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¿Beats Tour or Klipsch s4??

post #1 of 22
Thread Starter 
Hi, I want buy one of these earphones, and I was wondering which one are the best?..so ¿which should I buy? which one has better bass? ¿which sounds  louder? the genres that I listen are Rock, Trance, Psychedelic and Hip hop.
thanks 
take care
post #2 of 22

NEITHER

post #3 of 22
Thread Starter 

why? xD

post #4 of 22

Because you can get much better for what you would be spending on either of them.

post #5 of 22

If you are set on those 2, the Klipsch S4 sounds better than the Beats Tour and are cheaper. 

post #6 of 22
Both can be beat by $10 headphones. Skip them.
post #7 of 22
Quote:
Originally Posted by thoughtcriminal View Post

Both can be beat by $10 headphones. Skip them.

You are over exaggerating a bit. Beats, yes, Klipsch no.

The Klipsch is alright for their price and can be had for as low as $35 sometimes. At that price, it is pretty good. 

post #8 of 22
Quote:
Originally Posted by lin0003 View Post

You are over exaggerating a bit. Beats, yes, Klipsch no.
The Klipsch is alright for their price and can be had for as low as $35 sometimes. At that price, it is pretty good. 
Am I?
Here are some reviews from IjokerI's IEM thread
klipsch s4
Sound (6.7/10) – Coming from the RE0 these seem colored and very heavy at the low end, lacking in clarity and behind slightly in detail as well. After some solitary time with the S4, I think that they are interesting earphones that deliver heavy bass impact, clean mids, and decent treble. The bass can be too powerful and boomy for my liking, but that’s more of a personal issue - at least they don’t give me bass headaches. It’s not quite as tight as I would like, but can’t really be called bloated either. I can see why this bass has mass appeal – it can easily satisfy the bass junkie without offending the audiophile. There is a very small amount bleed into the midrange, which is smooth and articulate, if a little off-neutral (leaning towards warmth) and slightly thin. The treble that the S4s put out is the weak point for me – it lacks the sparkle and smoothness of the RE0 and (even after 200 hours) still sounds somewhat harsh and sibilant. Soundstaging is decent enough but can hardly be called spacious and individual instruments can sometimes be harder to pick out than I would like.


Beats Tour
Sound (6.1/10) – Being familiar with Monster’s Turbine line as well as the Jamz & Lil’ Jamz, I was hoping that the Beats Tour would stick closer to the original Turbines in signature, especially since the two earphones share a price point. Unfortunately, the Tours, with their highly colored, aggressive signature, are far more similar to the Lil’ Jamz than any of the other Monster earphones. Also like the Lil Jamz, the Beats are less forgiving of a poor seal or shallow insertion than the Turbines or regular Jamz and do not sound their best with the narrow-channel silicone tips that Monster includes – aftermarket silicones such as Sony Hybrids are better. With good tips and a proper fit, the beats are still brighter and more colored-sounding than the Turbines but at the very least show improvement over the signature of the Lil’ Jamz.

The low end of the Beats is extremely strong, putting out more mid-bass than the Turbine but with a touch less impact than the Eterna. The Turbine is slightly more controlled and textured as well but the difference isn’t great. Sub-bass extension is there but the sheer amount of mid-bass often overshadows the low rumble that earphones such as the Hippo VB portray accurately. Detail is closer to other mainstream bass-heavy earphones, such as the Thinksound TS02, but lags behind the Eterna and VB. Ironically, though the Beats are marketed as ‘High Resolution’ earphones, resolution is one of the many things they could use more of.

There’s a small amount of bass bleed distinguishable in the lower midrange but on the whole the mids are crisp and clear. Clarity is slightly better than that of the Turbine and Thinksound TS02 – two earphones that are also significantly warmer than the Beats. Detail is lacking slightly in comparison to the Turbine but the Beats are fairly aggressive and push the detail they do have on the listener, appearing more revealing than they actually are. There is unevenness in the upper midrange and lower treble, resulting in a lot of treble sparkle but also quite a bit of harshness and occasional bouts of sibilance. The Turbine actually has slightly more emphasis on the upper midrange but maintains its composure better and sounds far smoother than the Beats on the whole. Expectedly, the Beats can be fatiguing at times, especially for those with a low treble tolerance. Upper midrange peaks aside, the Beats have surprisingly competent treble – not particularly detailed or textured but with good presence across the range and surprising clarity.

