners, except those semi-deaf ones, maybe, because it is not afraid of putting its uppermids' foot forward and base the whole experience around it. I can see younger loud listeners clinching their teeth and making a very telling facial expression when they hear this.
Consequently, this set is highly dependent on genres – some genres can only really be enjoyed when turned up and supported by a healthy bass shelf. Those of you who exclusively listen to such genres, run away now. Bass here almost feels like an afterthought, yet is beautifully textured and non-intrusive. That in turn ends up making the sound very weightless and effortless. What is interesting and keeps me entertained is that despite the lightness which feels like a floating feather in the wind, it is not sterile, sharp, nor lacking substance. Each note rings out very sweetly. Now sure, it won't be the most weighty and full-bodied of notes, nonetheless they keep the listener engaged. Clarity is the main word.
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This all lead to my overall score of the Cloud being very good. All things considered, this is easily my favourite neutral-bright set I have heard.

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Keeping the scoring simple and easy to read is proving very difficult. Describing bass, mids and treble in three subcategories a piece is awfully unfair to some sets while others benefit. Either way, these are the categories I am continuing with for now. And Cloud's midrange is scored fairly via these three measures, so all is well.


How To Sum Up The BQEYZ Cloud

An all-rounder it is not. This won't put out any bass itch nor will it be the choice for those metal nights. What it will do is provide an open stage akin to that of earbuds and do so with ample detail and finesse. This is very impressive for those acoustic recordings. Jazz, especially such with female vocalists, is beautiful. The quality of shells, accessories, and the rebellious tuning vs the popular warm-leaning tuning fashionable nowadays, is what causes me to easily recommend this one to those unafraid of neutral-bright.

Thanks for reading and stay wonderful.

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thaslaya
thaslaya
Great review! I love the color of the shells but I'm sure I wouldn't love the sound 😅
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IceIceberg

100+ Head-Fier
BQEYZ Weather Series Cloud: The Vocal KING
Pros: Lovely design, lightweight, small shells
Nice included accessories
Warm sound signature
Beautiful vocals
Crisp highs
Decent value for money
Cons: Lack of bass
Not the best sound isolation

Review of BQEYZ Weather Series Cloud
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intro.jpg

Hello, beautiful people! Сompany BQEYZ (Best Quality Earphone for You) has always stood out for its unique musical signature and pleasant sound, which has won the hearts of many audio fans.

Today, I will be talking about the new release from BQEYZ — BQEYZ Weather Series Cloud. The first news about this product appeared in April, and the official release happened in May. These IEMs are a continuation of BQEYZ’s Weather Series.

So, let’s talk about the new model. In April, BQEYZ announced a model called "Cloud", symbolizing lightness and airiness due to its unique diaphragm. Later, it was revealed that these IEMs are equipped with two drivers: a dynamic driver with an LCP diaphragm and a passive radiator to maintain sound balance. They also feature a smartly designed ventilation system, which enhances the airy and light sound quality.
These are the first BQEYZ headphones I've had on review, but they definitely won my heart, and next I'll tell you why
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I would like to thank BQEYZ store and especially Elle for providing the opportunity to test and review this product.
Disclaimer: My review is my personal and honest opinion about the product. I don't receive any income for conducting reviews and i'm don't participate in any affiliate programs.
You can purchase the BQEYZ Cloud from:



Specifications.jpg

  • 1DD+1PR Dynamic Structure;
  • Impedance: 32Ω;
  • Sensitivity: 110dB;
  • Frequency response range: 7Hz-40kHz;
  • Connector: 0.78mm 2-pin;
  • Cable Length: 1.2m;
  • Cable material: 2 strands silver coaxial cable;
  • Price: 169$.

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  • IEM itself;
  • 2 pin 0.78mm 2 strands cable with mixed Coaxial Crystal Silver-Plated Copper braid, 1.2m length;
  • 3 sets, 7 pairs eartips: 3 pair - gray atmosphere eartips (S / M / L), 3 pair - transparent reference eartips (S / M / L), 1 pair - foam eartips (S);
  • Cleaning brush;
  • Golden bird souvenir;
  • Carrying case.
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My acquaintance with the new product began with the packaging and unboxing experience. The package is designed in blue tones with a cloud-like design. The front side shows the IEMs model, while the back lists the specifications.
Upon unboxing, I found small and beautiful shells, a branded case containing eartips and a cable, and a small box with the user manual and a certificate with the production date. My IEMs are black with a blue trim, but you can also order them in a cyan color version.
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Design,comfort,accessories.jpg


Design.jpg

Cloud are made from an aluminum alloy, consisting of two parts assembled into one shell. The surface is coated with a thin layer of matte black paint, with a neat blue trim around the edges. Each shell weighs about 5.5 grams.
The design of the IEMs is minimalistic and refined. On the faceplate, two smooth lines represent the flexibility and lightness of their sound.
On the inner side, there is a nozzle placed at an ideal angle. It’s quite wide but not too long, which slightly reduces sound isolation. Above the nozzle, there’s a compensation vent as well as R/L indicators.

The end of the nozzle has a small edge to prevent the eartips from slipping off, and there’s a metal mesh inside for added protection.
On the side is a 2-pin 0.78mm plug and an extended compensation hole for a more airy sound.
During the time that I have been using the IEMs, I have not had any issues with the build quality. All the parts are carefully made and I have not had any complaints about the build.
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BQEYZ have ensured a comfortable fit by making the shells small and streamlined. Thanks to their compact shape and light weight, they are comfortable for long listening sessions. They also fit both small and large ears without causing discomfort in any ear canal.

Once I put them on, I hardly felt them in my ears, and the slight coolness of the aluminum creates a pleasant sensation on my skin.
The sound isolation of these IEM is not the best due to the shallow fit. I can clearly hear surrounding noises, which is a bit distracting and interferes with listening.
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Cable.jpg
Let’s talk about the included cable. The cable is of good quality, long enough, flexible, and has a memory effect. It is made from 2-core braided silver-plated coaxial copper. The cable is in silver tones and coated with a PVC material, providing protection against damage.
On one end, there is a 3.5mm plug, but you can also choose a version with 2.5mm or 4.4mm plugs if needed.
In the middle, there’s a smooth aluminum splitter with the company’s branding, and on the other side, there are aggressively shaped ear hooks with a 0.78mm 2-pin connector.
This cable can also be purchased separately for $30 at the BQEYZ store.
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eartips.jpg

What really surprised me was the presentation of the ear tips. They are mounted on a metal plate, which makes them look significantly more premium.
Let’s talk about the ear tips in more detail.
BQEYZ offers three types of ear tips:
  • 3 pairs (S / M / L) of gray silicone eartips with standard bore, which provide a pleasant and warm sound.
  • 3 pairs (S / M / L) of transparent white eartips with wider borefor a richer and more expansive sound with a focus on vocals.
  • 2 pairs (S / M) of standard foam eartips for atmospheric sound with excellent isolation and a comfortable fit.
I personally used these IEMs with TRI Clarion and SpinFit eartips for improved sound quality.
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In terms of drivability, there are no problems.
I tested Cloud with both Android and Apple smartphones, as well as my iPad tablet, computer, and laptop.
I also connected them to the Qudelix 5K, and the sound was consistent across all devices.
So, this set will perform similarly whether you're using a phone or a DA
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The first thing i noticed when i plugged in Cloud is that they deliver vocals beautifully and are focused on the midrange. But let’s dive deeper into the sound quality
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(I tested IEMs with TRI Clarion and SpinFit tips, connected via 3.5mm)



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Let’s start with the bass. Insufficient.
As far as I understand, the tuning of these IEMs doesn’t focus on delivering a rich and powerful bass, and I tried to feel it... Let me explain.
Sub-bass: I’ve listened to a lot of rock, EDM, and other bass-heavy tracks, but only felt a barely noticeable low-frequency rumble. I wouldn’t say it’s enough to enhance or fill out the bass.
Mid-bass: I would describe the bass in Cloud as airy, it decays quickly and disperses. Overall, you can feel the hits; they are dynamic and energetic, but not deep enough to fully enjoy the sound of bass guitars, drums, drum machines, MIDI controllers, etc.
A small warning: this set is not suitable for bassheads. If you are a fan of powerful lows, you will definitely have to boost the bass region with EQ.


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Mids. Goosebumps!
Yes, that’s exactly what I felt when I first started using these IEMs. This is where BQEYZ really shined and perfected the tuning, and I have a lot to say.
Lower mids:
I definitely like this frequency range. The sound sits neither in the front nor the back but within the composition, giving it more fullness. I love how the lower guitar frequencies sound, they are musical and blend well into the overall composition. The saxophone and clarinet in jazz parts are especially energetic and complementary.
Midrange. WOOOW!
This is what these IEMs were made for. Let's start with the instruments. The timbre of guitar strings is incredibly natural, and piano keys are varied and melodic with good texture.
But what really delivers incredible emotion is the male and female vocals.
Male vocals are transparent, silky, and natural. The timbre is delivered as it should be, slightly coming to the forefront. In lyrical tracks by Frank Ocean, John Lennon, Frank Sinatra, and Michael Jackson, male vocals add depth and variety to the song with a rich texture.
The female vocals are refined, soft, and pleasant to listen to, energetic and full of warmth.
Upper mids:
The upper mids don’t irritate. Instrument attacks are restrained, and the upper frequencies in female vocals are controlled. I’d say the high-frequency instrument range complements the body of the timbre and fits in nicely without letting the sound fade out too quickly.


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Treble. Clean and bright.
The treble here is simply superb. The timbre of violins and cellos is soft and rich, without a metallic tint. The upper vocal range particularly stood out in tracks by a-ha and Frank Sinatra, where the high-frequency vocal vibrations evoke unforgettable emotions. Female high-frequency vocals also impressed me, without an annoying sibilance.



Separation and soundstage:


Cloud are not analytical, and the separation, in my opinion, is not the most impressive. The IEMs create a rather wide, but not tall soundstage, which leads to a lack of instrument layering. As I mentioned earlier, the vocals tend to move slightly forward, while the instruments stay behind, complementing them. There are no problems with imaging accuracy, you can easily identify where each instrument or vocal is coming from.
BQEYZ


Gaming impression:

BQEYZ claims that their IEMs are great for gaming. I tested them in FPS shooters, and I have something to say.
In shooters, this kit delivers sound with high positional accuracy. You can easily detect where footsteps or shots are coming from, thanks to accurate imaging and a wide soundstage. The lack of bass doesn’t affect the gameplay, if anything, it removes distracting rumble and noise. So, I can definitely recommend Cloud for gamers.
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comparisons.jpg


BQEYZ Cloud vs Simgot EA500LM:

The first comparison I want to make is with the excellent Simgot EA500LM.
In terms of design, there’s not much difference: both are small, metallic, and fit comfortably in the ears.
As for the sound, Simgot provides very detailed and precise sound, while Cloud offers a more fun and soft sound, which would appeal to most listeners.
If we dive into the details, the Simgot reproduces the bass better, with more detail and analytical precision, while the Cloud provides smoother mids and highs and are better suited for gaming sessions.
In the end, both pairs are excellent products with their own unique advantages.



vs Kinera Celest Relentless:

Let's start with the design. Cloud are made of metal, they are smaller and fit better in the ears, while Relentless are made of resin, bigger, and provide better sound isolation.

In terms of sound signature, these are two completely different samples.
Relentless are equipped with one dynamic driver and six balanced armatures, and their sound has the typical armature character in the mids and highs. However, the bass in these IEMs is reproduced excellently. On the other hand, Cloud offers a more balanced, soft, and warm sound with much better mid and high frequencies.
For whom are these earphones
I would recommend these IEMs if you enjoy lyrical songs with a focus on vocals. If you like listening to live performances, pop, hip-hop, instrumental, orchestral music, or jazz. They handle these genres beautifully and deliver powerful, rich vocal compositions, offering an unforgettable listening experience.

However, this set doesn't perform well with metal and rock, so i wouldn’t recommend them for these genres. Also, Cloud may not be the best fit for trance, house, and EDM music.
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Conclusion.jpg

BQEYZ has managed to impress by creating Cloud, that are truly airy and light, with the best mids in their price range.
This new release from BQEYZ has impressed me, and Cloud is definitely joining my collection of top IEMs. They deliver an unforgettable experience with their mids, especially in vocal tracks. Their richness and musical timbre will surprise even the most seasoned audiophile.

They are also perfect for gamers, where precision and speed are crucial for achieving the best results.
In summary, Cloud are truly worth it, and I appreciate their unique sound presentation. I recommend everyone to give them a try - you won't be disappointed.
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Thank you for reading my review!



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MARKAARON0430

New Head-Fier
P.S Treble-head (on point review)
Pros: Fit like Tripowin Olina / Comfortable for everyone's ears
Average imaging
Can play multiple music/audio genre preferences, even if the tuning of cloud is bright
Sparkly treble, never creates fatigue
Average male vocals and female vocals
Average bass
Not so picky with the source
Cons: Price. I prefer ''less is more.'' (see review below)
Not highly recommended for bassheads, but might be worth considering
Unnatural mid-range most of the time
Lack of coherency (subjective; according to my audio preferences)
Disclaimer
Please know that, as an audio enthusiast giving this review, I will be sharing my impressions on the in-ear monitors according to my preferences and will not dig into their technical aspects. Others (or you as the reader) may have different impressions and experiences with the IEMs. I have also tried several in-ears, but my experience may not be as wide nor my technical knowledge as expert as that of the others. Please consider that as you read this review.

These BQEYZ Cloud in-ears were lent to me by other IEM reviewers in the Philippines.

Product information​

Price: 169 USD
Link: https://hifigo.com/products/bqeyz-cloud (not an affiliated link)

Package Inclusions:
  • IEM shells & cable
  • 6 pairs of eartips
  • Carry case
  • Cleaning brush

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Review​

Sound impression:

First the BQEYZ CLOUD has a bright sounding IEM, but not too bright for my preference. The Mid range is clean and engaging, the treble is sparkly.

Comfort:

Excellent fit for everyone's ears, no matter the size

Pairing (Ear-tips/Sources):

  • Hiby fc6, Roseselsa RS 9039
  • Stock ear-tips have been used

Midrange:​

Clean and engaging. I'd say that it's not the most natural midrange.

Sub Bass:​

Rumbly for some, but not enough for my preference. Still good though, acceptable enough to be enjoyed.

Male Vocals:​

Nice, but lacking weight and details at times. Still good though, acceptable enough for my enjoyment.

Female Vocals:​

Nice, but thin for my preference. It can sometimes sound harsh to my ears.

Treble:​

The treble here is great. It might be overly bright for other listeners though. But for my preference, it is NICELY DONE, BQEYZ!

Instruments:​

Nothing too hype here. I just love the thumpy kick drums, safely done hi hats, crisp snares, and adequate details. For some listeners, this technical aspect is average in comparison to other IEMs in this price range, but for me I enjoyed it. Definitely for treble heads who love those busy tracks, but the disadvantage here is the male/female vocals; at times they sound unnatural -- thats the only concern of mine.

Imaging & Separation:​

Just average to my liking. You might want to look for other options if the imaging is your concern.


P.S. For bassheads, this is totally not for you, sadly. But if you are a collector -- and price is not a problem to you -- this can be a nice additional set for you to keep.

