AUDIOSENSE AQ3

Introduction
Audiosense is the company Chinese company, a lot of people are familiar with the t800, which is their flagship 8BA IEM, but today I am taking the look at AQ3, this is their first hybrid model, the driver configuration is 1DD+2BA, price of it is $190USD.




Disclaimer
I purchased it from their official website myself for retail price, and the review will be based on my honest opinion through the music I listen to.


Package & Accessories
The packages is simple design, it come with the black cardboard box, with the brand name and model name at front, the box is flip to open design, after opened the box, there is the big transparent storage case, the IEM and other accessories come inside it.






Accessories list:
1 pair x Audiosense AQ3
1 pcs x 8 core MMCX detachable cable
1 pcs x waterproof storage case
1 pair x silicone ear tips (S, M, L)
1 pair x form tips (S, M, L)
1 pcs x cleaning tool



The accessories it come with is simple but useful. The case it come with is on the large side, it can easily fit in two IEM, the case is IPX5 waterproof, it seal well thanks to the pressure release design, inside of storage case there is rubber pad to give additional protection. The case is overall solid build with transparent design.







The AQ3 come with both of silicone tips and foam tips, also include the cleaning tool.





The cable is 8 strands 19 core silver plated copper cable, it has 90 degree 3.5mm plastic connector, it feature MMCX detachable design, there are the the blue and red indicator on both side of MMCX male connector to show left and right, while the y splitter and cable slider are both in metal shell, it is overall solid cable finish in silver color.




Design & Build & Comfort
The design of AQ3 are small and compacts, the shell curve are smooth and well rounded, the shell are printed by 3D printer, and fully filled in with resin. It come with smoky color, with slightly transparent design. It is using carbon fiber as materials of faceplate, with the golden front brand name on left earpiece, while the model name on right earpiece. There are the vent on top of the IEM.





The build on it is solid, the shell is well rounded on the edge, the AQ3 has resin fulled filled in in its shell, the wire inside are not really neatly organized. The driver in the IEM are perfect placed thank to plastic driver holder, and there is the tube for each of the driver, with total three sound bore. It uses metal nozzle with metal filter to make sure noting get inside the IEM, also promote the durability. The Mmcx female connector do not have sign of wear and tear after I swapped few times of cable.





Even as I mentioned it is small and compacts, but it is still at the thick side, compare to the OH500, which is already on the thick side, but thanks to the ergonomic design, it fit OK for me, the AQ3 is not that ergonomic, but doesn’t mean it cannot fit good, thanks to the slightly angle and long nozzle, it fit well for me. The isolation is slightly above the average by using the spinfit CP100.






Technical specifications
Driver: 2 custom Knowles BA drivers and 10mm dynamic driver
Frequency Response: 20Hz - 22 KHz
Impedance: 18 ohms
SPL: 102 +/- 3dB


Sound

Paring
I do not use the stock silicone tips for this review, because it doesn’t fit well for me, I use Spinfit CP100 as ear tips for review, I find out the overall clarity are better on the Spinfit, there are more treble energy as well.




Overall tonality
It is the U shape sounding, with natural, smooth and relax tonality.

Bass
The bass is on the natural side, with good amount of sub bass for most of music I listen to, the sub bass has less than average extend and decay speed. The bass give average impact, rumble and punch, the bass has average detail while the speed is quite slow, it is overall laid-back tonality bass.

Mids
The mids is feel like every notes in the music have been rounded, but it also affect the overall clarity (or someone may say it is lack detail, because it also rounded some important part of the music). The lower mids has good amount of bodies with moderate depth presented in slightly lush and smooth manner, the upper mid do not have sharpness, it presented in soft and natural manner. There are slightly less than average of airy and transparency. It is overall slightly warm, natural, and well balanced mids.

Treble
The treble is laid back, and also lack on a lot of elements, let’s go through it. The treble has average extended presented in harshness and smooth manner. The treble has average detail, while it is too laid back, the treble is lack in airiness, sparkle, brightness, energy, and also overall clarity (when I said lack, I mean this is way much more below the average).

Soundstage and imaging
It has less than average depth and width.
It lack on imaging and separation.


Comparison
NF audio NA2+ ($169USD)

Bass
There are more sub bass and slightly more mid bass on the AQ3. The bass has warmer and fuller tone in AQ3, where the NA2+ has clearer and relatively cleaner tone. There are clear sense of punchy and slam on the NA2+, while the AQ3 sound life less in comparison. The NA2+ provide better sense of control and has tighter presentation, where the AQ3 has heavier weight and sound thicker. The detail retrieval and clarity is better on NA2+

Mids
The midrange on both has fairly neutral tone, but the NA2+ has brighter tonality. The lower midrange sound fuller and warmer on the AQ3, where the NA2+ sound leaner and clearer. The upper midrange sound smooth and relatively more laid back on AQ3, where the NA2+ sound more vividly and lively. The detail retrieval and is better on NA2+.

Treble
The treble has brighter tonality with better sense of extension on the NA2+. The lower treble has more energy and sound brighter but edgier on NA2+, while the AQ3 sound smoother and laid back-ier. The upper treble has more airiness and sparkle on the NA2+, where the AQ3 is rolling off and sound bit life less. The detail retrieval and clarity is better on NA2+.

Soundstage and imaging
The soundstage is wider and deeper on he NA2+.
The imaging is better on NA2+.


IKKO OH10($189USD)

Bass
The OH10 has more sub bas quality and quantity than AQ3, the bass on OH10 feel more weight, punch, impact and rumble compare to AQ3, the bass detail and speed are better on OH10 as well. The bass can extended further on the OH10.

