AKG K3003

AKG K3003

Average User Rating:
4.13333/5,
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  • The K3003 earphones set a new benchmark in audio quality. By pioneering the hybrid of one dynamic and two balanced-armature drivers in each earphone, AKG engineers have created perfectly balanced 3-way earphones with ultralow distortion, accurate mids and crystal-clear highs.

    Price: 839.50 Euros (without tax)

    .

Recent User Reviews

  1. Audioscope
    5.0/5,
    "Phenomenal sound. Makes other good IEMs sound low-fi. My reference IEM."
    Pros - Expansive soundstage, extremely articulate and detailed, musical, lightweight and non-obstrusive
    Cons - Cables not detacheable, bass may be lacking for some
    I must admit, the AKG K3003 was not something that I ever wanted to purchase when they first came out.  At $1,600 CAD ($1,200 USD), they were probably the most expensive IEMs available at the time. 
     
    In a world where you could buy custom IEMs for less money and have more drivers, I (like many others) dismissed these initially.  A pair of JH Audio JH13 was much more appealing to me at the time, although I had never bought one (more on that later).
     
    Enter 2015, when the price of the K3003 could be found for about half of MSRP.  The K3003 thread here on Head-fi, combined with the more accessible MSRP had really gotten my attention, and so I finally bought a K3003i (same IEM, but with the inline iphone mic./cable) because the original K3003 was not much discounted.
     
    In the Box:
    Once unboxed, the K3003i looks and feels expensive, dispelling some of my initial thoughts about this being a massively overpriced/marked up product.  Included are three sets of "filters" that could be swapped out to alter the characteristic of the sound.  There is one for "reference", one for "extra bass", and one for "extra treble".  An inline adapter for the iPhone-ready 3.5mm terminal to a standard terminal was included, as well as an airline headphone adapter and a high quality leather pouch. 
     

    The box of the AKG K3003i
     

    Contents inside the box.  (Original clear silicone tips not shown)
     
     
    What is Special about this IEM, and why does it matter?
    In my daily work, I am an engineer and also a fine art and portrait photographer.  However, I will refrain from presenting too many technical details that may not be relevant to most people.
    The K3003i is a special because it features a hybrid driver system with one dynamic driver and two balanced armature (BA) driver per side.  In AKG's own words, the dynamic driver is used for distortion free lows (bass), while the two BA drivers are used primarily for accurate mids and for sparkling highs.  Most conventional IEMs feature dynamic drivers, whereas offerings from Shure, Noble Audio, and most custom IEMs feature BA drivers.  
     

    Literature with cutaway diagram showing placement of the dynamic driver and 2x BA drivers
     
    Coincidentally, I have experienced both types of IEMs and the strengths of each.  
     
    Dynamic driver IEMs are probably less expensive to make.  Typically, dynamic driver IEMs have a nice, coherent sound with the ability to produce sufficient bass, but may be lacking in articulation and detail.  In my opinnion, they are well-suited for vocals and drums, but not so much for instrumentals where you want to hear everything sparkle in the background.  
    Some dynamic driver IEMs I have are: Sony EX1000, JVC FX850, and just about every other inexpensive IEM out there I have listened to.
     
    BA driver IEMs, on the other hand, are a much newer technology.  BA drivers are alot smaller and are used in things like hearing aids.  The strengths of BA drivers is exactly the inverse of the dynamic drivers.  That is, BA drivers excel at playing back fast paced music, such as dance, instrumentals, etc., without a hint of incoherency.  The problem with BA drivers is that they often sound shrill and lacking body, similar to what your speakers would sound like if it was missing a woofer or subwoofer.  This is also part of the reason why most BA IEMs use multiple drivers in their design.
    BA driver IEMs I have, or previously owned included the JH Roxanne, Fischer Audio DBA-02, Audeo PFE111, Sony XBA3, and Earsonics SM3.
     
