Interesting. It looks like the knob has the same finish, so is that acrylic too?
post #5491 of 9134
8/2/09 at 11:15am
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Interesting. It looks like the knob has the same finish, so is that acrylic too?
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Linuxworks,
The macro mode on your camera is outstanding. What are you using in terms of equipment (if you do not mind me asking). I realize lighting plays a big part, but the lens you are using is superb at close range. |













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thanks
![]() I shoot olympus slr bodies (e3, mostly) and oly lenses. the last set were from the zuiko (oly branded) macro 50mm f2.0 lens. its one of the sharpest lenses you can get for an slr. basic idea is to use a tripod and self-timer for the shot and use available light, never flash! use live-view on your camera (a must-have for this kind of work)a and move the lighting around while watching for 'bad reflections' in the subject. set the f-stop to the highest numbered one then back off 1 or 2 clicks. that gets you a good depth-of-field (but in these shots I *wanted* the background blurry, so I picked a middle f-stop). don't over expose! if anything, under expose by .3 or even more. fixup a lot of the lighting in a 'shadow/highlight' tool (cs2 has a good one). that will tone down or compress the highlights so they 'fit' inside a normal lcd screen's limits. if you didn't get enough light on dark areas, use the s/h tool and open up the shadow areas slightly. if more work is needed, use dodge/burn tool. most images can benefit from de-noising. I use neatimage as a visual noise killer. finally, after you resize to 'print' or web display, THEN you want to do your final sharpening pass. I sometimes use unsharp mask or 'smart sharpen'. an advanced tech (somewhat tricky) is to set an intentionally slower shutter speed and then do 'light painting' with a handheld flashlight or some light soruce and while the shutter is open, move the light around to 'hit' the hard to see areas. you can also use this to soften shadows by keeping the 'flying lights' (as I call it) moving. note, make sure you don't have a bouncy floor or all the 'activity' would cut down on the sharpness of the image (shaking of the tripod). |
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I'd highly recommend that anyone thinking of using FPE at least check out Front Panel Design and Fabrication Custom Front Panels - similar service, can accept FPE files, turn-around is half the time and for those of us on the East Coast shipping is way faster and less expensive.
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Unless they take some major steps to improve their quality control I would strongly suggest avoiding Cam-Expert.
![]() Edit: In case you are wondering this is the third (and last) time I have received panels that look like this from them. |