Verdict​

As a treble head, I think there are still some things that can be improved. But I genuinely enjoyed this set, listening to some of my favorite rock bands, jazz, live performances, synth wave, acoustics, and city pop. My only concern is the price: I still prefer "less is more." For me, they should focus on tuning first rather than the inclusions. Thank you for lending this set for me to give my short and straightforward review. Cheers!
jreqtech
jreqtech
Nice review!

pradiptacr7

500+ Head-Fier
BQEYZ Cloud Review
Pros: Natural and Soulful Vocals, Highs are Energetic with Excellent Extension, Great Clarity, Generous Accessories
Cons: Sub-bass lacks Quantity and Quality, Could be a Bit Harsh for Some, Stock Reference Tips are not paired well
BQEYZ CLOUD: - THUNDEROUS VOCALS

DISCLAIMER:
The BQEYZ CLOUD was sent to us free of charge by the BQEYZ Audio team for review purposes. We are truly honoured and excited that this is our first collaboration with BQEYZ Audio. We humbly thank the BQEYZ Audio team for their kind support of Aural Cafe.

Introduction: -


Today at Aural Cafe we will be reviewing BQEYZ CLOUD IEMs which is BQEYZ Audio's latest launch from their Weather series.

BQEYZ is a Dongguan, China-based Audio brand founded in 2017 under the parenthood of Dongguan Xianchao Acoustic Technology Co. Ltd. The company is a vertically integrated company that not only specializes in professional independent research but also oversees development, design, production, and sales of audio products. BQEYZ Stands for Best Quality earphones for your Generation and as the name suggests BQEYZ Audio specializes in hi-fi IEMs, earbuds and audio accessories. Over the years BQEYZ Audio has established itself as a reliable and innovative Audio brand and has launched several IEMs and earbuds but their spotlight moment came in mid-2019 when they launched ‘SPRING’, the first IEM from their weather series. BQEYZ Spring was launched in a tribrid setup that brought together a unique combination of Dynamic, Balanced Armature, and Piezoelectric drivers in a single IEM. As the season and year passed away BQEYZ also launched innovative IEMs from their ‘Weather’ series such as WIND, SUMMER, AUTUMN, AND WINTER.

The CLOUD is BQEYZ's latest DD-based IEM which features a 10mm Dual-Cavity LCP Diaphragm-based Dynamic Driver Unit along with a 6.8mm Passive Auxiliary Dynamic Driver Unit and comes in two colours Black and Cyan. BQEYZ Cloud features a dual-driver setup on each side, where a 10mm dual-cavity dynamic driver acts as the active driver while the other is a 6.8mm Auxiliary Dynamic Driver Unit that acts as a passive driver and works on the air movement provided by the main driver unit. The 10mm LCP dynamic driver is responsible for overall frequency from lows to highs while the 6.8mm Passive Auxiliary Dynamic Driver Unit is innovatively implemented by the BQEYZ Audio team to managing the air pressure inside the cavity, and suppressing the excess high frequency, resulting in a clean, balanced and crisp output.

The 10mm LCP Diaphragm-based Dynamic Driver Unit is an excellent full-range dynamic driver that is famous for its clarity and dynamics and can be seen implemented in many single DD-based IEMs lately. The BQEYZ Audio team has implemented a 10mm LCP Diaphragm Dynamic Driver Unit in CLOUD with the help of innovative Air-Assisted Circulation System where the power generated by LCP Diaphragm is used to promote the conduction of the inner cavity’s aerodynamic circulation system so that the 6.8mm Auxillary diaphragm can offset the prominent problem of high frequency in the LCP dynamic driver to achieve a soulful and smooth mids frequency along with wide soundstage and separation.

It comes in two colours black and cyan and retails for 169 US$.

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Specifications: -

  • Driver Configuration: Dynamic Driver + Passive Auxiliary Driver Configuration
  • Impedance: 32Ω ± 5%
  • Freq Response: 7Hz-40Khz
  • Sensitivity: 110dB/VRMS
  • Connector Type: 0.78mm 2-Pin
Packaging & Accessories: -

As you can see from our unboxing video the BQEYZ CLOUD unboxing experience is quite simple, pleasant and minimalistic. The BQEYZ CLOUD comes in a rectangular-shaped compact cardboard box. The BQEYZ Audio team selected a very pleasant light cyan blue shade as the colour of the box. The front side of the box is neat with the Model name ‘CLOUD’ printed in Bold white colour letters on the lower right-side corner of the box while the BQEYZ brand name is printed in small size bold white colour letters on the top right corner of the box. The specifications and the features of BQEYZ ‘CLOUD’ adore the back side of the box in Chinese and English dialects. On opening the box, we are greeted with the usual instruction manuals on top of which we are welcome with beautiful cyan blue colour ‘CLOUD’ IEM shells stationed in the top layer of the box. The bottom layer is where one can find all the accessories that BQEYZ CLOUD comes bundled with. The bottom layer is separated into two parts consisting of a small high-quality black colour carry case and a small white colour cardboard accessories box. The BQEYZ CLOUD Stock cable is placed inside the compact black colour carry case. We would like to state here that the CLOUD comes in all 3.5, 2.5 and 4.4mm Plug termination and we opted for the 4.4mm version. The stock white coloured cable is light and flexible and thus useful in listening to music while commuting. Not much is said about the properties of the cable, but we feel it is a silver-plated copper (SPC) cable. On opening the accessories box, we are pleasantly surprised by the generous number of accessories which is comprised of 1 pair of foam tips. 3 pairs of ‘Atmosphere’ silicone ear tips for powerful bass and 3 pairs of Reference silicone ear tips for better soundstage and mids placed in a high-quality metal ear tips holder usually found on an expensive set of IEMs and a brush to clean the nozzle of the IEMs. Overall, we feel that the BQEYZ Audio team has provided high-quality and useful accessories with BQEYZ CLOUD.



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Build & Design Concept: -

When it comes to building quality BQEYZ CLOUD IEM shells are made of lightweight aluminium alloy metal using top-notch German 5-axis CNC alloy cutting technology to carve out high precision chamber and further treated for making the IEM shells corrosion-proof. The BQEYZ CLOUD comes in two colour options Black and Cyan and we were provided with the Cyan version. The size of IEM shells is quite compact and light in weight showing the focus that the BQEYZ Audio team gives while designing the shell towards comfort and ease of usage. The shiny edges of the BQEYZ CLOUD faceplate add a nice sparkling touch to the overall simple and minimalistic design of the IEM shells. Two vented holes one on the side of the faceplate and another on the body of the IEM shells can be seen on each shell of the CLOUD for managing air pressure inside the metallic chamber. When it comes to fit the BQEYZ CLOUD, due to its compact and lightweight shells provides excellent comfort and ease of usage for listening to music for longer duration but when it comes to passive noise isolation it is just average at best for BQEYZ CLOUD. In our usage, the stock atmospheric ear tips did provide better passive isolation in comparison to the stock reference ear tips, but overall, we are satisfied by the finish of the metallic shells, and the compact and lightweight IEM shells of BQEYZ CLOUD.

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Sound Analysis: -

We would like to state here that the sound impressions are based on our usage of stock ‘Atmosphere’ silicone ear tips along with stock cable. The effect of ‘Reference’ silicone ear tips on BQEYZ CLOUD IEMs sound impressions will be dealt with separately in the Synergy section so we would request every audiophile to go through that section for sure.

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Credits: @Soundcheck39
  • Tonality: - After listening to BQEYZ CLOUD for nearly a month we at Aural Cafe can conclude that BQEYZ CLOUD embraces a bright-neutral sound tonality. The Highs on BQEYZ CLOUD is unapologetically bright with top-notch clarity across the frequency. The Vocals on BQEYZ CLOUD are one of the strongest points of the IEMs with surprising texture and soul. We feel this kind of tonality suits more the Audiophiles who are more into Jazz whereas Classic Rock soundtracks such as Hotel California by Eagles sounded decent when matched with a warmer source, Dethonray SG1 Gold in our case.

  • Lows: - Following its sound tonality the lows on BQEYZ CLOUD are quite linear and neutral. The stock atmospheric silicone ear tips help a lot in adding a decent body to the linear lows of BQEYZ CLOUD. While listening to ‘Starboy’ by the Weekend the midbass hit remains quite compact and tight but lacks body whereas when it comes to Subbass we, while listening to Jean du Voyage - Nakshathram (feat. V. Soundara Rajan) felt that while the subbass texture is just fine on BQEYZ CLOUD but lacks quantity and subbass rumble due to swift roll off. We would also like to add here that the ear tips play a key role in improving the Lows on BQEYZ CLOUD. The Subbass improved a bit in terms of quantity as well as extension when we tried BQEYZ CLOUD along with Divinus Velvet Silicone ear tips while listening to ‘The Hills’ by the Weekend. All in all, we feel that BQEYZ CLOUD is not suitable for audiophiles who are primarily into EDM soundtracks.

  • Mids: - The Mids on BQEYZ CLOUD is surprisingly soulful, natural and airy. We at Aural Cafe feel that the 6.8mm Passive Auxiliary Dynamic Driver Unit shows off its magic by adding soulful hues to the energetic mid-frequency of BQEYZ CLOUD. The Mids on BQEYZ CLOUD are balanced in terms of position without being too forward and recessed. The lower mids are delicate and clean showcasing micro details subtly whereas the upper mids are quite energetic and airy because the female vocals sound a touch bit better than the male vocals in terms of body and extension without any hint of harshness when matched with stock Atmospheric silicone ear tips. Both the male and female vocals showcase top-notch clarity along with precise control irrespective of the genre of soundtracks one is listening to. The musical instruments especially string-based musical instruments showcased superb resolution and timbre on BQEYZ CLOUD. We really enjoyed listening to ‘Waltz Blue’ composed by Joost Zoeterman and ‘Muskaanein Jhooti Hai’ composed by Ram Sampath and Sung by Suman Sridhar on BQEYZ CLOUD. All in all, we feel that BQEYZ CLOUD IEM is an easy pick if an audiophile is into vocal heavy, jazz and instrumental music tracks.

  • Highs: - The Highs on BQEYZ CLOUD are bright and energetic with lots of air and excellent extension. The 10mm Dual-Cavity LCP Diaphragm Dynamic Driver Unit along with the 6.8mm Passive Auxiliary Dynamic Driver Unit is implemented fairly well on BQEYZ CLOUD to achieve a top-notch airy upper-end extension along with decent smoothness. But we at Aural Cafe would love a tinge of more warmth and smoothness in highs as it sounds quite dry and can sound borderline harsh if not matched with the right source and ear tips. All in all, we did enjoy the sparkles and shimmer coming out from percussion instruments at the end of the ‘Hotel California’ soundtrack but we at Aural Cafe would love a little smoother soulful high.

  • Soundstage & Imaging: - The Soundstage on BQEYZ CLOUD is surprisingly good both in terms of width and depth but it’s the width that stands ahead in comparison to soundstage depth. We can happily confirm that the air-assisted circulation system is implemented well by the BQEYZ Audio team with the help of the Auxiliary Dynamic Driver Unit to achieve a clean wide soundstage. The overall clarity and separation are also top-notch notch which really helps while listening to classic Rock soundtracks. The vocals have excellent clarity even in complex soundtracks due to pitch black background whereas when it comes to imaging, the imaging on BQEYZ CLOUD is just average at best. When it comes to layering, we at Aural Cafe think that the ‘layering’ on BQEYZ is again just average at best. However, we are really happy with the wide soundstage and excellent vocal rendering ability of BQEYZ Cloud which we enjoyed while listening to ‘Teri Deewani’ composed by Kailash Kher, Naresh Kamath and Paresh Kamath and sung by Kailash Kher.

  • Synergy: - The BQEYZ CLOUD comes with a decent 110 dB of sensitivity which makes it easy to drive. But due to its tonality, BQEYZ CLOUD needs to be matched with warm hi-fi sources to add a musical warmth to the overall neutral sound tonality of the BQEYZ CLOUD. After listening to music on BQEYZ CLOUD with different portable and desktop sources and dongles concluded that BQEYZ Cloud love a pitch-black background and warm hi-fi source. In our case, it really went well with Aune Yuki, Dethonray DTR1+ and Dethonray SG1 Gold. We also like to add here that ear tips play the most crucial role in extracting the best out of BQEYZ CLOUD. After using BQEYZ CLOUD with different types of ear tips we at Aural Cafe feel that BQEYZ CLOUD sounds best with Stock Atmosphere silicone ear tips and would not suggest using BQEYZ CLOUD with stock reference silicone ear tips as it makes the upper mids sound harsh. We also loved using Divinus velvet silicone ear tips with BQEYZ CLOUD as it adds a bit of body and rumble to the subbass. When it comes to cables, we are happy with the stock cable but since we had lots of other cables in our library, we loved BQEYZ CLOUD with PW Audio Saladin.

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Conclusion: -

After listening to music on BQEYZ CLOUD for more than one month we at Aural Cafe would like to conclude by saying that BQEYZ CLOUD is an unapologetic bright neutral IEM with a lot of sparkle in highs. We would also add that ear tips play a big role and suggest using narrow-bore silicone ear tips or better you can acquire a pair of Divinus Silicone ear tips to enjoy the BQEYZ CLOUD at its best. Just like the thunderous Clouds that drench and cool mother earth, BQEYZ CLOUD in a similar manner shines, sparkles and drenches us with its unapologetic bright neutral sound tonality and cools and calms us with its excellent soulful vocal rendering ability. We at Aural Cafe would definitely love better-tuned lows and a bit more warmth across the frequencies but if you are in the market in search of an IEM with excellent vocal rendering ability along with bright neutral sound tonality then we would like you to get a set of BQEYZ CLOUD IEMs.

Non-Affiliated Link: -
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jreqtech

New Head-Fier
A Casual's Review of the Cloud
Pros: - Above average build quality
- Excellent clarity
- Instrument separation is excellent
- Decent bass and soundstage
- Decent amount of extras for the price
Cons: Bright-sounding, can become shouty depending on the audio being played
Disclaimer
Please note that I am not an audiophile, and this review does not delve into the technical aspects of the IEMs. My impressions are based on my personal preferences, and others may have different experiences with this product. I also have a very limited experience with audio products so please take this review with a grain of salt.

The BQEYZ Cloud was lent to me as part of a review tour in the Philippines.

Price: 169 USD
Link: https://hifigo.com/products/bqeyz-cloud (not affiliate)

Part 1: General Product Details

Package Inclusions:

  • IEM shells & cable
  • Carry case
  • 6 pairs of eartips
  • Cleaning brush
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The IEM Shells
  • Beautifully colored in metallic green, the Cloud is made of cnc-ed aluminum, the faceplate has 2 parallel lines running through it horizontally
  • The underside has a word for each earpiece: BQEYZ on the left and CLOUD on the right
  • The earpieces each weigh 5.6g, not too light and not too heavy
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The Carrying Case
  • A basic soft carry case with the BQEYZ logo debossed on the top and zipper to open and close in the middle.
  • It has a netted lid compartment just enough to fit the included BQEYZ eartips and cleaning brush.
  • It’s a little shallow so it might be wise to not cram too many things into it.
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The Cable
  • The cable is pearlescent that terminates with a 3.5mm jack and 0.78 2-pin. There are other available variations of this cable with 2.5mm and 4.4mm available when purchasing the set
  • The chin clinch and splitter are made of plastic.
  • The cable has “memory” so be careful when storing it, as it tends to bend that way after.
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Part 2: Subjective review
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General Usage Impressions

  • The fit is comfortable, and all the eartips I had in my possession were able to give me a good enough seal.
  • The cables have memory, and are not very well behaved. I had a hard time organizing them for product shots.