    Essentially, the goal of the K3003i was to create an IEM that combines the strengths of both dynamic driver and BA driver technology.  This is not a new concept necessarily.  In fact, AKG also tried a hybrid-driver setup in the 70s with the K340 Electrosat-Dynamic Headphones, which I have, and mostly enjoy.  The K340 combines electrostatic drivers with dynamic drivers for the same reason that BA drivers are paired with dynamic drivers in the K3003i. 
     
    The K340 is very rich and full sounding, detailed, and has good bass impact.  Where the K340 falls short is its ability to handle fast-paced music, where it may sound a bit muffled or incoherent as the dynamic drivers could not keep up with the speed of the electrostat drivers.  If we use a photography example, this would be simliar to a picture of people on the street, where the speeding cars are blurry, but the pedestrians are in sharp focus. A technically perfect photograph would be one where both the cars and the people in the picture are in sharp focus for us to see, and this is the challenge that the K3003i needs to address.
     

    AKG K340 Electrostat-Dynamic Headphone, circa 1970s
     

    Illustration showing the hybrid driver system of the AKG K340
     
    Sound:
     
    Fortunately, there are no incoherency issues in the sound of the K3003i.  That is, both the pedestrians and the cars in this photograph are in sharp focus all the time.  AKG has successfully solved this engineering problem.
     
    But, how does it sound?  To be perfectly honest, my ears did not understand the sound from the K3003i in the beginning.  They sounded very, very detailed with an expansive soundstage, but somewhat anemic and lacking in bass compared to all other IEMs I have tried.  I almost returned these for something else.  However, I stuck with these for long enough to try them with different DAPs and music and finally understood what the problem was.  All IEMs I have listened to up to now were very much coloured, non-articulate, and have much more bass.  These are the important points to understand.    
    Let me explain.  The K3003i has a neutral presentation and doesn't add too much to the sound.  Additionally, although these IEMs are easy to drive from any portable device, they prefer a slightly warm sounding source.  In this way, the K3003i is similar to headphones like the HD800, which do not offer much of an enjoyable listening experience when paired with most cold-sounding amps due to its overly-analytical nature.  The K3003i is far more forgiving of the source music bitrate than the HD800, and far less analytical in that regard.  
     
    Once I swapped the included tips to a set that was more fitting with a better seal, the bass quantity and impact became just right.  It was perfect in a way that the rest of the music does not become overshadowed or overwhelmed.  This solved the bass problem.  
     
    Next, I compared these to my other IEMs: my previous favourite Sony EX1000, the JVC FX850, and the very expensive JH Roxanne.  A comparison with other high-end IEMs is a big part of the journey to understanding and enjoying the K3003i.
     
    Bass:
    All these IEMs provided more bass quantity (but not quality) compared to the K3003i.  In particular, with a slight exception for the JH Roxanne, everything else sounded plain muddy in their bass.
    There is more bass quantity in the JH Roxanne, but it is defnitely coloured and less articulate.
     
    Tonality:
    After doing many back to back comparisons, I also realized that the K3003i presents a tonally perfect presentation of the music.  This simply means that a pluck of a guitar string does not sound like a plucking an elastic band, and that foot drums do not sound like a bouncing basketball.  In this regard, all the tested IEMs failed except for the K3003i.  You may not realize this until you do the comparison yourself, but the K3003i is perfect here.  
     
    Soundstage: 
    The soundstage of the K3003i was very expansive, and immediately reminds me of the soundstage of my HD800.  In reality, the soundstage is closer to my T1, but for an IEM, this is the widest soundstage I have ever heard.
    -From best to worst: 1) K3003i, 2) JH Roxanne, 3)Sony EX1000/JVC FX850
    Yes, this beats my JH Roxanne custom IEMs.
     
    Vocals:
    In terms of vocals, the Sony EX1000 was my favourite because of it being very warm sounding, especially for female vocals.  However, the K3003i's wide soundstage and tonal accuracy makes the vocals sound very convincing and even more enjoyable vs. the EX1000's approach of colouring the presentation to make the vocals standout. The K3003i also has a certain depth and extension in the vocals that are not present in the EX1000.  The only reason I still have the EX1000 is for purely nostalgic reasons now.  
     
