My long overdue look at the BQEYZ Autumn, a 13mm single DD. It was bought from BQEYZ AliX store on the 4th of December 2023. So I have had these in my collection for quite a while at this point in time. Back then I didn't do reviews at all, I was just looking for a good IEM. Did they do this job until now, yea i grab them from time to time out of my watch box to listen to. Let’s dive a little deeper into why I like them. Even in 2024
Specs
DRIVER UNITS: 13mm Dynamic Driver 6 µm ultra-thin PEN diaphragm
Impedance: 46Ω
Sensitivity: 110dB/mw
Shell is made out of metal even though I use my set from time to time paint or anodizing has been flaking up or off. It's a little surprising that we were able to put a 13mm DD in the shell. It's not that but space was at a premium. Even some of my friends didn’t wanna believe that there was a 13mm driver inside. The shell fits even my friend's smallest ears. Yes, she has a real hard time finding iem’s that fit her.
4-core silver + copper mixed cable has been used which is more than plenty enough for most iem’s. At first glance you can think phuh 46Ω that gonna be hard to drive properly and one one side it kinda is but the 110dB helps in that regard i have harder iem’s to drive.
Tonality: Here i have to add it has 3 Tuning Magnets that can be used. What is quite easy in use then other solutions that we have to remove the nozzle. In this case here you can switch a magnet that is different in strength to change the tuning.
The tuning filter seems to “only” affect the bass region but this is not true for what i heard so far. Since your ears hear the hole spectrum the hole signature changes with them. Keep that in mind as well; bass has an effect on treble and vice versa. On the Bass magnet I found the soundstage to be the smallest. If you lose a magnet well you're kinda out of luck because then the whole bass region drops away. This is not advisable. You can buy the Magnet Filters on their own on the BQEYZ Aliexpress store
The Gray magnet: Tier “bassy” signature
It becomes more of a V shape of sound but the emphasis still is on the bass to neutral even. I found that some instruments and high hats can be a little on the hot side. The bass does get a boost but far from a basshead iem plenty of bass to give the sound a little more kick and body overall. The soundstage was also the smallest out of the 3 tuning. Since bass can take up too much space. The DD is far from slow to handle bass decay and attack on my guitar where plenty good. Male vocalists got their organic voice especially if male vocalist had a deep voice. Female vocals were fine to be honest the bass didn’t overpower them nor they thin.
The Gold magnet: The “balance” signature
Here is more of a U shape/balance to give the child a name, It has been said this is also the midpoint between the 3 Tuning Magnets. The stage opened up a little cuz the slightly reduce the bass. gave a little more depth as well but a little less body to lower male focals. While female vocal can be very energetic some a bit overpowering upper treble at 5khz might be a problem for some
The Silver magnet: The “treble” signature
The Magnet tuning becomes cold neutral giving a lot of clarity and micro details back into the mix that might have been lost or less noticeable on the other tuning. Feels like the bass is lying by being that neutral, same for the midrange. Feels like “monitor” ish but yet the treble energy goes through the roof. This is not the magnet to shoot if your treble sensitief.