Sound Impressions
  • Using the provided BQEYZ-T2 foam eartips muffled the brightness of these IEMs, but at the expense of soundstage and bass. It felt a bit cramped for me so I switched to the Divinus velvet wide bore eartips, and while the soundstage felt wider, the brightness came back harsher than ever. I opted to use my trusty Spinfit CP100s, which struck a balance between them.
  • With songs like A Long Fall by Masayoshi Soken (FFXIV), the male vocals are overlapped by the instruments on the higher frequencies
  • In Tomorrow and Tomorrow by Masayoshi Soken (FFXIV), Amanda Achen’s vocals ring clear, and there is distinction between the background voices. In the later part of the song, the piano instrumental starts sounding sibilant as it seems to fight for dominance against the vocals.
  • Hatena by Penguin Research is a busy and challenging track for some of the IEMs that I’ve tried, and the Cloud had great instrument separation
  • The sound effects for games are brighter, but the clarity, details and soundstage are excellent in competitive games to pinpoint where enemies are coming from.


Final Thoughts

In the first few days of using the BQEYZ Cloud, I hated the bright tuning. I then set it aside to review the Hidizs MP143 Salt (find it on my profile). But as I came back to this and listened to it for a few weeks, I started getting used to the tuning, and loved listening to the details and clarity of sounds.

I told a friend a week ago that “this is hardly worth 169 USD,” but I have to admit that I was wrong, the BQEYZ brings to the table excellent clarity for higher treble, and an immersive soundstage that’s definitely worth the price!

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RK Turan

100+ Head-Fier
BQEYZ Cloud
Pros: • Looks

• Unboxing experience

• Good Bass

• Clean Mids

• Comfort

• Sparkly yet non fatiguing treble
Cons: • Bass needs more rumble and speed

• Mids feels inorganic

• Not for Bass heads

• Highly dependent on copper cable
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Disclaimer
I got this product as a review unit from BQEYZ. Except from the review unit I did not receive money or any other necessities to influence the review in anyway.


This is my honest and unbiased opinion on BQEYZ Cloud. My likes and dislikes on this IEM are based solely on my own personal experience.


If you're interested in buying BQEYZ Cloud checkout AliExpress.



Packaging

• BQEYZ Cloud drivers
• 3 Pairs of eartips
• Mixed Cable
• User Manual
• Cable organizer
• Carrying Pouch


Specifications

Dynamic Driver: 10mm
Impedance: 32Ω
Sensitivity: 110dB
Frequency Response: 7-40kHz
Cable Length: 1.2 meters
Pin Type: 0.78mm-2Pin
Plug Type: 2.5mm, 3.5mm, or 4.4mm
Cable Specification: Coaxial mixed Cable


Design & Build Quality

Design wise, I'd say it's a stylish looking IEM. The drivers are good looking. Has two stripes curved in-between. The borders are metal coated and reflective blue painted, and they look really good on bright days.

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The carrying case is practical and protective. The zipper works well. Design is minimalistic.

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The cable also looks pretty, got a bright white tone. SPC cables mostly turn dark or yellowish in tone. But they claimed the cable to be a mixed one, so don't really know how it will end up.

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Comfort

Didn't feel any discomfort during the listening sessions. Has enough breathing room for my ears. But may fall off on intensive workout.


Sources

• EPZ TP30
• Moondrop Dawn Pro
• DDHIFI TC44C
• Questyle M15

I would suggest to pair a neutral or warm sounding source.


Pairings

Eartips:

• Stock
• Final E (Black)
• Spinfit CP100+
• Tri Clarion
• Kbear 08
• Dunu Candy

I personally prefer dunu candy tips with them. Except wide bore and final e (black) most others will work fine.


Cable:

• Stock
• Kbear 4 core copper
• TRI Through SPC

I highly suggest you to use a good copper cable as it really changes how it sounds.

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Sound Quality

It's a mid-range focused IEM, a bit boosted on the sub bass. Has a relaxed but really sparkly treble section. Has a good amount of energy on the upper mids.



Sub Bass

Sub Bass on this is quite emphasized compared to the Mid Bass. I checked out the graph of winter next to the Cloud, and it seemed to me that the Winter falls short when it comes to bass quantity. The sub bass is rumbly, but not as much as I'd prefer. Doesn't hit that deep either. But details are intact even on the busiest tracks. As the Sub Bass is more emphasized, it plays the more important role in the bass section.


Mid Bass

Your perception might be that the mid bass is less emphasized, even lacking in a sense. But the quality it provides is undeniably good. It has enough tightness and decent texture. Bass attacks are great but decays too soon. The bass section is natural doesn't bleed with the mid-range.



Mid Range

The mid-range of cloud is done really well. It's really clean thanks to the controlled mid bass. It feels lively and engaging. But there's one caveat though, with the stock cable, the mid-range feels quite inorganic. I cannot say what could be the reason, but it is what I've noticed, The Midrange feels inorganic and a bit unnatural using the stock cable. But after being with a copper cable, the mid-range became rich and gets a bit organicness.


Male Vocals

The male vocals on cloud sounds nice. Male vocals has that richness that we all like. I missed that sweetness a bit. Textures are smooth, the details are there. Male vocals sound great while ascending. Could be better here, but not bad overall.


Female Vocals

Female vocals sound good as well. Thanks to the airiness on the back, shouty female vocals don't creat fatigue. Even though the "ss/shh" sound is severely noticeable on some tracks, it's not that bothering in most scenarios. Husky vocals sound best on them.


Treble

The treble section is difficult to explain. Let me tell you why, the treble on cloud is really sparkly, but surprisingly never creates fatigue! String instrument are benefited the most by this. They never sound blunt. They sound how they actually should sound. On the upper part of treble I can sense all the airiness. It's really airy yet again non fatiguing. It's tuned really well in this region.


Instruments

Mids and treble instruments sounds the best on cloud. Bass instruments sound decent as well, but I feel like the other twos are way better. Seperation between each instruments are distinct. High hitting drums sounds great, except the impact decays faster than I'd like. String instrument like acoustic guitar, violin and ukulele sound how they should. Piano sound soothing as well, except lacks a bit of bass here. I really enjoyed listening to drums and guitars on them.


Imaging & Soundstage

Cloud is decently wide, provides a out of the head experience. The airiness makes this feeling even better. Imaging is pretty accurate. Has a proper depth, which helps in overall imaging.



Why should you consider it

• If you like treble

• If you liked design

• If you have mild treble fatiguing

• If you love instruments

• If you like mid centric sound

• If you want good soundstage and imaging



Why should you look elsewhere

• If you want decent amount of bass

• If you like sweet mid-range

• If you don't have any intention of changing the cable

• If you specially like impactful mid bass

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Verdicts

I personally liked cloud and I think most audiophiles would appreciate the sound if they're using the same pairing and system that I'm running with. But they're some key factors which can be deal breaker for many, which I have mentioned. Let me know in the comments below if you have any questions or any comparison in mind that you want to talk about.


As always thank you for reading all the way! I'd love to hear your thoughts on this IEM. I'll be back with another review soon.


Until then,

Keep on listening ·͜·
Last edited:

fisherc6

New Head-Fier
Clarity off the charts!
Pros: Very energetic listen
Definitely for treble heads
Plenty of solid bass to balance the treble
Cons: Too bright for some ears
Cloud:
Upon firing them up, I was struck immediately by how much air and glass clear crystalline quality they had. I did not hear much bass at the outset and with use, the bass became more pronounced, to the degree that they became far better balanced than I initially thought. So, it would appear that it takes a bit of break-in time and as I discovered later, POWER. Overall I would describe the Cloud as bright with balance. Bass is impactful and ever present. Midrange leans toward the upper midrange for clarity of voices, especially female voices. Though, men’s voices may sound a tad thin as a result. And then there is the treble. Sharp as glass, shimmering and beautiful. If I’m being honest, this tuning is not my favorite tuning for a headphone or IEM, but it does astonishing things to the soundstage. Width is immense, depth is satisfying and instrument separation is on point. Plenty of realism in that department. One happy accident I discovered, these IEMs love TUBES! I plugged them into my Woo Audio WA7 Fireflies Gen 3, and they SANG. This is where I discovered that power is an essential. They may not need it up front, but it’s good to have extra power on tap for those demanding passages. In all, if you’re looking for a crystalline, shiny, clear sound, Cloud is for you.

Build quality is on point. Machined aluminum enclosures with beautiful anodized finish, which comes in black and what BQEYZ calls cyan. Get the Cyan. Stand out a bit. The feel and fit and finish is spectacular, with beveled and polished edges. I absolutely love the construction.

Accessories:
-Six pairs of silicon tips (3 Referencel, 3 Atmospheric). I tried out the Reference tips and did not get to try the atmospheric tips. I settled on listening with my Penon Liqueur Orange tips. It was an excellent pairing.
-1 pair of foam tips
-Silver plated copper litz cable, available in both 3.5mm and 4.4mm termination
-Storage and transport zipper case, semi-hard construction. It’s an excellent case. It fit all the tips, cable and IEMs perfectly

Driver technology: 10mm Dynamic driver

shntrkr

New Head-Fier
mother of pearl cable elegance
Pros: rich content
clean female vocal
good resolution
comfortable design
wide stage
Cons: bass is low
high treble
scratchable material
Audio Geek Türkiye Group; We have BQEYZ Cloud, which was sent to me as part of the Türkiye Tour.
I thank them very much and I will try to convey what they offer in my own language.


What's offered in the BQEYZ Cloud box
Headphones made of aluminum
A stylish cable in pearl color
12 silicone tips and 2 foam tips
cleaning brush
carrying bag

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Resources Used
Btr 5 Btr 7 XU09 LG V30

There is a clean treble separation, led by the vocals. The trebles can shine in some high frequencies.
The transitions are clear and the separation of instruments is felt, the stage is very nice, it is enjoyable to hear the cymbals very clearly on the drums.
However, the bass is not full enough, and although it has extension in the lower range, I did not find it to have enough punch.

Comfort: You can adapt any combination with the 12 silicone and 2 foam three that come in the box. It fits the ear very comfortably and does not tire. Even though it looks heavy, it feels light.

Bass: As a bass lover, I could not find enough punch in this product. Yes, it responds quickly, but it is not satisfying.

Treble: Although this treble separation was very good in such a comfortable and airy product, it was a little too much. There were moments when the sparkles in the upper frequencies were enough.

Mid: The voices feel detailed, airy and close. It suits female vocals very well. However, if the voice is a little high :) and our vocal is Soprano, lower the volume :) don't be discouraged.
He didn't apply the same tone to male vocals.
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Conclusion: If you prefer a device that can make good stage separation, hear instruments in detail, present vocals, especially women, smoothly, and have detailed and clear trebles.Cloud may be an option for you. Thank you.

Asta GunaReview

New Head-Fier
BQEYZ Weather Series Cloud–Fresh as a Morning Breeze
Pros: +Neutral Bright-ish Done Right
+Fast And Tight Bass
+Clear, Airy Vocals
+Crisph, Well Extend Treble
+Wide Soundstage
Cons: -Bass Is Lack Rumble And Texture, But Changing Eartips Help Add The Missing Texture
-Cables Not My Liking, I Much Prefer The Winds Cable
BQEYZ never disappoints with IEMs. I loved the Wind IEM for its fun, dynamic experience and out-of-this-world bass experience with its bone conductor driver. Now, I'm trying another IEM from their Weather Series–called 'Cloud'. Unlike the Wind with its emphasis on bass, the Cloud is the complete opposite. It boasts airy treble and it has excellent vocals..




Let's Start with Packging, Accessories & Cable:



Bqeyz Cloud provides many accessories In the box include:
• IEMs (Driver)
• Cable (3.5mm)
• Eartips (Atmosphere, & Reference)
• Hard case
• Cleaning brush
• Manuals
• Cable Organizer



The cable is lightweight, which some might prefer. However, those who like thicker braided cables might find this one a little less appealing (that's just personal opinion).



Design, Build Quality and Fitting:


lets talk about this first–'The shell' of this IEM is absolutely gorgeous. mine comes in a beautiful cyan color, the shell made of CNC-machined aluminum its sure will last long and looks very sturdy.. the fitting in this Iems quite good, the shell doesn't have sharp corner and it's not big kind of shell–feels and sit comfortable on my ears.

Set-up i'm using:



·I change the Cable to 'occ' (adds body to vocals and overall sound, with OCC wires that I find preferable)
·Softears UC (improve the sound overall, also makes the vocals more lush and add more crisp to the treble and refined the bass more tighter)
·LG V60 Phone (neutral sound signature with ES9219 DAC chip that easily drives any IEMs)

Sound Quality:
Cloud leans towards a neutral-bright sound signature that's surprisingly fatigue-free. As a treble enthusiast, I particularly enjoyed this aspect.

Bass: The bass is still present and enjoyable, though it might lack some texture.. for me the bass benefits significantly from changing ear tips like the Aet08 for added some missing texture and for more refined i preferred softears uc, the bass slightly more puncier and pretty tight and–This maintains a balanced to overal sound.. Tested with song ~Muse "Dead Inside", Tool 'Tick & Leeches"

Mids
: The vocals are simply superb–natural and airy, They feel like they're floating on a cloud, carried by the wind.. Male vocals surprisingly full-bodied doesn't sound thin at all, while female vocals are slightly more prominent with a hint of boost upper (not harsh or distracting at all, it add airy to the vocals). Tested with DPR IAN "Peanet Butter & Tears" and IVE "Either Way."

Highs
: The extended treble adds sparkle and vibrancy without sound harshness at all, Instruments like guitars the pluck sound engaging and righteous and 'clang' 'crash' from cymbal sound glassy enough to be enjoy for treblehead.. Tested with Nirvana's "Smells Like Teen Spirit" and The Police's "Walking on the Moon."

Technical Performance
:

Cloud impresses with its pretty wide soundstage and precise imaging. Vocals and instruments are well-defined and accurately placed within the spatial field... What i like on this iems is the natural timbre that enhances the impact of instruments and maintains clarity for extended listening sessions..



Pros: +Neutral Bright-ish Done Right
+Fast And Tight Bass
+Clear, Airy Vocals
+Crisph, Well Extend Treble
+Wide Soundstage

Cons: -Bass Is Lack Rumble And Texture, But Changing Eartips Help Add The Missing Texture
-Cables Not My Liking, I Much Prefer The Winds Cable

Conclusion:
BQEYZ Cloud lives up to its name, delivering a fresh and engaging audio experience. It caters to those who appreciate natural vocals and lively treble. With its balanced yet dynamic sound signature, the Cloud has earned a spot among my favorite IEMs. If you seek an IEM that excels in vocal clarity and treble detail, the BQEYZ Cloud deserves serious consideration.