Mids
The mids on OH10 are more recessed than AQ3, cause by more V shape sounding, the OH10 has less bodies and depth on lower mids compare to AQ3, but it sound more clean with good level of clarity, the upper midrange on OH10 are more forward and emphasizes, it show high level of transparency, clarity and detail, while the AQ3 present in more natural and relax tonality without any sharpness.

Treble
The treble on OH10 are more bright compare to more laid back AQ3, the OH10 did better job on treble extension. The treble has more energy and transparency on OH10, whereas the AQ3 has more relax and fatiguing free tonality. The detail and airiness are better on OH10.

Soundstage & Imaging
Soundstage and separation on OH10 are better.
Imagining is better on OH10 as well.



Akoustyx R-220 ($199USD)

Bass
The sub bass and bass are less on R-220, presented in flat and fairly neutral amber. The bass are slightly warmer on AQ3, where the R-220 are cleaner. The bass has fast speed and decay on the R-220, while the AQ3 has more punch and rumble. The R220 offer the faster impact, whereas the AQ3 are relatively slower. The bass has more clarity and detail on R-220.

Mids
The midrange are fairly neutral and owning the relatively thin timbre on R-220, while the AQ3 has more natural and fuller presentation. The lower midrange has more bodies on AQ3, while the R220 are cleaner in this section. The upper midrange are more forward on the R-220, and sound more lively, where the AQ3 has more soothing and natural tonality. The clarity, detail and transparency are better on R-220.

Treble
The treble are brighter and extended further on R-220, while the treble are more laid back on the AQ3. The R-220 has more sparkle on the top end and feel more open, while the AQ3 has more smooth upper treble in comparison. The R-220 has more airiness in the treble, while the AQ3 is slightly less energy. The clarity and detail are better on the R-220.

Soundstage and imaging
The soundstage are more open on the R-220.
The imaging are tad better on R-220, but the layering are a lot better on R-220.




Conclusion
First point I want to mention, I do like it sometime, is good for listen while I enjoy my afternoon, it is overall really easy to enjoy and well balanced sound presented in laid back manner. But, not a lot of people like to purchase the IEM, that is lack in detail, clarity, imaging, separation and treble energy, airy and transparency, and cost $190USD, while you have a lot of good IEM to choose around this price range. I am looking forward for AQ7, which is the 1DD+7BA hybrid IEM. Thank you for reading, Happy Listening!

Audiosense official website: https://www.audiosense.cn
AQ3 product page: https://www.audiosense.cn/product-page/audiosense-aq3

MIDY GREATY SOUNDY - AUDIOSENSE AQ3 IEMS REVIEW
by George Dobrescu - August 11, 2020

AQ3 is an IEM priced at 190 USD, which I reviewed in video already, and which will get compared to many IEMs, including Dunu Falcon-C (220 USD), Periodic Audio Ti (150 USD), and FiiO FA7 (250 USD). The pairings list will include some gems like FiiO M3PRO, iBasso DX120, and HIDIZS AP80.





Introduction

Audiosense has quickly risen to be a reliable and interesting company, with a large offer, which includes very different products, from their TK200, sold under the banner / branding of Tingker, all the way to their main branding, which is Audiosense, and their AQ3 model, also having some interesting entry-level models too.

It should be noted that I have absolutely no affiliation with Audiosense, I am not receiving any incentive for this review or to sweeten things out. I'd like to thank Audiosense for providing the sample for this review. This review reflects my personal experience with Audiosense AQ3.

Official Product Link (No Affiliates): https://www.aliexpress.com/item/4000578779311.html



About me

https://www.audiophile-heaven.com/p/about.html



Packaging

First things first, let's get the packaging out of the way:








Although you wouldn't expect, the AQ3 has a really nice package. The cables, which are of excellent quality, a carrying case, and a good selection of tips are all marks of an IEM that may become a favorite if you keep on reading.

The unboxing is more than fit for an IEM in the 200 USD price range, especially with the awesome-looking carrying case that's in the Peli style.



What to look for when purchasing a high-end In-Ear Monitor

https://www.audiophile-heaven.com/p/what-to-lookl.html



Build Quality/Aesthetics/Fit/Comfort

The build quality is a bit basic, since it is all plastic, and it doesn't have any special features, but it is a fairly comfortable IEM, that's not too large, the bore width / length are also ideal for most ears, unless you have really small ears or ear canals.


The cable is great, flexible, feels very high-quality, there's nothing about the cable not to like, except maybe if you wanted to have balanced cables, but Audiosense makes those too, and they are affordable, if you check their store. The MMCX Connectors are universal, and even something outrageously large like the Dunu Hulk cable should work fairly well, although I would really suggest checking out more affordable options from Audiosense if you're not pairing it with a more expensive IEM.


The impedance is fairly low at 18 OHMs, and the IEMs are somewhat sensitive to hiss, and the SPL is not very high at 102 dB, so they are also a bit hard to drive. This means that you're more likely to pair them with a better source than a smartphone, like a FiiO M6, BTR 5, Earmen TR-AMP, iBasso DX120 and so on. The point is that you're less likely to notice hissing when pairing them with a better source, and they scale a bit with the source, so the end sound will be pretty fun, detailed and more controlled than with most smartphones.



Sound Quality

The sound provided by the two balanced armatures and one dynamic driver is quite impressive, coherent, and the overall signature comes through as fairly balanced, somewhat mid-forward compared to most of what people consider reference. The bass and the treble are not forward for sure, and where the bass feels a bit pushed back compared to the mids, the treble also feels smooth and pushed back. The tonality is natural though, so the midrange itself has a great quality / clarity.