I spend most of my time on the Gray magnets. To give the music that little bite back. Where the E on my guitar at round 83hz sounded to me the most pleasant to me. I rolled on the Penon Black Liquer tips and a mix of the stock cable and a Xinhs 4.4mm cable As sources I used my trusty Fiio KA17 and M11Plus ESS. Gonna keep it brief since I went through all the magnets above.
Bass: Even on the Gray music bass was a little on the tin side for me but everybody likes their music different. I listen to a lot of hardrock i really wanna feel and hear the attack of the instruments. And there for me it still lacks a little bite. The decay of and the attack where fine just the qualilty was tin for my taste. In slower songs this fine just in harder to play song it loses his head.
Mids: Where a little recessed but still present in the mix. In a good way not muffed, not pushed all the way, not in your face as well. There is absolutely no bleed coming from the mids. Vocal male vocals get the warmth back and also we’re more organic than on the other magnets for me.
Treble: Well i have to say for some people i might be too much especially the region at around 4-5khz where the lower treble peaks. Most people will be fine with it. I found it in some cases a little too much. that extra energy that some people really gonna like i tend to have a preference for a balanced to warm tuning that how i like my music is. Are other ways wrong, not your preference and that's fine. I have to add it really depends on what type of music i’m gonna listen to.
Technicals: In bustier tracks it felt sometimes it lost control over the song that was played back. To give you an example Jonny Cash - Hurt one of the tracks i have in my playlist. At the end there is a part where the music builds up to a climax and most iems fall flat on that part. I have to say in other genres like Country, Blues, Jazz Soul even slower rock songs yes they do exist. There were fine DDs that had control over it. The playback was really enjoyable. I know this was not made to use on Metal and Hardrock. This one has been made for having a nice melody and for the people who really like Piano, Saxofoon etc. that is why I still grab them from time to time depending on my mood and what music I wanna listen to.
Soundstage: Well even i made the choice of using the Gray magnets that make more of a V shape sound they still feel open. Listen back to the other magnets, yes this one is the most closed off but they are far above average on soundstage.
But all said and done, This is a set that is criminally underrated for me. Even if it is an older set I still hold its own. It is easier to swap a magnet than a nozzle in my eyes. Depending on what that you want, yes the risk is also that the magnet gets lost. and to be honest once you choose your tuning you almost never swap back it happens that go back to the Gold one and that’s really nice. I don't have to pinch off my eartips and swap my nozzle. no here i have just grab the tool and extract the magnet en put other inset and of you go. I might have to add that some people might have trouble with the treble. I'm neither a treble head nor basshead. but even then some notes were sharp. and i also have the Simgot EA1000 in my collection and still pick this one out of my box to listen to. It’s just a very well tuned iem id you find the right Genres for it. I have it’s not an overall perfect but no IEM is. So keep it in mind what music you listen to. Cue that makes or breaks a iem for you not the sound signature they put into it but what is your use case of the iem you looking at what music genre to you listen what do you like in your music is warm, dark bassy, airy etc.
Specs
DRIVER UNITS: 13mm Dynamic Driver 6 µm ultra-thin PEN diaphragm
Impedance: 46Ω
Sensitivity: 110dB/mw