My Rating:
- Low: ★★★★☆
- Mid: ★★★★★
- High: ★★★★★
- Technical: ★★★★✮ (4.8.5 /5)
{☆ 0.5 point, ✮ 1 point, ★ 1 point}
Last edited:
MotherX1
MotherX1
Nice review bro. I am also using lg v60.
Asta GunaReview
Asta GunaReview
@MotherX1 Thanks man! yap, this phones is soo great.. good power, very clean and has neutral sound.

cqtek

1000+ Head-Fier
Non-Cloud Sound
Pros: Excellent bass performance, great behaviour and execution, although not very powerful.
- Great treble tuning, with good timbre and extension.
- Clear and transparent upper midrange.
- Small, ergonomic capsules.
- Great capsule construction quality.
- Excellent value for money, with very good accessories, build quality and sound quality.
Cons: Guides over ears annoying.
- The first part of the midrange is somewhat thin and lean.
- Distance between the first and second part of the midrange.
Introduction

BQEYZ creations never follow the general trend, but their own. In this case, the BQEYZ Cloud is the second IEMS in the Weather series. The first ones were the Wind and the next ones will be the Rain and Mist. At first glance, there is a clear aesthetic difference between the two models. Internally, the Cloud uses a dynamic driver with a 10mm LCP diaphragm and a 6.8mm passive radiator. The Cloud's unique aerodynamic circulation system harnesses the power of the LCP diaphragm to perfect the internal air pressure. This synergy with the auxiliary diaphragm eliminates high-frequency prominence, enriching the separation of background music and imbuing vocals with exquisite delicacy and smoothness. The Clouds are manufactured from a lightweight and durable aluminium alloy using German 5-axis CNC technology. For the cable, a silver-plated monocrystalline copper coaxial conductor has been used. In its tuning, the idea presented with the Wind persists, although a little brighter and more neutral than with the Wind. But the idea of refinement around a curve that seeks clarity despite the name of the model prevails.

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Specifications

  • Driver Type: Dynamic driver with 10mm LCP diaphragm + 6.8mm passive radiator.
  • Frequency Response: 7Hz - 40kHz.
  • Sensitivity: 110dB.
  • Impedance: 32Ω
  • Jack Connector: Choice between BAL 2.5mm, SE 3.5mm, BAL 4.4mm
  • Capsule connection type: 2Pin 0.78mm
  • Cable length: 1.2m.
  • Conductor Type: Silver plated single crystal copper mixed coaxial cable.
  • Price: $169.

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Packaging

The BQEYZ Cloud comes in a relatively small, elongated case, measuring 183x91x67mm. Unsurprisingly, the main side is sky blue. A picture of the capsule can be seen in the top left corner. At the top right is the brand name, at the bottom the model name in large letters and at the bottom a description of the product in several languages, all in white letters. The back side has a white background, the text is black and written in three languages are the product specifications. At the bottom there are the brand's branding and various icons. After lifting the lid there is a white cardboard flap. Underneath is a white foam mould containing the capsules. On the second level there is a box with accessories and the brand's classic zippered case. The tips come in a metal blister pack. There is also another pair of foam tips in a small plastic box. In summary, the complete contents are as follows:

  • The two BQEYZ Cloud capsules.
  • A metal blister pack with two sets of three pairs of SxMxL Reference and Atmosphere silicone tips.
  • One cable with 3.5mm SE connector and 2Pin 0.78mm interface.
  • One cleaning brush.
  • One zippered case.
  • A pair of foam tips.
  • One user's guide.
  • One warranty certificate.

BQEYZ proves that you can sell small but complete packaging. One of the few brands that continue to accompany silicone tips. As always, a good zippered case, a good cable with three terminations to choose from. Finally, the colour of the capsules can also be chosen between black and cyan.

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Construction and Design

BQEYZ has created a different design for the Cloud. It is a lightweight metal capsule in aluminium alloy whose external shape resembles a slanted rectangle with all corners rounded. It shies away from a more classic triangular shape, creating a smaller, flatter size. The outer face has two diagonal grooves. Although the colour is black, the bevel on the outer rim of the capsule is blue, giving a very elegant, as well as striking, touch. On the lower edge of each capsule you can read the brand name (left capsule) and the model (right capsule) in white letters. The upper edge has a small protrusion where the 2Pin 0.78mm connection interface is mounted. On that same face, at the end, reaching the edge, there is a small, elongated and narrow groove. The inner side is flat, barely shaped, with only a slight slope towards the nipples. In the centre is a white circle, inside which is the letter indicating the channel. Above it, on the way to the rim, there is a hole. The nozzles are made of a shiny, polished metal material and are mounted on a slightly inclined base. It has a conical shape at the start, a minor diameter of 5.1mm and a crown of 5.8mm. The approximate length is 5.3mm. They are fitted with a dense metal protective grille.
The cable is quite simple, consisting of two coiled strands with a transparent PVC coating. The conductor is silver plated and looks pure white. The plug sleeve is a straight grey metal cylinder. It is engraved with the brand name lengthwise. The plug of my model is a 3.5mm gold plated SE plug. The splitter piece is another smaller cylinder of the same shape and also engraved. The pin is a metal ring of the same type, with an oval hole inside. Its diameter is precise for a secure fit, as it does not slip easily, holding its position effortlessly. The sleeves of the 2Pin 0.78mm connectors are straight grey cylinders, matching the other parts of the cable. They have a groove near the cable exit, they are also rounded in this area. There is a circle inscribed with the letter informing the cable channel on each one. At the outlet there are guides on transparent ears. Finally, the cable has a black Velcro strap.
Elegant and subtle design of the capsules. More contained size, light weight and ease of use. The cable looks simple but effective. There is a choice of three terminations. I would have preferred a pure copper cable, rather than silver plated.


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Adjustment and Ergonomics

The capsules are small and despite their metal construction, they are light. Although they have hardly any curved shape to suit our morphology, as the inner side is rather flat, the ergonomics are very good due to their small size and rounded edges. Also contributing to an excellent fit is the angle of the mouthpieces. It could have been slightly longer, with a narrower channel and the insertion could have been deeper. But the nozzles are relatively wide, so the insertion varies between medium and shallow. It is true that it may be necessary to look for the right tips to find the best fit. The shape of the capsules allows rotation until they are seated in the pinna. Once fitted, the capsules float on top of my ears. The critical point is the over-ear cable guide. At the exit of the connector, it has a sharp angle that rubs against my ears. A pity that ruins the good fit of the capsules.
On the other hand, with the right tips, the sound insulation can be quite good. Likewise, the fit can be fixed and durable for everyday use, even for light sport.


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Sound

Profile


The BQEYZ Clouds have a rising W profile, with excited upper midrange, neutral bass and slightly controlled, but extended treble. You could say that they are predominantly mid-centric, but there are many similar profiles that are not purely mid-centric. Also, I can't consider a profile with a polarised midrange like the Cloud to be mid-centric. At the moment, I am finding two main groups of tunings: the smooth and descending tunings, with noticeable bass presence, with upper midranges and smoothed trebles. On the other side are the more twangy and splashy profiles, with a clear difference between lower midrange and upper midrange. The Clouds are in that second half. Finding the balance within this frequency response depends on many factors, but 12dB of distance between the lowest and highest point of the midrange is enough of a jump to demonstrate such a difference.


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Bass

The Cloud's bass is relatively neutral in power. Slightly emphasised in the sub-bass, they have a fairly linear low end towards the midrange, but without too much power, maintaining a bit of energy, enough to stand out from the neutrality with some grace. It's not at all a remarkable presence, though I can't call it a skinny bass. The hit is very compact and dry, with a low roughness and smooth texture. As it is quite fast and fades very quickly, it does not linger long in the room, limiting the sense of volume and presence. It is not a very deep bass, but rather well centred and extended, allowing its timbre to be quite natural. Nor does it feel displaced or boxy, but is well represented throughout the entire range, something that enhances that realistic colour that allows it to complement the whole sound in the right way, demonstrating that neutrality is not only achieved with a midrange energy level, but with a correct and complete tuning of the lower range. As expected, the test of pure tones of very low presence demonstrates an almost perfect behaviour. The audible end is composed of a very realistic sensory and audible vibration, with a low undulatory character. It is light, but a very natural and pleasant execution is perceived, not at all forced, very well represented. The final result is almost reference-like, quite pure. The translation into real music allows for such a natural timbre, as well as a full and compact range, very well endowed technically. Thus, the bases are precise, dry, very well defined and completely delimited. In the dirty, unfiltered bass test, the Clouds transform the most complex passages into very well-defined and well-defined bass lines, turning them into controlled and unproblematic situations. The bass never seems to overdrive and always remains tight and tight, it can only sound a little more raw or rougher in texture, which makes it even more appealing, if that's possible. It is adept at layering, layering bass lines and separating kick drums from the deepest of bases. Again, it's an academic bass, very polite, slightly more powerful than neutral, but highly descriptive and complete. Too bad it doesn't have more energy at this level of playing.

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Mids

The midrange starts with a slight warmth that comes from the full bass range. That gives the Cloud a slightly broad harmonic base, which starts well from the bottom. However, that doesn't detract from the fact that the first half of the midrange is light, relatively lean and presented in the middle distance. Thus, although the male vocals feel well-executed and full, they remain far from the forefront of the sound. Instrumentally speaking, this lack of presence contributes to a sense of hollowness, a lack of body and physicality. This perception does not disappear when the volume is turned up, as it increases the imbalance between the lower and upper midrange. This is how many nuances are superimposed on the elementary base of the instruments, sounding slightly unreal and forced, unbalanced in their presential position in the scene. As a result, elements with less weight in the music sound above the male voices. However, the timbre remains quite natural, although the portrayal is somewhat soft and lacks density. On the other hand, the women's voices feel much fuller and better supported. On the other hand, oddly enough, this is not a completely splashy or excited sound, a certain softness and warm nuance persists. This manages to rid the sound of sibilance, adding a clear sense of musicality that counterbalances the fizz of the more volatile elements and details. But, the sound is distinctly eloquent, feeling projected, expressive and evident, offering a sense of dynamics of the more superfluous nuances and notes. I keep noticing that imbalance between the fundamental base and the details. There is clarity and separation, transparency and openness. But the midranges still seem soft to me despite the technical effort and richness of detail.

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Treble

The top end is expressive, energetic but not overly pungent. Given the origin of a dynamic driver that is not very analytical, the thickness of the notes is mid-fine and, despite its elevation, the crispness is limited, controlled at that peak. This is because the treble is non-linear and alternating zones of control manage to counteract all the energy. However, the Cloud maintains a moderate extension of that power, stretching the treble into the air zone with ease. This results in a fairly realistic, even advanced, representation of the upper range that doesn't sound nuanced or clipped. The Clouds achieve a good level of shimmer and sparkle without sounding piercing or deliberately sharp, keeping in line with the rest of the tuning, but sounding remarkably refined to demonstrate that the upper range is one of their best assets by sounding full, detailed, informative, explicit, full, natural and pleasing.

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Soundstage, Separation

The Cloud scene is not very deep, nor elongated, it feels quite rounded. There are many elements close and others in the middle distance, generating a somewhat more intimate scene feeling, where details feel very volatile and vivid. The closeness of these elements, mixed with a gaseous spot, makes for an immersive sensation quite close to the head, where there is a persistent laterality and height, as well as an elevated zenithal sensation. The result is a bubbling scene close to the head, but open all around, achieving an overall perception close to 360 degrees.
The sound is quite clean, but not the first of its kind, not a purely analytical sound. There is a certain minimally cohesive level of musicality that makes it not so cold, detached or transparent. Thus the background is not so black, not so distanced, yet the level of detail is easily micro. The tiniest nuances can be easily observed because of this closeness. But they lack a little more depth and distance to obtain that full distance that separates all the notes more widely. Undoubtedly, it is a close, enveloping, surrounding, volatile image, where the elements feel close, although they have a certain gaseous representation, even very well defined and resolute.

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Comparisons

Rose Technics QT9 MK3


As far as I have been able to see when comparing frequency responses, the most usual thing to do would have been to compare the BQEYZ Cloud with the Simgot EA1000 with the Red filter. But, I have seen that this comparison has been tackled by several reviewers before me. So I decided to make a comparison with another model: the Rose QT9 MK3. Priced at $186, the QT9 MK3 are 1DD+4BA hybrids that maintain a traditional shape within the QT9 saga. It is certainly the lowest bass model in the line-up. On the design side, the capsules of the QT9s are made of resin with an aluminium alloy outer panel. They are quite small, somewhat smaller in size than the Cloud and also lighter. Somehow, Rose Technics has rectified the situation and there is now a choice between MMCX and 2Pin 0.78mm interface, which I welcome. The QT9 accessories are numerous, including a number of tips, a good case, a 6.3mm adapter, grilles, clamps and even a dongle. The BQEYZ range is on the same level, in my opinion, because I find the cable better and the zipped case more practical. In terms of ergonomics, I like the slightly more floating fit of the Cloud, while the QT9s fall a little short in the size of the mouthpieces. This means that they fit more snugly in the bell, but the final fit is shallow, being on the borderline of sealing, depending on the tips used. The problem with the Cloud is the curve over the ear that the cable has, it bothers me and that is something that reduces the final comfort over time.
QT9s are more sensitive than Clouds. The QT9s are more mid-centric than the Cloud because of their lower bass presence and more limited treble range. Both have a clear emphasis on the upper midrange, but resolved in a different way, due to the QT9's 1DD+4BA drivers coming into play versus the Cloud's 1DD+1PR.
The Cloud's bass is fuller, with a deeper, more perceptible sub-bass. The QT9s are more neutral, with less energy and less impact within the sound. Technically speaking, both are very good, but the QT9s feel more coloured, as opposed to the overall noticeable behaviour of the Clouds. The QT9s are a bit drier and more restrained, their neutrality gives them a bit more speed and control. But I prefer the colour and timbre of the Cloud, with a rougher and more pleasant textured feel. Good bass on the technical and skilled side of things, but with a naturalness better achieved in the Cloud.
Both Cloud and QT9 suffer from the same problem in the first part of the midrange: both are thin, lean and light in this initial range. The base has low physicality and body, the density level is low. However, there is a bit more warmth and fullness in this part of the Cloud, which makes the timbre more natural and less bright. The midrange behaviour, in general, is obvious. The QT9s are more technical, cooler and more analytical than the Clouds. The notes are thinner and sharper on the Rose, with the thinner, more crystalline timbre of the BA. The QT9s are more explosive and vivid in the midrange, something that is exalted in the upper mids and upper treble. They offer superior speed, more dynamics, greater transparency and distance, in the sense that their thinner notes are more distinguishable from each other, creating more distance between them. The Cloud sounds quieter, somewhat more musical, not as incisive or penetrating. They are somewhat more confident, but also less resolute, though advantageously less sibilant. The QT9s are demanding in these upper midranges and first highs, offering a great deal of information in a very short time, which makes them very explicit IEMS. That makes their level of detail very high. It is capable of shelling out micro detail by expanding it horizontally and separating it from the rest of the notes and nuances. The Clouds are pretty good at detail as well. But the level of exposure and the way they are rendered is very different. You notice that quietness that exists in the Cloud, as if everything is slower. The QT9s are energetic, everything is going faster, shelling out more music than there is. So you see those highs, a bit more natural on the Cloud, with a tuning that I find more appropriate. Whereas the QT9's are more profiled, crisp, lifted, energetic and thin. There may not be as much extension. But the treble brightness is superior, as is their projection and incisiveness, giving that cooler, more crystalline feel.
The QT9 scene is close, with all that detail and sound coming in at speed. It's also gaseous and volatile, generating that surrounding sensation. It's not too deep, it's a bit wider, so the result is more spherical. The Cloud have quite a bit of that, but they're more sedate and deeper, something that gives them a bit more separation from the listener, taking a bit more perspective and middle distance. In this way, they also seem a little wider, though the separation isn't as great, and they feel slightly more cohesive than the sharp, profiled QT9s.
You could say that the BQEYZ Cloud is the safe version of the Rose Technics QT9 MK3. Or that the QT9 MK3 are the analytical, cooler and more resolute version of the Cloud. These are two ways of looking at things, starting from a profile that is already, in itself, somewhat excited in the upper midrange and first treble.

