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The diary entries of a little girl in her 30s! ~ Part 2 - Page 1349
Gear mentioned in this thread:
I dub 2013 The year people who did good things before and then seemingly disappeared all coincidentally did pretty good things this year.
A short list of acts we hadn't heard from in a long time all shipped new -- and often very good stuff this year. This only covers the things I have and liked, which isn't even everything done by somebody once-notable this year.
My Bloody Valentine -- I kind of wax hot and cool towards m b v at times, but it's better than it had to be and certainly a better Next MBV Album than anybody deserved. They were missed during their decades-long break, and fortunately it doesn't seem to have lost them their edge.
Boards of Canada -- I still stand by calling Tomorrow's Harvest nightmare fuel. If they were on a trajectory towards darkness from Music has the right to children through The Campfire Headphase, their course had continued unchanged over an eight year break. It's brilliant and difficult to listen to.
Grant Hart -- I was originally cool towards The Argument but it's really grown on me; I don't know if it's a great album but like the only other non-Husker Du album Hart did that anybody seems to remember (Intolerance) it rewards repeat listening in ways that pop albums usually don't. It's not only the best rock album you'll ever hear based on Milton's Paradise Lost, it's the only one you need. Like Daft Punk (below), Hart wasn't as unproductive as the publicity made it sound -- instead it's the ambition and renewed vigor here that grabs your attention.
Daft Punk -- For whatever reason Random Access Memories kept getting slotted as a comeback album despite Daft Punk having shipped new original material at their usual steady pace in the years since their last "real" album. (I guess Tron doesn't count, for whatever reason.) A crazy hybrid of thinking man's disco that careens around the glamorous side of the 1970s with so little irony or cynicism that even the grown-ups who were punk back in the day could get a little misty-eyed. Everybody gossips about Georgio Morodor's turn, but what made me buy the album was the unspoken tribute to Stanley Clarke that immediately followed it.
This isn't even comprehensive, but I've run out of time to continue. Nothing much to say about equipment; I've mostly been away from the audio scene and almost all my listening purchases in 2013 have been recordings, not gear. Happy New Year, folks.
Edited by ardgedee - 12/28/13 at 3:17am
I never really liked river. Her and the doctor never seemed to be much of a couple, even with all the timey-wimey stuff. More like the drunk Vegas wedding you regretted later.
As far as I'm concerned Idris from the doctors wife is still the closest he's gotten to a wife after leaving gallifrey. Him being married to the Tardis just makes so much sense.
I do find it difficult not to ship doc11xclara though. Too dang adorable.
Yea they do have a drunk Vegas wedding feel, it's what makes em cute. But I forget he had a relationship with the Tardis... I do like that couple much better!
River Song exhausts Moffat's vast stores of creativity when it comes to writing female characters: she's a headstrong flirty vamp. Not at all like any of the other female characters he's written.
And since I'm already sharing my petty grievances, I may as well say the character makes me throw up in my mouth. Her first appearance in The Library was actually somewhat intriguing despite the Benjamin Button / Merlin 'living-backward' thing. Who is this mysterious person? But honestly, the flirting that goes on when she's around is not cute so much as vacillating between nails-on-a-chalkboard irritating and sexual-innuendo-in-front-of-children awkward. The "hello sweetie" and "spoilers!" tag lines are just the back that broke the camel's straw. As many commentators have already mentioned, she exists as the living embodiment of bad story arc formatting: the idea that nothing need be handled well now so long as it can be put off for the inevitably disappointing finale. Just wait, it's going to be awesome. I promise. Spoilers!
The 'big reveal' behind her character during the Impossible Astronaut Arc (the low point of the re-launched Who thus far IMO) was awful even by Moffat's standards. Not only that, but Amy's relationship with her is so utterly flat and devoid of... well... anything. She sees her as an adult so she presumably knows she's fine, so hey, no need to worry about the baby she just lost. What does worry her though is not being able to give her husband moar kidz like he wants, and the perception that she's an inadequate wife because of her infertility. Nice one, Moffat.
Also I really can't overstate how un-Who the bit about River Song shooting the Silents with guns and the Doctor's reaction was. This is a guy who wouldn't even let someone on the TARDIS who used a gun. Now you're telling me he'd be in a relationship with someone like that?
I'm just glad they went with an older Doctor for the 12th. It's a bit telling that people wrote into the Guardian complaining about his age. Evidently some folks want Twilight Doctor.
Edited by MuppetFace - 12/28/13 at 7:37am
The episode "The Girl in the Mirror" was a nice one too. I'd love to see Madame de Pompadour return to Doctor Who. Preferably not a Moffat script though...
EDIT: I just read this on the Escapist forums, "River Song is pretty much Cable (they even both have fiery redheads for mothers), and she's just as polarizing as he is." and now I can't get the image of a Liefieldified River Song with a massive gun(that her hands are glued to), pouches and belts everwhere and tiny, tiny feet.
My biggest issue with River is that she's such a darn Mary Sue. Most of the episode with her in them just seem like really bad self-insert fanfiction. She's the distilled essence of why Moffat needs to be heavily edited when he writes a female character.
Edited by Tangster - 12/28/13 at 2:03pm
My biggest issue with River Song is that her character is entirely---%100---based around her relationship with the Doctor. There is nothing outside of that, and so she ends up better completely and utterly flat and devoid of anything in the way of genuine characterization. Everything about her is reduced to "spoilers!"
And Moffat is doing it again with Clara now.
- The diary entries of a little girl in her 30s! ~ Part 2
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