The bass is natural in speed, to slightly speed, and gives the whole sound a good amount of weight, but the sub-bass doesn't have the best extension. This means that AQ3 will work far better for Jazz / Classical rather than EDM. Rock is a good to go style for them, but downtempo isn't. The sub-bass doesn't roll off entirely, but the quantity really is lower than the midrange. The upper bass and lower midrange has enough presence to give music a natural thump, but it lacks that impact in the sub lows.

Everything relies on their midrange. It is the central element of the sound. Having a forward midrange also means that they have a somewhat forward presentation, and a normal to slightly small soundstage. On the bright side, joke implied, the midrange is extremely natural, and surprisingly detailed, for this price range. In fact, they easily outdo many IEMs in this price range for detail alone, and that has a beauty of its own. The downside is that the sound can be slightly too edgy, too grainy, or too harsh. Happily, that is not the case, and generally the whole AQ3 sounds pretty natural, just with a forward mid and a really detailed sound. The main impact lies in the midrange, so music like Punk sounds especially good.

The treble is smooth and somewhat relaxed. This means that it could be called dull and smooth, the detail in the treble is not overly impressive. All in all, if you're into relaxing and laid back treble presentations, the AQ3 is simply outstanding, they have a really natural sound to the treble, although the uppermost part of the treble is not that airy, so the overall sound still relies on the mid for refinement and space.



Youtube Video Review





Comparisons

The comparisons list includes FiiO FA7, Periodic Audio Ti, and Dunu Falcon-C. All of those are different, and this is mainly because at this price point, it is better to explore options from different sonic presentations, since the mid-forward style is the most rare regardless of the price range. Some worthy mentions are the Shozy CP, Shozy Hibiki, CTM Clear Tune Monitors Da Vinci IX, TheCustomArt Fibae Black, the Rapture from Fischer AMPs. Once you go up the price ladder, there's also the stuff where you can configure the sound, like the FLC 8N, or even the FiiO FA9, the current flagship from FiiO, which has three physical switches, and can sound pretty mid-forward.


Audiosense AQ3 vs FiiO FA7 (190 USD vs 250 USD) - FiiO FA7 is close enough in pricing for this comparison to make sense, so the previous midrange king of warmth does get this comparison. The package of FA7 is better, but the default cable is not much better than Audiosense. On the other hand, the sound is much warmer, the bass is deeper and much more impactful on the FA7. The AQ3 sounds more clean, clear, lighter, snappier, also less bassy.

Audiosense AQ3 vs Periodic Audio Ti (190 USD vs 250 USD) - The Ti is one of Periodic Audio's finest, and shows how this company became a favorite, despite not offering detachable cables. They have a beautiful, musical sound, and their IEMs have a really hidden design, where you can safely assume they're entry-level units, they look stealthy for IEMs, and they have a much warmer, more delicate sound than the AQ3 which is more forward, a bit harder around the edges and which reveals more detail, but is less romantic.

Audiosense AQ3 vs Dunu Falcon-C (190 USD vs 250 USD) - The Falcon-C is the ideal midrange priced V-Shaped IEM, with a wide stage, an open design, good ergonomics and Dunu's stellar support. The only minor downside I could see there is that if you prefer a mid forward sound, I would always recommend AQ3, there's no question about it, but the overall cable quality, IEM comfort, build quality and detail is similar. AQ3 can reveal a bit more thanks to its mid forward design, while Falcon-C has a wider and a deeper stage.



Recommended Pairings

The list of recommended pairings include FiiO M3 PRO, iBasso DX120, and HIDIZS AP80. There are many other sources that would work really fine, like a FiiO BTR5, Earmen TR-AMP, Lotoo Paw S1, and even something pretty modest like an Audirect Beam or an iBasso DC01 / DC02.


Audiosense AQ3 + iBasso DX 120 (190 USD + 300 USD) - iBasso DX120 is a bit of an overkill when it comes to driving AQ3, but it has the most beautiful midrange from the entry-level DAPs out there, and the amount of driving power / punch it has also make it easy to recommend because for IEMs you won't be needing to upgrade it anymore after a long while. IT doesn't have any BT or special features, but it has a really good ergonomic and build quality.

Audiosense AQ3 + FiiO M3 PRO (190 USD + 100 USD) - M3PRO doesn't have Bluetooth, or any bells and whistles, but it has a good amount of driving power, a very ergonomic shape and design, and it doesn't cost very much either, making it an ideal MP3 Player in 2020, and one I can easily recommend for almost any IEM. The advantage of using M3 PRO is that it has a dry sound, so if you want to see what the absolute detail of AQ3 sounds like, it should be just it, from the ~100 USD price range.

Audiosense AQ3 + HIDIZS AP80 (190 USD + 140 USD) - AP80 is great because it is tiny, has an excellent price, manages to squeeze pretty much everything there was inside the AQ3, but it also has a nice EQ made by Hiby, which you can use to enjoy the AQ3 more. I mean, I was able to find out a lot about the sonic characteristics of AQ3 from using the AP80 and playing around with the EQ, but it will come in handy if you want to slightly tweak the sound of AQ3 too.



Value and Conclusion

The value of AQ3 is great indeed, and they provide exactly what they promise, an excellent overall deal for 190 USD, for those who love a mid-forward presentation. The value is good not only because they have a nice sound, and good overall performance, but also because they have a nice comfort and build quality.