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Conclusion

The BQEYZ Cloud is the second IEMS in the Weather series that started with the excellent Wind. The brand continues in its line, shying away from current trends and remains focused on pursuing its own perfect FR. To do so, it uses the base of the Wind and excites the profile in the bass, upper midrange and treble. As usual, BQEYZ likes to experiment with drivers and although the current configuration is not new, the brand often uses that performance to guide it in its pursuit of interest. The Cloud uses a 10mm LCP dynamic driver + 6.8mm passive radiator, which has been directed to the second half of the sound, rather than boosting the bass. This results in a very clear, transparent sound, while maintaining musicality and a hint of warmth. All this far from the cloudiness that its name suggests. BQEYZ once again boasts a very clean, articulate, dynamic sound, with a good level of detail, great on stage and obvious in image. Without a doubt, the BQEYZ Cloud is a more neutral and explicit alternative, within the current trend, where softness, more bass and a darker profile persist, where performance, resolution level and the excellent quality/price ratio are other strong points, in addition to the sound, construction level, ergonomics and accessories.

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Sources Used During the Analysis

  • EPZ TP50.
  • Tempotec V3.
  • Burson Audio Playmate 2.
  • Aune X8 XVIII Magic DAC + EarMen ST-Amp.

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BQEYZ offered me this model, in exchange for writing an honest review. I want to make it clear that all my opinions written in this review have not been conditioned by this fact, nor will I ever write anything that I do not really think or feel here. I will only write about my personal opinion in relation to the revised product.

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Purchase Link

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You can read the full review in Spanish here

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MuddyCrab

New Head-Fier
A little too high up in the clouds for me | BQEYZ Cloud Thoughts

Disclaimer:​

I’m a basic bitch and only use Youtube Music for 90% of my listening. Take everything I say with this in mind and please don’t come after me for being a normie. This is purely from my silly little point of view, of which you might be interested in.

Gear Used:​

Streaming Platform: Youtube Music Premium(set to always high)
Dongle: USB to Lightning JCALLY JM08L

Box:​

The first thing I have to talk about is the included cable which I've been loving so far. It might be a little silly to put so much weight into a cable but for someone like me who listens to music on the go moving about in the office and also as someone who wears glasses these things have been super comfy to wear around. The ear loops part is super thin making it easy for optically challenged folks like me who need glasses at all times. It also comes with 2 kinds of ear tips for you to choose from which they call “Atmosphere” and “Reference”. I found Atmosphere to sound nice btw and it's the one I used most of the time.

There’s also a nice little zippered hard case inside that’s wrapped in some faux leather. The case is roomy enough that you can coil the IEMs pretty loosely and just shove it in without any concern for weird bends and kinks. There’s also a little pocket on the top side where I was able to fit 2 dongles and a little portable DAC. The case all in all is pretty nice and can easily accommodate a portable setup for you to bring along and not just enough space for IEMs at a reasonable footprint that you can fit in a backpack pocket or little fanny pack without taking up too much space for your silly little vape.

Build:​

The detail and finish on these is honestly a work of art in simplicity. They resemble small jewels you’d find in earrings. The simple shape and minute details paired with slightly pale blue color just gives it this air of classiness that I just adore. They definitely reflect their premium feel without being too loud(Pun always intended).

Speaking of feel, they’re also light and comfy on my ears. They have a nice small footprint that feels just about right when I wear them and they don’t feel like they’re wearing down my ears at all. It’s pretty easy to forget you’re wearing them and just let them melt into you.

Sound:​

Honestly when I first tried them they sounded very nice and balanced but as I listened to more and more songs I began to notice how shouty it can sound sometimes. Songs like Beautiful Things (acoustic) - Benson Boone and Koshaberibiyori - FantasticYouth were super tough to listen to at times and I don’t just mean at the super loud parts when they’re belting but also during some of the piano parts. I don't normally have that issue with other pairs so I found it more noticeable this time.

They do offer some nice spacious sounds at times when you get a song like La La Lost You (Acoustic Version) - NIKI and it makes the gentle nylon guitar strings sound even more melancholic than usual. In terms of bass they definitely have some but they have kind of a whoofy quality to them. They’re clearly moving air and it’s not muddy or overbearing but it sounds more airy rather than a nice tight oomph.

Nitpicks:​

It feels like it’s priced a little high to be honest. At $169(nice) It’s a bit of a hard pill to swallow if you’re like me and didn’t exactly vibe with the overall sound.

Final Thoughts:​

If you like listening to gentle acoustic songs or some casual indie and folk then these offer the right stage for them but if you feel the need to have an emotional breakdown as if you weren’t already in a happy relationship then this might be a tough sell for you.

P.S. I'm sorry if I don't use audiophile terminology. I'm not really familiar with them to begin with and I like describing things in a way that even my non-technical friends can understand.

thought of Coffee

100+ Head-Fier
Breakdown of BQEYZ Cloud
Pros: - Vocal centric IEM
- Very clean presentation
- Excellent clean vocals
- Clean , detailed and well extended treble
- Secure fit and very comfortable
- Solid build and simple design
- Good soundstage and imaging
- Very good instrument separation
Cons: - Not for bassheads
- For good sound need a neutral-warm soure
- Whose who have problem with hiss in treble should listen them
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Disclaimer:​

Thanks BQEYZ for sending Cloud as a review unit. They didn't provide me anything to influence this product. I will be unbiased and share my thought about BQEYZ Cloud

I would like to mention one more thing:This review is based on my personal music preference and sources cause music preference varies person to person and sources

If you want to buy one of this visit BQEYZ official store:https://bqeyz.aliexpress.com/store/1101322858?spm=a2g0o.productlist.main.2.7041a1b9P1I65u or you are from Bangladesh contact with https://geekmartbd.com/

Technical Specifications:​

● Driver units: Dynamic driver+Passive Dynamic driver
● Dynamic Driver size: 10mm
● Impedance: 32 Ω
● Sensitivity: 110 dB
● Frequency: 7-40KHz
● Cable: 2 Strands silver coaxial cable (Single crystal copper wire 0.05x48pcs+ Single crystal copper silver plated wire 0.06x35pcs)
● Cable Length: 1.2m
● Pin Type: 0.78mm-2 Pin
● Plug Type: 2.5mm, 3.5mm or 4.4mm

Box Contant:​

● BQEYZ Cloud IEMs
● Silver-plated OFC copper cable
● Six pairs of silicone ear tips (S/M/L)
● One pair of memory foam eartips
● Ear tips holder
● IEM carrying case
● Cleaning brush
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Introduction:​

BQEYZ isn't too much popular or hyped in the market but they are well known among audio-philes for some of their great products. I like one thing about BQEYZ they named after their products environmental elements or related with nature.

Build Quality:​

The BQEYZ Cloud earphones boast impressive build quality, featuring a robust and lightweight CNC-machined aluminum alloy shell. The metallic construction not only provides durability but also adds a premium feel to the earphones. The high-precision 5-axis CNC machining process ensures a seamless finish, making them both aesthetically pleasing and resilient. Additionally, the earphones come with a variety of ear tips to ensure a comfortable and secure fit for different users. The overall craftsmanship of the BQEYZ Cloud reflects attention to detail and a commitment to quality, making them a reliable choice for daily use.
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Fit and Comfort :​

The BQEYZ Cloud is known for its comfortable and secure fit. The lightweight aluminum construction keeps them feeling feather-light in your ears, even during long listening sessions. The ergonomic design ensures a snug fit that conforms to your ear shape, preventing them from slipping out or causing fatigue. This makes them a great choice for anyone who enjoys listening to music for extended periods without discomfort.

Testing Sources and pairing:​

DAP:​

Planue R2

DAC Dongle:​

Moondrop Dawn pro
EPZ TP30
Fosi Audio DS1

Eartips:​

Dunu Candy:​

This tips was the tips for this IEM, it adds a bit more body and thump in bass , bring a bit more warmth in male vocals so they sound a bit more thick , at a time they provide comfort and Isolation.
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Sound Quality:​

Overall Sound Impression:​

This IEM delivers a nearly balanced yet very clean sound profile. They provide an adequate amount of bass that adds depth without overwhelming other frequencies, making them suitable for a wide range of music genres. The vocals are crystal clear, which is particularly beneficial for vocal-centric tracks. The treble is well-extended, adding a touch of sparkle to the overall sound without being harsh or sibilant.As a vocal-centric IEM, the BQEYZ Cloud excels in instrument separation, allowing each instrument to be heard distinctly. The soundstage is expansive, with great width and decent height, creating an immersive listening experience. Imaging is precise and accurate, ensuring that the placement of instruments and vocals within the soundstage is clear and lilifelike.

Bass :​

The BQEYZ Cloud earphones are well-regarded for their balanced sound profile, which includes an adequate amount of bass that enhances the listening experience without overwhelming other frequencies. While not designed to be a bass-heavy IEM, the bass quality is notable for its clarity and speed. Some listeners might find the bass quantity lacking, but this characteristic ensures that the bass remains clean and precise. This IEM's bass performance fits almost every genre, providing a solid foundation without sacrificing midrange clarity.

Sub-bass:​

The sub-bass of this IEM is well-bodied, offering a depth that enriches the overall sound without becoming overpowering. This aspect of the earphones ensures that listeners can enjoy the low-end frequencies that add fullness to the music. However, the rumble and punch of the sub-bass might not be sufficient for those who prefer a more pronounced low-end.
This IEM fatures a unique dual-driver setup, which contributes to its controlled and precise sub-bass performance. The main dynamic driver is responsible for the full-frequency response, while the passive radiator driver manages air pressure, ensuring a clean and crisp output. This design helps to suppress excess high frequencies, resulting in a more balanced sound that still provides a satisfying sub-bass experience.Despite its controlled nature, the sub-bass is impactful enough for genres that benefit from deeper bass, such as electronic dance music (EDM) and hip-hop. Tracks with heavy bass lines will still sound full and engaging, but without the overwhelming thump that can sometimes muddy the sound. This thing manages to deliver a sub-bass that is present and enjoyable, adding to the overall richness of the music without dominating it.Listeners who enjoy bass-heavy music might initially feel that the sub-bass lacks the visceral impact they are used to. However, the trade-off is a cleaner, more articulate bass response that integrates seamlessly with the mids and highs. This characteristic is particularly beneficial for complex music passages where clarity and separation are crucial. The sub-bass provides a foundation that supports the rest of the frequency range without drawing undue attention to itself.

Overall, the BQEYZ Cloud's sub-bass performance is tailored for those who appreciate a well-balanced sound profile. It adds depth and richness to the music while maintaining clarity and precision, making it a versatile choice for a wide range of genres.
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Mid-bass:​

The mid-bass performance of this IEM is another strong point, offering a punchy and well-defined sound that complements the overall listening experience. While some listeners might find the mid-bass thump less satisfying compared to bass-heavy IEMs, it excels in delivering a clean and detailed response that does not bleed into the midrange. This separation ensures that vocals and instruments remain clear and distinct, enhancing the overall sound quality.

The mid-bass provides enough thump for most genres, making it a versatile choice for various types of music. Whether you're listening to rock, pop, or classical, this IEM handles the mid-bass frequencies with finesse. The thump is present enough to give music a sense of energy and drive, but it remains controlled to prevent overshadowing other elements of the sound. This balance is achieved through the earphones' precise driver configuration and tuning, which prioritize clarity and detail over sheer bass quantity.For listeners who prefer a more aggressive mid-bass, this thing might seem a bit restrained. The mid-bass thump is well-integrated with the rest of the sound, providing a cohesive listening experience that highlights the strengths of each frequency range. This characteristic makes this thing suitable for long listening sessions, as the balanced sound profile reduces the likelihood of listener fatigue.

Test tracks used for bass: "Lose Yourself to Dance" by Daft Punk, "NoRoots" by Alice Merton and lastly "Kill Jill" by Big Boy .​


In conclusion, the BQEYZ Cloud offers a mid-bass response that is both punchy and controlled, making it an ideal choice for those who value clarity and detail in their music. While it may not satisfy listeners who crave a more pronounced mid-bass, its balanced and articulate sound profile ensures a high-quality listening experience across various genres. It’s mid-bass performance enhances the overall sound without compromising the integrity of the other frequencies, making it a versatile and reliable option for audio-philes.
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Male Vocals:​

Male vocals on this IEM are clear and detailed, ensuring that listeners can appreciate every nuance and texture in the singer’s voice. The clarity is one of the standout features, allowing vocals to shine without being overshadowed by other frequencies. This makes the BQEYZ Cloud an excellent choice for genres where male vocals are prominent, such as rock, pop, and jazz.When paired with the Dunu Candy eartips, the male vocals gain additional body and weight. These eartips enhance the low-end response, giving male voices a fuller and more robust sound. This added body provides a sense of depth and presence, making vocals sound more lifelike and engaging. The reverb effect provided by these eartips further enhances the vocal performance, adding a natural resonance that enriches the listening experience.Listeners will appreciate the way the BQEYZ Cloud handles male vocals, providing a clean and natural sound that captures the essence of the singer’s performance. The detail and clarity ensure that every word is easily distinguishable, making it easy to follow lyrics and enjoy the emotional expression in the music. The enhanced body and weight from the Dunu Candy eartips also add a pleasing warmth to the sound, making male vocals more captivating and enjoyable.

Test tracks used for male vocals:"Darling Pretty " by Mark Knopfler , "Time In A Bottle " by Jim Croce and lastly "What You Won't Do For Love " by Bobby Caldwell .​

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Female Vocals:​

Female vocals on this IEM are equally impressive, offering a clear, detailed, and bodied sound that captures the full range of the singer’s voice. The sparkle and airiness of the female vocals add a touch of brilliance to the sound, making high notes shimmer and stand out. This quality is particularly beneficial for genres like pop, classical, and acoustic music, where female vocals play a crucial role.The good extension of the female vocals ensures that higher frequencies are well-represented, adding to the overall clarity and detail of the sound. This thing manages to deliver a performance that is both engaging and natural, allowing listeners to enjoy the full expression of the singer’s voice without any harshness or sibilance. This balance makes the earphones suitable for long listening sessions, as the sound remains smooth and enjoyable over time.The bodied sound of the female vocals ensures that they do not sound thin or recessed, providing a rich and immersive listening experience. The clarity and detail are maintained across the entire vocal range, ensuring that every nuance and inflection is heard. This quality makes them an excellent choice for vocal-centric music, where the accuracy and naturalness of the sound are essential.

Test tracks used for female vocals: "Power of Love " by Laura Branigan and "Daddy" by Yeal Naim .​

Conclusion,This IEM deliver an outstanding vocal performance for both male and female singers. Male vocals are clear, detailed, and gain additional body and weight with the use of Dunu Candy eartips, enhancing the overall listening experience. The reverb effect provided by these eartips adds a natural resonance that further enriches the sound. Female vocals are equally impressive, offering a clear, detailed, and bodied sound with a touch of sparkle and airiness. The good extension in the higher frequencies ensures that every note is well-represented, providing a smooth and enjoyable listening experience.
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Instrument Separation :​

This IEM excellent instrument separation, which allows listeners to discern each instrument clearly in a complex mix. This feature is particularly valuable for music enthusiasts who appreciate the intricate details and nuances in their favorite tracks.