    Instrumentals:
    The AKG K3003i wins here with no contest.  Being the most tonally accurate and also the most articulate IEM in this group, the AKG presents instrumentals in a very musical yet detailed way that is every bit as good as my T1, but on a smaller scale.
     
    A Note on Changing Filters:
    Although three sets of filters are included to increase the treble, bass, or for "reference" sound, I found that I preferred the "reference" filter the most.  The other two filters are not as refined, and alot of Head-fiers echo the same sentiments too.
     

    The "Reference" filter removed.  This is a simple threaded design.
     
    *Other Comparisons
    At some point in time, I owned the Shure SE846 together with the AKG K3003i, and have also listened to my friend's Sennheiser IE800 extensively.  These are three IEMs that alot of people will compare, and fortunately, I was able to do some of my own back to back comparisons between them.
     
    SE846
    The true strength of the SE846 is its very delicious sounding sub-bass, which is both very articulate and impactful, and feels like a real subwoofer in some ways without clouding up the rest of the presentation.  I did not enjoy the very confined and small soundstage of the SE846, and once again the tonality was not accurate and fairly coloured.  It was a unique and fun IEM, but clearly outclassed by the K3003i in all areas except for a textured, impactful bass output.
     
    IE800
    Best described as organic-sounding and musical.  The soundstage is also very large in this IEM, but not as large as the K3003i.  Like most Sennheisers, the IE800 is warm sounding and easy to listen to, but has less detail retrieval and clarity compared to the K3003i.  On the other hand, the bass on the IE800 may be a little better than the K3003i, but not by leaps and bounds.
     
    Final Comments:
    It took some understanding and comparisons for me to appreciate and fully enjoy the K3003i, but it was well worth it as this is now my favourite IEM.  The AKG is lightweight, easy to wear, and sounds as close to an IEM version of my HD800 as possible (without the overbearing sibiliance or shrillness associated with the HD800).  The fact that the AKG manages to trump my JH Roxanne (discarded) speaks volumes about the perception and the reality of high end equipment from large, established companies vs. smaller, emerging outfits that are only popular within niche circles.
     
    When you buy the AKG, you are not buying it for the number of drivers it has, nor any special bells and whistles.  The K3003i is a meticulously engineered IEM that is phenomenal to listen to.  It is a true reference IEM in which its sonic qualities represents the best that I have experienced, while remaining fun and musical all the same.  The K3003i is so spectacular that it makes my Sony EX1000 and JVC FX850 sound like walmart specials, with the JH Roxanne sounding just average.  I have had these AKGs for over a year and also had many other IEMs and headphones come and go.  For home listening, I have a T1, HD800, and Koss ESP/950, as well as a set of Sehring S700SE boutique speakers. When I just want to enjoy the music without using my speakers, I often choose the Koss or these K3003i.  Yes, I use the K3003i even at home because it is that much of a treat. For the low price of admission of the K3003i today, you really owe it to yourself to try one of these out with a sufficiently good DAP. 
     
    Happy listening!
  2. sanjeewasam
    4.5/5,
    "Excellent reference IEM-similar signature to HD800"
    Pros - very natural- if you like HD800 then this is it as IEM
    Cons - To get the best out you need to pair with better
    I had K3003i with a custom cable. I bough it used and the cable had been replaced and the seller assured not sound different to original
     
    I loved it. I used it with Fiio X3 2nd Gen. I liked the sound- very flat, great mids, highs and tight base. When compared to AKG K812 with Mojo I could not hear much difference. I thought K3003 was flatter sounding and tad more clearer that K812. 
     
