Introduction
I wouldn’t use the word hate (it’s a rather strong word) but I can definitely say that I used to have a heavy dislike for the Shure SE215.
At its price, I’ve always felt it simply underperformed in terms of sound. The Audio-Technica ATH-IM70, ATH-E40, Vsonic VSD3S v2, OneMore Triple Driver, the list goes on – what all the mentioned earphones have in common is that subjectively, in my humble opinion, they all sounded leagues ahead of the underwhelming SE215.
Simply put, I felt the SE215 sucked for audio enthusiasts. I thought it was only a safe option for beginners and/or people looking for a gift for non-audiophiles.
And then I, self-proclaimed headphone nut, received the SE215 as a present myself.
I couldn’t sell it or give it away, so I thought, “What the heck. Let’s keep an open mind, first impressions from demos be damned, I’ll try this.”
Now, it’s the earphone I use on the train every morning when I’m off to work.
How did this happen? Let’s take a look.
Edit Notes: this used to be a review of the Shure SE215 Special Edition that was not only posted to the wrong product page, but I later realised my SE215 Spe, while very close to the real deal, was likely not authentic. Since receiving the standard SE215 as a gift, I have re-purposed this review to reflect both the correct model and thoughts on the authentic product. Apologies for past and future confusion – I was very new to audio and Head-Fi when I first posted the original review. Since I can’t delete reviews, I hope this effort to edit my past mistake would suffice. Cheers!
Packaging & Accessories
Within a standard windowed cardboard box, you get the SE215 with a pair of foam tips along with 3 Shure olive silicon tips. You also get a soft zip case with a clip, and I really wish the case were stiffer or more substantial but otherwise, the accessories are pretty fair in my opinion. More foam tips would’ve also been nice too.
Build
One of the championing characteristics of the SE215, many owners will tell you the build on the SE215 is great. Not gonna lie, I feel the same way too.
I could go on and on to describe what hundreds of others have already, or I could give you a succinct summary – the SE215 isn’t flashy or even particularly pretty, but it’s practical, its proven to be durable for a majority of users, and I generally like its construction quality.
One notable weakness lies in the thin earphone nozzle, which some users have noted to have had snapped off on them. All I can tell you is to be careful when swapping out tips. Also, I personally would not use this earphone at the gym if you’re looking for absolute longevity, since sweat and watery wax could clog up those same thin nozzles. In short, ymmv.
Isolation and Comfort
Another Key plus on the SE215, isolation is pretty good. Hands down, I cannot name any other IEM at and below the SE215’s price point that has equal or better isolation. I’m sure there’s some floating around here and there, but certainly not from the big boy brands *ahem Sennheiser Momentum and its giant ass vents*.
Also, the earphones conform rather well to my ear, though some reports from owners have suggested that the ear pieces were a little too thick to fit in their ear comfortably. I will admit that Shure did improve the fit and comfort on the SE215 Special Edition models, but in general, I’d still say the standard SE215 is pretty solid in the comfort department.
With good isolation and decent fit, I don’t think it’s hard to imagine why the SE215 is my preference while commuting – it works, end of story.
Sound
Since the SE215 are often touted as “good value” because of a solid combination of rugged build, good comfort, strong isolation, and great sound performance–and the earphones have been doing good so far–the sound is what’ll make or break this highly regarded earphone here.
Bass
For a $100 earphone, the SE215’s bass digs surprisingly deep, deeper than my handful of first impressions from demos at various stores would’ve suggested to me personally. Sure, sub-bass is slightly rolled off from the comparatively meaty mid-bass, but lo and behold, this earphone does actually have some sub-bass rumble and authority. Emphasis on the word “some”, due to the slight roll-off mentioned earlier. Still, the deep bass is a definite plus.
Moving up in frequencies, the mid-bass and upper-bass are not overbearing or muddy, actually being very controlled in quantity. Managed, but present, thick and meaty, but not wild or flabby. The only gripe I’d have is that it’s a little wooly and lacking resolution, but it’s still what I’d call defined, controlled, and absolutely acceptable – there are definitely worse at this price and beyond. The flabby low-end of the Sony XBA-N1 comes to mind.