One of the standout qualities of this IEM is its ability to present string instruments in a lively and engaging manner. Whether it's the delicate plucking of a guitar or the rich vibrato of a violin, these earphones capture the essence of string instruments with remarkable clarity. This thing ensures that every string's resonance and every note's sustain are heard distinctly, adding a layer of realism to the listening experience.In busy tracks like Queen's "Bohemian Rhapsody," or "Immigrant Song" by Led Zeppelin this IEM shines by maintaining clarity and separation among the various instruments. These song, known for their complex arrangements and diverse instrumentation, serves as a perfect test for the earphones' capabilities. The BQEYZ Cloud handles the piano, guitars, drums and layered vocal harmonies with ease, ensuring that each element stands out without muddling together. This ability to keep instruments separate, even in dense mixes, highlights the technical prowess of this IEM .
The wide and spacious soundstage of this thing contributes significantly to its instrument separation. By creating a sense of space around each instrument, the earphones allow listeners to feel as if they are in the middle of a live performance. This spatial accuracy enhances the overall listening experience, making it more immersive and enjoyable. Instruments are not only well-separated but also well-placed within the soundstage, providing a realistic and three-dimensional audio experience.This IEM's dual-driver setup plays a crucial role in its ability to deliver such precise instrument separation. The combination of an active dynamic driver and a passive driver ensures that each frequency range is handled with care. This design minimizes interference between different frequencies, allowing each instrument to maintain its distinct sound. The result is a clean and clear audio output that retains the integrity of the original recording.Listeners who enjoy genres with complex arrangements, such as classical music, rock, and jazz, will particularly benefit from this IEM's excellent instrument separation. The earphones' ability to keep instruments distinct and well-defined ensures that every detail is audible, from the subtle brush of a cymbal to the rich tones of a cello. This level of detail and clarity enhances the appreciation of the music, allowing listeners to discover new elements in their favorite tracks.

In conclusion, the BQEYZ Cloud earphones excel in providing great instrument separation, making them an excellent choice for audiophiles and music enthusiasts alike. Their ability to present string instruments in a lively and engaging manner, coupled with their performance in busy tracks, sets them apart from other earphones in their class. Whether you are listening to the intricate compositions of "Bohemian Rhapsody" or the detailed textures of classical music, this IEM ensures a clear and immersive listening experience.
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Treble:​

This IEM excel in delivering an outstanding treble performance, making them a top choice for audiophiles who appreciate detailed and clear high frequencies. One of the most notable aspects of the BQEYZ Cloud's treble is its remarkable detail without being harsh, grainy, or sibilant. The earphones manage to capture the fine nuances in high-frequency instruments, such as cymbals and high hats, without introducing any unpleasant sharpness or excessive brightness. This quality ensures a smooth and enjoyable listening experience, even during extended use.

Instruments that typically reside in the treble range, like violins, flutes, and certain percussion instruments, are presented with a level of clarity and precision that is rarely found in this price range. This IEM achieves this by utilizing a unique driver setup that combines an active dynamic driver with a passive driver, which helps manage air pressure and frequency response effectively. This configuration allows the treble to extend beautifully, adding a layer of brilliance to the overall sound signature. Despite its detailed nature, the treble remains free of harshness or spiciness, making it suitable for a wide variety of music genres.The treble extension on this thing can be described as the cherry on top, providing a sense of air and space that enhances the listening experience. This extension ensures that high-frequency sounds are not abruptly cut off but instead decay naturally, adding to the realism and immersion of the audio. Whether you're listening to the intricate details of classical music, the sparkling highs of pop tracks, or the delicate nuances of acoustic performances, it delivers a top-notch treble performance that is both engaging and non-fatiguing. This quality makes the earphones an excellent choice for listeners who enjoy detailed and extended highs without the risk of listener fatigue.

In conclusion, the BQEYZ Cloud's treble performance is a standout feature that sets these earphones apart from many others in their class. The ability to deliver detailed and extended highs without harshness or sibilance makes them an excellent choice for a wide range of music genres and listening preferences. The carefully tuned treble ensures that high-frequency instruments are presented with clarity and precision, providing an immersive and enjoyable listening experience. For those who value excellent treble performance in their audio equipment, this IEM is a highly recommended option that will not disappoint.

Test tracks used for treble: "Pale Blue Dot"by Dream Theater and "Thunderstruck" by AC-DC.​

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Soundstage and Imaging:​

The BQEYZ Cloud earphones offer impressive soundstage and imaging, especially considering their price point. The soundstage has great width and good height, creating a spacious and immersive listening experience. Instruments and vocals are well-separated and positioned, providing a clear sense of direction and space. The imaging is precise and accurate, allowing listeners to easily pinpoint the location of each sound source. This combination ensures that this IEM satisfies most audiences with its performance, making it an excellent choice for those seeking high-quality audio at an affordable price.

Soundstage:​

This IEM boast an impressive soundstage, one of their standout features that significantly enhances the listening experience. These earphones offer great width and decent height, allowing listeners to enjoy a spacious and immersive sound environment. The soundstage creates a sense of space that makes music feel more engaging and lively, whether you're listening to a live concert recording or a complex studio mix.While the soundstage might not deliver an exceptionally superb 3D effect, it excels in providing a good holographic experience. This means that instruments and vocals are well-separated and positioned within the sound field, giving a clear sense of direction and placement. The ability to distinguish between different sound sources adds depth and realism to the music, making it more enjoyable and captivating.The combination of great width and nice height ensures that this qcan handle a variety of genres effectively, from orchestral pieces to modern pop and rock. The earphones' soundstage allows for a more natural and open listening experience, avoiding the cramped and closed-in feeling that some in-ear monitors can produce. This spaciousness, coupled with the clear instrument separation, makes them an excellent choice for those who appreciate a well-rounded and immersive audio experience.
In conclusion, the BQEYZ Cloud earphones offer a soundstage that is both wide and tall, providing a holographic listening experience. While it may not be the most three-dimensional soundstage available, it delivers a satisfying and immersive sound that enhances the overall enjoyment of music.
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Imaging:​

The BQEYZ Cloud earphones offer impressive imaging, particularly considering their price point. They excel in providing precise and accurate instrument placement, making it easy for listeners to identify where each sound originates within the soundstage. This level of detail enhances the overall listening experience, allowing for a more immersive and engaging performance.This IEM achieve this through a well-designed driver setup that ensures clear and distinct separation of sounds. Whether you’re listening to a complex orchestral piece or a busy rock track, this IEM maintains clarity and spatial accuracy, ensuring that no instrument gets lost in the mix. This precision in imaging makes this thing a great choice for audiophiles who value detailed and accurate sound reproduction at an affordable price.

In summary, it’s imaging capabilities stand out in its price range, providing precise and accurate placement of instruments. This feature enhances the overall sound quality, making these earphones a worthwhile investment for anyone seeking high-quality audio performance without breaking the bank.

Mobile Gaming Performance :​

This IEM isn't make for this but if you're a casual gamer it can give you proper support with it's clean sound also it offers precise imaging which will help ultimately to hear gunshot and foot-stape . I don't test too much cause I need a bit more bass in gaming.

Who should go for this IEM :​

- Who loves vocals
- Treble has good well extension
- Clean presentation
- Great instrument separation
- Comfortable fit

May look elsewhere if you need these :​

- If you are a basshead
- Like more fun sounding
- more spicy treble

This was my thought about BQEYZ Cloud. Let me know your thought about this IEM
Till then, keep listening
Bye..

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Good writing brother

MotherX1

100+ Head-Fier
BQEYZ Cloud: Immerse Yourself in Rich Audio Detail
Pros: Broad and Roomy Soundstage
Superb Instrument Disturbance
Amazing Detail and Clarity Upfront and Captivating Mids
Equilibrium Frequency Management
Elegant & Simple Design
Cons: Not for bass heads or even warm heads
Male Vocals Lack Warmth
Harsh Treble for Sensitive Listeners

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Introduction

In the ever-evolving world of in-ear monitors (IEMs), the BQEYZ Cloud has carved a niche for itself. Catering to audiophiles seeking exceptional sound without sacrificing affordability, the Cloud offers a compelling combination of features. Let's delve into the details and see if these IEMs live up to the hype.

Context


I tried the BQEYZ Cloud with the Xduoo XD05 Basic, ddHiFi Tc44c, and the LG V60, in regular configuration and with pure copper, mixed cable, and numerous tips such as Whizzer SS20, Divinus Velvet, Spinfit W1, 145, and Penon Orange. I enjoyed it best with Penon Orange it reduces the harshness in the treble section and increases the sub-bass section. Also, I use the Nicehck Mixpp OOC copper cable for a warm sound.

Disclaimer


‘BQEYZ’ sent me this IEM for review purposes. And there is no guidance by the respective company about what to write and what not. The whole review is my unbiased experience and honest opinion with the sound I listened to.

One thing more. The review is based on my personal experience and what I hear using different IEMs. Your experience may vary due to personal preference and physical differences like the shape & depth of the ear canal.

Note: I use this set of iems with this cable, eartips, and sources. That is the basis for my overall review.

If you want to buy this iem, visit BQEYZ. If you are from Bangladesh, you may visit GeekMart.

Technical Specification


● Driver units: Dynamic driver+Passive Dynamic driver
● Dynamic Driver size: 10mm
● Impedance: 32 Ω
● Sensitivity: 110 dB
● Frequency: 7-40KHz
● Cable: 2 Strands silver coaxial cable (Single crystal copper wire 0.05x48pcs+ Single crystal copper silver plated wire 0.06x35pcs)
● Cable Length: 1.2m
● Pin Type: 0.78mm-2 Pin
● Plug Type: 2.5mm, 3.5mm or 4.4mm

What’s in the box

● BQEYZ Cloud IEMs
● Silver-plated OFC copper cable
● Six pairs of silicone ear tips (S/M/L)
● One pair of memory foam eartips
● Ear tips holder
● IEM carrying case
● Cleaning brush

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Design

The BQEYZ Cloud boasts a design that's both aesthetically pleasing and functionally sound. They move away from the bulky look of some IEMs, opting for sleek curves that prioritize comfort during wear. The smooth, polished finish on the aluminum shells exudes a touch of sophistication, available in a variety of colors to suit your individual style. A closer look reveals intricate wind-like patterns etched onto the faceplates, adding a subtle touch of elegance that reflects BQEYZ's nature-inspired design philosophy.

Beyond aesthetics, the design prioritizes functionality. The low-profile design minimizes ear fatigue, making them ideal for extended listening sessions. The included memory foam ear tips conform to the shape of your ear canal, creating a secure and comfortable fit that blocks out external noise for a more immersive listening experience.

Build Quality

Durability is a concern for any audiophile, and the BQEYZ Cloud doesn't disappoint. The highlight is the use of good-quality aluminum for the shells. This not only makes them lightweight and comfortable but also ensures they can withstand everyday wear and tear. The aluminum construction feels reassuringly solid, reflecting the quality materials used.

Further enhancing their lifespan is the detachable 2-pin cable – an industry standard that allows for easy replacement in case of damage. The cable itself feels well-made and resists cable noise that can disrupt your listening. The included carrying case offers additional protection for your investment, ensuring the Cloud stays safe during transport. At its price point, the BQEYZ Cloud offers a sense of quality that surpasses expectations.

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Fit and Comfort

Finding comfortable IEMs can be a challenge, but the BQEYZ Cloud excels here. The lightweight aluminum shells combined with the ergonomic design ensure a secure and comfortable fit that avoids pressure points or fatigue even during long listening sessions. The low-profile design allows them to sit comfortably within the ear canal.

BQEYZ goes the extra mile by including a variety of memory foam ear tips in different sizes. These tips provide not only a comfortable seal but also enhanced passive noise isolation, blocking out distractions and allowing you to fully immerse yourself in your music. Finding the perfect fit is crucial for optimal sound quality and comfort, and the Cloud's multiple ear tip options cater to a wide range of ear shapes and sizes. With a secure and comfortable fit, the BQEYZ Cloud becomes a joy to wear for extended listening sessions.

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Sound Impression

The BQEYZ Cloud IEMs offer a balanced and detailed sound signature with a strong mid-bass that delivers punch and clarity, adding richness to instruments like drums and bass guitars. Male vocals are warm and clear, though they can sometimes sound thin or harsh. Female vocals are smooth, energetic, and clear, though they may be slightly harsh or fatiguing for some listeners. The sub-bass is well-detailed but might not satisfy those seeking an intense low-end response. Overall, the Cloud provides an engaging listening experience with a wide soundstage and excellent instrument separation, making it suitable for various music genres and especially enjoyable for vocal-centric tracks


Sub-Bass

The BQEYZ Cloud IEMs offer a sound signature that is generally balanced and detailed but with some nuances in the sub-bass performance. From my experience, the sub-bass is well-detailed and rumbly but can feel slightly underwhelming compared to other aspects of its sound. The kick drum punch is solid and prominent, providing a satisfying thump without bleeding into the mids and trebles.

In tracks like Big Boi, Killer Mike, and Jeezy's "Kill Jill," the initial drops are punchy and impactful, showcasing the Cloud's capability to handle dynamic bass hits. Similarly, in Massive Attack's "Angel," the dual bass pads are reproduced with good detail and presence, though the overall bass performance is good but not extraordinary. It won't likely satisfy hardcore bass lovers who crave a more robust low-end response.


Mid-Bass

The mid-bass of the BQEYZ Cloud IEMs is quite impressive, delivering a punchy and detailed performance that adds richness to the overall sound. Instruments like drums and bass guitars come through with clarity and warmth, providing a solid foundation for the music. When listening to tracks like Rainbow's "Street of Dreams" and the Eagles' "I Can't Tell You Why," the mid-bass stands out, bringing a natural and engaging texture to the instruments.

In "Street of Dreams," the drum hits are tight and impactful, contributing to the track's rhythmic drive without overpowering the other elements. The bass guitar lines are rendered with a warm, full-bodied presence that complements the vocals and guitars beautifully. Similarly, in "I Can't Tell You Why," the mid-bass adds a smooth and comforting layer to the music, enhancing the emotional expression of the song.

The Cloud's ability to maintain clarity and separation in the mid-bass region ensures that each instrument retains its distinct character, allowing for an immersive listening experience. This level of detail and warmth makes the Cloud suitable for a variety of genres, from rock and pop to acoustic and classical.

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Male Vocals

Male vocals on the BQEYZ Cloud IEMs have a nice texture with a warmth. The vocal delivery is natural, making male vocal performances sound engaging and lifelike. However, in my testing, I found them to be a bit thin at times, and occasionally, some vocals can feel harsh. Despite these minor issues, the details of the male vocals add a pleasing richness that enhances the overall listening experience.

When listening to tracks like Mark Knopfler's "Our Shangri-La" and George Michael's "Kissing a Fool," the warmth and natural quality of the vocals stand out. In "Our Shangri-La," Knopfler's voice is rendered with a smooth, rich texture, making it sound intimate and compelling. Similarly, in "Kissing a Fool," George Michael's vocals are delivered with clarity and warmth, capturing the emotional depth of the performance.

The BQEYZ Cloud does a good job of maintaining the natural tone and texture of male vocals, which contributes to a more engaging and lifelike listening experience. This quality makes the Cloud a great choice for listeners who enjoy vocal-centric music, where the detail and warmth of the vocals are essential to the overall sound

Female Vocals

Female vocals on the BQEYZ Cloud IEMs are smooth and packed with energy. The Cloud renders female vocals with clarity, making them sound natural and engaging. This energetic quality can sometimes come across as a bit harsh or fatiguing, especially for those sensitive to high frequencies. However, listeners who enjoy vibrant and lively female vocals will likely appreciate this aspect of the Cloud.

