Ultimate Ears UE 5 Pro

DallaPo

New Head-Fier
Pros: balanced, warm sound
UE house signature
Cons: does not have the dynamic range of the other models
peaks can become annoying, especially with weak music quality
Rating: 8.1
Sound: 8.0

Intro
After the UE LIVE, it was pure relaxation in the beginning to deal with the Pro 5 a bit more forcefully and gave me some time to take a deep breath. But soon it became clear why the UE 5 Pro is the entry-level model of the company and cannot keep up with its big brothers or sisters. The keyword here is dynamics. Still a good entry into the custom world, but you still have to look relatively deep into your wallet. Considering the sound characteristics of the 5 Pro, you will surely find it cheaper. Of course, you shouldn't forget that this is still a custom and the manufacturing process takes more time and is more complex.
After the UE test series I also have to admit that I partly feel a bit more comfortable in the lower price ranges, as I can better argue the price/performance ratio here.

UE 5 Pro was provided by R+R SonicDesign AG.

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Handling
>> Identical to all tested models of Ultimate Ears <<

The UE 5 Pro is basically a custom IEM, but can also be manufactured as a universal IEM. If you decide on the custom variant, you will receive an individually adapted in-ear based on a personal ear impression, which is also only "compatible" with your own ear canal.
With universal IEMs, there is no way around a silicone or foam attachment (which is of course included in the scope of delivery in this case), but this can influence the sound characteristics and the sound can be falsified both positively and negatively.
The scope of delivery consists of a cleaning tool for the sound tubes, a removable cable, which was especially developed for stage use and the IEM itself. All this is in a screwable, round and black metal case, or square folding case, where the respective name of the owner is engraved.

Ultimate Ears relies on a specially developed IPX connector in their products. This connector is not compatible with MMCX or other connectors. I personally find it better than the one I know so far. It's more compact, sits bombproof and is easier to detach than the MMCX. The tight closure of the two connections (male/female) prevents moisture or dust from entering the connection, which is very important for stage use.
The cable is available with or without ear-loop, clear or black, and with a length of 125 or 160cm. There is also a balanced version (4-pin 2.5mm mini-jack) and a Bluetooth cable incl. remote for telephoning and controlling the Smartphone / Player.

With a custom IEM you don't have to worry about the fit, comfort and isolation. No matter which acrobatic exercises you perform, the IEM will not move from the spot and will also isolate you almost completely from the outside world. If something does pinch, or an adjustment is necessary, you can have it done free of charge by the respective distributor, or directly by Ulitimate Ears.

The cleaning tool is not only practical, but also really necessary, because as with many universal IEMs by now, there is no protection (mostly by a metal grid) in the sound tube, so earwax and dirt can get into the in-ear more easily. For the careful user cleaning is certainly not a foreign word, but it should be mentioned nevertheless.

The design of the UE 5 Pro is individually left to each user. What remains the same is the transparent 3D-printed housing with a view of the inner workings, but with the faceplate you can let off steam to your heart's content and the ear side is individually made to ear impression anyway.

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Sound
The UE 5 Pro is currently the entry-level model for Ultimate Ears and is intended for musicians and artists who like to perform with in-ear monitoring, but who are not yet at home on the world's big stages. The 5 Pro's sound is balanced with the warm and soft basic tone known from UE. However, an aha-experience is missing, which is mainly due to the reduced dynamics. Quasi the small 18+ Pro, but without the excellent technical characteristics and the unexcited but natural way, but more lifeless and even without the wonderful dynamics of the big one, especially in the midrange.

The BA bass plays in the usual very good UE quality. Dry, smooth with pleasant punch and texture. The sub-bass is not particularly pronounced, but sufficiently present. Slowly I'm longing for something a bit more tangible, because UE always uses this soft and warm presentation in the bass presentation, maybe with the slight exception of the 6 Pro, or LIVE, which is high quality and very pleasant, but doesn't really invite you to stomp along.

The mids are warm, with a pleasant lightness and good resolution. However, in the upper mids they give me some problems, because depending on the music selection it can be uncomfortable and the sibilants are not always relaxed. Here, too, the worse the recording, the less forgiving the Pro 5 is, otherwise I find the mids very natural and relaxed. Certainly not as analytical as those of the RR, but you can follow the music with them without getting agitated, even if you don't stay focused on it for long, because somehow the special is missing, which lets you stay on the ball.

The trebles have a good extension, but here and there a certain hardness creeps in, which I find unpleasant. They don't plough over the field as easily as with the RR, or 18+ Pro. Especially with a high cymbal content, for example with rock music, I inevitably have to reduce the volume. The same with very bright female voices. For me the worst and most tiring treble presentation within the UE test series, but still of good quality.

Separation and imaging are on a very good level, but have to admit defeat overall. Only the 11 Pro is a little more at a disadvantage in some cases, for example when it comes to a great variety of musical information. With quieter sounds it also easily outperforms the 5 Pro.

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Outro
The 5 Pro is quite a good all-rounder with which I can listen to music for the most part without any problems, even if I also have some high-quality tracks available and take a small bow around rock music. It has the basic equipment of the higher class models and also the UE house signature.
I lack a bit of momentum and dynamics. Concerning the sound, not the best value for money, but you can't ignore the field of application and the custom manufacturing and service (24/7 tour service from UE). Nevertheless, I'm happy to spend a little more and grab the 6 Pro if I had to make a decision within UE.
The UE RR is a bit outside the competition, because I haven't been able to hear a cheaper reference sound in quality yet, so I can't really judge the price.