    When I connected K3003i to Mojo only I noted what I was missing with Fiio X3. It is much better overall with Mojo direct
     
    I sold my K3003 (which I regret now) and the later bought HD800. My first listen reminded me one thing. How similar K3003 and HD800. Both have no body- dead flat and dead honest. Mids-Highs run wild for bad recordings or not paired with correct gear
  3. bosiemoncrieff
    4.0/5,
    "At 76% off MSRP, good value"
    Pros - transparency, portability
    Cons - in-line remote is a delicate flower, MSRP, isolation, clinical
    Aperatif: 
    Let's get this out of the way first. The MSRP is a joke. $1299? Ha! Thankfully, on the secondhand market, prices have plummeted below $500, and I got mine on ebay (less warranty, less case, less the two other "sound filters"—I'm not sure which I got, but I think it's 'reference') for $312 including $5 shipping. AKG seems to have admitted this, putting them on permanent sale for $999, and amazon has them for a little over $700.
     
    At $300 secondhand, they're about what my QC25 cost, and although they lack the noise attenuation that ANC brings, I am amid my own internal crisis about whether I like ANC and whether to drop the cash for the PXC 550 or, more significantly, the N90Q. Suffice it to say that although they are not so isolating as Bose (or many other IEMs), they suit coffee shops in a way that HD800—or indeed LCD-XC, TH900, K872, Flow C, or MDR-R10—never will. They are reasonably comfortable, though as with all IEMs that seal the ear canal, you can't use them when chewing. I also find that when I take calls with them, my voice sounds reverberant in the way that it does when I have my fingers in my ears.
     
    The cable is fragile and irreplaceable. Ditto the in-line remote. One wrong tug and you get intermittency. Judicious use of 2.5mm headphone jacks might have yielded a more durable product. As it is, I think AKG is targeting the wealthy among us who can afford $1299 without thinking too much of it. I wish I had the other silicone tips, as the ones that I have are a liiiiitle big for my ear canals at a very long clip, though again for $312 I'm not complaining seriously about missing accessories. 
     
    Entree: 
     
    Perhaps the highest compliment one can pay an IEM—indeed, a reference monitor of any kind—is comparison to HD800. K3003i is certainly worthy of being mentioned in the same breath as HD800. As regards SQ, they are inferior in almost every way—though I find bass is more impactful—but not by margins that anyone would find embarrassing. The soundstage (shocker!) is smaller, but it is not mediocre. The tonality is neutral if a bit clinical, and perfect for classical music, my preferred genre, and perfectly fine for the handful of pop music I will tolerate—bad romance, call me maybe, i really like you, let me love you, roar, rise, etc. Treble is not rolled off and the bass is deep and crisp.
     
    HD600, the closest headphone I own in price to what I paid for K3003i, is softer (a critic would say blurrier), and requires an amp (and 4-pin XLR) to sound their best. I got my K3003i for maybe $70 more, and while Bimby/Mjolnir 2 softens the sound slightly, the change is minute. K3003 may change as you change their filters (I didn't receive filters from the janky ebay sale), but in the current filter (which I assume is 'reference'), to my ears, they get maybe 70% of the way to HD800, with most of the deficit being soundstage. Circumaural headphones—and HD800 more than nearly all—can fool the ear more easily than IEMs. Miniaturization is ridiculously punishing, and to pack the majority of HD800's performance into their petite industrial design, and not to require an amplifier makes the technical achievement all the more stunning.
     
    The sound can be unforgiving, and perhaps the treble could have used further tuning. Gidon Kramer playing the Kreutzer Sonata has its harsh moments, though had I been ten inches from the violin, I think the experience would have been similarly uncomfortable. Lynn Harrell on the third cello sonata is pleasanter, not least for my own preference for that instrument. While I can't say that the piano had the slam of the Fostex TH900 or LCD-4, it had solidity and weight—these are reference cans after all. The mids are nicely flat, and there is good detail retrieval; though it is clearly outclassed by HD800, it delivers exceptional performance and is not embarrassed by the comparison. 
     