The sound is exactly what you'd expect from a midrange-forward IEM with a smoother top end and a rather more limited bottom end. It is beautiful in terms of detail and naturalness, but also relaxed and fairly wide, although it lacks depth, in the end being what I'd consider a bit intimate for my liking. It sounds smaller than most V-Shaped IEMs, because the mids are forward and the whole bass and treble feels recessed, so if you like some intimacy with the singer, or listen to a lot of voice-centric music, especially female-voiced music, the AQ3 should deliver really well.


At the end of the day, regardless whether you're looking for IEMs, or cables, or even other accessories, you should totally check out Audiosense, and if you really want a nice mid-forward IEM with a ton of detail, and a great comfort / build quality, you should check out the new hybrid 2BA + 1 DD Audiosense AQ3, which managed to impress from the start.

Official Product Link (No Affiliates): https://www.aliexpress.com/item/4000578779311.html



Full Playlist used for this review

While we listened to considerably more songs than those named in this playlist, those are excellent for identifying certain aspects of the sound, like PRaT, Texturization, Detail, Resolution, Dynamics, Impact, and overall tonality. We recommend trying most of the songs from this playlist, especially if you're searching for new most, most of them being rather catchy.

Youtube Playlist



Tidal Playlist

https://listen.tidal.com/playlist/64555551-ec3c-4279-ae44-248fdfcf6c4b

I hope my review is helpful to you!

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View more at: https://www.perrivanaudio.com/

Driver Setup: 1 Dynamic Driver + 2 Balanced Armature Drivers

Price: $249 (SGD)

Intro



Disclaimer: I borrowed the Audiosense AQ3 from mistereden on Carousell Singapore for review purposes. It currently retails at $249 (SGD)

This is a review of the Audiosense AQ3, a hybrid IEM. Audiosense made waves with their successful earphone, the T800. The AQ3 adopts a similar aesthetic but with different internals.

Accessories (Score: 8.0/10)

Packaging is simplistic yet very sleek. It comes in a large Pelican-style case which looks very sturdy. It may not be the most practical case to bring your IEMs around in everyday but it sure is a nice case you can repurpose or put your EDC stuff.

It comes with a silver woven 8-wire cable. Cable is simple, low-profile and sleek. It suits the buds themselves and is sufficiently functional.

Build Quality and Fit: (Score: 9.0/10)

Audiosense have themselves a winning formula in this design. This is one of the most comfortable IEMs I have ever worn. I really hope they stick with this design and level of build quality for future IEMs (if it ain’t broke don’t fix it right). The AQ3 is made with a 3D-printed resin filled shell. Each of the drivers are connected to tubes which combine up at the nozzle.



Sound: (Overall Score: 6/10)


Sources used

• Shanling M3s
• Fiio Q1 MkII

Music and Albums listened to

• Kingo Hamada – Midnight Cruisin’
• McFly – Anthology Tour and Memory Lane
• NEEDTOBREATHE – Acoustic Live
• PMJ – The New Classics
• La La Land Original Motion Picture Soundtrack
• Grease Soundtrack
• AJR – The Click and Neotheater

Bass (Score: 5.0/10)

Usually in a Hybrid Setup, I would look forward to listening out for the dynamic driver timbre, especially in the bass. However, to me, this was the weakest point of the AQ3.

Kick drums that are supposed to sound quick and heavy sound like cantankerous giants lumbering through a narrow corridor and knocking everything over in their way. In simpler terms, it just sounds very clumsy and unrefined. Double Bass plucks sound nothing like plucks and it was excessively boomy and muddy.

There is a very big mid to upper bass bloat that bleeds severely into the lower mids. It is overpowering and intolerable for longer listening sessions. I can’t tell if the sub-bass is lacking or that the copious mid bass is overpowering everything around it. Everything seems really in your head and the stage is so congested it made me feel a little claustrophobic literally.

Everything became more subdued and listenable after much EQ (thankfully this IEM responds well to EQ)

Mids (Score: 6.5/10)

Arguably the best trait in this IEM but even that is not without its flaws. The mid bass is kind of muted, which I presume is the fault of the bloated bass from the dynamic driver. Saxophones are suppressed, stifled and muted in Kingo Hamada’s "Dolphin in Town", very unfortunately.

I have read some reviews of this set saying the mids are luscious and smooth. While that is true to some extent, I would rather describe it as being closer to something being crudely sanded over with sandpaper, especially at places where it shouldn’t be. It makes the sound very thick but lacking in the much-needed technicalities. Instruments like euphonium and saxophones have plenty of body, which is impressive and a trait I really enjoy. However, some detail seems to be lost and it loses part of the sound that makes an instrument sound like what it is. Basically, tonality and timbre are kind of whack.

Another thing I liked about the upper mids was how deftly it avoids sounding harsh or shouty. Female vocals are forward and smooth without being sibilant. However, a lot of the texture in the vocals seem smoothened over and lost.

Treble (Score: 6.5/10)

Treble, just like the upper mids, avoids the harshness and sibilance and remains tame. Perhaps some might like the AQ3 for this trait. However, the treble didn’t do it for me either. Somehow the AQ3 manages to suck the life out of the treble such that cymbal crashes and Hi hats sound so lifeless. Listening to "Born to Hand Jive" by Sha Na Na, the hi hats and cymbals lacked the air and sparkle and just felt a little lame. Don’t get me wrong, I’ve heard worse, and I definitely prefer this over tinny, cheap-sounding treble, but this wasn’t what I was expecting from the AQ3s either.

Overall

I feel a little bad for being so harsh on the AQ3 but to be honest I had really high expectations for the set, with so many amazing hybrid releases in the SGD $100-$200 range. The AQ3 costs a little more than those and sits in the $200+ price range hence I was really expecting more from them.

Separation and detail retrieval are way below average, considering the price you are paying.



