Quote:
Originally Posted by
kwitel 
Bigshot-excellent reply/reco as usual but I think this may overwhelm me a bit. Even though its dirt cheap I am am going to see fi I like any other works and hten come back and get this in the future. Thanks again.
LV-points taken and thank you for the recos.
So does Baroque tend to not focus on melody? I am a pure Romantic/post-Romantic/Modern listener and know very little about the Classical or Baroque periods.
That said, I am by no means looking for the "easier to understand" pieces as I listen to quite a bit of complex music and have been for some time and as a result, welcome a good challenge.
I do think it would be best to start with some of the more melodious pieces, if that is indeed what you listed above.
Much of Baroque works do focus on melody. But Bach was unique because he often composed pieces that were simply a combination of form, rhythm, and harmony.
Start with the "easier to understand" pieces and narrow them down. This is simply to develop an affinity for Bach's music. A lot of complex music also happens to be mostly arbitrary as well but with Bach, this is never so. The reason why his keyboard works are the least accessible are:
1) contrapuntal (many voices) - the clarity of the voices depends largely on the performer's technical abilities and the limitation of the instruments. Believe it or not, both are huge restrictions towards understanding Bach, especially the latter. To love Bach, one must use his/her imagination and look beyond the performance itself, for that really is the essence of Bach's abstract art. It's like looking at an incomplete jigsaw puzzle... if you try hard enough you can imagine what it would look like in its complete form.
2) harmony - there is always some kind of immediate harmonic effect that Bach intended, which means that the listener has to listen vertically. Of course, there is also the difficulty of listening to his music horizontally, hearing how one voice interacts with another. A lot of performers do not do a great job conveying this horizontal motion, focusing too much on the unweaving on the harmony. Once again, the listener is left to imagine this motion.
By the way, I just realized the Swingle Singers' rendition of various Bach works are a great way of listening to his music.
Oh and every beginner needs to be introduced to BWV 565 Toccata and Fugue in d minor: http://www.youtube.com/watch?v=ho9rZjlsyYY&feature=fvwrel
It's not fully proven that Bach composed this piece but if he did, he was around 18 years old.
Edited by Lord Voldemort - 11/11/12 at 3:07am