ChurchTechArts is a terrific blog that is dedicated to advancing the cause of the local church tech. Showcasing the length and breadth of live production in the church, they cover sound, lighting, video, presentation, leadership, training and staying healthy. We we lucky enough to sit down with Mike Sessler, the creator and pick his brain about a wide variety of topics.» read more
Mike Williams is a composer, drummer, multi-instrumentalist and DJ who has worked and played with the likes of Samantha Ronson, The Teddybears and Nancy Boy to name just a few. He’s now a member of Camera 2 and recently made the transition to IEMs with UE Pro. We wanted to get an idea of Mike’s musical history and also his perspective of what it was like to finally make the switch to IEMs and get his thoughts on how it’s changed how he approaches performing.» read more
Ultimate Ears wants to thank Marcel and everyone at Audique for their continued support of all these years! Their enthusiasm, attention to detail and genuine desire to please customers and provide them with the help and support they need is contagious, and It has made them stand out among the best!
Audique was founded by Marcel Peters in 1989 and started with personal moulded hearing protection for the music industry, that tradition continues to this day.
Based in The Netherlands and Belgium, They support 75% of the well known artists in those countries.
Larry Crane is the creator of TapeOp Magazine. For nearly 20 years TapeOp has been a must read for those looking to learn and explore ideas in creative recording. Fittingly, TapeOp got it’s start in the mid 1990’s as a photocopied, hand-stapled magazine with spray painted covers. It has since grown into an audio magazine with the largest circulation of any out there, and, amazingly, it’s still free!» read more
UE University sat down with Matt McCoy of Loop Community in our latest installment. Loop Community is the premiere resource for loops, multitracks and sounds for worship. It also is a phenomenal storehouse of tutorials and training for live performance for houses of worship. The community is exceptionally vibrant as well.» read more
The July issue of DJ times has a great piece about the UE Reference Monitors. I’ve highlighted some of the tasty bits below.
"For studio use, as expected they were superb. I suddenly found it easy to isolate and fix the problems I simply couldn't hear before.
"This is frankly, where I think UE's justify their cost very easily - it's simply very, very difficult for the average producer or musician, working pin a home studio ... attain accurate flat sound. That issue is rendered moot by using IEMs."
"At $1,000 a pair the Ultimate Ears In-Ear Reference Monitors are an investment worth making - especially for home studio producers, remixers and musicians who may not have ideal environments for desktop monitors."» read more
High quality audio deserves high quality sound.» read more
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