    My ultimate stress test for any pair of headphones is the Solti Ring. Imaging is above average, and at the very top of the pack for an IEM, though (as it's another dimension of soundstage) not competitive with HD800 or K1000. Instruments are indeed a notch less transparent than my top-flight open back flagships, a pinch more distant and veiled. But I repeat: IEMs perform with two hands tied behind their back, and K3003 perform admirably given their physical limitations; IE800, from the makers of HD800, are no better, and (IMHO) worse. Despite all of this though, orchestral colors were handled with aplomb. Brass had its appropriate sheen, depth, and impact; strings soared during O hehrstes wunder and were palpably torn across by their bows during the stormy Walküre prelude to act 1 and Siegfried prelude to act 3. Timpani rumble deliciously but not excessively. Tenor James King was more transparent than Birgit Nilsson; she seemed a bit distant. Wolfgang Windgassen was less immediate (forward?) than on K1000 but K1000 is a magical beast—the forging scene seemed slightly to overwhelm the tenor as it does less on other cans (caveat about herculean demands of the role). But my taste for tilted treble may make my assessment unreliable. Really like Erda. She and Hans Hotter do an excellent duet in Siegfried. Oboes have their utterly lifelike nasality. The triangle is sparkly and wonderful. Immolation Scene comes together very well. Woodwinds, brass, strings, soprano—all coherent and weighty.
     
    Dolce:
     
    IEMs do not have physics on their side. 56mm transducers can do things that IEMs cannot hope to. Despite this, the double balanced armature plus dynamic driver design of K3003i has to be considered a success. Performance approaches that of top flight open back headphones. While it decisively does not equal them, it is a very, very good substitute when you're on the go. Though isolation is mediocre-to-average, and while I might in the future prefer the PXC 550 or N90Q, these are infinitely more stylish and portable. 
     
    If you can find them for ~$300, they are very much worth the expense. If they're any more than $500, feel confident in your decision to skip them.

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Benjerry
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AKG K3003, 15 votes
Author:
Benjerry
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Universal Fit
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Average User Rating:
4.13333/5, 15 votes

