FiiO Mont Blanc for IEM E12a $159.99
When you pick up the Mont Blanc you feel like you have something substantial in your hand. Not that is is overly heavy, no, it is conveys the impression that this thing is meant to last, is not some cheap plastic wrapped trifle and it is a compact well made amp that looks like you could take it with you to a zombi outbreak. And this is important, how it looks and feels but we also want something that performs, that sounds good, the boosts our enjoyment of music that isn’t just another addition to be set on the shelf or sold off when the mood strikes. So I put the Mont Blanc, referred to MB from here on, to the test, the musical test.
There is little music I don’t enjoy, if it is well recorded from classical, jazz, western, rock, a lot of rock and even new age on occasion. The MB fed by the X5 or the X1 (the X1 is a fun little dap that for 119 dollars is a great buy), revealed plenty of layers to the sound.
For monitors I used the RE 600, PortaPros, ESW10 Jpn and the JH13 Pros. I find these give me the range I need but will add that the MB had no trouble powering the Fostex TH900.
With jazz I often enjoy Scott Hamilton’s, No Bass Hit for the drum solo. The MB kept pace with this. The drum strike and decay was conveyed and even on the louder passages, there was no collapse of the sound field. There is a whir of the tape machine while recording this CD and I suppose it was analogue or some fan somewhere but it requires resolution to ferret it out. There is a short quiet period in the drum solo and during this time I could hear the faint whir, which gets to the bottom of detail resolution.
Hall acoustics on live recorded music like Neil Young’s 92 recording of all acoustical instruments is pulled in but not in like close but in like you feel you are really hearing the event. People sounds, claps, the “we love you” all comes through without having to listen hard, it is resolved, present and felt on a emotional level.
I noticed that the high frequencies do not have a stridency that can be noticed on some amps, they are clean and the mid frequencies are full but not overly so. Bass, clean and the notes do not bleed into the other frequencies, which is so important to get right. I won’t say this sounds like my desktop amps but so what, it conveys the music, the song the fun and takes a good dap to another level and it can give you a little different flavor for an already fine integrated amp section.
It is important to note that this is not a cold sounding amp. It has an organic slightly warm tone that enhances many musical pieces and with so much digitally recorded music, this is a plus. The strum of the guitar comes across like you often hear if you listen live. It isn’t just metal wires on a guitar, it is the waves of notes influenced by the acoustical space with the sound reverberating within that space and this is important as it adds to the life and enjoyment of what you are listening and after all, that is what this is all about.
I want to add this amp is easy to charge from the USB provided connection, solid as a small monolith of aluminum and I would think, lasting as long as you want to enjoy music and along with my impressions of a fine sound is a recommendation!