Conclusion

I may be slightly biased coming into the AQ3 with pretty high expectations for it, however, it really wasn’t my cup of tea. Forget all the technical jargon and terminologies, when you purchase an IEM and throw in over $200 of your hard-earned cash, the thing you would want most from it is simply to enjoy music. I struggled to achieve that with the AQ3, and it really frustrated me as I went through track after track really “trying to enjoy” it. This is not to say Audiosense created a monstrosity here, perhaps there are some people who may enjoy this signature, but I feel that certainly a much better job could be done especially for the asking price and there are some flaws that I simply cannot overlook in the AQ3. Nevertheless, I look forward to future improvements and hope that Audiosense doesn’t give up trying to improve their hybrid line.

Rating: 8.4
Sound: 8.3



Intro
AUDIOSENSE surprises me again and again with their high-quality and coherent products at very reasonable prices. Recently, I have been trying to build an IEM myself and therefore I am also finding out what kind of work is behind it and what kind of financial investment (components) is necessary (now let's disregard the brainwax in advance). So if I want to build a T260 for example and offer the same scope of delivery, I can't do it for the retail price of Audiosense. For this I would always have to get the dealer price and, above all, I would have to order on mass.
In short: Audiosense doesn't make a big margin with their products (of course the margin is bigger with their higher priced products) and stays close to the needs of the customer. Very likeable!
But enough with the adulation and back to the hard facts: This is about the AQ3, which introduced a new series in 2020 after the 2019 T series. For the first time, AUDIOSENSE is using a dynamic driver in a hybrid configuration in its own products, together with two BA drivers (mid/high). As good as the transitions and the interaction of the individual drivers work with the help of an excellent crossover, I have the feeling that AUDIOSENSE would have been better advised with another dynamic driver, which could have made the AQ3 climb even higher.



Handling
The scope of delivery leaves hardly anything to be desired. The waterproof case is certainly special, which might not be for the handbag, but offers a lot of storage space and makes a very high-quality impression. Additionally, there are foam tips (3 times the same size) and a selection of silicone tips.
The cable is a little bit too stiff at the ear, but it fits very well and has a nice feel to it. The whole thing is rounded off with a cleaning tool.

The case is visually similar to the T800. The wobble effect on the faceplate is quite nice and the fit is also very pleasant, although I have already seen more ergonomic designs. The thickness of the sound tubes limits the choice of tipa, especially regarding the size. If you normally need something thicker, you might experience some uncomfortable pressure in the ear.

The isolation works well and little or no noise can penetrate to the outside.

You should be a little careful when removing the protective grids.The filters on the AQ3 are basically small, round stickers on the individual sound tubes (2 filters - bass/middle, 3-way sound path). If you move them, or even damage them, this has a huge impact on the sound. For example, if you remove the filter from the bass, it becomes a beast, which is no longer acceptable in terms of sound.



Sound
AUDIOSENSE does not disappoint me in terms of sound, even with the AQ3. The mids and highs are a pleasure if you like a relaxed and natural presentation.

The bass is represented by a 10mm dynamic driver. Here there is a lot of light, but also shadows. As long as no sub-bass is required, the bass shines with a very natural response and a pleasant punch in the mid-bass and fine details. However, if we go a bit deeper and a little bit away from the countless high-fidelity MQA playlists of TIDAL, towards contemporary pop music, or hip-hop, we notice that the dynamic driver has a little problem with the very low frequencies. The sub-bass is there, but it doesn't sound as natural as the rest, but a bit dull and hollow, as more used to from a BA driver. The dynamics and a natural sounding pressure are no longer there and it doesn't offer a solid support for such low bass genres. However, those who are more at home in classical, acoustic music, rock, or genres in general where bass is produced in a natural way will be satisfied, if not thrilled, with the bass presentation of the AQ3. Bassheads, hip-hop, electro, or EDM fans may be better off somewhere else. For me, the bass is mostly top, but rarely floppy.

Oh yes, the mid-range is my favourite. They don't have the transparency of a UE RR, or separation and crispness of a TIA TRIO, but they sound damn natural and realistic. Voices are brought out quite intimate and focused and have a wonderful timbre. Not too cold, not too warm and slightly forward. The mids know how to inspire, even if I would wish for a bit more liveliness of a SOLARIS for example. But with the AQ3 it never gets borderline or even unpleasant and in general the AQ3 doesn't claim to be full of surprises and to provide ecstatic snap breathing. The only thing that applies here is: pure nature.

The highs go the way together with the mids. The transition is velvety smooth and finds the balanced mixture of detail reproduction, micro-management and a touch of brilliance without losing its naturalness, becoming sharp or too artificial.
They stay smooth and take it easy without drifting into boredom, becoming too dark or dull. Nothing for trebleheads, but if you want to get more involved with the music and let yourself go without looking at it analytically, this is the place to be.

The stage doesn't open up any new dimensions, but is nevertheless very useful for the signature, as it generates a natural width and can also represent some layers in depth. This can be done even sharper and more separated, but hey, then at some point it really isn't natural anymore, no matter how exciting it can be to be able to locate things seemingly exactly to the millimeter in space. I'm more than satisfied with the 3D image, even though there is of course air up there.



Outro
The AQ3 will certainly polarize a bit, as it unfortunately doesn't manage to satisfy the masses. But it does not always have to be! It is an outstanding recommendation when it comes to voice or natural instrument reproduction. It will also not be a stress factor for a longer listening period, but will rather reveal itself to the listener more and more and ingratiate itself with him. Nevertheless, it is not an unrestricted recommendation and has its problems in the sub-bass. If you can overlook this, you will get a very natural, slightly warm IEM, which can fascinate you with its more intimate (what you are used to from AUDIOSENSE), unexcited way!