When listening to tracks like Fleetwood Mac's "Dreams" and Laura Branigan's "Power of Love," the energy and clarity of the female vocals are particularly noticeable. In "Dreams," Stevie Nicks' voice is delivered with a crispness that enhances the ethereal quality of the song. Similarly, in "Power of Love," Laura Branigan's powerful vocals are rendered with impressive detail and brightness, capturing the emotional intensity of the performance.

The BQEYZ Cloud excels in presenting female vocals with a level of energy and detail that makes them stand out in the mix. This makes it a great choice for fans of vocal-centric music, especially those who appreciate dynamic and lively female vocals. Despite the potential for some harshness, the overall performance is engaging and enjoyable, highlighting the strengths of the BQEYZ Cloud


Treble

The BQEYZ Cloud's energetic treble definitely adds a double dose of personality to the sound. It brings a welcome brightness that makes instruments like cymbals and high-pitched percussion sound crisp and detailed. This can be a real treat for genres like rock and pop, where those high-frequency instruments often add excitement and energy. It's like having a spotlight focused on those details, making them pop out of the mix.

However, there's a flip side to this bright personality. During extended listening sessions, some users might find this treble response a little fatiguing. Imagine listening to Gary Moore's "Still Got the Blues" for a long stretch. While the treble would initially accentuate the wailing guitar solo, over time, it might become a bit harsh on the ears. Similarly, the high-pitched vocals in Martika's "Toy Soldiers" could lose some of their warmth and become a touch shrill.

Ultimately, whether the Cloud's treble works for you depends on your listening preferences. If you enjoy a bright and detailed sound, you'll likely find it adds a touch of magic to your music. But if you prefer a warmer and smoother sound signature for long listening sessions, the Cloud's treble might require some adjustment or experimentation with different EQ settings.


Sound Stage

One of the most impressive aspects of the BQEYZ Cloud, especially considering its price range, is the surprisingly spacious soundstage. Imagine a concert hall where each instrument has its own designated area. That's the kind of experience the Cloud can create. This spaciousness allows instruments to "breathe" – they don't sound cramped or mashed together. It's like having a clear view of the entire musical landscape, where you can easily distinguish individual instruments and their placement within the mix. This separation adds a whole new layer of immersion to your listening experience.

For instance, when listening to a complex orchestral piece, you can not only appreciate the melody of the violins but also clearly hear the subtle nuances of the flutes and the rumble of the cellos in the background. This ability to differentiate instruments is a real treat for audiophiles who crave a detailed and realistic listening experience. The Cloud's spacious soundstage makes it a great choice for genres that rely on intricate arrangements, like classical, jazz, or even complex rock with layered instrumentation.

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Instrument Separation

The spacious soundstage of the BQEYZ Cloud directly translates into its impressive instrument separation. Think about classic tracks like Queen's "Bohemian Rhapsody" or Led Zeppelin's "Stairway to Heaven" – these songs are jam-packed with instruments, from soaring guitar solos and intricate piano parts to pounding drums and layered vocals. With the Cloud, each instrument gets its own distinct space in the mix, no longer fighting for attention. Imagine Freddie Mercury's iconic vocals cutting through clear and powerful, while Brian May's legendary guitar work remains crisp and detailed. Similarly, in "Stairway to Heaven," John Bonham's thunderous drumming won't overpower the delicate fingerpicking on Jimmy Page's guitar.

This clear separation allows you to follow each instrument's journey throughout the song, appreciating the interplay between them and how they build the overall composition. It's like having a front-row seat to a complex musical performance, where you can not only hear everything but also understand how each piece contributes to the grand musical tapestry. This makes the Cloud a fantastic choice for anyone who enjoys dissecting their music and appreciating the intricate details that make their favorite songs so captivating.


Conclusion

The BQEYZ Cloud IEMs are a breath of fresh air for audiophiles seeking exceptional sound without a hefty price tag. They deliver a well-balanced and detailed listening experience that caters to a wide range of musical genres.

The first impression is impressive. The sturdy aluminum build feels reassuringly durable, while the sleek design ensures a comfortable fit for extended listening sessions. The detachable cable adds a touch of convenience, allowing for easy replacement if needed.

But the true magic lies in the sound. Unlike many bass-heavy IEMs, the Cloud offers a balanced approach, highlighting details across the sound spectrum. Instruments are presented with clarity and precision, while vocals shine through with natural richness. This makes them perfect for enjoying the subtleties of your favorite music, whether it's the intricate picking of an acoustic guitar or the soaring vocals of a powerful ballad.

However, it's important to consider the slightly brighter treble response. While it adds sparkle and detail to cymbals and high-pitched instruments, some listeners might find it a little fatiguing during long listening sessions. If you prefer a warmer and smoother sound signature, the Cloud might require some adjustment or EQ tweaking.

Overall, the BQEYZ Cloud is a compelling choice for audiophiles on a budget. Their well-balanced sound, comfortable fit, and premium build quality make them a true value proposition. If you're looking for versatile IEMs that deliver exceptional audio without breaking the bank, the BQEYZ Cloud deserves a serious look – or rather, listen.

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Thanks for joining me on this deep dive into the BQEYZ Cloud! I hope this review helped you decide if these versatile IEMs are a good fit for your listening preferences. Happy listening!
arifgraphy
arifgraphy
Fantastic write-up.
Nice photographs, too. Especially that one with 'BQEYZ' in the background.
MotherX1
MotherX1
MD Rohit

Silco

New Head-Fier
Review of the BQEYZ Cloud
Pros: Nice build and accessories.
Nice tonality.
Clean midrange.
Cons: A bit generic tunning.
Bass quality is meh.
Detail is just fine.
First impression: Nice carrying case with many included tips. This iem have a beautiful looking light green shell, the machining quality, the chamfer, the smooth anodize texture is excellent, and this isn’t a glossy iem like ea500 so you don’t afraid that it’ll stratch. The cable is alright, nice feeling cable and light, soft(which is good) but the connector feels a bit cheap.
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I must admit that I come into iem without much to expect because I don’t have that much experience with iem in this price range. My iem journey is pretty wild, from 3$ to 3000$ but I haven’t really use much if any iem in the ~100-200$ price range and I also don’t really have anything to compare to it in this price range dirrectly on hand.

Lets talk about how this thing sounded on its own.
Tonality:

Overall it’s a neutral + bass boost sound, harman-ish but with mid bass. However, its bass is just about right, not too little that create a boring sound but not too much an overpowering. The midbass at time can feels not that authoritative and the texture is just fine.

Midrange can be bit sharp for female vocal and a bit thin for the male counterpart, but when it doesn't sounded sharp, it sounded really clean and clear. Vocal placement isn’t forward though, just sitting about the same plane with the instrument. Timbre is also quite natural on many tracks.

Treble is a bit peaky and uneven, some instruments sounded dull and not airy while other like hi hat/cymbal sounded a bit splashy without much the texture behind them. To be fair, it’s still not aggressive and not that harsh to listen to, it’s fine, but could be better in refinement.

Technicality wise, it’s fine, but you should take my word with some grain of salt. I’m using a tia fourte and empire ears odin so I maybe a bit too harsh on this iem, I also don’t really have anything to compare it fairly. It’s technicality is sufficient, good enough for a enjoyable listen if you get it a warmer leaning source to help with it’s bass authority and even out the treble peak. My friend, who had a/b the Cloud with ea1000 told me that ea1000 is just slightly better that cloud in every aspect of technicality. While can’t confirm but I think he’s onto something because these 2 use very similar driver setup but ea1000 have nozzle options to smooth out the upper midrange and treble, maybe that help unmask some of the treble peakiness? Imaging is pretty good but staging size wise it’s an iem, mostly in head sounstage.

In conclusion, BQEYZ Cloud is a very well built iem with a decent sound, it won’t make you hate it but kinda make you wanting for more.
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RK Turan
RK Turan
I've to try them out

arifgraphy

100+ Head-Fier
Pros: ● Wide and Spacious Soundstage
● Excellent Instrument Separation
● Remarkable Clarity and Detail
● Energetic and Extended Treble
● Forward and Engaging Mids
● Balanced Frequency Handling
● Simple & Elegant Design
● Practical carrying case
Cons: ● Fatiguing Treble for Sensitive Listeners
● Male Vocals Lack Warmth
● Not for bass heads or even warm heads
● Not Ideal for Laid-Back Vocal Lovers
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BQEYZ CLOUD: SUNSHINE THROUGH THE CLOUDS
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Following the season series, BQEYZ revealed 'Weather,' a brand-new series. "Wind" is the first release in this series from them. And now for the brand-new one, "Cloud." A fascinating newcomer to the world of IEMs, the BQEYZ Cloud is especially designed for vocal fans who demand presence and clarity from their audio experience. With its focus on an exquisitely expressive vocal range, the Cloud is ideal for mid-clarity enthusiasts due to the capacity it executes articulate and precise vocal renditions. The bass range is not very forward but can become soothing, stable, and even significant in the body with satisfying slam in the mid-bass. This control over the lower frequencies guarantees that the vocal quality stays pure and uncolored.

The treble response is well-extended, providing a sense of airiness and detail without crossing into harsh or fatiguing territory. The mids and high frequencies are expertly balanced, creating a sound profile that is relaxing and captivating for extended listening sessions. So, among the vocal audiophiles, this BQEYZ Cloud IEM is not to be missed because it is actually not just another product in the market, but rather it is a piece of equipment built to the dot, targeting above all the people who love vocal expressive and nuanced articulation.


CONTEXT

The BQEYZ Cloud is a very nice piece of set with a focus on midrange forward sound signature. If you're into vocals, you're gonna dig it. I tried shuffling through my tunes right after unpacking it, and the sound quality was crystal clear; the instruments were separated really nicely. It has a big soundstage, too. It feels amazing. But I really wanted more sub-bass, as the Cloud doesn't have much of that. Well, plugging it into my ifi Hip DAC 2, man, I was blown away by how it responded in terms of bass. This can deliver some seriously good quality bass, especially if used with a warm source. Having open mids, as the Moondrop Dawn Pro does, can wear you out after a long period of listening just because I am quite sensitive to too much treble. As always, I did try swapping around cables and different ear tips to get the most comfortable fit and sound; I'll get into that more later in my review.

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DISCLAIMER

BQEYZ was kind enough to send me the Cloud to review. I am not affiliated with the respective company, and of course, I was not asked for any copy checking before publishing. And this review is totally unbiased, based on my listening experience.

One thing more:. The review is based on my personal experience and what I hear from different sources. Your experience may very due to personal preference and physical differences like the shape & depth of ear canal.

For your personal purchase -

Geek Mart is the place if you are in Bangladesh.
Check out
BQEYZ if you live elsewhere.



GEAR USED


● Cowon Planue R2
● Hiby R3
● Moondrop Dawn Pro (Mobile & PC)
● ifi Hip DAC 2 (Mobile & PC)
● POCO X3


TECHNICAL SPECIFICATION

● Driver units: Dynamic driver+Passive Dynamic driver
● Dynamic Driver size: 10mm
● Impedance: 32 Ω
● Sensitivity: 110 dB
● Frequency: 7-40KHz
● Cable: 2 Strands silver coaxial cable (Single crystal copper wire 0.05x48pcs +Single crystal copper silver plated wire 0.06x35pcs)
● Cable Length: 1.2m
● Pin Type: 0.78mm-2 Pin
● Plug Type: 2.5mm, 3.5mm or 4.4mm


CURRENT PRICE: USD 169

WHAT’S IN THE BOX

● BQEYZ Cloud IEMs
● Silver plated OFC copper cable
● Six pairs of silicone ear tips (S/M/L)
● One pair of memory foam ear tips
● Ear tips holder
● IEM carrying case
● Cleaning brush

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UNBOXING EXPERIENCE

Unboxing the BQEYZ Cloud is really nice and well thought out. Upon first seeing the box, it's clear in style, reflecting what's inside. Opening it, inside you find the IEMs nicely displayed in a polystyrene inlay, showing their sleek aluminum design. Underneath the IEMs lies a compartment that contains all the accessories. You get various sizes of soft silicone ear tips and high-quality memory foam tips that make it very easy to find a perfect fit for comfort and sound isolation. The package contains a tangle-free, extra-durable cable that is both flexible and sturdy. It has been made from a mix of single crystal copper wire & silver-plated single crystal copper wire. With it, there is a compact carrying case with a zipper, providing a very convenient and protecting storage solution for the IEMs and accessories. This case is particularly useful for users who spend most of their time on the go because that secures the IEMs very well. Also included is a little but very useful tool: a cleaning brush, which is a nice touch.

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DESIGN & BUILD QUALITY

It is the perfect combination of fashion and professionalism, the BQEYZ Cloud, with a stylish, nice-sounding IEM and an aesthetically pretty look. This IEM body is made from lightweight aluminum material and is very neat and simple in design for solidity and beauty. Coming in two striking beautiful colors: black & cyan green. The stock cable is soft & well-braided silver mix copper cable, mine is a 4.4mm varient. The cable is free of microphonics and unwanted tangle. BQEYZ supplied two types of ear tips: soft silicon & foam, both are well built and not just low quality free goodies. The carrying pouch is fantastic. Made of PU leather and has good finishing. It is on the 'hard' part, that means, the set-up will be well-protected inside the pouch.

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FIT & COMFORT

These BQEYZ Cloud IEMs are super comfy, so the fit just stays in place even for the longest listening sessions. The shells are made from lightweight aluminum so that you will not get tired even if you had them on for ages. They fit your ear nicely, thus avoiding any type of discomfort or pressure. Plus, a very soft, tangle-free cable with a light ear hook, just looping over your ear without pressure, makes them really comfy to wear. BQEYZ hooks you up with two types of ear tips, soft silicone and foam, so you can get the best fit possible. They even include multiple sizes in the package. All these little extras enable one to tweak things for the most comfort and sound blocking. Honestly, the fit and comfort of the BQEYZ Cloud are just awesome!

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SOUND IMPRESSION

The BQEYZ Cloud IEMs sound pretty balanced and should work for all types of music, but where they excel most is in vocals. The general sound could be described as clear and inviting with just a slight boost in the midrange. Vocals pop out well and have a very natural and real vibe, so these might be ideal for any guy who enjoys hearing clear, lifelike voices. The bass department in the Cloud IEMs delivers a moderate presence. The sub-bass is not overwhelming, though it adds just enough to warm up the lower frequencies.The mid-bass is really clear and nice, giving a solid thump that doesn’t mess with the midrange. The BQEYZ Cloud's treble has that sparkly vibe and goes pretty high, but it can be a bit too bright at times. You gotta admit, the instrument separation and soundstage are pretty impressive for what you’re paying.

Here is the frequency graph (courtesy: Mars Chan Lab)-

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Let’s break them part by part …


SUB-BASS

The sub-bass on the BQEYZ Cloud is pretty well done. It is not entirely missing, nor does it overpower the rest of the sound. As far as I can tell, this hits the sweet spot: neither too weak nor too strong. You can totally feel that it's there, but it's not cranked up or anything crazy like that. Dude, this chill vibe and texture of the sub-bass just add some awesome depth to the whole sound. Playing Third World's "Mr. Reggae Ambassador," I can totally perceive that the sub-bass is there, textured, giving depth to the track without being overwhelming. The bass is tight and solid, so it makes the song sound very full and rich, but it keeps smooth and natural in a way that you just let yourself groove to the song without any distraction. Subtle but hard-hitting bass makes this super enjoyable to listen to, especially if you're into a detailed and clear sound.


