Quote:
Originally Posted by
jadawgis732 
Yeah, so I'm looking at the Colorfly C4 (~$700), and the Hifiman HM-602 ($399)... I suppose I should've mentioned affordable. (Don't take any of this as unappreciative for your post and advice, I just can't fathom the cost these guys are charging.) I really would rather not have to tote around something like a Fiio E11/E17 along with my phone, but I guess that's the state of affairs in this market.
Here's the thing - you don't always need to actually listen with the extra DAC-Amp. Find a nice earphone that's efficient (and take it from me - check reviews to make sure it won't hiss with your phone), and use that on the go. Then when it's an extended trip, then most likely you'd have at least one bag with you, you can cram the DAC-Amp and maybe a headphone that folds flat (or a custom-fit IEM that needs cleaner power) in that bag.
On the expensive DAPs, I know what you mean. I'm more into in-home listening, given I won't be listening critically when I have to mind not getting run over on the street or not missing any public announcements at an airport, so when we're talking that kind of money I'd rather buy AC-powered, stationary gear, given the battery limitation and most of these don't sound "right" by my ears. The HM602 for example is tonally a lot like my old DAC-AH and Marantz CD60, which isn't surprising given they use the same old Philips DACs, but the longer I listened the more I realized it was lacking dynamics. The S:Flo surprised me a lot on first listen, but then all the issues about people getting lemon units (like the one that heats up too much while listening, then it died; among many others that just died too soon and warranty processes sucked), just made the 8hr battery life seem trivial by comparison.
That said, I was impressed by the DX100. Not impressed enough to buy one, despite having it for two weeks, but I have to say two CDPs (one more expensive, the other just a bit less) I compared to it couldn't beat it in my book. Class A output going into my Cantate.2 aside, the Rega just seemed too soft in the treble and upper bass that seemed artificially boosted (on my HD600, but not as much on the Focal Chorus 706 they had in the store); while the Cambridge 640C was staging the percussions too far forward - in my head, actually, while the rest were noticeably behind that. The DX100 was unremarkable in a good way - no single characteristic or frequency range gets all your attention but nothing annoyed me either. Plus it made going around a meet a breeze - instead of borrowing other people's headphones to try with my gear, I just sit by their table with the DX100. $800 is still a lot of cash though and I'll probably just get an Emotiva ERC-2 or Aune S1; I just haven't decided yet and my HT is priority for now.
OR you can always just wait for the Fiio X3. I thought I was past that with the Galaxy S, but given my S3's hiss and its battery life (and I'm not about to scratch it swapping out batteries - I was that clumsy and impatient with my older phone), I started following that thread again.