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More reviews: CHI-FIEAR
Facebook: https://www.facebook.com/CHIFIEAR/

About me:
I’m 36 years old and I love music, almost all genres but mostly classic rock.
My preferred sound signature is neutral towards warm.

My first impressions about these IEMs:
I don’t really believe in burn in to the point that the sound profile will change after a period of time so the first impressions are in fact what the sound profile is. This being said my first impressions: Balanced and Musical.

The sound profile:
I would describe it as warn neutral analogic with enough details in the treble.
The sound may change from neutral to slightly V depending on the tips you are using. I tend to go back-and-forth from Spinfits CP145/100 to Wide Bore Tips – these are the tips I’ve liked the most from my collection.
With Spinfits CP145/100:
With wide bore tips:
I prefer the Spinfit mostly because of the bass impact and stage, and of course the seal.
And of course the sound can be further improved / deteriorate with different cables (for those who believe this and don’t think its snake oil – and it may be at some point J). I use a DIY decent copper cable and the mids are very forward as well the soundstage and imaging.

Bass has enough impact and texture for my liking.
Mids are forward and have enough transparency.
Highs have enough sparkle.
Vocals are more intimate than distant.
Transients are smooth.

Comparison:
Moondrop Kanas PRO
Is smaller in size and weights more since is made of metal; Sibilant; More dynamic; More alive – More vivid; Cleaner; Voices have sharper edge but are slightly more recessed; Blunt Bass, which rumbles more; Holographic imaging; Slightly larger soundstage; Deeper sound.
The feel of a cleaner vivid sound is due to the shaper edges and the slightly cold sound and of course the lack of mid bass. I always add more mid bass when I’m using KPE because my brain tells me it needs some.
I prefer the AQ3 and now I find the KPE to sound very unnatural.

I don’t have another IEM in the same price range for comparison.

Sources used:
Fiio Q5, iPhone XR, Apple Dongle, Fiio BTR1K, Mac Mini
Spotify, Tidal, Flac files.

Like all the IEMs / Headphones these go well with an AMP / DAC / DAP, but at the same time I can enjoy them using just the dongle to connect to the iPhone.

Conclusion:
The naturalness of the sound and the smooth transient made me fall in love with these from the beginning and I can say that these are going to stay with me for a long time.

PS: I bought them with my own money and these are my sincere opinions. Ah, and this is my first review.

AUDIOSENSE AQ3 REVIEW

SOUND: 7.5/10
CONSTRUCTION&DESIGN: 9/10
PACKAGING&ACCESSORIES: 9/10
VALUE: 7.5/10

Click to expand...

AUDIOSENSE is a very promising Chinese earphones company that stand apart of the crowd because of their collaboration with Knowles company for the creation of multi-BA earphones. The best achievement they did until now is their flagship 8BA earphones call T800, which offers warm and bassy analytical sound in a panoramic soundstage. As well, single BA T180 was a great value and well-tuned iem with its limitation. Because of my overwhelming love for the T800, my expectation was surely excessive with the new AQ3 model, which is a Hybrid universal custom scoring 2 Knowles BA and 1 dynamic driver.
At 180$, the AQ3 enter one of most competitive sound value range which is the sub-300$ market and to some extent, it means it competes with it’s bigger brother the T800, but as well with IKKO OH10, Ibasso IT01s, Dunu DK2001, Oriolus Finschi, BQEYZ Spring1 etc.
Can it enter this bloody audio battle arena and win it? Let’s see in this review.
You can buy the AQ3 for 179$ directly from the official Audiosense shop HERE.

INTERN

The AQ3 use 3 drivers. 2 Knowles balanced armature for mids and highs and one 10mm Titanium diaphragm dynamic driver for bass. All drivers are connected with a sound tube, which shows how serious acoustic design was done. Still, I’m not sure connecting a 10mm dynamic drivers with a small tube is a good idea.
PACKAGING



Compared to all other T series models with the exception of T800, the packaging and accessories is an improvement. Well, it’s all about the fancy waterproof pelican case in fact, as the cable is the same nice 8cores SPC one as lower range models. We have a generous amount of memory foams ear tips too (3 pairs) and 3 pairs of silicone ear tips.
CONSTRUCTION







The construction is very nice, it’s made of 3d print resin plastic shell and a carbon fiber back cover with a metal nozzle and tightly implemented mmcx connector in housing. The housing is soft and slippy, it do not become hot or cold easily and the organic shape is very comfy. For a universal hybrid, the body isn’t that big at all, and way smaller than T800 model. The metal nozzle is quite long, so you will not encounter a fitting issues with the AQ3, in fact, they are among the most comfortable iem I own.

