awesome, thanks for the replies. Kind of what I was thinking, but just wanted to see the general consensus on how much "purity" people detract from things that are EQ'd. Enjoying my music all the same!
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Is EQ adjusting "cheating"? - Page 2post #16 of 2510/5/13 at 3:29pmThread Starter
Head-Fi's Best Sellerspost #17 of 2510/6/13 at 2:13amI tend to leave the eq settings alone on my PC using my zxr as my headphones offer a flat response. Which to me is the best for games as the dev intended.
But on my Denon receiver I have my Audyssey XT room calibration active. Its an advanced dynamic eq that scales with the sound volume and or/source. My living room is odd so it calibrates everything based on my room geometry and distance from speakers. It adds a bit more bass however it goes off of THX specs from what I've read so its similar to a movie theatre calibration.
In this regard an eq was necessary. For headphones not so much.
But like everyone has stated, your preference is the biggest judge. No such thing as "cheating" in sound.
Edited by DJINFERNO806 - 10/6/13 at 2:14ampost #18 of 2510/6/13 at 7:40am
EQ can make a huge difference (positive or neg.)...all personal preference. I prefer a flatter frequency response.
BTW, here's a related thread in Sound Science...(is 80% of Hi-Fi just EQ?):post #19 of 2510/7/13 at 8:46am
Very good responses in this thread. IMO it's really down to one thing, do what pleases you the most! If you prefer the sound of your system EQ'd, by all means do it!
I used to EQ all my headphones but then I got Q40 =) So then I know I what kind of balance I prefer but it still depends on source and amp it's paired with, with some sources/amps it will not sound good to me, while others will. It's such a complicated hobby... I prefer ofc getting a system which doesn't need any EQing to sound ideal but if you have one that doesn't without the EQ, by all means do it!post #20 of 2510/8/13 at 2:11amEven if you have a perfectly flat and neutral output from some megabuck audio system, there is always EQ going on.... as the sound flows through your ears! Higher frequencies in particular. So you might as well adjust it to your liking. Just don't go crazy with it; keep the EQ curve smooth, subtle and balanced, no crazy double digit dB spikes.
Edited by gevorg - 10/8/13 at 2:13ampost #21 of 2510/10/13 at 3:01pmQuote:Originally Posted by Ari33
Nothing wrong with using EQ or DSP if it is perceived to improve things for the listener and don't let anyone tell you otherwise. That said, I usually do try to avoid EQ'ing when using headphones (Hardware tone controls are the one exception of course).. unless I feel I have to with a poorly mastered recording or overly coloured gear as I find it also brings it's own impurities to the sound, a harshness or even distortion in extreme cases... am I alone in this?
DSP is a tool I may use with certain tracks to try and add a bit of soundstage to a poor recording. If more music producers spent more time setting up for recording/mastering like they do for live bands (I concede that it's not feasible due to the very nature of pop music, sadly) we would have much less need for either of them . One track springs to mind, a particular recording of 'downstream' by ocean colour scene. It was recorded live in a studio and the Mic pick up points were obviously very well situated as the stereo width and instrument separation offer the listener a near perfect listening experience that I've heard, no DSP could ever get even close to replicating it. I gave my non-audiophile friend a listen to it through my TF10's, he was transfixed and listened to the whole song with his mouth open, afterwards was asking about my gear and how it could sound so incredible. I explained that my DAP, Neutron and TF10's were only a small part of it, it's just that they rarely record/master music that way these days.
It would be nice to hear of other other similarly well recorded tracks from fellow Headfi'ers?
May I ask if it was the BBC recording or something else? I'm really interested.
Edited by Nachash - 10/10/13 at 3:06pmpost #22 of 2510/12/13 at 6:29amWhether it's to achieve high fidelity or just to get the sound you want, if you use EQ with appropriate equipment and then take on an "audiophile" going for the "pure" sound and doing "component matching" to get his preferred sound, well, that's cheating, just like it's cheating to take on a swordsman with a machine gun You can achieve results simply not possible without EQ, and do it for a fraction of the price. Want to smooth out all those fatiguing resonance peaks in the treble that are simply an acoustic fact of life with headphones? Sure! Just find the center frequency and peak loudness with Sinegen and dial it down with Electri-Q. Want an impossible combination of unreal subbass extension and complete lack of midbass bloat? Take a basshead can and dial down the midbass and you're set! The list goes on... So yeah, EQ is cheating... and it feels ooh so good to get away with cheatingpost #23 of 2511/8/13 at 4:00ampost #24 of 2511/8/13 at 4:32am
Yes, I use EQ as well especially when using speakers. Room treatment here is important but it can only go so far. There is nothing wrong with adding or taking away a bit off bass if that's how you prefer the sound. As far as speakers go the function of a crossover network is similar to EQ in that sense everyone is using it all the time. I am currently using Amperiors straight out of my macbook when traveling and like to turn the bass up a little. They just sound better to me that way.post #25 of 2511/8/13 at 4:42amOk in the interim, heads up! There is a fantastic parametric EQ app in the App Store, simply called, Parametric Equalizer.
You can learn a lot from playing around with this, and it is extremely flexible, with ten channels you can set at any frequency center point and the ability to EQ up/down 25db (!) from that center point.
It would great if you could adjust the width of the bands, too, that's another fundamental capability in a top-notch parametric equalizer; not present in this app at this point, though.
Equalization can potentially introduce some distortion into the sound, smearing transients and affecting phase coherency (this is why really high-quality P-EQs ain't cheap!); however, for the most part, they can really give you some excellent control over taming (preferable to boosting) frequency regions that have been overemphasized either in the recording or the design of your transducer (speaker, headphone, IEM).
Just remember that it's always a trade off, and balancing act. But more user control is good; you will learn, among other things, with a parametric EQ precisely which frequencies do what to your sense of the overall musical spectrum, and more knowledge here means more pleasure and less random and potentially expensive/wasteful guesswork.
Also remember that EQ will never fix what's broken; it can sculpt, gently, but it won't perfect what's wrong either in the recording or in the limitations of your signal path and final transducer. Everything added to that path, even in the realm of digital, adds complications that inevitably show up as some kind of distortion and signal loss.
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- Is EQ adjusting "cheating"?
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