Dreams of New Orleans by Wycliffe Gordon – Chinatown – great separation of the trumpets from each side, and clear separation of the other instruments. A superb musical sounding song. The E12 presentation puts you right in the music. I feel like I’m grooving to the beat.
Greatest Hits by Queen – Bohemian Rhapsody – I had to turn the volume down for this track. The E12 did everything as before, even with voices but as the songs attack changes, the E12 seems to scale effortlessly with it. In fact as the track gets louder, the E12 just exploded with attack.
Thriller by Michael Jackson – Thriller – a classic track. At the start there’s great sub bass in the cemetery. The E12 reproduces the song very accurately picking out all the nuances.
Hit The Road Jack by Ray Charles – an old recording but has a superb toe tapping musicality produced by the E12.
Isla by Portico Quartet – Dawn Patrol – this track really defines just how good the E12 is sonically. The plucking of the bass strings, the deep bass, the other instruments all around too just produce an electric performance.
Fantasie by Nicola Benedetti – The Lark Ascending – the violin playing at the start is leaving goose bumps on me. The violin feels so alive. Airy. The E12 is producing a neutral but emotional sound. Mesmerising too.
Love me by Norah Jones – Norah’s voice sounds superb. Another very musical track.
I Heard Love is Blind by Amy Winehouse – Amy’s voice is so real with such precision on the guitar in the background. In fact the realism of the track is excellent.
In summary, the E12 plucks all the nuances from your music, making it sound alive with toe tapping musicality. It also does seem to have improved with low level bass after 3 hours use. It’s accurate, fairly neutral sounding and packs so much energy that your headphones perform magic.