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CIRQUE DU SOLEIL, IRIS • CIRQUE DU SOLEIL, KA • CIRQUE DU SOLEIL, MICHAEL JACKSON THE IMMORTAL WORLD TOUR • CIRQUE DU SOLEIL, VIVA ELVIS • CIRQUE DU SOLEIL, ZARKANA • CIRQUE DU SOLEIL, ZED • CIRQUE DU SOLEIL, ZUMANITY • CLEAN BANDIT • CLINT WILEY • CODY SIMPSON • COHEED AND CAMBRIA • COLE SWINDELL • COLIN JAMES BAND • COREY SMITH • COUNTING CROWS • THE COURTENEERS • CRAIG CAMPBELL BAND • CREED • CROWN THE EMPIRE • CRYSTAL FIGHTERS • THE CULT • THE CURE • CURT BISQUERA • D'ANGELO • DAN + SHAY • DANIEL POWTER • DARIUS RUCKER • THE DARKNESS • DARREN CRISS • DAUGHTER • DAUGHTRY • DAWES • DAVID LEE ROTH • DAVID NAIL BAND • DEAD BY SUNRISE • DEF LEPPARD • DEFTONES • DELTA GOODREM • DESTROID • DETHKLOK • THE DEVIL WEARS PRADA • THE DIAMONDS • DIERKS BENTLEY • DIRTY HEADS • DISCLOSURE • DISPATCH • DISTURBED • DIXIE CHICKS • DJ CASSIDY • DJ DON P • DJ N.I.N.O. • DNCE • DONNIE WAHLBERG, NKOTB • DONNY & MARIE • DOOBIE BROTHERS • DOWN WITH WEBSTER • DR FU • DRAGONETTE • DRAKE • DREAM • DREAM THEATER • DROPKICK MURPHYS • DURAN DURAN • THE EAGLES • EARTH, WIND AND FIRE • EASTON CORBIN • EDDIE VEDDER • ELIZA DOOLITTLE • ELLIE GOULDING • ELLY AND THE LAST GARAGE BAND • ELVIS COSTELLO • EMBER • EMBLEM3 • EMINEM • EMPHATIC • ENGLEBERT HUMPERDINCK • ENRIQUE IGLESIAS • ERIC BENET BAND • ESCAPE THE FATE • EVANESCENCE • EYE EMPIRE • FAILURE • FAITH EVANS • FAITH MARIE • FALL OUT BOY • FALLING IN REVERSE • FANTASIA • FATHER JOHN MISTY • FEIST • FIONA APPLE • THE FIT SWIMMERS • FIFTH HARMONY • FITZ & THE TANTRUMS • FIVE FINGER DEATH PUNCH • FLEETWOOD MAC • FLIPPIN' SOUL • FLORIDA GEORGIA LINE • FONESCA • FOO FIGHTERS • FOREIGNER • FOREWARNED • FOUR YEAR STRONG • THE FRAY • FRANK OCEAN • FRANK TURNER • FRENCH MONTANA • FRIGHTENED RABBIT • FUN. • FUTURE • GALLANT • GARBAGE • GARTH BROOKS • GARY ALLAN • GAVIN DEGRAW • GEORGE STRAIT • GHOST • GIBSON GUITAR STUDIO, LAS VEGAS • GLASS TIGER • GLEE LIVE TOUR • GLINT • GO RADIO • GODSMACK • GOO GOO DOLLS • THE GOSSIP • GRANGER SMITH • GREAT WHITE • GREEN DAY • GREYSON CHANCE •
GRIMES • GROOVEBOSTON • GROOVY7 • GROUPLOVE • GUNS N' ROSES • HALESTORM • HALFORD • HALSEY • HARVEY MARSHALL • HAWKSLEY WORKMAN • HAYDEN MARINGER • HEART • HELL YEAR • HERE COME THE MUMMIES • HILL KOURKOUTIS • HINDER • HOLLYWOOD UNDEAD • HOMBRES G • HOPE • HOW TO DESTROY ANGELS • HOW TO TRAIN YOUR DRAGON TOUR • HYPER CRUSH • I PREVAIL • ICONA POP • IGGY AZALEA • IMAGINATION MOVERS TOUR • IMAGINE DRAGONS • INGRID MICHAELSON • INTERPOL • INXS • IRATION • IRON MAIDEN • JACK JOHNSON • JAKE OWEN • JADE WARSHAW • JAMES TAYLOR • JAMES TORME • JAMIE FOXX • JANET JACKSON • JASON ALDEAN BAND • JASON BENGE • JASON BONHAM • JASON DERULO • JASON ISBELL • JASON WHITMORE • JAY SEAN • JC CHASEZ • JENNA ROBINSON, BIG APPLE CIRCUS • JENNIFER CHASE • JENNIFER HUDSON • JENNIFER STONE, WITH KESHA • JEREMIAH MCCONICO • JESSE MCCARTNEY • JIMMY BUFFET • JIMMY EAT WORLD • JOE.E • JOE JONAS • JOE NICHOLS BAND • JOEY BADA$$ • JOHN GRANT BAND • JOHN HIATT AND THE COMBO • JOHN MAYER • JOHN STAMOS • JOHN TEMPESTA • JOJO • JONATHAN KNIGHT, NKOTB • JORDIN SPARKS • JOSH DAY • JOSH GROBAN • JOSH GROBAN BAND • JOSHUA RADIN • JOSS STONE • JOURNEY • THE JOY FORMIDABLE • JOYWAVE • JUDAS PRIEST • JUDD HOOS • JUICY J • JULE VERA BAND • JULIO IGLESIAS • JULLY BLACK • JUSTIN BIEBER • JUSTIN TIMBERLAKE & BAND • KACEY MUSGRAVES • KAMILAH MARSHALL • KARMA • KARMIN • KAT DELUNA • KATE EARL BAND • KATY PERRY • KEITH SWEAT • KEITH URBAN • KELLIE PICKLER • KENDRICK LAMAR • KENNY CHESNEY & BAND • KENNY LOGGINS • KESHA • KIP MOORE • KISS • KLAYE SANDERS • KOOL & THE GANG • KORN • KROPP CIRCLE • LACUNA COIL • LADY GAGA • LALAH HATHAWAY • LAUREN WILEY, LES MISERABLES US TOUR • LAURYN HILL • LAWSON • LE REVE, WYNN LAS VEGAS • LEA MULLEN • LEE DEWYZE • LENNY KRAVITZ • LEON J • LEONA LEWIS • LIANNE LA HAVAS • LIBIDO • LIDO • LIGHTS OVER PARIS • LIL' KIM • LIL WAYNE • LIMP BIZKIT • LINDSEY STIRLING • LINKIN PARK • LIONEL RICHIE • LITTLE BIG TOWN • THE LIVING END • LOCAL NATIVES • LOU REED • LOVE AND THEFT BAND • LUCINDA WILLIAMS • LUIS MIGUEL •
THE LUMINEERS • M83 BAND • MAC MILLER • MACHINE GUN KELLY • MACHINE HEAD • THE MACCABEES • MAD HATTER STUDIOS • MADEON • MADLIFE • MADONNA • MAGIC! • MAJORS AND MINORS, TV SHOW • MANA • MANDY JIROUX • MARC ANTHONY • MARIAH CAREY • MARIANA'S TRENCH • MARILYN MANSON • MARINA AND THE DIAMONDS • THE MARKER • MAROON 5 • MARY J BLIGE BAND • MASTODON • MATCHBOX 20 • MATT & KIM • MATT MORRISON & BAND • MATT NATHANSON • MATT OCHOA • MAXWELL • THE MCCLAIN SISTERS • MEGADETH • MEGHAN TRAINOR • MEL B • MELANIE MARTINEZ • MELISSA ETHERIDGE • MICAPELLA • MICHAEL ANTHONY • MICHAEL BOLTON • MICHAEL FRANTI & SPEARHEAD • MICHELLE OSBOURNE • MIDNIGHT OIL • MIGUEL • MIKA • MIKE PORTNOY • MILEY CYRUS • MIKE MARLIN • MINDLESS BEHAVIOR • MIRANDA LAMBERT • MISS MAY I • MISSION TRANSMISSION • MODEST MOUSE • MODESTEP • THE MONKEES • MONSTER TRUCK • MONTGOMERY GENTRY • MOODY BLUES • MOTLEY CRUE • MY CHEMICAL ROMANCE • NAS • NEVEREST • NEON TREES • NEW EDITION • THE NEW SHINING • NICK FRADIANI • NICK JONAS • NICKELBACK • NICKI MINAJ • NICO VEGA • NICOLE SCHERZINGER • NINE INCH NAILS • NKOTB • NO DOUBT • NOAH BENARDOUT • NOEL GALLAGHER'S HIGH FLYING BIRDS • NORMAN BROWN • NOSTALGHIA • O.A.R. • OF MICE AND MEN • OLLY MURS • ONE REPUBLIC • OPERATOR PLEASE • OPETH • THE ORANGE EFFECT • OUR LAST NIGHT • OWL CITY • OZZY OSBOURNE • PALOMA