Presentation, however, is where the Beats fall quite flat for me. Despite the plentiful treble sparkle, there’s a slight lack of air, making the Beats sound stuffier than the Thinksound TS02 or Phiaton PS 20. Soundstage width is average but the Turbine still sounds a bit less closed-in. Of course next to an earphone with a truly out-of-the-head soundstage, such as the Eterna or PS 20, the Beats sound quite narrow, but that’s expected. Soundstage depth is average for an earphone in the Beats’ price bracket as well but the separation leaves a lot to desired – layering is quite poor and the presentation of the Beats is somewhat similar to the ‘wall of sound’ that I ran into recently with the Skullcandy FMJ, albeit not as forward and far less offensive on the whole. As a result, the Beats are not ideal for busier, denser tracks – classical, big-band jazz, and heavy metal are clearly not genres Monster had in mind when tuning the earphones. In addition, the heavy coloration of the earphones throws off the timbre – the Thinksound TS02, Turbine, and Eterna all make instruments sound more natural. Lastly, it should be noted that the Beats Tour are more sensitive than either the Jamz or the Turbines and exhibit hiss with some of my more poorly-matched sources, which came as a bit of a surprise as even the top-of-the-range Turbine Coppers do a good job of suppressing hiss


Compared to a $7 IEM, the mono price 8320
Sound (7.5/10) – Monoprice specializes in sourcing cheap, high quality parts and offering reasonably-priced alternatives to brand-name products. When it comes to audio quality, the MEP-933 does exactly that, rivaling far more expensive earphones in traits such as balance, detail, and clarity. The bass of the MEP-933 is punchy but far from overblown - I would even hesitate to call the earphone ‘bass-heavy’. Bass quantity is more in line with sets such as the Brainwavz Beta and MEElec CW31 than bassy IEMs like the Dunu Trident and Soundmagic E10. The low end offers good speed and resolution but doesn’t have the greatest depth. Sub-bass lacks texture and fails to portray individual notes well compared to higher-end sets, especially at lower volume levels. Partly to blame are the MEP-933’s average dynamics, which result in a mild case of ‘one-note’ bass. There is also a bit of reverb audible in the plastic housings, not unlike what I experience with Sennheiser's IE-series earphones.

The midrange of the MEP-933 is crisp and clean - not just for the asking price, but even next to high-end sets. Detail levels are good and though the bass is slightly boosted, the mids are not notably recessed considering that the presentation is distancing on the whole. Vocals are prominent, if a bit thin – those who prefer a thick or lush sound will probably be better off saving up for a Dunu Trident or Xears set. The MEP-933 is still slightly thicker than the Brainwavz Beta and lacks a bit of the detail and transparency of the latter. It is much smoother, however, especially moving up into the treble region.

The top end of the MEP-933 is low on sparkle and not very revealing, but not laid-back enough for the earphones to sound dark. Resolution is decent and the MEP-933 is smooth and reasonably well-extended – more so than many pricier earphones. There is a bit of smearing when things get fast and heavy on the cymbals but nothing to complain about with a lower-tier product. Indeed, minute issues with the bass and treble being noteworthy is a testament to how solid a performer the Monoprice is on the whole.

And the Phillips she3580 sounds even better. I got mine for $5
Edited by thoughtcriminal - 3/28/13 at 10:21pm
post #9 of 22

I would say to try them out at your local audio store first before you buy. I do admit that there are many better IEMs for the money though. 

post #10 of 22

..you should also note that joker likes his iems trebly and sparkly :D kinda opposite of what the original poster presumably wants for his genres of choice.

I had both Monoprices and S4, and S4 is IMO far better for rock, trance, psychedelic and hip hop. Monoprice is (IMO) better at classical/baroque music, acoustic stuff and vocals. One other thing: S4 is (for me) far more ergonomic (fits my small ears better and keeps seal better) then Monoprice; Monoprice is PIA for proper fit. On the other hand, you can't beat its price :)

post #11 of 22
S4 is crap.
she3580,GR02,FX101,E10…
countless options srsly
post #12 of 22

ive tried the s4 2's to see what all the fuss was about as the s4's have gotten alot of great reviews... however i didnt find them to be all that great.i got mine for 10.00 off ebay they had a bad jack. reterminated the jack and they work perfectly for the price i paid they arent bad headphones. but definitly not worth the 100.00 msrp

post #13 of 22
Thread Starter 

then..¿which earphones do you recommend me? ¿what do you think about the shure se215? ¿these are better than s4 & Tour?

post #14 of 22

They are miles ahead, but once again, we meet the problem of the possibility of better IEMs for what you would spend on the se215. Just not to the same degree as the s4/beats and it is more debatable depending on your preferred sound signature.


Edited by thesuperguy - 3/29/13 at 10:26pm
post #15 of 22

Yea you could do better, But I have got my Klipsch s4i and s5i at a huge discount, but they are mainly marketed towards consumers who listen to skullcandy and other "crap" headphones. I got some V-MODA REMIX remote, which goes low as $35, destroy klipsch. Their low end is phenomenal, but is more towards EDM and other Bass heavy music. 

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