As a result of good bass presence, the SE215 fares quite well when it comes to bass guitars, drumming impact, and even the thumping beat on some synth-pop, but I wouldn’t say the resolution of the bass nor the sub-bass authority would make it jaw-dropping enough for fast, hardcore EDM. My personal preference would be for more defined bass, even if it had to come at the cost of lower quantities, but of course, this is just my opinion.
Mids
Many proclaim that the Shure “house sound” is liquid smooth and clear mids. Though “clear” is most definitely up for debate when referring to the Shure product line-up in its entirety, it’s very fair to say that the SE215’s mid detail presentation is incredibly smooth, even forgiving.
While not quite muffled or unclear, the SE215 does have a distinct lack of sparkle or presence in the upper mids section, creating a mild sense of mutedness to the sound. I have stated that this is what I find much more preferable to blare or splashy-ness in my Panasonic RP-HTF600-S review, and this still holds true here.
Especially when commuting, when the volume does need to be louder, this is a very favourable signature. Electric guitars, brass instruments, and other mid-band instruments lose quite a bit of bite when compared to something like the MEE Audio M6 Pro or the much more expensive Etymotic EX4XR, and vocals can sound a tad dull. That said, when outdoors, this is a small compromise when considering the alternative is losing my sense of hearing.
Treble
Similarly, the treble on the SE215 is noticeably rolled off, though I wouldn’t quite say the SE215 is undetailed. Sure, strings, cymbals, harmonicas and other shrill/sharp-sounding instruments can sound relatively clear though a little distant and blunted, but again, the lack of piercing highs is favourable when listening outdoors.
Sound Stage and Separation
Both the width and separation of the sound is pretty much in line with the price competition, neither being compressed or tiny in image, but not impressing with outstanding performance either. Imaging and positioning is similarly fair, and I never got the sense that I couldn’t place instruments – that said, it’s not anything that’ll floor me like the Sony XBA N3, for example.
Overall Sound
The SE215 is flat, a tad hazy, almost dull and boring sounding. These, however, aren’t necessarily bad traits.
Critics would say the SE215 is “undetailed”, “not worth the money”, and “over-rated”, pointing their fingers towards other options like the Vsonic GR07 and the OneMore Triple Driver as better value propositions that present more excitement and detail.
Fans of the SE215 will say this is “balanced”, “low distortion”, and “safe”, the latter point referring not only to sound, but the build, accessories, Shure’s renowned customer service, and overall product likability – yes, people like safe products, and the SE215 is likable because it’s super super safe.
I personally think both have a point, so this is what I personally tell most people who send me inquiries of the SE215: it’s a good earphone, a tad expensive – a good overall package that isn’t the best absolute value. It’s safe, it’ll please the majority of people, but for some, this sound signature would simply not do. Ultimately, sound is highly subjective, so give as many earphones as you can the chance to demo and decide for yourself.
Alternatives
There’s plenty of new entries at and below the SE215’s price point that have been threatening its position as “king of value”. I’ve mentioned a few at the start of the review, and have, in fact, owned some of these supposed SE215-killers.
On the other hand, the SE215 remains a good balance of alright sound, good build, nice comfort, solid isolation, and excellent retail distribution. This is why even today, the SE215 still comes recommended.
And yes, I’d recommend this IEM now. Time with it has slowly changed my mind.
I definitely have gripes with the SE215–it’s not perfect-sounding in any stretch of the imagination–but would consider the sound good enough to pass, especially given it’s a clear winner in other categories.
Conclusion
Not the most resolving, competition-defying, or even awe-inspiring sounding IEM, it’s easy to see why some people, past me included, would abstain from recommending this product. Simply put, it doesn’t sound very impressive against the other excellent sounding alternatives these days.
That said, the SE215 still does have a unique selling point – it’s uniquely still the only IEM that ticks every single box handily in sound, comfort, isolation, price, and availability. This is why the SE215 persists in popularity, and this is why it is a great product.
Are there better values? Absolutely. Will sound improve dramatically if you pay more (or less)? Yes, I’d say so. Plenty of other IEMs sound much better.
That said, the SE215 is practical, easily obtained, and doesn’t really make a fuss, which is why despite its questionable value, it’s still a great overall package that’d make most people happy.
So, Shure, I hope you’re working on an entire refresh of the SE line, because if you want to retain this position, you’ve got to work for it. Competition is catching up.
But for now, the SE215 is what many will continue to enthusiastically or begrudgingly recommend, and it’ll be what many–like me–will simply live with.