CABLE is, as always with Audiosense, of higher quality than what we could expect. Its a 8cores silver-plated cable with L jack. The mmcx connector are solid and the braiding is soft enough. You don’t need to upgrade cable with the AQ3, this one do its job perfectly.
DRIVEABILITY
At 18ohm of impedance and 102db of sensitivity, these are rather easy to drive and any audio source will do. Still, I would suggest pairing it with vivid and clear sounding DAP or DAC-AMP, so the overall sound gain in dynamic and clarity. These don’t like a warm or unclean audio source.
ISOLATION
These block noise quite intensely, in fact, if you use memory foam it will become dead silent around you. As well, sound leakage is plain non-existent even at high volume. This can be very interesting for people recording vocal in home studio or working in an environment invade by people that suffer of hyperacusis.
SOUND

SOUND SIGNATURE is a somewhat tamed W shape approach, where the mids, lower-highs have more emphasis. It’s a mellow near neutral sound, without any peaks anywhere, for the better and the worst. The bass have good weight but lack extension and find it’s place between boomy and muffled. MIDS are forwards, clear and full sounding, smooth without any sibilance but not very transparent or airy. VOCAL are very nice and surely the highlight of AQ3, they have a sense of emotional immediacy and emphasized presence. TREBLE is more about the lower and mid-treble, it soft, not particularly vivid, snappy or sparkly, no decay whatsoever, but good balance with rest of sound signature which is warm, slightly V shape with extra mids push and rolled off upper treble.
TIMBRE is soft, slightly warm, thick and free of any grain which is inherent to texture, so, not a lot of texture details either. Between liquid and lush.
TONALITY is natural, organic, very smooth without any balance issue. Balance is good but lack flexibility.
SOUNDSTAGE is intimate, taller than wider, with minimal deep. You are in the middle of the stage, with the signer at one feet of you backed with all it’s band.
IMAGING is very average and hollow due to a serious lack of space between instrument making it okay with layering but in a too compressed way.
THE GOOD part of AQ3 is its balanced tonality, natural timbre, and lush mid-range.
For the BASS, it’s well-controlled and has good weight and punch in mid bass. I like this mid-bass punch wich is well rounded without being too aggressive. It’s thigh, without a lot of decay and texture is soft.
The MIDS are rightly done, and I consider that rare in Chi-Fi. No sibilance, thick enough timbre with just enough transparency to show the background layer. Just a hint warm, they are gentle and natural. Vocal stay centered, they don’t invade sound spectrum and overshadow everything but still have an extra presence that saves them of sounding recessed. In some sense, the AQ3 is mid-centric in musicality but flat in technicalities.
HIGHS are on the line with the rest of the frequencies, percussions have body, they aren’t just made of ‘’metal’’, as well, they are nuance. No treble peaks, no aggressivity, but good macro-resolution.
THE SO-SO part of AQ3 is that it’s too gentle and lacks excitement, as well the whole sound tends to sound overly intimate. If you search for big airy soundstage or sharp imaging, you should pass.
BASS does not extend down to 20hz and is a little dulled in texture and presence with the exception of mid-bass. This dynamic driver really struggles to render proper sub bassline, which can sound muffled.
MIDS though great can congest with whole sound due to lack of edge and definition.
TREBLE lacks sparkle, snap and decay extension.
THE SHAMEFUL part is that the lower bass can create distortion at high volume, struggling with its airflow (or rumble). In fact, the whole bass isn’t good and I think it’s due to sound pressure in tube connecting it, the air just feels muffled, compressed, unnatural. As well, congestion does appear with busy track and even with simple music, pinpointing exact instrument position is more about the power of imagination here.
COMPARISONS
VS IKKO OH1 (140$)
Here, the AQ3 sound seriously more flatter-balanced and smooth in timbre compared to more U shape and bright OH1, which is more on the fun side of tuning.
Soundstage feels deeper and airier with OH1, and well, wider too, making the AQ3 sound a little congested at its side. Imaging while more intimate with AQ3, cover whole frequency equally with its sound layers, where the OH1 forgets enlightening a good amount of lower mids and give a lot of space to highs for wider separation. BASS is more cranked up in sub-region with the OH1, giving weightier slam and boosted presence for subline, AQ3 is just above flat, with average body and shy extension, concentrating its impact in more rounded mid-bass, but overall bass is slower with AQ3 and even weak at high volume. MIDS are more forwarded, thicker and softer with AQ3, free of any sibilance, wich the OH1 has time to time, timbre is brighter and more upper mids peaky with OH1 but this gives a more vivid attack and edgy resolution. TREBLE of both are on the delicate relaxed side, but AQ3 highs are thicker where OH1 is more sparkly and snappy, again, I feel whileAQ3 gives richer highs, it tends to lack brilliance and air to capt the attention like the OH1.
All in all, while I prefer the OH1 for its bass, soundstage and sharper clarity, the AQ3 has a more gentle and mature tuning.
VS MOONDROP STARFIELD (110$)
Both of these are rather mid centric, but the biggest difference is in how the sound expands in the air, Starfield having bigger soundstage to offer more spacious rendering.
SOUNDSTAGE is notably wider while the AQ3 has a strange mix of tallness and deepness making spatiality a little awkward. IMAGING is more holographic with the Starfield, which is due to a mix of better transparency and spatialization realism. BASS is thicker and more punchy in mid-bass with the AQ3, but its warmer and less detailed and do not extend as well in sub-region as Stardfiled bass, which is more transparent and have a better transition to mid-range too. MIDS are more intimate and slightly more forwards with the AQ3, but they are less wide and airy and lack the definition edge of the Moondrop, which in the end is tonally more accurate. TREBLE of both these iem is rather soft, but I feel the Moondrop is better balanced in highs and has more natural decay too.
All in all, the AQ3 cruelly lacks bass control and extension of Starfield, as well as soundstage spaciousness and overall tonal cohesion refinement.
CONCLUSION

Audiosense AQ3 delivers addictively lush vocal and impressively natural timbre for a hybrid earphone, but this do not mean they are well-tuned. While tonal balance isn’t bad, the weakest point is the bass response which affects the whole listening experience, as well, the use of 3 sound tubes results in a very intimate soundstage lacking in spatial layerings.
As my biggest hope for the AQ3 is to have better bass response than the ”all BA” T800, I must admit my disappointment is intense because T800 has better bass in both impact and control.
My suggestion is simple: skip this one and jump directly on the T800.


