
I did enjoy the pretty pictures though.

Edited by H20Fidelity - 7/31/12 at 11:21pm


I should have the restraint you display. They're just too pretty though!
The rules: open to legal residents of the fifty (50) United States)

Yeah, but the Wizard said it wasn't the case. I shot him an email. It may be a real legal restriction the Wizard wasn't aware of, but it may also be a mere copy>paste mistake.

thanks for the review!
any chance to know more about the design and/or built quality of the Magnus M1? if not confidential, where outside China did he go to, and whom with? same gauge and metals? anything else that makes the M1 a better cable from the standard one other than durability?
thanks

thanks for the review!
any chance to know more about the design and/or built quality of the Magnus M1? if not confidential, where outside China did he go to, and whom with? same gauge and metals? anything else that makes the M1 a better cable from the standard one other than durability?
thanks
I will be doing a small write-up about the Magnus cable. I'll try to get some info about gauge and such. For know, I know that it has a lot more silver content than the stock cable, and that it has kevlar instead of nylon, for added strength. It's also a quad braid so it could be easily balanced with a quick change of the termination.
How would you compare the 4.A to the 8.A? Is it different enough to merit owning both? thank I always enjoyed reading your reviews. btw your review is why I own an 8.A
They are very different, to the point where they almost share nothing in terms of "house sound". The 8.A is warm, full, massive bass, ultra smooth top end, and just obscenely fun to listen to. The 4.A is far more neutral, brutally revealing of bad recordings, lighter and more nimble sounding. It is comparatively brighter (though not "bright" in absolute terms).
I imagine the 8.A being like a massive full-range speaker setup, maybe an Eggleston or some other huge megabuck design. In contrast, the 4.A is more like a super precise monitor like a PSB Synchrony One B. Different presentations, both enjoyable and both very "high-end".
I can't compare the 4.A to the 8.A or 6.A, alas, but I can compare it to the 3.A.
That's a nice comparison - thanks! I appreciate that the 4.A is not just "the 3.A, only better", but that they have distinct personalities. It makes more sense to me that way and gives customers more options.
They are vastly different, but both represent quality.
Internally the drivers are different, the dampers are different, one requires 3 tubes the other two. They both share the TWFK, but they are also different. The TWFK is a "series" and there are different models within the series. In other words, not all TWFKs sound the same.
My TWFK is better than your TWFK.
Just a quick update because I've been getting repeated questions about how the 4.A stacks up to the 1964 Ears V3. And also, oddly enough, how it compares to the older UE11pro.
The 1964 V3 is a great custom IEM. I love it. But as I explained in my review of that model it is very different from the 4.A - to the point where I don't think they are reaching for the same customers. The V3 is more competing with the 3.A for people who want a warm "fun" sounding custom. The 4.A has far more detail, and a much more neutral sound. The V3 is warmer, more smooth, more forgiving. They really couldn't be much more different. I think perhaps the intro pricing on the 4.A ($450) made people assume it was a natural competitor with the V3 (which is $425) but it really isn't. Both companies do good work and are run by very nice people who I have a lot of respect for, but they clearly have their unique house sound.
I don't know why people are curious about the UE11pro but I've received several questions about it. Maybe because it is a quad driver 3-way model? The UE11 is an older design, actually quite nice through the mids and highs. But the lows are bad in my opinion - overly boosted, too much midbass, and bleedover into the lower mids. Whatever good sound they may have is hidden under that messy area. So the 4.A is by far the better IEM. If you love the UE11 and want a similar sound though, the 8.A is just the ticket. The 4.A, though far more enjoyable to my ears, might be a little bass light for someone accustomed to the UE11 sound. The 8.A is so much better than the UE11 it's not even funny...
How about Heir Audio 4A vs 1964Ears V.6 comparison. Seems like those two offer an interesting match-up, both in terms of sound signature and price.
I'm still very happy with my V.3s, but now I'm looking to add something much more analytical and less 'fun' to compliment them. Apparently I've caught the disease that seems to be just short of an epidemic around here. I'm think I'm going to jump into the FrogBeats C4 group buy if that comes off. A bit more money, of course.
On the one hand, I wish I'd seen the 4.A prior to my V.3 purchase. On the other, actually visiting the 1964 facility and demoing the V.3 and the Quads made me much more comfortable with my first foray into custom. Still wish I had picked up the 4.A for the introductory price. That's quite a bump from 450 to 699. Oh well, you snooze you lose :)
It's easy to imagine a world where I first purchased the Heir 4A, then the 1964 V.6, and now I'm trying to resist purchasing the C4. All the while waiting for the first reviews of the CosmicEars BA4.
Yep, I'm clearly infected.