With the end of this review there is some melancholy coming up, as I had a really great time with the Ultimate Ears family, but it's also kind of a relief. There are so many wonderful IEMs out there, just waiting to be discovered, and I'm looking forward to this task with each review and experience (which of course includes the UE series) to be better and better prepared and to be able to distinguish more and more finely.

Once again, this experience teaches me one thing in particular. More expensive models usually have very good technical requirements and some great features, but if in the end it's only the sound that counts, no miracles can be expected from them.

Finally I would like to thank R+R SonicDesign AG, who made this test series possible. I would also like to emphasize that I have no personal relationship with this company or Ultimate Ears, and the reviews were never influenced in any way.

R+R SonicDesign AG is a full-range event company from St. Gallen, Switzerland, which includes the sale, installation and integration of components and systems for event and media technology, with a longtime background in the rental business, and which is also an official distributor of Ultimate Ears products in Switzerland since 2011.
Here you can get the complete UE service from one source and in addition you can make a personal appointment without obligation and free of charge. This includes consultation, test listening, and a digital ear scan.

!!! The pictures do not show the original product, but are specially made universal demo receivers from Ulimate Ears !!

https://www.sonicdesign.ch/ue/de/

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hagosrush

New Head-Fier
Pros: 26db of isolation, perfect fit for your ears, excellent sound, build quality
Cons: Sibilance when driven hard without proper amplificaiton, 26db of isolaiton
 
 
To start, I purchased these for two reasons. I am a live audio engineer, so I use these for mixing monitors and as my personal monitors when I sing Tenor as part of my group.
 
These have two speakers per ear. Low/Mid and High. 119db @1mw with an impendance of 21 ohms which means your iphone can drive these quite poorly.
 
My initial View:
I have been wanting a pair of custom in ears for quite some time and was looking at all of the different brands for around one year or so. I tend to take my time when it comes to anything that I may not be able to return. After much time, reviews, and a choice I decided to go with the UE5's over the UE7 or UE11. The vocal in-ear as they are so called.
 
So off I went to my audiologist to have my ear molds done. Julie Glick is an authorized UE audiologist. She contacted me herself rather than through her secretary, she is amazingly nice and her $75 mold cost at the time was cheaper than most other audiologists ($100). Did I mention she was a UE authorized audiologist?

Ten minutes go by and voila the innards of my ears lay in front of me in pink form. Sent my molds in and two weeks later my custom molded UE5's arrive in the mail. I am super excited at this point. I open the box and a black magnetically closed matte box greets me with a simple UE logo on it. Once past the "How music is meant to be heard" card I arrive at the metal box that holds the in-ears. Molded foam is caressing the metal box and my excitement grows. My name is on the box, my serial number is  on the matte box along with my name (again) and the initials of the person who inspected them. I open the box and am greeted by my all black UE5's with the Batman Logo on them. They also come with a tiny brush and loop wire to clean them with when your ears get dirty.
 
Allright now to the good stuff.
Sound:
As mentioned in the beginning of this review, I am a live audio engineer so most of the auditioning I did with this was done with live audio and later on pre-recorded music. The sound quality of these are simply natural. Garbage in garbage out, quality in quality out. These in-ears are the perfect balance of Lows, mids and highs.
 
For live shows these were powered by a shure wireless beltpack for live shows and various consoles when mixing.
 
The low end is round and hard hitting but not too boomy and it does not muddy or dull the mid and high end. The mids are where these really get their shine. They are so warm and clear that it really is disgusting. My voice comes through  with such clarity and realism that it feels as if I am literally in my own ears (sorry for the pun). The high end is where the headphones came to a screeching halt in my opinion. When I began to hit high notes and the music driven my ears became fatigued extremely quickly and my . It got to a point where I would only put one in my ear and use the floor monitors to compensate.
 
Music sounds good on these. But it all depends on the mix that you have. IF you a great track to listen to then these will bring out that shine but if it is a good or an ok mix then you will hear all of the flaws. I realize that I did not want to listen to half of my music with these as it really showcased their flaws and made them truly sound like a**. A lot of my music is uncompressed but most is ripped at 320kbps.
 
In comes the FIIO E11.
I used these with the FIIO E11 and holy WOW! This amp did the one thing that I thought I would never do, bring these everywhere with me. They have brought the lows and the mids to life. Once you boost the EQ aka bass to level one the FIIO the low end is absolutely stunning. These are absolutely my favorite in-ears by far that I have used ( I've wasted much money looking for the correct par). The soundstage is SO much larger with this amp that it boggled my mind once more. Remember the sibilance I mentioned earlier when being driven? It has all but disappeared. The high end is now like warm velvet during a winter storm. AMAZING in case you missed my horrible metaphor. I have now vowed to never use these headphones without proper amplification again.
 
Final thought:
For the money, customer service and quality that you receive these are well worth the money. Speaking of customer service, I have used these countless times and have not had any issues with them. Before I forget the cables are part of this. They are detachable in case you accidentally destroy one of them and are very quiet when rubbed against clothing or body. The quality is quite good with ample insulation. The cable is 48 inches long.

Sincerely,
In Love
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