FAITH • PANDORA • PAPA ROACH • PAPER TONGUES • PASSION PIT • PATRICK WOLF • PAUL BRANDT • PENNYWISE • PENTATONIX • PETER GABRIEL • PETSHOP BOYS • PHANTOGRAM • PHARRELL WILLIAMS • PHILLIP PHILLIPS • PHOENIX • PIERCE THE VEIL • P!NK • PITBULL • PIXIE LOTT BAND • THE PIXIES • POLARIS AT NOON • POP EVIL • POST MALONE • THE PRETTY RECKLESS • PRINCE BAND • PRINTZ BOARD • PROFESSOR GREEN • PUFF DIDDY • PUNCH BROTHERS • PVRIS • PUSCIFER • QUEENS OF THE STONE AGE • R. KELLY • R5 • RACHEL CROW • RAE SREMMURD • RAMMSTEIN • RANDY HOUSER • RASCALL FLATTS • RED LINE CHEMISTRY • RICI JO • RICKY MARTIN • RICO LOVE • RIHANNA • RISE AGAINST • RITA ORA • ROB THOMAS • ROBBIE WILLIAMS BAND •
ROCK OF AGES ON TOUR • RODNEY HOWARD • ROGER WATERS’ THE WALL TOUR • THE ROLLING STONES • RUMMER WILLIS • RUSH • ST. VINCENT • ST. LUCIA • SALIVA • SAM HUNT • SAM SMITH • SAM WARSHAW • SAN CISCO • SANTIGOLD • THE SATURDAYS • SAVING ABEL • SCISSOR SISTERS • SCORPION • SCOTT STAPP • SEAN ALEXANDER • SEBASTIAN BACH • SEBASTIAN INGROSSO • SEETHER • SEGARRA • SEIGMEN • SELENA GOMEZ • SEVENDUST • "SGT. PEPPER LIVE" FEATURING CHEAP TRICK • SHAKIRA • SHARON AGUILAR • SHANE DUNCAN BAND • SHEILA E. • SHEILA MAJID • SHINEDOWN • SIA • SIGUR ROS • THE SILVER BULLET BAND • SILVERSUN PICKUPS • SIMMONE JONES • SIMONE BATTLE • SKIP DORSEY • SKYLAR GREY • SLASH BAND • SLAYER • SLIPKNOT • SMASHING PUMPKINS • SMOKIE • SOCIAL DISTORTION • SOIL • SOLANGE • SONATA ARCTICA • SONGA LEE • STAIND • STARSHELL • STEEL PANTHER • STEELY DAN • STEREO SHOUT OUT • STEVE AUGERI • STEVE RODRIGUEZ • STEVE VAI • STING • THE STONE ROSES • STONE SOUR • STRATOVARIUS • THE STRUTS • STRYPER • SUBLIME WITH ROME • SUEDE • SULLY ERNA BAND • SUM 41 • SYSTEM OF A DOWN • T.I. • T-PAIN • TALA • TAME IMPALA • TANK • TAYLOR BURRISE • TAYLORED • TEARS FOR FEARS • TEEL MERRICK • TEI SHI • TENACIOUS D • TERRY ILOUS OF GREAT WHITE • TESTAMENT • THEFT • THEOPHILUS LONDON • THE TEMPER TRAP • THREE DAYS GRACE • TIMBALAND • TIM MCGRAW • TIM OWENS • TIMBALAND • TINASHE • TOOL • TONIC • TONY SAVAGE • TOOL • TOTO • TRACE ADKINS • TRAIN • TRAVIS BARKER • TRAVIS TRITT • TREY SONGZ • TRILLIUM VEIN • TRISHA YEARWOOD • TRIVIUM • TWENTY ONE PILOTS • TWO DOOR CINEMA CLUB • TY DOLLA $IGN • U2 • UNION J • THE USED • VAIN • VAMPIRE WEEKEND • VAN HALEN • VANCE JOY • VINCE STAPLES • VIRUS • THE VOICE TV SHOW 2011, 2012 • VOLBEAT • WALT DISNEY WORLD • THE WANTED • THE WAR ON DRUGS • WARRANT • WE ARE THE FALLEN • THE WEEKND • WEEZER • WELL HUNGARIANS • WHITESNAKE • WIZ KHALIFA • THE WHO • WILD BEAST • WINTERSUN • THE WOMBATS • X FACTOR • X-JAPAN • YOUNG GUNS • YOUNG THE GIANT • YOUNGBLOOD HAWKE • YOUTH LAGOON • ZAC BROWN BAND • ZAYN MALIK • ZELLA DAY • ZZ WARD • AND MANY MORE...