For more honest reviews, go to my official website HERE

Only my second review so apologies in advance. I realised nobody seems to be reviewing Audiosenses transition into the world of Dynamic Drivers with the AQ3 being their first (hopefully of many) Hybrid available in the world markets.

Essentially they've taken some of the tech found in the revered T800, using a high and very high frequency Knowls balanced armature but using a high quality Titanium Dynamic Driver to take care of the lower and lower mid frequencies with the sound being presented to the ear via thessame 3 precision frequency guid funnels all encased in a stunning perfect translusant resin case as with the T800.

Unboxing is pretty much identical to the T800 opening the same black box you find the kit all nicely presented in a large premium plastic case, still unsure of this as its way to big to be a portable solution for the IEM's but could come on handy if your also lugging round a smalltto medium sized dac/DAP. Inside you find the IEM's, the same 8 core silver plated braded cable (which is fine, behaves well with excellent chin slider although for this review I did also use the TRN PURE silver 8 core cable for added clarity and response throughout), bag of silicon and bag of foam tips with a tiny servicing brush. You will likely need to be using the included tips as the nozzle of the AQ3 is larger than many I've come across, I did manage to stretch a pair of T400 foamies on just, split a pair trying though. I'm measuring the nozzle at over 6mm. After a bit of tip rolling I settled on the included medium sized foamies for testing.

Build quality is the usual exceptional standards set by Audiosense from a distance the could easily be confused with the T800, very similar style Carbon fibre face plate with the company logo tastefully descrete but with a lighter more silvery colour scheme Similarly using the same hypoallergenic translusant resin (do people really get reactions) again in a lighter color scheme allowing you to see deap into the guts of the AQ3 reveling ,as advertised, the 2 balanced armatures and a beafy looking 10mm Dynamic Driver with the 3 perfectly formed funnels feeding through to the nozzle ,unlike the T800 there's a more conventional screen, I'm hypothesising this act to dampen some of the more intense high frequencies, an issue with the T800. Looking around the shell you'll find another addition all small 'Bass Blowhole' for the Titanium driver to really 'breath'. All in all a very premium rugged design and build. More so their outrageously comfortable ,relatively light with great ergonomics and a nice deap (not invasive) nozzle. I had these on for hours at a time with zero fatigue

To the sound, as is traditional starting from the bass but pertinent to the AQ3 with the first incarnation of a DD in an Audiosense branded iem (they've been making iems under different names for years), evidence that their no one trick pony using just Knowles Balanced Armature. Bass frequencies produced by the premium Titanium Dynamic Driver are exceedingly tight, resolved and accurate, there is some sub bass rumble but not a lot of extention, it's more a case of controlled acute bass than teeth rattling sub here. This tight bass reproduction of the Titanium Dynamic Driver isn't indifferent from that of a BA bass driver and I think a stroke of genius as means it more naturally blends with the mid and upper frequency BA's. Despite being balanced armature the T800 actually reaches lower than the AQ3 but the AQ3 does more textured real bass. There's plenty of mid bass slam and upper mids slide smoothly into the mids with a very realistic timber (as there is throughout).

They've really gone to town tuning the AQ3 and from talking to them their extremely proud of the results. The T800's an astonishingly accomplished earpiece but could never be described as a balanced/neutral tuning. Despite being a hybrid the transition from the lower frequencues produced from the DD to the higher frequencies is absolutely seemless. Mids are exceedingly balanced and articulate with both male and female vocals being bang on perfect in the mix and mid frequency instruments perfectly poised with sounds scaling seemlessly into the treble, they really have done a stunning job with the crossovers

Handled purely by the Knowles drivers I was immediately impressed by how smooth the treble presents (in contrast to the T800 and its upper mid/lower high peaks). As expected micto detail retrievals excellent and higher frequency instruments like strings are very realistic and accurate. These aren't detail canons like the T800, trebles much smoother and more 'polite' . As with vertually everything I heard its just well done, perfectly tuned.

At first I found the staging just average but after a 10hr burn and some more listening it just expanded massively comparable to the T800 which is no mean feet, I did notice however on more complex music the AQ3 does struggle to keep up with the T800 but in gaming or watching well rendered film staging was almost holographic with pin sharp positioning. Imaging and stereo imaging is about as good I've heard on an iem easily beating my £350 Akg and again nearly on par with the T800.

I haven't heard many Hybrids in this price/class but from what I have heard their well priced (around £145 currently). Perhaps the Shouer Tape would be the closest mid-fi Hybrid and I'd take the AQ3 every time, it's just so seemlessly tuned much smoother through the frequencies and just generally better resolved.

Probably my first but also concluding impression of the AQ3 is its almost the person love child of well tuned DD iem like the Tin hifi T4 and sorted all BA like the T800. Taking the warmer tonality, more textured bass and lovely realistic timber of a quality Dynamic Driver blended with the pin sharp accuracy of a well tuned BA iem like the T800 with zero perceptible transition. If I could only take one I'd still take the T800 as it does things very few iems do but if you want a far more accessible and affordable iem for all occasions and genres you can't go wrong and I certainly wouldn't be disappointed if it were the AQ3. Probably my only criticism might be its so balanced it might lack that character of some earphones, not extending to almost artificial lows or indeed highs (that can be fun), it's just a sorted iem,possibly the best tuned I've heard at least and a great accomplishment by a company clearly passionate about their products. The AQ3's not a perfect 10 but not far off at its price point

Edit: Audiosense have since updated me that the AQ3 has an electronic crossover used on high high end Sony iems, this explains such a seemless marriage of the two technologies