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WOO-HOOOO... WA7 "fireflies"!!! - Page 28

post #406 of 407
Quote:
Originally Posted by Currawong View Post

 

Listen for a week or two then switch back to what you had before. That can sometimes be more dramatic. Another thing, which was one of my first experiences with higher-quality hi-fi than what I was used to is that the better clarity isn't a dramatic experience. If anything it can be an anti-climax. It's not the same as going from cheap IEMs to ones with great, thumping bass, which is very noticeable. Some people buy different or better headphones or gear for the greater thump in the bass, others (like myself) for clarity (and maybe a bit of an extra kick in the bass too sometimes). Better gear will not have any harshness that makes listening for long periods irritating, which some cheaper gear has. Good gear makes you stop thinking about the gear and notice the music. 

 

That is an excellent description that my own experience mirrors. Greater clarity, lower distortion, reduced or eliminated listening fatigue. Then listen to lesser gear and the loss of those attributes is more dramatic. I have been spending much more time recreationally listening to my library since putting together the WA7 and T90 combination. Alternate for me is WA3+ with 2399/5998 tube and either T90 or HD800. So much music, so little time. I record and edit voice as part of my day job and spend a lot of time working using Benchmark DAC1, Violectric V800 and V200 with various headphones. Very sensitized to listening fatigue. Until the last couple of years and the dramatic improvement in headphones and amps, I could not listen recreationally after ten hours of audio work day.

post #407 of 407
Quote:
Originally Posted by Currawong View Post

Quote:
Originally Posted by reddyxm View Post

Honestly, I don't know I can justify these purchases because it was not a night and day difference to me. Perhaps its because my ears are untrained and I don't know what I should be looking out for? Most of the time I'm listening to music while working on my computer so I won't notice every detail unless I'm concentrating only on the music. From lurking around these forums, I've learned that sound is subjective from person to person. I wish sound was as blatant has computer graphics settings low, medium and high. But one thing for sure I can say is that I definitely like open headphones over closed. I've had a pair of high end gaming closed headphones before and I hate the way the sound echos.

Listen for a week or two then switch back to what you had before. That can sometimes be more dramatic. Another thing, which was one of my first experiences with higher-quality hi-fi than what I was used to is that the better clarity isn't a dramatic experience. If anything it can be an anti-climax. It's not the same as going from cheap IEMs to ones with great, thumping bass, which is very noticeable. Some people buy different or better headphones or gear for the greater thump in the bass, others (like myself) for clarity (and maybe a bit of an extra kick in the bass too sometimes). Better gear will not have any harshness that makes listening for long periods irritating, which some cheaper gear has. Good gear makes you stop thinking about the gear and notice the music. 

The trick for testing gear comes down to understanding the flaws inherent in what you're trying to do. For a start, you can't just flip a switch and go from A to B instantly so you can't do a comparison between the two directly. As such you are left comparing mental impressions which is extremely difficult. Make your job easier by choosing a set of songs you're familiar with, preferably with instruments that you are familiar with, and then listen to that playlist for a few hours. Make notes about where it's harsh, where it's flat, where you hear things just on the edges. Write down your impressions but also let yourself just feel the music. Then do it again with the new components. Listen to the same songs, do you hear those fringe instruments and sounds? Are they more or less pronounced? Should they be?

When I got my first set of really nice headphones I was listening to a track that I was used to being quite harsh at one point. I got there but instead of harsh it was just clear and smooth. No pain. It was beautiful. Then, later, in another song I heard an oboe in the background that I'd never known was there. This from a song I'd heard hundreds of times before.

Of course, the down side was that all my bad audio sounded equally worse as the good stuff sounded better. Which is why almost all of my audio is now lossless, some of it is high res and none of it is below 256 kbps.

And I'm still looking to improve.
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