MID-BASS

The BQEYZ Cloud presents really well-balanced mid-bass; it has good punch and texture without overwhelming the other frequencies. This is truly ideal for any genre that depends on a strong bass line and dynamic range. Listening to "Back in Black" by AC/DC on the BQEYZ Cloud forms an idea of what truly great mid-bass performance sounds like. The mid-bass is tight and punchy, nice in texture, and quite satisfying while going through the listening process. Notes are clear and impactful with nice decay; the music breathes naturally. Notably, the really low notes of the electric guitar pop out, adding pleasing depth when they play, even in the background. That clarity makes the mid-bass sit in its own place, not muddying the upper frequencies, so you can appreciate the full spectrum of sound.

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MALE VOCALS

The BQEYZ Cloud earphones are great for people who love clear and energetic male vocals. This became evident to me when I listened to "Lady in Red" by Chris de Burgh; the way the vocals were projected forward was good. Of course, they're forward in placement but not overwhelmingly so. Generally, the texture of the vocals is clear and detailed, though the male vocals contain a bit more energy than warmth. This means they sound bright and lively rather than deep and rich. For some listeners like me, who are accustomed to warm and full-bodied male vocals, this can be a bit jarring. But if you enjoy bright and powerful male vocals, you will appreciate this tuning. The earphones handle the placement well and keep the vocals steady without losing clarity.


FEMALE VOCALS

The BQEYZ Cloud earphones make female vocals sound bright and full of energy. Listening to "Complicated" by Avril Lavigne, it was possible to hear her voice upfront and sparkling with some shine. The vocals are a little forward in the mix, meaning they stick out more than other parts of the music. It gives them an alive and involving sound. Sometimes, this midrange emphasis can make the vocal overpowering. This is good if you enjoy prominent and predominant female vocals, but it may not be as pleasing to the ears of a person who enjoys the laid-back and easy sound. Every little nuance in the singing comes through clearly, making these earphones really good for people who enjoy picking out all of those little components that make up a singer's voice. The BQEYZ Cloud really makes female singing stand out by making it sound bright and full of energy, which always happens to be fun and engaging. The earphones, in general, really prove to be good for anyone who likes a bright and detailed female singing.


TREBLE

The treble of the BQEYZ Cloud is very long and energetic, which brings a sparkly quality to the sound. These earphones will be an excellent choice for those who prefer to listen to shiny and sparkly treble. When playing "Sweet Child O' Mine" from Guns N' Roses, the hi-hats and cymbals were well detangled, and all details could be heard clearly. The high frequencies are never mistaken for other sounds, so you could enjoy the crispness of every note. The high notes of the guitars are very clear and pronounced, adding to the general energy of the piece. The high-pitched voices, like that of Axl Rose, are full of air and presence. But if you're treble sensitive, you'd probably find these earphones a bit tiring to listen to for long periods. The bright and lively treble can cause fatigue after a while.

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INSTRUMENT SEPARATION

The BQEYZ Cloud IEMs are amazing at isolating instruments and picking up details. Listening to "Kiss from a Rose" by Seal, one can totally feel how each instrument is set apart, and you catch every single note. The way all the instruments come together is so smooth and clear that listening becomes so full and engaging. There are very faint ghost strokes on the drums in the prelude of "Kiss from a Rose," and with the BQEYZ Cloud, you hear them crystal clear, just as in a mix with other instruments. Detail to this degree is simply impressive, and the earphones just melt with those who relish such aspects of the tune. Be it the gentle strumming of the guitar, the sweet tinkling of the piano, or even the quiet beats of the drums, you can totally hear each one separately. That makes the BQEYZ Cloud very great for listeners who enjoy complex arrangements and desire to pick up every little detail of the performance. It isolates the different frequencies nicely, without any sound lost or jumbled. The BQEYZ Cloud is generally detailed and separated in its sound, which is a very nice pair for those who love clarity and sharpness in their music.


SOUNDSTAGE

The BQEYZ Cloud IEMs are very spacious, allowing the soundstage to open up extremely wide, making the listening experience very immersive. They can conjure up space in such a way that you feel like you're right there in between a live performance. When I listened to "Echoes" by Pink Floyd, it felt like the sounds were coming from all around me. The clarity and the detail of each and every instrument were very good, and I could hear each note clearly. The vocals were somewhat center stage and bold, even with the mix of various instruments. The width of the soundstage is pretty good, as is the height of it, making the music feel expansive and full. Separation between the left and the right channel was pretty clear, so I could easily distinguish between different instruments. Even the kick drums and snare were orally recognizable by height, further contributing to the overall sense of space. That kind of detail and separation really makes the BQEYZ Cloud earphones a great choice for anyone who likes wide, dynamic soundstages.

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POWERING IT UP

The BQEYZ Cloud earphones do not need a lot of power to perform well, you can easily use them with your regular DAC or AMP you have in possession. But they really shine when paired with a more powerful device. The more juice you pour, the more they will open up in terms of tonality. Even the soundstage will produce in a larger scale with details instrument separation. From highs to low, the total frequency range will improve and will enhance the overall audio quality. Though you can drive Cloud directly from the 3.5mm jack of your smartphone, using a powerful source can significantly improve this IEM's sound quality and technical presentation.


CABLE & TIP ROLLING

Ah, my favorite part. I always love to shuffle cables & ear tips. The supplied cable is more than OK to drive it perfectly. But using a pure copper cable can add some extra character to them. I have some custom-made high purity OFC copper cable along with my OCC copper cable, “NiceHCK MixPP”. The lower frequencies are a little bolder than typical in pure copper cables. Though I write the whole review based on my sound impression using the stock one.

When it comes to ear tips, the stock ones are good, but not enough. I used various ear tips like Spinfit W1, Omni, Divinus Velvet, Tangzu Tan Sanchi, Dunu S&S, Dunu Candy, and Penon Liqueur (orange & black). After a lot of experimentation, I find the Dunu Candy & Penon Liqueur (black) to be a fantastic pair, and they raise some faint lower frequencies while keeping the rest of the frequencies unchanged.

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WHO SHOULD CONSIDER THE BQEYZ CLOUD

Vocal enthusiasts
Those who appreciate clear and detailed treble
Listeners who enjoy a well-separated soundstage
Budget-minded audiophiles
Listeners who are not sensitive to treble


However, the BQEYZ Cloud might not be ideal for


Bassheads
Listeners who prefer a warm sound signature
Those who dislike extended treble

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CONCLUSION

The BQEYZ Cloud is a good choice for those seeking a clear and detailed listening experience without breaking the bank. Singers, especially of the diva type, really come across with some nice energy; the bright treble gives the sound just a bit of sparkle, and bass is there but won't shake your brain—it's just right when you want your low-end tones nice and defined. What really makes the Cloud stand out, though, is how well it separates instruments for the price. Every instrument gets its own little spot in the mix, so you can really enjoy the full richness of your tunes. That said, the bright treble could be a bit intense for some folks who like a smoother high end, and if you're into bass, you might want a bit more punch. If you want clear vocals, crisp highs, and well-defined instruments without blowing a lot of money, you definitely want to check out the BQEYZ Cloud.

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arifgraphy
arifgraphy
@David Haworth Yes, it is! My pick is a pure copper cable and Dunu Candy tips!
RK Turan
RK Turan
Great review, the cable of cvj night elf look alike!
MD Rohit

leeyeo

New Head-Fier
BQEYZ Cloud Review
Pros: Great Female Vocals
Accessories
Comfort and Design
Cons: Treble Peaks
No modular cable
Bass extension and texture
Soundstage and imaging

BQEYZ Cloud Review​


Today I’ll be reviewing the BQEYZ Cloud which I did participate in a review tour. I’d like to thank BQEYZ for making this happen. I did encounter BQEYZ as a brand before but haven’t tested any of their products.

Source: Rose Technics Roseselia, Shanling m6 pro 21

Specifications:
Driver: 1 Dynamic Driver + Passive Radiator
Maximum SPL: 125DB
Sensitivity: 110Db/mw
Impedance: 32 Ohms

Unboxing experience:​

The Cloud comes with a light green “cloud” printed box. When I saw the box it felt like it was a cellphone box. For its price I expected more fancy packaging. Though I have nothing against the packaging, it felt that a lot of cheap IEMS have better boxes.

Build Quality:​

I find the Cloud’s build quality to be great. I do think the design is cool with its Teal matte finish. Though from my time using it, there’s no hollow feeling when you feel it on your hand. The shell itself though is prone to smudges and fingerprints.

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Accessories:​

When it comes to accessories, though BQEYZ did provide a decent number of accessories in the package. The Cloud comes with a pleather case, an SPC cable, a cleaning tool, 3 kinds of eartips; 1 pair of foams with 3 pairs each labeled “atmosphere” and “reference”. I do think for its price its a generous number of accessories, I am a little disappointed in the cable. It should be modular at this price.

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Comfort and Isolation:​

The Cloud to my ears are very comfortable. Though smaller ears might have problems with its size. It does not have any uncomfortable edges nor creates pressure on the outer ear. When it comes to isolation, it is a dynamic IEM that has vents. I found it around average.


Tonality:​

The Cloud has mild mid centric tonality. As I prefer vocals, I do love its sound signature. Though there are quirks such as soundstage. The staging of the cloud is too forward for my tastes, I would have liked it more if it took a step back. It does have decent width, but the depth or height was just average. The details are good. The imaging might need improvement as it is hazy. I did test binaural tracks with the Cloud and I found wanting more fixed imaging and soundstage depth.

Bass​

I do have mixed opinions on the bass of the Cloud. The bass might be its weakness across the spectrum. I find it lacking in extension and punch. Bass texture could be better. Bassheads be warned, this IEM would want you craving for more bass. Daft Punk's “Get Lucky” the basslines just weren't as enjoyable as you would hear with my Final Audio E5000 but it is tight and fast.

Midrange​

The strength of the Cloud is its midrange. Voices are detailed and forward in the presentation. Vocalists like Celine Dion, Rebecca Pidgeon, and Aretha Franklin come as forward and inviting. Though it is more enjoyable with moderate to low volume. The Cloud would be a bit unforgiving to bad recordings and shouty in higher volumes. Though male vocals are less authority because of the lack of midbass warmth.

Treble​

The Treble of the Cloud comes across as too much. Even with my older ears, they are unforgiving especially with bad mastering. Though it is airy and has good extension, it’s too much as there are peaks in 8khz and 13Khz which affects timbre. Though I find the treble details to be great. Though the treble brightness can be remedied through EQ and tip rolling.

Synergy:​

The Cloud pairs well with the “atmosphere” tips and foam tips. They both provide a smoother presentation especially the foam tips. The Cloud could also use a pure copper cable as in my experience could lessen the metallic tinge that it has compared to its stock SPC cable. When it comes to sources, it does pair well with both Shanling m6 pro 21 and the Rose Technics Roseselia, both are warm sources which gives the Cloud smoothness and a warmer presentation.

Conclusion:​

The BQEYZ Cloud is a decent IEM. I do find its pricing to be in a very tough spot. I do love the accessories, sound signature, the fit, design, and build quality. On the contrary, the treble and bass could be improved. It’s like having a Grado headphone, it’s a niche signature that excels on a few genres. If you love vocals, especially female ones, then you’re in for a treat.

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Sonic Sleuth

500+ Head-Fier
Pros: Lightweight and ergonomic
Tight and well-controlled bass response.
Clear and natural midrange frequencies.
Decently wide soundstage with good instrument separation.
Cons: Matte finish can show minor signs of wear over time.
Stock cable tends to tangle easily.
Bass may lack depth and extension for some enthusiasts.
Treble can verge on being too bright for some listeners.
Soundstage is wide but lacks depth and height for a fully immersive experience.
Preface:

I would like to thank @gadgetgod and BQEYZ for sending this unit as part of the review tour.

Also, I’m not a seasoned reviewer or a seasoned audiophile, so whatever I say is purely my observations and your results may vary.

I’m not the one to usually focus on specifications and numbers. I focus more on how happy I am with the equipment’s sound and that’s it.

Sources used:
  • xDuoo XD05 Pro (AKM / Rohm) (w/ SS3602 OpAmps)
  • Dita Navigator
  • D16 Taipan
  • Qudelix T-71
  • Qudelix 5K

Design:

The BQEYZ Cloud sports a sleek and modern design, characterized by a sturdy yet lightweight build. The housings are crafted from high-quality materials that not only enhance durability but also add a touch of elegance. The matte finish is attractive, resisting fingerprints and scratches, though it can still show minor signs of wear over time. The stock cable is supple to touch but tends to tangle easily, which can be slightly cumbersome to manage.

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Fit and Comfort:

One of the standout features of the BQEYZ Cloud is its exceptional comfort. The ergonomic design of the ear pieces, combined with a variety of ear tip sizes included in the package, ensures a snug and secure fit for most users. These IEMs are incredibly lightweight, allowing for extended listening sessions without discomfort or fatigue. However, users with smaller ears might find the earpieces slightly large, leading to occasional discomfort during prolonged use. Additionally, the provided ear tips might not suit everyone, necessitating a search for third-party alternatives to achieve the perfect fit.

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Sound:

Bass:


The bass response of the BQEYZ Cloud is tight and well-controlled. It delivers a punchy and dynamic low end that is both satisfying and non-intrusive. The bass is present and impactful, providing a solid foundation to the music without overshadowing the midrange and treble frequencies. This makes the Cloud IEMs versatile for a wide range of music genres, from bass-heavy electronic tracks to more subtle acoustic performances. However, some bass enthusiasts might find the low end lacking in depth and extension, not providing the deep rumble preferred in certain genres.

Midrange:

The midrange frequencies on the BQEYZ Cloud are clear and natural. Vocals and instruments in this range come through with excellent clarity and detail. The mids are neither recessed nor overly forward, striking a good balance that allows for an engaging and lifelike listening experience. The close to accurate midrange reproduction makes these IEMs particularly enjoyable for vocal-centric and instrumental music. Occasionally, the midrange can come across as slightly thin or lacking in warmth, which might affect the fullness of certain vocal or instrumental tracks.

Treble:

The treble on the BQEYZ Cloud is detailed and extends well without becoming harsh or sibilant. High frequencies are rendered with a level of finesse that adds to the overall clarity and brightness of the sound. The treble response ensures that intricate details in the music, such as cymbals and high-hats, are crisp and well-defined, contributing to an open and airy sound signature. Nevertheless, the treble can sometimes verge on being too bright for some listeners, leading to occasional harshness or fatigue during extended listening sessions.

Staging and Instrument Separation:

One of the most impressive aspects of the BQEYZ Cloud is its soundstage and instrument separation. The soundstage is expansive, creating a sense of space that is uncommon in IEMs at this price point. This wide soundstage allows for precise placement of instruments, making the listening experience more immersive and enjoyable. Instrument separation is also top-notch for the price, with each element of the mix being distinct and easily identifiable, enhancing the overall clarity and detail of the audio. Despite the generally impressive soundstage, some users might find that the width is more lateral than three-dimensional, lacking a bit in depth and height, which can slightly diminish the immersive experience in complex recordings.

Conclusion:

The BQEYZ Cloud IEMs offer an outstanding audio experience that punches well above their price category. With a solid and attractive design, excellent comfort, and a well-balanced sound signature, these IEMs are a great choice for both casual listeners and audiophiles. The impressive soundstage and instrument separation further add to their appeal, making them a versatile and reliable option for a wide range of listening scenarios. However, potential buyers should be aware of minor issues like the occasional discomfort for smaller ears, a slightly thin midrange, and a tendency for the treble to be bright.
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David Haworth
good review, excellent vocal centric iem
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