Mike Williams is a composer, drummer, multi-instrumentalist and DJ who has worked and played with the likes of Samantha Ronson, The Teddybears and Nancy Boy to name just a few. He’s now a member of Camera 2 and recently made the transition to IEMs with UE Pro. We wanted to get an idea of Mike’s musical history and also his perspective of what it was like to finally make the switch to IEMs and get his thoughts on how it’s changed how he approaches performing.» read more
Ultimate Ears wants to thank Marcel and everyone at Audique for their continued support of all these years! Their enthusiasm, attention to detail and genuine desire to please customers and provide them with the help and support they need is contagious, and It has made them stand out among the best!
Audique was founded by Marcel Peters in 1989 and started with personal moulded hearing protection for the music industry, that tradition continues to this day.
Based in The Netherlands and Belgium, They support 75% of the well known artists in those countries.
Larry Crane is the creator of TapeOp Magazine. For nearly 20 years TapeOp has been a must read for those looking to learn and explore ideas in creative recording. Fittingly, TapeOp got it’s start in the mid 1990’s as a photocopied, hand-stapled magazine with spray painted covers. It has since grown into an audio magazine with the largest circulation of any out there, and, amazingly, it’s still free!» read more
UE University sat down with Matt McCoy of Loop Community in our latest installment. Loop Community is the premiere resource for loops, multitracks and sounds for worship. It also is a phenomenal storehouse of tutorials and training for live performance for houses of worship. The community is exceptionally vibrant as well.» read more
The July issue of DJ times has a great piece about the UE Reference Monitors. I’ve highlighted some of the tasty bits below.
"For studio use, as expected they were superb. I suddenly found it easy to isolate and fix the problems I simply couldn't hear before.
"This is frankly, where I think UE's justify their cost very easily - it's simply very, very difficult for the average producer or musician, working pin a home studio ... attain accurate flat sound. That issue is rendered moot by using IEMs."
"At $1,000 a pair the Ultimate Ears In-Ear Reference Monitors are an investment worth making - especially for home studio producers, remixers and musicians who may not have ideal environments for desktop monitors."» read more
High quality audio deserves high quality sound.» read more
If you happen to be in the Anaheim area this week, please swing by the NAMM Show and visit us. We'll be offering complimentary impressions, repairs on site, special pricing, 15% off Astell & Kern products when you make a custom in-ear purchase, and so much more! Here are the details When:Jan 23-26, 2014 Where: The Anaheim Convention Center, Hall C booth 4150 Would love to hear your favorite NAMM stories. Please use this thread to share. Looking forward to seeing you there.» read more
We've been a strong part of the community since 2005 and we're ready to get even more involved. We now have a dedicated Sponsor Page and we are going to use it to share all of our exclusive content. Since we are first and foremost a live sound music company, we have unfettered backstage access. Every month, we'll post new interviews with sound engineers and music industry insiders. We'll share music tips and we'll talk about the latest in-ear developments. We'll also answer any and all of your questions about our products and we'll help with any other questions you may have. This is our way of giving back to the community and of saying thanks! We couldn't have done this without all of you! See you at the next meet.» read more
Whether you are using your in-ear monitors for stage use, for mixing and mastering, or for simply listening to and enjoying music, I’m about supercharge your user experience. The secret that I’m about to tell you will make your in-ears sound even better. And this is completely independent of whichever make and model you are using. Plain and simple. If you want to enjoy your monitors even more and develop an even greater understanding and respect for the technology, then practice ear training exercises. The better that you can hear notes and frequencies, the more you will enjoy what your monitors are capable of doing.» read more
The UE-18's made the 2013 Recommended Components. The 18 Pro is a three-way, in-ear, custom-mold design with six balanced armatures: two each for the bass, midrange, and treble, the latter allowing the 18 Pro to have the most extended top end of any UE model. It combined clean, airy highs with a smooth, detailed midrange and deep, well-defined bass. "Its ability to play low frequencies at high levels with minimal distortion is unmatched by other in-ear "phones, and the clarity and smoothness of its midrange is Class A," said JA.» read more
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