Shell is made out of metal even though I use my set from time to time paint or anodizing has been flaking up or off. It's a little surprising that we were able to put a 13mm DD in the shell. It's not that but space was at a premium. Even some of my friends didn’t wanna believe that there was a 13mm driver inside. The shell fits even my friend's smallest ears. Yes, she has a real hard time finding iem’s that fit her.
4-core silver + copper mixed cable has been used which is more than plenty enough for most iem’s. At first glance you can think phuh 46Ω that gonna be hard to drive properly and one one side it kinda is but the 110dB helps in that regard i have harder iem’s to drive.
Tonality: Here i have to add it has 3 Tuning Magnets that can be used. What is quite easy in use then other solutions that we have to remove the nozzle. In this case here you can switch a magnet that is different in strength to change the tuning.

The tuning filter seems to “only” affect the bass region but this is not true for what i heard so far. Since your ears hear the hole spectrum the hole signature changes with them. Keep that in mind as well; bass has an effect on treble and vice versa. On the Bass magnet I found the soundstage to be the smallest. If you lose a magnet well you're kinda out of luck because then the whole bass region drops away. This is not advisable. You can buy the Magnet Filters on their own on the BQEYZ Aliexpress store

The Gray magnet: Tier “bassy” signature
It becomes more of a V shape of sound but the emphasis still is on the bass to neutral even. I found that some instruments and high hats can be a little on the hot side. The bass does get a boost but far from a basshead iem plenty of bass to give the sound a little more kick and body overall. The soundstage was also the smallest out of the 3 tuning. Since bass can take up too much space. The DD is far from slow to handle bass decay and attack on my guitar where plenty good. Male vocalists got their organic voice especially if male vocalist had a deep voice. Female vocals were fine to be honest the bass didn’t overpower them nor they thin.
The Gold magnet: The “balance” signature
Here is more of a U shape/balance to give the child a name, It has been said this is also the midpoint between the 3 Tuning Magnets. The stage opened up a little cuz the slightly reduce the bass. gave a little more depth as well but a little less body to lower male focals. While female vocal can be very energetic some a bit overpowering upper treble at 5khz might be a problem for some
The Silver magnet: The “treble” signature
The Magnet tuning becomes cold neutral giving a lot of clarity and micro details back into the mix that might have been lost or less noticeable on the other tuning. Feels like the bass is lying by being that neutral, same for the midrange. Feels like “monitor” ish but yet the treble energy goes through the roof. This is not the magnet to shoot if your treble sensitief.
I spend most of my time on the Gray magnets. To give the music that little bite back. Where the E on my guitar at round 83hz sounded to me the most pleasant to me. I rolled on the Penon Black Liquer tips and a mix of the stock cable and a Xinhs 4.4mm cable As sources I used my trusty Fiio KA17 and M11Plus ESS. Gonna keep it brief since I went through all the magnets above.

Bass: Even on the Gray music bass was a little on the tin side for me but everybody likes their music different. I listen to a lot of hardrock i really wanna feel and hear the attack of the instruments. And there for me it still lacks a little bite. The decay of and the attack where fine just the qualilty was tin for my taste. In slower songs this fine just in harder to play song it loses his head.
Mids: Where a little recessed but still present in the mix. In a good way not muffed, not pushed all the way, not in your face as well. There is absolutely no bleed coming from the mids. Vocal male vocals get the warmth back and also we’re more organic than on the other magnets for me.
Treble: Well i have to say for some people i might be too much especially the region at around 4-5khz where the lower treble peaks. Most people will be fine with it. I found it in some cases a little too much. that extra energy that some people really gonna like i tend to have a preference for a balanced to warm tuning that how i like my music is. Are other ways wrong, not your preference and that's fine. I have to add it really depends on what type of music i’m gonna listen to.
Technicals: In bustier tracks it felt sometimes it lost control over the song that was played back. To give you an example Jonny Cash - Hurt one of the tracks i have in my playlist. At the end there is a part where the music builds up to a climax and most iems fall flat on that part. I have to say in other genres like Country, Blues, Jazz Soul even slower rock songs yes they do exist. There were fine DDs that had control over it. The playback was really enjoyable. I know this was not made to use on Metal and Hardrock. This one has been made for having a nice melody and for the people who really like Piano, Saxofoon etc. that is why I still grab them from time to time depending on my mood and what music I wanna listen to.
Soundstage: Well even i made the choice of using the Gray magnets that make more of a V shape sound they still feel open. Listen back to the other magnets, yes this one is the most closed off but they are far above average on soundstage.

But all said and done, This is a set that is criminally underrated for me. Even if it is an older set I still hold its own. It is easier to swap a magnet than a nozzle in my eyes. Depending on what that you want, yes the risk is also that the magnet gets lost. and to be honest once you choose your tuning you almost never swap back it happens that go back to the Gold one and that’s really nice. I don't have to pinch off my eartips and swap my nozzle. no here i have just grab the tool and extract the magnet en put other inset and of you go. I might have to add that some people might have trouble with the treble. I'm neither a treble head nor basshead. but even then some notes were sharp. and i also have the Simgot EA1000 in my collection and still pick this one out of my box to listen to. It’s just a very well tuned iem id you find the right Genres for it. I have it’s not an overall perfect but no IEM is. So keep it in mind what music you listen to. Cue that makes or breaks a iem for you not the sound signature they put into it but what is your use case of the iem you looking at what music genre to you listen what do you like in your music is warm, dark bassy, airy etc.
and nice song too. love both Trent and Johnny version of Hurt.