PICS!
post #16 of 220
1/6/05 at 4:43am
Be a part of the community.
It's free, join today!

| John, be wary of any stepped attenuator with the woo, you'll spend a lot of time in the 5-6 o'clock range. |

|
Originally Posted by jamato8
Now to the sound of these changes.
After the above change and as the hours went by, the amp opened up more and more. Layering increased with the recording space being reproduced in a more and more convincing manner. I was listening to Diana Krall, “All For You”, noticing the subtle changes in her voice and her palpable presence. Saxophone on my jazz recordings has a throaty and tangible quality. I have also noted that the depth and width of the recording landscape increased, much to my listening pleasure. Bass impact has increased and the perception of “speed” in the leading edge of notes and of the plucked string gained in realism and tightness. John |
|
Originally Posted by jamato8
Worthless is pretty strong. I built my preamp with a basic explanation that I drew a schematic from. But I have also received much information that was in either email form or on another forum that never had a picture and was useful.
You need to get a schematic of the amp, look at it. and figure some of this out. It is not hard once you put your mind to it. Many people can go by an explanation, some need more. We are all at different levels and sometimes a stretch is good. John |
Some of your comments on the blackgates has wondering what they would do for my singlepower mpx3.
By the way, I have managed to get a friend to build me some octal to loctal adapters so I can try some 7/14n7's in my singlepower. I am going to use a true 14 volt power supply and see if this doesnt help the 14n7's hold up better. I suspect that 12.6 volts may allow them to draw a little more current than they like to handle and it makes them get noisy.